81 books match the query 'Handbook' and 2 start with i

cover of Improvisation for the Theater: A Handbook of Teaching and Directing Techniques

Improvisation for the Theater

A Handbook of Teaching and Directing Techniques

Viola Spolin

Northwestern University Press, 1999

The thoroughly revised third edition of the bible of improvisational theater.

Viola Spolin's improvisational techniques changed the very nature and practice of modern theater. The first two editions of Improvisation for the Theater sold more than 100,000 copies and inspired actors, directors, teachers, and writers in theater, television, film. These techniques have also influenced the fields of education, mental health, social work, and psychology.

The revised edition features:

  • 30 new exercises, including introductions (Slow/Fast/Normal; Extended Sound; Mirror Speech; Unrelated Conversation)
  • More than 200 updated classic exercises
  • new section of traditional theater games for warm-up use 
  • “Paul Sills' Sayings of Viola Spolin” 
  • New glossary of side-coaching phrases, with definitions of their meaning and value 
  • Alphabetical list of all games and exercises
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cover of Improvisation for the Theater: A Handbook of Teaching and Directing Techniques

Improvisation for the Theater

A Handbook of Teaching and Directing Techniques

Viola Spolin

Northwestern University Press, 1983

In Force, Drive, Desire, Rudolf Bernet develops a philosophical foundation of psychoanalysis focusing on human drives. Rather than simply drawing up a list of Freud’s borrowings from Schopenhauer and Nietzsche, or Lacan’s from Hegel and Sartre, Bernet orchestrates a dialogue between philosophy and psychoanalysis that goes far beyond what these eminent psychoanalysts knew about philosophy. By relating the writings of Freud, Lacan, and other psychoanalysts to those of Aristotle, Leibniz, Schopenhauer, Nietzsche, Husserl, Heidegger, and, more tacitly, Bergson and Deleuze, Bernet brings to light how psychoanalysis both prolongs and breaks with the history of Western metaphysics and philosophy of nature.

Rereading the long history of metaphysics (or at least a few of its key moments) in light of psychoanalytic inquiries into the nature and function of drive and desire also allows for a rewriting of the history of philosophy. Specifically, it allows Bernet to bring to light a different history of metaphysics, one centered less on Aristotelian substance (ousia) and more on the concept of dunamis—a power or potentiality for a realization toward which it strives with all its might. Relating human drives to metaphysical forces also bears fruit for a renewed philosophy of life and subjectivity.

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