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22 books match the query 'Widows'

cover of A Spell on the Water

A Spell on the Water

Marjorie Kowalski Cole

University of Michigan Press, 2011

"I couldn't put it down."
---Barbara Kingsolver

In 1955, Mary and Jim Leader have the American dream: careers in medicine; a young and healthy family; and even a vacation home---a shabby resort far from bustling Chicago. But one hot afternoon changes everything. Mary, now a widow, must find a path out of her grief into a future for herself and five small children.

In Michigan to sell the resort, Mary sees seven hawks riding the storm winds over the lake. This place, she thinks, can heal them with its wild beauty, so she moves her family to the northern lakeshore.

But Mary has forgotten what it's like to live in a tiny rural community, where almost everyone has a stake in maintaining the status quo. Secrets are kept at great cost as Mary's children often struggle to raise themselves. A coming-of-age story for each member of the family, this is a novel of quiet heroism and the power of personal freedom.

Praise for Marjorie Kowalski Cole and her previous novel, Correcting the Landscape:

". . . her writing is simple, vivid and gorgeous."
---Eugene Register-Guard

". . . a remarkable new talent. Critics have lined up to praise the book."
---Tucson Citizen

"Cole's style is subtle but engrossing . . . It is quite a debut."
---Booklist

Cover illustration: ©iStockphoto.com/ImagineGolf

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cover of After Effects: A Memoir of Complicated Grief

After Effects

A Memoir of Complicated Grief

Andrea Gilats

University of Minnesota Press, 2021

An intensely moving and revelatory memoir of enduring and emerging from exceptional grief

To grieve after a profound loss is perfectly natural and healthy. To be debilitated by grief for more than a decade, as Andrea Gilats was, is something else. In her candid, deeply moving, and ultimately helpful memoir of breaking free of death’s relentless grip on her life, Gilats tells her story of living with prolonged, or “complicated,” grief and offers insight, hope, and guidance to others who suffer as she did. 

Thomas Dayton, Andrea Gilats’s husband of twenty years, died at 52 after a five-month battle with cancer. In After Effects Gilats describes the desolation that followed and the slow and torturous twenty-year journey that brought her back to life. In the two years immediately following his death, Gilats wrote Tom daily letters, desperately trying to maintain the twenty-year conversation of their marriage. Excerpts from these letters reveal the depth of her despair but also the glimmer of an awakening as they also trace a different, more typical course of the grief experienced by one of Gilats's colleagues, also widowed. Gilats’s struggle to rescue herself takes her through the temptation of suicide, the threat of deadly illness, the overwhelming challenges of work, and the rigor of learning and eventually teaching yoga, to a moment of reckoning and, finally, reconciliation to a life without her beloved partner. Her story is informed by the lessons she learned about complicated grief as a disorder that, while intensely personal, can be defined, grappled with, and overcome.

Though complicated grief affects as many as one in seven of those stricken by the loss of a close loved one, it is little known outside professional circles. After Effects points toward a path of recuperation and provides solace along the way—a service and a comfort that is all the more timely and necessary in our pandemic-ravaged world of loss and isolation.

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cover of Ashes of Immortality: Widow-Burning in India

Ashes of Immortality

Widow-Burning in India

Catherine Weinberger-Thomas

University of Chicago Press, 1999

"At last, she arrives at the fatal end of the plank . . . and, with her hands crossed over her chest, falls straight downward, suspended for a moment in the air before being devoured by the burning pit that awaits her. . . ." This grisly 1829 account by Pierre Dubois demonstrates the usual European response to the Hindu custom of satis sacrificing themselves on the funeral pyres of their husbands—horror and revulsion. Yet to those of the Hindu faith, not least the satis themselves, this act signals the sati's sacredness and spiritual power.

Ashes of Immortality attempts to see the satis through Hindu eyes, providing an extensive experiential and psychoanalytic account of ritual self-sacrifice and self-mutilation in South Asia. Based on fifteen years of fieldwork in northern India, where the state-banned practice of sati reemerged in the 1970s, as well as extensive textual analysis, Weinberger-Thomas constructs a radically new interpretation of satis. She shows that their self-immolation transcends gender, caste and class, region and history, representing for the Hindus a path to immortality.
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cover of Book M: A London Widow's Life Writings

