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"Looks back at the history of Posadism to explore why this largely discredited movement has elicited so much recent interest."—Art in America
 
Advocating nuclear war, attempting communication with dolphins, and taking an interest in the paranormal and UFOs, there is perhaps no greater (or stranger) cautionary tale for the Left than that of Posadism. Named after the Argentine Trotskyist J. Posadas, the movement’s journey through the fractious and sectarian world of mid-20th century revolutionary socialism was unique. This book is a “dumpster dive” into the weird and wonderful world of the Posadists.
 
Although at times significant, Posadas' movement was ultimately a failure. As it disintegrated, it increasingly grew to resemble a bizarre cult, detached from the working class it sought to liberate. The renewed interest in Posadism today, especially for its more outlandish fixations, speaks to both a cynicism towards the past and nostalgia for the earnest belief that a better world is possible. Chapters include:
 
*Revolutionary Youth or Patriotic Youth
*The Death Throes of Capitalism
*The Origins of Posadism
*Flying Saucers, the Process of Matter and Energy, Science, the Revolutionary and Working-Class Stuggle, and the Socialist Future of Mankind
*What Exists Cannot be True
*Why Don’t Extraterrestrials Make Public Contact
*UFOs to the People
 
In the Introduction, A.M. Gittlitz writes, “Insurrection or first contact could come any day, Marxists and ufologists both tell us, but both are far more likely if we desire them, embracing a sentiment enigmatically expressed in a meme come before its time, a poster on the wall of rouge FBI agent Fox Mulder in the ‘90s sci-fi noir The X-Files: hovering alongside a granny image of a comically unconvincingly flying saucer and the words I WANT TO BELIEVE".
 
Drawing on considerable archival research, and numerous interviews with ex- and current Posadists, I Want to Believe tells the fascinating story of this most unusual socialist movement and considers why it continues to capture the imaginations of leftists today.

“Dirtier than the dogs of Constantinople.” “Waves of human scum thrown upon our beaches by other countries.” Such was the vitriolic abuse directed against immigrant groups in Chile and Argentina early in the twentieth century. Yet only twenty-five years earlier, immigrants had encountered a warm welcome. This dramatic change in attitudes during the quarter century preceding World War I is the subject of Carl Solberg’s study. He examines in detail the responses of native-born writers and politicians to immigration, pointing out both the similarities and the significant differences between the situations in Argentina and Chile.

As attitudes toward immigration became increasingly nationalistic, the European was no longer pictured as a thrifty, industrious farmer or as an intellectual of superior taste and learning. Instead, the newcomer commonly was regarded as a subversive element, out to destroy traditional creole social and cultural values. Cultural phenomena as diverse as the emergence of the tango and the supposed corruption of the Spanish language were attributed to the demoralizing effects of immigration.

Drawing his material primarily from writers of the pre–World War I period, Solberg documents the rise of certain forms of nationalism in Argentina and Chile by examining the contemporary press, journals, literature, and drama. The conclusions that emerge from this study also have obvious application to the situation in other countries struggling with the problems of assimilating minority groups.

Universal human rights standards were adopted in 1948, but in the 1970s and 1980s, violent dictatorships in Argentina and Chile flagrantly defied the new protocols. Chilean general Augusto Pinochet and the Argentine military employed state terrorism in their quest to eradicate Marxism and other forms of “subversion.” Pinochet constructed an iron shield of impunity for himself and the military in Chile, while in Argentina, military pressure resulted in laws preventing prosecution for past human rights violations. When democracy was reestablished in both countries by 1990, justice for crimes against humanity seemed beyond reach.

Thomas C. Wright examines how persistent advocacy by domestic and international human rights groups, evolving legal environments, unanticipated events that impacted public opinion, and eventual changes in military leadership led to a situation unique in the world—the stripping of impunity not only from a select number of commanders of the repression but from all those involved in state terrorism in Chile and Argentina. This has resulted in trials conducted by national courts, without United Nations or executive branch direction, in which hundreds of former repressors have been convicted and many more are indicted or undergoing trial.

