200 books match the query 'Asian American & Pacific Islander' and 9 start with i
Stephanie Niu; Foreword by Major Jackson
Vanderbilt University Press, 2025
Finalist for the Kate Tufts Discovery Award, 2026
Stephanie Niu’s I Would Define the Sun, awarded the 2024 Vanderbilt University Literary Prize, is a collection of poems that declare the impossibility of defining something as immense as the sun while striving toward that impossible act. In an era of planetary collapse, filled with bushfires, bleached coral, and burnout, Niu explores what love can do even through estrangement, even through being together at the end of the world. Recycling and folding language through duplexes, sestinas, and echoing couplets, this collection moves across great distances to include Christmas Island, Chinese-American immigration, and the precarity and abundance of the sea through formal and lyric poetry. Refitting the world into a size “made for [her] hands, [her] human tongue,” Niu propels readers into continuous motion as she searches for home.
Stephanie Niu; Foreword by Major Jackson
Vanderbilt University Press, 2025
Finalist for the Kate Tufts Discovery Award, 2026
Stephanie Niu’s I Would Define the Sun, awarded the 2024 Vanderbilt University Literary Prize, is a collection of poems that declare the impossibility of defining something as immense as the sun while striving toward that impossible act. In an era of planetary collapse, filled with bushfires, bleached coral, and burnout, Niu explores what love can do even through estrangement, even through being together at the end of the world. Recycling and folding language through duplexes, sestinas, and echoing couplets, this collection moves across great distances to include Christmas Island, Chinese-American immigration, and the precarity and abundance of the sea through formal and lyric poetry. Refitting the world into a size “made for [her] hands, [her] human tongue,” Niu propels readers into continuous motion as she searches for home.
Kathy Jetnil-Kijiner
University of Arizona Press, 2017
As the seas rise, the fight intensifies to save the Pacific Ocean’s Marshall Islands from being devoured by the waters around them. At the same time, activists are raising their poetic voices against decades of colonialism, environmental destruction, and social injustice.
Marshallese poet and activist Kathy Jetnil-Kijiner’s writing highlights the traumas of colonialism, racism, forced migration, the legacy of American nuclear testing, and the impending threats of climate change. Bearing witness at the front lines of various activist movements inspires her work and has propelled her poetry onto international stages, where she has performed in front of audiences ranging from elementary school students to more than a hundred world leaders at the United Nations Climate Summit.
The poet connects us to Marshallese daily life and tradition, likening her poetry to a basket and its essential materials. Her cultural roots and her family provides the thick fiber, the structure of the basket. Her diasporic upbringing is the material which wraps around the fiber, an essential layer to the structure of her experiences. And her passion for justice and change, the passion which brings her to the front lines of activist movements—is the stitching that binds these two experiences together.
Iep Jāltok will make history as the first published book of poetry written by a Marshallese author, and it ushers in an important new voice for justice.
Heidi Kim
Temple University Press, 2021
In the Cold War era, Chinese Americans were caught in a double-bind. The widespread stigma of illegal immigration, as it was often called, was most easily countered with the model minority, assimilating and forming nuclear families, but that in turn led to further stereotypes. In Illegal Immigrants/Model Minorities, Heidi Kim investigates how Chinese American writers navigated a strategy to normalize and justify the Chinese presence during a time when fears of Communism ran high.
Kim explores how writers like Maxine Hong Kingston, Jade Snow Wong, and C. Y. Lee, among others, addressed issues of history, family, blood purity, and law through then-groundbreaking novels and memoirs. Illegal Immigrants/Model Minorities also uses legal cases, immigration documents, and law as well as mass media coverage to illustrate how writers constructed stories in relation to the political structures that allowed or disallowed their presence, their citizenship, and their blended identity.
Kim illuminates the rapidly shifting political and social pressures on Chinese American authors who selectively concealed, revealed, and reconstructed issues of citizenship, belonging, and inclusion in their writing.
Zelideth María Rivas and Debbie Lee-DiStefano
Rutgers University Press, 2016
Lisa Lowe
Duke University Press, 1996
Juliana Chang
University of Minnesota Press, 2012
In Inhuman Citizenship, Juliana Chang claims that literary representations of Asian American domesticity may be understood as symptoms of America’s relationship to its national fantasies and to the “jouissance”—a Lacanian term signifying a violent yet euphoric shattering of the self—that both overhangs and underlies those fantasies. In the national imaginary, according to Chang, racial subjects are often perceived as the source of jouissance, which they supposedly embody through their excesses of violence, sexuality, anger, and ecstasy—excesses that threaten to overwhelm the social order.
To examine her argument that racism ascribes too much, rather than a lack of, humanity, Chang analyzes domestic accounts by Asian American writers, including Fae Myenne Ng’s Bone, Brian Ascalon Roley’s American Son, Chang-rae Lee’s Native Speaker, and Suki Kim’s The Interpreter. Employing careful reading and Lacanian psychoanalysis, Chang finds sites of excess and shock: they are not just narratives of trauma; they produce trauma as well. They render Asian Americans as not only the objects but also the vehicles and agents of inhuman suffering. And, claims Chang, these novels disturb yet strangely exhilarate the reader through characters who are objects of racism and yet inhumanly enjoy their suffering and the suffering of others.
Through a detailed investigation of “family business” in works of Asian American life, Chang shows that by identifying with the nation’s psychic disturbance, Asian American characters ethically assume responsibility for a national unconscious that is all too often disclaimed.

Paisley Rekdal
Tupelo Press, 2012
James Fujinami Moore
Four Way Books, 2022
For award-winning poet James Fujinami Moore, the past is never past. In this brutal debut, sensual, political, and imagined worlds collide, tracing a history of diaspora and trauma that asks: what do we do in the aftermath of violence, and why do we long to inflict it? From Vegas boxing rings and the restless sands of Manzanar to the scrolling horrors of a Facebook feed, Moore’s poems trace over intimate details with surprising humor, fierce eroticism, and a restless eye.