Book M

A London Widow's Life Writings

Katherine Austen, Edited by Pamela S. Hammons

Iter Press, 2013

This excellent piece of work brings a new and fascinating seventeenth-century voice to twenty-first-century readers interested in women’s studies, literature, and history. Book M by the London widow Katherine Austen lends itself well to modernization, which Professor Hammons has handled in a light and tactful manner. This book will be an excellent choice for classes on life writing in general and on early modern women’s writing in particular, and it will be a great contextual reading for courses on British Restoration culture and literature.
—Margaret J. M. Ezell
Distinguished Professor of English and John and Sara Lindsay Chair of Liberal Arts
Texas A&M University
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cover of Captive of the Labyrinth: Sarah L. Winchester, Heiress to the Rifle Fortune,  Revised and Updated Edition

Captive of the Labyrinth

Sarah L. Winchester, Heiress to the Rifle Fortune, Revised and Updated Edition

Mary Jo Ignoffo

University of Missouri Press, 2022

Captive of the Labyrinth is reissued here to commemorate the 100th anniversary of the death of rifle heiress Sarah L. Winchester in 1922. After inheriting a vast fortune upon the death of her husband in 1881, Winchester purchased a simple farmhouse in San José, California. She built additions to the house and continued construction for the next twenty years. When neighbors and the local press could not imagine her motivations, they invented fanciful ones of their own. She was accused of being a ghost-obsessed spiritualist, and to this day it is largely believed that the extensive construction she executed on her San José house was done to thwart death and appease the spirits of those killed by the Winchester rifle.

Author and historian Mary Jo Ignoffo’s definitive biography unearths the truth about this reclusive eccentric, revealing that she was not a maddened spiritualist driven by remorse but an intelligent, articulate woman who sought to protect her private life amidst the chaos of her public existence and the social mores of the time. The author takes readers through Winchester’s several homes, explores her private life, and, by excerpting from personal correspondence, one learns the widow’s true priority was not dissipating her fortune on the mansion in San José but endowing a hospital to eradicate a dread disease.

Sarah Winchester has been exploited for profit for over a century, but Captive of the Labyrinth finally puts to rest the myths about this American heiress, and, in the process, uncovers her true legacies.
 
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cover of Claiming Union Widowhood: Race, Respectability, and Poverty in the Post-Emancipation South

Claiming Union Widowhood

Race, Respectability, and Poverty in the Post-Emancipation South

Brandi Clay Brimmer

Duke University Press, 2020

In Claiming Union Widowhood, Brandi Clay Brimmer analyzes the US pension system from the perspective of poor black women during and after the Civil War. Reconstructing the grassroots pension network in New Bern, North Carolina, through a broad range of historical sources, she outlines how the mothers, wives, and widows of black Union soldiers struggled to claim pensions in the face of evidentiary obstacles and personal scrutiny. Brimmer exposes and examines the numerous attempts by the federal government to exclude black women from receiving the federal pensions that they had been promised. Her analyses illustrate the complexities of social policy and law administration and the interconnectedness of race, gender, and class formation. Expanding on previous analyses of pension records, Brimmer offers an interpretive framework of emancipation and the freedom narrative that places black women at the forefront of demands for black citizenship.
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cover of Dahlia's Iris: Secret Autobiography and Fiction

Dahlia's Iris

Secret Autobiography and Fiction

Leslie Scalapino

University of Alabama Press, 2003

Detectives are investigating the death of Dahlia Winter's husband and also looking into the mysterious deaths of young boys who are imported for labor in a future-time San Francisco. Citing the plots of Invasion of the Body Snatchers, Terminator 2, and Blade Runner as proof that our sense of inner and outer is tied to rebellion and slavery, the novel appears at first to be a detail of these films all at once, like a colonization of them from the inside. But almost immediately the plot assumes its own life. Based on a conception of the Tibetan written form called Secret Autobiography--which is not the chronological events or actions of a life, but an individual's seeing outside any frames--the novel makes a time-space in which sensation, actions, and thought-memory are occurring alongside our present-day space.
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cover of Imitation of Life

Imitation of Life

Fannie Hurst

Duke University Press, 2004

A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today.

The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

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cover of Natural Wonders: A Novel

Natural Wonders

A Novel

Angela Woodward, Foreword by Stacey Levine

University of Alabama Press, 2016

Winner of the FC2 Catherine Doctorow Innovative Fiction Prize

Natural Wonders is a novel in the form of a series of lectures about the earth and its prehistory. In it, a grieving widow assembles an idiosyncratic history of the earth’s history based on her understanding and impressions of her deceased husband’s papers.