Impunity, Human Rights, and Democracy draws on extensive research, including interviews, to trace the erosion and collapse of the former repressors’ impunity—a triumph for human rights advocates that has begun to inspire authorities in other Latin American countries, including Peru, Uruguay, Brazil, and Guatemala, to investigate past human rights violations and prosecute their perpetrators.

Into the Loop asks how, and under what conditions, we can interrupt the repetitions that define us. Drawing from more than 200 hours of ethnographic observations of Systemic couples therapy in Buenos Aires, alongside auto-ethnographic recordings of Samuele Collu’s own hypnotherapy sessions, this study traces the psychic forces that compel people to repeat, interrupt, or drift aside from relational loops. Grounding his analysis in affect theory, psychoanalysis, and phenomenology, Collu examines how identification, affective transmission, compulsive repetition, and hypnosis play out within therapeutic encounters observed by teams of psychotherapists through one-way mirrors and closed-circuit television systems. This focus on visual mediation reveals how screens and observational devices both capture and distort the therapeutic process itself—a dynamic that connects to broader questions about digital media and user-screen relations in contemporary society. Written in an experimental and literary style that moves fluidly between the academic, the personal, and their uncanny in-betweens, Into the Loop offers a unique window into the repetitive cycles that shape our most intimate relationships and the possibilities for transformation within them.

In Italy to Argentina: Travel Writing and Emigrant Colonialism, Tullio Pagano examines Italian emigration to Argentina and the Rio de la Plata region through the writings of Italian economists, poets, anthropologists, and political activists from the 1860s to the beginning of World War I. He shows that Italians played an important role in the so-called conquest of the desert, which led to Argentina's economic expansion and the suppression and killing of the remaining indigenous population. Many of the texts he discusses have hardly been studied before: from Paolo Mantegazza’s real and imaginary travel narratives at the time of Italian unification to Gina Lombroso’s descriptions of Brazil, Uruguay, and Argentina in early 1900s. Pagano questions the apparent opposition between diaspora and empire and argues that there was a continuity between the “peaceful conquest” though spontaneous emigration envisioned by Italian liberal intellectuals at the turn of the century and the military colonialism of Italian Nationalists and Fascists. He shows that racist assumptions about Native American and “creole” cultures were present in the work of progressive authors like Edmondo de Amicis, whose writings became enormously popular in Argentina, and anarchist militants and legal scholars like Pietro Gori, who founded the first revolutionary unions in Buenos Aires while remaining dangerously attached to Cesare Lombroso’s theories of atavism and primitivism. The “growl” of Italian emigrants about to land in Argentina, found in Dino Campana’s poem Buenos Aires (1907), echoes throughout Pagano’s book, and encourages the reader to explore the apparent oxymoron of “emigration colonialism” and the role of literature and public media in the formation of our social imaginary.

“Italy to Argentina shows meticulous bibliographic work and is attentive to both fundamental and marginal texts in a double task, on the one hand, of textual analysis, and on the other, of rescuing and recovering a corpus forgotten by critics even when it is highly significant. It is, then, a research work that addresses the Italian emigration to Argentina from an original point of view, linking texts that have not been studied or that have not been sufficiently analyzed.” —Fernanda Elisa Bravo Herrera, author of Huellas y recorridos de una utopía: La emigración italiana en la Argentina

"From Boccadasse to La Boca. Tullio Pagano complexifies the relationship between ‘diaspora’ and ‘colonialism’ in the context of Italian migration to South America. In six thematic chapters, Pagano explores the thought of authors on and off the canon. Such diverse voices lead the reader to a new approach to the study of emigrant colonialism and creole studies, towards a deeper, more realistic understanding of the  ‘conquest of the desert’ that Italian emigrants wanted to perform in Argentina."—Giuseppe Gazzola, Stony Brook University