230 books match the query 'Ethnicity' and 12 start with i

cover of Identity And Power: Puerto Rican Politics and the Challenge of Ethnicity

Identity And Power

Puerto Rican Politics and the Challenge of Ethnicity

José E. Cruz

Temple University Press, 1998

On the surface, identity politics appears to promote polarization. To the contrary, political scientist Jose E. Cruz argues that, instead, fragmentation and instability are more likely to occur only when the differences are ignored and nonethnic strategies are employed. Cruz illustrates his claim by focusing on one group of Puerto Ricans and how they mobilized to demand accountability from political leaders in Hartford, Connecticut.

The activities of the Puerto Rican Political Action Committee from 1983 to 1991 illustrate the power of ethnic mobilization and strategy in an urban setting. Cruz examines their insistence on their right to be included in the political process in the context of both a typical mid-sized American city and the unique attributes of Hartford's predominantly white-collar population. At the same time, this study acknowledges the limitations of the exercise of such power in the political process.

Through extensive interviews Cruz brings to light the variety of ways in which politicians and political activists themselves view their own activities and achievements. This group of Puerto Rican activists attempted to penetrate the power structure of Hartford. Though their success was limited, their work constitutes a springboard for further change.
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cover of Identity Papers: Contested Nationhood in Twentieth-Century France

Identity Papers

Contested Nationhood in Twentieth-Century France

Steven Ungar and Tom Conley, Editors

University of Minnesota Press, 1996

Identity Papers was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

What does citizenship mean? What is the process of "naturalization" one goes through in becoming a citizen, and what is its connection to assimilation? How do the issues of identity raised by this process manifest themselves in culture? These questions, and the way they arise in contemporary France, are the focus of this diverse collection.

The essays in this volume range in subject from fiction and essay to architecture and film. Among the topics discussed are the 1937 Exposition Universelle; films dealing with Vichy France; François Truffaut's Histoire d'Adèle H.; the war of Algerian independence; and nation building under François Mitterrand.

Contributors: Anne Donadey, Elizabeth Ezra, Richard J. Golsan, Lynn A. Higgins, T. Jefferson Kline, Panivong Norindr, Shanny Peer, Rosemarie Scullion, David H. Slavin, Philip H. Solomon; Florianne Wild, .

Steven Ungar is professor of cinema and comparative literature at the University of Iowa and author of Scandal and Aftereffect: Blanchot and France since 1930 (Minnesota, 1995). Tom Conley is professor of French at Harvard University.

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cover of Identity and Ethnicity in the Rural South: A Sociolinguistic View through Past and Present Be, Volume 74

Identity and Ethnicity in the Rural South

A Sociolinguistic View through Past and Present Be, Volume 74

Kirk Hazen

Duke University Press, 0

PADS #83

Identity and Ethnicity in the Rural South investigates the interaction of cultural and ethnic identity as realized in language variation. Through the quantitative and qualitative analysis of sociolinguistic data on the past tense of the verb be and on its absence, this work explains the synchronic and diachronic trends of language variation and several important social factors, including ethnicity, sex, and cultural identity. This volume also informs the debates about the origins and contemporary synchronic relations of African American Vernacular English to other ethnic varieties.

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cover of Imagined States: Nationalism, Utopia, and Longing in Oral Cultures

Imagined States

Nationalism, Utopia, and Longing in Oral Cultures

edited by Luisa Del Giudice & Gerald Porter

Utah State University Press, 2003

An international ensemble of folklore scholars looks at varied ways in which national and ethnic groups have traditionally and creatively used imagined states of existence-some idealizations, some demonizations-in the construction of identities for themselves and for others. Drawing on oral traditions, especially as represented in traditional ballads, broadsides, and tale collections, the contributors consider fertile landscapes of the mind where utopias overflow with bliss and abundance, stereotyped national and ethnic caricatures define the lives of "others," nostalgia glorifies home and occupation, and idealized and mythological animals serve as cultural icons and guideposts to harmonious social life.
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cover of Imperial White: Race, Diaspora, and the British Empire

Imperial White

Race, Diaspora, and the British Empire

Radhika Mohanram

University of Minnesota Press, 2007

Radhika Mohanram shows not just how British imperial culture shaped the colonies, but how the imperial rule of colonies shifted—and gave new meanings to—what it meant to be British.