In Natural Wonders, Jenny is given the task of assembling a memorial edition of her recently deceased husband Jonathan’s lecture series about the physical history of the earth. With little knowledge of his work or of Jonathan himself, Jenny constructs from his fragmentary and disorganized notes her own version of our planet’s past.
 
Presented as a series of lectures, Jenny’s earth history is an amalgam of stories from science and about scientists—a Serbian mathematician and his theory of the ice ages, a Swiss doctor camped on a glacier, the mysterious materia pinguis thought to have drifted down from stars to form fossils. Into these stories she interweaves scenes from their marriage as well as material she finds on Jonathan’s shelves. In her history, an explanation of continental drift becomes enmeshed with a schoolboy’s erotic encounter with an older woman. Icebergs in an Andean lake launch a woman’s jealous affair with a third-rate actor, and H. G. Wells’s Island of Dr. Moreau is dramatically recounted in new form.
 
Natural Wonders mixes mythology, popular fiction, and a misfired romance with the story of the earth hurtling around the sun. From intimately human to geologic to cosmic, it explores change, love, and loss.
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cover of Pathos and Power: Interdisciplinary Perspectives on Widowhood in Africa, Past and Present

Pathos and Power

Interdisciplinary Perspectives on Widowhood in Africa, Past and Present

Benjamin N. Lawrance and Joanna Davidson

Ohio University Press, 2025

The collected essays in Pathos and Power provide a critical exploration of widowhood in Africa through a series of historical and contemporary case studies. The book challenges a simplistic understanding of widowhood by highlighting how the experience varies according to age, class, race, religion, and geographic location. The contributors investigate how the category of widowhood can obscure or reveal various social dynamics while demonstrating the diversity of material, symbolic, and embodied circumstances faced by African widows. The volume considers the forces shaping the lives of widows by examining the structural and legal challenges they encounter, including discriminatory practices in social, economic, and political spheres. Through discussions of precolonial, colonial, and postcolonial contexts, it explores the intersections of custom, law, patriarchy, and feminism while delving into the potentially liberatory opportunities that widowhood sometimes presents. The book also raises broader questions about gender, personhood, marriage, autonomy, and national identity, emphasizing how widowhood informs key conceptual debates in African studies. Editors Joanna Davidson and Benjamin N. Lawrance bring together scholars across such fields as anthropology, gender studies, history, law, and political science. The authors employ a range of methodologies, including archival research, ethnography, and storytelling, to illuminate widowhood in new and innovative ways. The volume’s rich empirical studies and theoretical insights offer a valuable resource for scholars seeking to understand widowhood and its broader implications in African societies. CONTRIBUTORS Rogaia Mustafa Abusharaf Fisayo Ajala Catherine E. Bolten Abbass Braham Mariana Candido Joanna Davidson Mariana Dias Paes Ramadan El-Khouli Casey Golomski Juelma Gomes de Matos Ngãla Benjamin N. Lawrance Kenda Mutongi Richard L. Roberts Enid Schildkrout Kate Skinner Wallace Teska Benjamin Twagira Sarah J. Zimmerman

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cover of Rogues, Widows and Orphans: Mischief and Misadventures in the World of Books

Rogues, Widows and Orphans

Mischief and Misadventures in the World of Books

Rebecca Lee

Brandeis University Press, 2026

A publishing industry insider reveals the hilarious and fascinating mishaps, hoaxes, and gaffes behind your favorite books.

It’s a long journey from a writer’s mind to a finished book, and a lot needs to go right along the way. But isn’t it more interesting when things go wrong?

Rebecca Lee, a senior editorial manager at Penguin Random House, guides readers through the secrets of the book industry, a world fizzing with scandals, rivalries, catastrophes, and con jobs. Lee demonstrates how the tiniest of typos can have oversized consequences, unearths horrifying examples of bad taste and worse style, and peeks into tales of forgeries and feuds as dramatic as any thriller. She unredacts the most egregious cases of censorship, exposes hoarders and thieves, and asks whether AI is really an existential threat to the literary universe—or if we are our own worst enemies.

An irresistible tour of mistakes and misbehavior, Rogues, Widows and Orphans will make you cringe, crack you up, and renew your appreciation for the hard work of making books—and all the ways it can go sidewise.  

