51 books match the query '1941-' and 4 start with i

cover of I'm Not There

I'm Not There

Noah Tsika

University of Texas Press, 2023

An examination of director Todd Haynes and his Bob Dylan biopic.

As the first and only Bob Dylan “biopic,” I’m Not There caused a stir when released in 2007. Offering a surreal retelling of moments from Dylan’s life and career, the film is perhaps best known for its distinctive approach to casting, including Cate Blanchett and Marcus Carl Franklin, a Black child actor, as versions of Dylan though none of the characters bear his name. Greenlit by Bob Dylan himself, the film uses Dylan’s music as a score, a triumph for famed queer filmmaker Todd Haynes after encountering issues with copyright in previous projects.

Noah Tsika eloquently characterizes all the ways that Dylan and Haynes harmonize in their methods and sensibilities, interpreting the rule-breaking film as a biography that refuses chronology, disdains factual accuracy, flirts with libel, and cannibalizes Western cinema. Fitting the film’s inspiration, creation, and reception alongside its continuing afterlife, Tsika examines Dylan’s music in the film through the context of intellectual property, raising questions about who owns artistic material and artistic identities and how such material can be reused and repurposed. Tsika’s adventurous analysis touches on gender, race, queerness, celebrity, popular culture, and the law, while offering much to Haynes and Dylan fans alike.

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cover of Images of Science: Essays on Realism and Empiricism

Images of Science

Essays on Realism and Empiricism

Edited by Paul M. Churchland and Clifford A. Hooker

University of Chicago Press, 1985

"Churchland and Hooker have collected ten papers by prominent philosophers of science which challenge van Fraassen's thesis from a variety of realist perspectives. Together with van Fraassen's extensive reply . . . these articles provide a comprehensive picture of the current debate in philosophy of science between realists and anti-realists."—Jeffrey Bub and David MacCallum, Foundations of Physics Letters
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cover of In Dylan Town: A Fan's Life

In Dylan Town

A Fan's Life

David Gaines

University of Iowa Press, 2015

For fifty years, the music, words, story, and fans of Bob Dylan have fascinated David Gaines. As a son, a husband, a father, a teacher, and a passionate lover of the literary in all its guises, he has pursued the poetic fusion of knowledge and emotion all his life. More often than not, Dylan’s lyrics and music have expressed that fusion for him, and so he has encouraged others to acknowledge the musician or writer or painter or director or actor or athlete who matters deeply (perhaps a bit mysteriously) to them, and to deploy that enigmatic passion in service of self-knowledge and social connection. After all, one of the central reasons to be a fan is to compare notes, explore mysteries, and riff with fellow fans in a community of exploration.

Gaines’s personal journey toward creating such communities of passionate knowledge encompasses his own coming of age and marriages, fatherhood, and teaching. As a devoted fan who is also a professor of American literature, questions about teaching and learning are central to his experience. When asked, “Why Dylan?” he says, “He’s the writer I care about the most. He’s been the way into the best and longest running conversations I have ever had.” Talking with students, exchanging Dylan trivia with fellow fans, or cheering on fan-musicians doing Dylan covers during the Dylan Days festival, Gaines shows that, for many people, being a fan of popular culture couples serious critical and creative engagement with heartfelt commitment. Here, largely unheralded, the ideal of liberal education is realized every day.
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cover of It Was Always About the Work: A Photojournalist's Memoir

It Was Always About the Work

A Photojournalist's Memoir

Melvin Grier

Ohio University Press, 2023

Award-winning photojournalist Melvin Grier discusses the influences and circumstances that led him to tell stories through the camera.

Over the last six decades, Melvin Grier’s work has vividly portrayed community, humanity, irony, fear, war, elegance, art, and, most notably, the unexpected. It Was Always About the Work includes nearly one hundred black-and-white and color photographs, including photographs from Grier’s most famous exhibitions and news stories. Whether covering local events, Cincinnati life, impoverished villages overseas, young future Marines on their way to their first post, or high fashion, Grier's photos are unmistakable and evocative.

Starting with his early years as a boy growing up in Cincinnati, this book tells the story of a young man who won his first photo contest while in the Air Force. He came home determined to make a career as a photographer, and, despite his lack of formal training and experience, he secured a job as a photographer for the Cincinnati Post. After the closure of the Cincinnati Post in 2007, Grier continued his career as an independent artist, featuring work in exhibitions such as “White People: A Retrospective” and “Clothes Encounters.” In collaboration with one of his journalist partners, reporter Molly Kavanaugh, Grier shares why it was always about the work.
 
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