Imperial White looks at literary, social, and cultural texts on the racialization of the British body and investigates British whiteness in the colonies to address such questions as: How was the whiteness in Britishness constructed by the presence of Empire? How was whiteness incorporated into the idea of masculinity? Does heterosexuality have a color? And does domestic race differ from colonial race? In addition to these inquiries on the issues of race, class, and sexuality, Mohanram effectively applies the methods of whiteness studies to British imperial material culture to critically racialize the relationship between the metropole and the peripheral colonies.

Considering whether whiteness, like theory, can travel, Mohanram also provides a new perspective on white diaspora, a phenomenon of the nineteenth century that has been largely absent in diaspora studies, ultimately rereading—and rethinking—British imperial whiteness.

Radhika Mohanram teaches postcolonial cultural studies in the School of English, Communication and Philosophy at Cardiff University, Wales. She is the author of Black Body: Women, Colonialism, Space (Minnesota, 1999) and edits the journal Social Semiotics.

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cover of In Permanent Crisis: Ethnicity in Contemporary European Media and Cinema

In Permanent Crisis

Ethnicity in Contemporary European Media and Cinema

Ipek A. Celik

University of Michigan Press, 2015

Refugees, migrants, and minorities of migrant origin frequently appear in European mainstream news in emergency situations: victims of human trafficking, suspects of terrorism, “bogus” asylum seekers. Through analysis of work by established filmmakers Michael Haneke, Fatih Akin, and Alfonso Cuarón, In Permanent Crisis contemplates the way mass media depictions become invoked by film to frame ethnic and racial Otherness in Europe as adornments of catastrophe. Special attention is given to European auteur films in which riots, terrorism, criminal activities, and honor killings bring Europe’s minorities to the forefront of public visibility only to reduce them to perpetrators or victims of violence.

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cover of In the Heart of the Rustbelt: Race, Ethnicity, and Industrial Change in the Calumet Region

In the Heart of the Rustbelt

Race, Ethnicity, and Industrial Change in the Calumet Region

Roger Biles and Mark H. Rose

Temple University Press, 2027

The Calumet Region around Lake Michigan’s southern rim once housed massive steel mills, workshops, and railroads. Capitalists like Elbert Gary built factories and dominated local governments. During its heyday in the twentieth century, the Calumet Region was also a thriving district for immigrants who worked dangerous jobs.

But even before the area’s decline started in the 1970s, intense racial, ethnic, and political strife determined job and housing prospects. In the Heart of the Rustbelt details how people struggled as factory rules and local politics failed to protect residents from health hazards and sabotaged workers’ rights. 

Roger Biles and Mark Rose describe how workers organized (or didn’t), the ethnic neighborhoods where they lived, and the distinct foodstuffs, such as Hungarian goulash, that both bonded and excluded immigrants. The authors also showcase individuals including Gary, IN Mayor Richard G. Hatcher, who fought for equality. Chapters also explore the lives of steelworkers Eddie Sadlowski, who sought to democratize the union, and Mexican American Jesse Villalpando, who experienced union and management’s hostility in hiring and job assignments. 

In the Heart of the Rustbelt provides a fascinating history about industrial growth and why race and ethnicity mattered as the Calumet Region rose and fell. 

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cover of In the Shadow of Race: Jews, Latinos, and Immigrant Politics in the United States

In the Shadow of Race

Jews, Latinos, and Immigrant Politics in the United States

Victoria Hattam

University of Chicago Press, 2007

Race in the United States has long been associated with heredity and inequality while ethnicity has been linked to language and culture. In the Shadow of Race recovers the history of this entrenched distinction and the divisive politics it engenders. 