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cover of The Profession of Widowhood: Widows, Pastoral Care, and Medieval Models of Holiness

The Profession of Widowhood

Widows, Pastoral Care, and Medieval Models of Holiness

Katherine Clark Walter

Catholic University of America Press, 2018

The Profession of Widowhood explores how the idea of ‘true’ widowhood was central to pre-modern ideas concerning marriage and of female identity more generally. The medieval figure of the Christian vere vidua or “good” widow evolved from and reinforced ancient social and religious sensibilities of chastity, loyalty and grief as gendered ‘work.’ The ideal widow was a virtuous woman who mourned her dead husband in chastity, solitude, and most importantly, in perpetuity, marking her as “a widow indeed” (1 Tim 5:5). The widow who failed to display adequate grief fulfilled the stereotype of the ‘merry widow’ who forgot her departed spouse and abused her sexual and social freedom. Stereotypes of widows ‘good’ and ‘bad’ served highly-charged ideological functions in pre-modern culture, and have remained durable even in modern times, even as Western secular society now focuses more on a woman’s recovery from grief and possible re-coupling than the expectation that she remain forever widowed. The widow represented not only the powerful bond created by love and marriage, but also embodied the conventions of grief that ordered the response when those bonds were broken by premature death. This notion of the widow as both a passive memorial to her husband and as an active ‘rememberer’ was rooted in ancient traditions, and appropriated by early Christian and medieval authors who used “good” widowhood to describe the varieties of female celibacy and to define the social and gender order. A tradition of widowhood characterized by chastity, solitude, and permanent bereavement affirmed both the sexual mores and political agenda of the medieval Church. Medieval widows—both holy women recognized as saints and ‘ordinary women’ in medieval daily life—recognized this tradition of professed chastity in widowhood not only as a valuable strategy for avoiding remarriage and protecting their independence, but as a state with inherent dignity that afforded opportunities for spiritual development in this world and eternal merit in the next.
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cover of The Secret Trust of Aspasia Cruvellier Mirault: The Life and Trials of a Free Woman of Color in Antebellum Georgia

The Secret Trust of Aspasia Cruvellier Mirault

The Life and Trials of a Free Woman of Color in Antebellum Georgia

Janice L. Sumler-Edmond

University of Arkansas Press, 2008

In this fascinating biography set in nineteenth-century Savannah, Georgia, Janice L. Sumler-Edmond resurrects the life and times of Aspasia Cruvellier Mirault, a free woman of color whose story was until now lost to historical memory. It’s a story that informs our understanding of the antebellum South as we watch this widowed matriarch navigate the social, economic, and political complexities to create a legacy for her family.
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cover of The Ship of Widows

The Ship of Widows

I. Grekova

Northwestern University Press, 1994

"My husband was killed at the front right at the beginning of the war." Thus opens The Ship of Widows, the story of five women brought together in a large communal apartment by the vagaries of war in the year 1943. It spotlights the female experience of World War II: the fate of those not at the front, but still forced to fight as desperately to survive starvation, cold, and exhaustion, and to maintain homes and a country to which the soldiers can return. The Ship of Widows reveals an seldom-seen period of Russia's history and an understudied segment of its population—its women.
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cover of Under the Spell: A Novel

Under the Spell

A Novel

Benjamin Hedin

Northwestern University Press, 2021

Under the Spell is the first novel by Benjamin Hedin, a dazzling new voice in American fiction. Newly widowed Sandra is searching her husband’s email for financial information when she discovers a correspondence between him and a woman named Ryan. Rather than simply sharing the news of the death, Sandra, who is shocked and hungry for details, instead impersonates her husband as she writes back to Ryan. This bold course of action will expose the secrets and solitude within her marriage, prompting her to reconsider everything she once held dear.
 
Unmoored and seeking connection, Sandra also meets Lee, a single mother with a drinking problem, and begins babysitting her daughter. But Sandra can’t stop herself from continuing the correspondence with Ryan, in the process uncovering more about her husband—and Ryan herself. A novel that forces us to question how much of a person, even those closest to us, remains obscure, Under the Spell reveals the astonishing, transformative power of grief. This compelling study in bereavement joins classics such as Don DeLillo’s The Body Artist and Joan Didion’s The Year of Magical Thinking. 
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cover of Widows and Orphans First: The Family Economy and Social Welfare Policy, 1880-1939

Widows and Orphans First

The Family Economy and Social Welfare Policy, 1880-1939

S. J. Kleinberg

University of Illinois Press, 2005

The experiences of widows and their children during the Progressive Era and the New Deal depended on differences in local economies and values. How did these widely varied experiences impact the origins of the welfare state? 

S. J. Kleinberg delves into the question by comparing widows' lives in three industrial cities with differing economic, ethnic, and racial bases. Government in Fall River, Massachusetts, saw employment as a solution to widows' poverty and as a result drastically limited public charity. In Pittsburgh, widows received sympathetic treatment. Few jobs existed for them or their children; indeed, the jobs for men were concentrated in "widowmaking" industries like steel and railroading. With a large African American population and a diverse economy that relied on inexpensive child and female labor, Baltimore limited funds for public services. African Americans adapted by establishing their own charitable institutions. 

A fascinating comparative study, Widows and Orphans First offers a one-of-a-kind look at social welfare policy for widows and the role of children in society during a pivotal time in American history.

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cover of Widows' Words: Women Write on the Experience of Grief, the First Year, the Long Haul, and Everything in Between

Widows' Words

Women Write on the Experience of Grief, the First Year, the Long Haul, and Everything in Between

Rutgers University Press, 2019

Becoming a widow is one of the most traumatic life events that a woman can experience. Yet, as this remarkable new collection reveals, each woman responds to that trauma differently. Here, forty-three widows tell their stories, in their own words.
 
Some were widowed young, while others were married for decades. Some cared for their late partners through long terminal illnesses, while others lost their partners suddenly. Some had male partners, while others had female partners. Yet each of these women faced the same basic dilemma: how to go on living when a part of you is gone.
 
Widows’ Words is arranged chronologically, starting with stories of women preparing for their partners’ deaths, followed by the experiences of recent widows still reeling from their fresh loss, and culminating in the accounts of women who lost their partners many years ago but still experience waves of grief. Their accounts deal honestly with feelings of pain, sorrow, and despair, and yet there are also powerful expressions of strength, hope, and even joy. Whether you are a widow yourself or have simply experienced loss, you will be sure to find something moving and profound in these diverse tales of mourning, remembrance, and resilience.
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cover of Widows: Vol. I: The Middle East, Asia, and the Pacific

Widows

Vol. I: The Middle East, Asia, and the Pacific

Helena Znaniecka Lopata, ed.

Duke University Press, 1987

This volume analyzes the support systems and lifestyles of widows in Australia, the Philippines, Korea, Iran, China, India, Turkey, and Israel.
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cover of Widows: Vol. II: North America

Widows

Vol. II: North America

Helena Znaniecka Lopata, ed.

Duke University Press, 1987

The volume examines two communities in Canada, a Florida retirement community, and communities in Ohio, Nebraska, and California, as well as the relative situations of homeowners, blacks, and poor ethnic populations.
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cover of Widows: Vol. II: North America

Widows

Vol. II: North America

Helena Znaniecka Lopata, ed.

Duke University Press, 0

The volume examines two communities in Canada, a Florida retirement community, and communities in Ohio, Nebraska, and California, as well as the relative situations of homeowners, blacks, and poor ethnic populations.
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cover of Wife and Widow in Medieval England

Wife and Widow in Medieval England

Sue Sheridan Walker, Editor

University of Michigan Press, 1993

Examines the role of women in medieval law and society
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cover of Worries of the Heart: Widows, Family, and Community in Kenya

Worries of the Heart

Widows, Family, and Community in Kenya

Kenda Mutongi

University of Chicago Press, 2007

Growing up in the Maragoli community in Kenya, Kenda Mutongi encountered a perplexing contradiction. While the young teachers at her village school railed against colonialism, many of her elders, including her widowed mother, praised their former British masters. In this moving book, Mutongi explores how both the challenges and contradictions of colonial rule and the frustrations and failures of independence shaped the lives of Maragoli widows and their complex relations with each other, their families, and the larger community.
            Throughout the twentieth century and into the twenty-first, rates of widowhood have been remarkably high in Kenya. Yet despite their numbers, widows and their families exist at the margins of society, and their lives act as a barometer for the harsh realities of rural Kenya. Mutongi here argues that widows survive by publicly airing their social, economic, and political problems, their “worries of the heart.” Initially aimed at the men in their community, and then their colonial rulers, this strategy changed after independence as widows increasingly invoked the language of citizenship to demand their rights from the new leaders of Kenya—leaders whose failure to meet the needs of ordinary citizens has led to deep disenchantment and altered Kenyans’ view of their colonial past. An innovative blend of ethnography and historical research, Worries of the Heart is a poignant narrative rich with insights into postcolonial Africa.
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