Victoria Hattam locates the origins of ethnicity in the New York Zionist movement of the early 1900s.  In a major revision of widely held assumptions, she argues that Jewish activists identified as ethnics not as a means of assimilating and becoming white, but rather as a way of defending immigrant difference as distinct from race—rooted in culture rather than body and blood. Eventually, Hattam shows, the Immigration and Naturalization Service and the Census Bureau institutionalized this distinction by classifying Latinos as an ethnic group and not a race. But immigration and the resulting population shifts of the last half century have created a political opening for reimagining the relationship between immigration and race.  How to do so is the question at hand.

In the Shadow of Race concludes by examining the recent New York and Los Angeles elections and the 2006 immigrant rallies across the country to assess the possibilities of forging a more robust alliance between immigrants and African Americans.  Such an alliance is needed, Hattam argues, to more effectively redress the persistent inequalities in American life.
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cover of Inauthentic: The Anxiety over Culture and Identity

Inauthentic

The Anxiety over Culture and Identity

Vincent J. Cheng

Rutgers University Press, 2004

Modern and contemporary cultures are increasingly marked by an anxiety over a perceived loss of authentic cultural identity.  In this book, Vincent J. Cheng examines why we still cling to notions of authenticity in an increasingly globalized world that has exploded notions of authentic essences and absolute differences.

Who is “authentic” and who is “other” in a given culture? Who can speak for the “other?” What do we mean by authenticity?  These are critical questions that today’s world––brought closer together and yet pulled farther apart by globalism and neocolonialism––has been unable to answer.  Inauthentic compellingly probes these issues through revealing case studies on the pursuit of authenticity and identity. 

Each chapter explores the ways in which we construct “authenticity” in order to replace seemingly vacated identities, including: the place of minorities in academia; mixed-race dynamics; the popularity of Irish culture in America; the Good Friday agreement in Northern Ireland; Jewish American identity; the status of Jewish America in relation to Israel and Palestine; the cultural problems of international adoptions; and the rapidly changing nature of the Asian American population in the United States.

Inauthentic combines the scholarly and the personal, informed argument and human interest.  It will undoubtedly appeal to academic scholars, as well as to a broader reading audience.

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cover of Inventing Stereotype: Race, Representation, and Interwar America

Inventing Stereotype

Race, Representation, and Interwar America

Martin A. Berger

University of Chicago Press, 2025

Berger excavates the lineage of stereotype as a concept, illustrating how perception of stereotypes in works of literature and fine art shifts relative to representational norms.
 
Upending a century of scholarly and popular thinking about stereotype, Martin A. Berger traces our current understanding of it to the 1920s, when American journalist and public intellectual Walter Lippmann borrowed the term from printmaking techniques and defined it as a shared mental picture that simplified a person, event, group, or thing so it could be easily grasped. Berger uncovers stereotype’s intellectual debts to philosophy, psychology, political science, and, in particular, art history and interwar racial theories.
 
Inventing Stereotype analyzes a series of plays, novels, and paintings from the 1920s and 1930s that sparked fierce debate about whether they employed racial stereotypes in the depiction of Black, Jewish, and other characters. Through careful attention to audience responses—parsed by race, political leanings, religion, and class—the book illustrates how artistic depictions are categorized as either stereotyped or not, relative to current representational norms, rather than to their success in conveying the authentic identities of individuals or racial groups.
 
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cover of Italian Irish Filmmakers

Italian Irish Filmmakers

Lee Lourdeaux

Temple University Press, 1993

"This penetrating study examines how these filmmakers confronted their cultural heritage and used it as a counterpoint to their depiction of mainstream America." --American Cinematographer In this unique film history, Lee Lourdeaux traces the impact of Irish and Italian cultures on four major American directors and their work. Defining the core values and tensions within each culture, and especially focusing on the influence of American Catholicism, he presents John Ford, Frank Capra, Francis Coppola, and Martin Scorsese as ethnic Americans and film artists. Lourdeaux shows each filmmaker on set with writers and actors, learning to bypass stereotypes in order to develop a shrewd reciprocal assimilation between his ethnic background and Anglo America. Beginning with D. W. Griffith's depiction of Irish and Italian immigrants, the author discusses Hollywood's stereotypical portrayals of ethnic priests, cops, politicians, and gangsters, as well as their surface acculturation in the movies of the 1920s. By the decade's end, John Ford was using all-American stories to embody the basic myths and tensions of Irish-American life. In his later westerns and foreign films, he tried to understand both Irish political strife and the key figures of Irish liturgy. Frank Capra pitted Italian family values against the Anglo success ethic, turning out social comedies about oppressed little people. Several decades later, Martin Scorsese and Francis Coppola were highly critical of their religio-ethnic heritage, though they gradually discovered that to outline its weaknesses, like the blind pursuit of success, was to fashion a critical mirror of mainstream America. Lourdeaux discusses a number of recent films by Coppola and by Scorsese that have not yet been analyzed in any book. And, in the chapter on Scorsese, a personal interview with the director reveals how his ethnic childhood shaped his work in film. Examining the conflicts within American culture, Lourdeaux shows how the filmmakers themselves had to confront the self-destructive aspects of their ethnic background, not only to accommodate WASP audiences but to better understand their own heritage. He also observes that ethnicity is a strong draw at the box office, as in The Godfather, because it creates a sense of the Other who can both be admired and at the same time ridiculed. Illustrated with scenes of the movies discussed, this fascinating film history tells how four of America's most famous filmmakers assimilated their ethnic backgrounds on set and on screen. "Mr. Lourdeaux walks a tricky path in analyzing the films of each [director]: avoiding the trap of excessively detailing their lives and many films, while steering clear of ethnic stereotyping. Those interested in ethnic influences on outstanding persons or in the production of films by four of the best will find the book enjoyable." --The Baltimore Sun "This is an invaluable book because it arouses critical awareness of the ethnicity underlying many Hollywood movies that might otherwise appear merely to represent American archetypes." --Journal of American Studies "A valuable addition to the literature on ethnic identity in film. The insights Lourdeaux offers into major figures like Griffith, Ford, Capra, Coppola, and Scorsese contribute significantly to our understanding of their films." --Virginia Wright Wexman, University of Illinois at Chicago "For a number of years now, church historians have been giving us an account of American Catholicism that is much richer and more varied than the older institutional accounts of the Catholic Church ever let on. In this comprehensive and insightful study, Lee Lourdeaux shows us how much the ethnic movies of directors like Ford and Capra, Coppola and Scorsese have to teach us as well about Irish- and Italian-Catholic mores and instincts." --John B. Breslin, S.J., Director "A wonderfully sensitive, intelligent study of the complex issue of how the Catholic imagination works in the creative personalities of those raised in the Catholic heritage." --Andrew M. Greeley
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cover of I’ll Samba Someplace Else: A Spatial History of Race, Ethnicity, and Displacement in São Paulo

I’ll Samba Someplace Else

A Spatial History of Race, Ethnicity, and Displacement in São Paulo

Andrew G. Britt

Duke University Press, 2026

In I’ll Samba Someplace Else, Andrew G. Britt maps the interwoven histories of three of the city of São Paulo’s most iconic ethnoracialized neighborhoods, popularly known as “African” Brasilândia, “Japanese” Liberdade, and “Italian” Bexiga. Following these spaces over the mid-twentieth century through inventive methods of spatial history, archival research, and sustained engagement with African-descendent cultural organizations, Britt shows that these ethnoracialized neighborhoods did not accrue naturally over time. Instead, they were planned, produced, and contested by an array of individuals, from powerful urbanist-politicians and neighborhood businessowners to celebrated samba composers and historic preservationists. The ethnoracialization of these neighborhoods, Britt argues, served paradoxical ends: it reproduced consequential racialized inequities while, simultaneously, bolstering discourses of multicultural harmony. By untangling the paradoxes of ethnoracial space in Brazil’s most populous, diverse, and unequal city, I’ll Samba Someplace Else elucidates how popular ideologies of multiculturalism endure despite persistently high levels of racialized inequity and anti-Black violence in both Brazil and beyond.
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