Results by title
149 books match the query 'Russia (Federation)' and 9 start with i
I Think Again of Those Ancient Chinese Poets
Tom Sexton
University of Alaska Press, 2010
This all-new collection by former Alaska poet laureate smoothly blends his life in Maine, his years in Alaska, and his love of Chinese poetry—which has been a key influence on his work—into a lyrical fantasy that will enchant lovers of verse. These tightly rhythmic, compact eight-line poems demonstrate a rare deftness with—and an even more uncommon ear for—language, revealing poetic form to be neither a puzzle nor an accomplishment in itself, but a compositional tool and a spur to creativity.
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Icon and Devotion
Sacred Spaces in Imperial RussiaOleg Tarasov
Reaktion Books, 2002
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world.
By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
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Illiberal Vanguard
Populist Elitism in the United States and RussiaAlexandar Mihailovic
University of Wisconsin Press, 2023
Recent years have witnessed a growing affinity between increasingly radicalized right-wing movements in the United States and Russia, countries that only recently viewed each other as intractable foes. In Illiberal Vanguard: Populist Elitism in the United States and Russia, Alexandar Mihailovic untangles this confluence, considering ethnonationalist movements in both countries and their parallel approaches to gender, race, and performative identity. Rather than probe specific points of possible contact or political collusion, Mihailovic unveils the mirrored styles of thought that characterize far-right elitism in two erstwhile enemy nations.
Mihailovic investigates notable right-wing actors like Steve Bannon and Alexander Dugin and targets of right-wing ire such as globalization, LGBTQ+ activism, and mobilizations to remove controversial statues (that honor Confederate generals and Soviet leaders, for instance), but the argument extends beyond the specifics. How and why are radical right-wing movements developing along such similar trajectories in two nominally oppositional countries? How do religious sectarianism, the construction of whiteness, and institutionalized homophobia support each other in this transnational, informal, but powerful allegiance? Despite their appeals to populism and flamboyant theatrics, Mihailovic argues, much of the answer can be found in the mutual desire to justify and organize an illiberal vanguard of elite intellectuals, one that supports and advocates for a new authoritarianism.
Mihailovic investigates notable right-wing actors like Steve Bannon and Alexander Dugin and targets of right-wing ire such as globalization, LGBTQ+ activism, and mobilizations to remove controversial statues (that honor Confederate generals and Soviet leaders, for instance), but the argument extends beyond the specifics. How and why are radical right-wing movements developing along such similar trajectories in two nominally oppositional countries? How do religious sectarianism, the construction of whiteness, and institutionalized homophobia support each other in this transnational, informal, but powerful allegiance? Despite their appeals to populism and flamboyant theatrics, Mihailovic argues, much of the answer can be found in the mutual desire to justify and organize an illiberal vanguard of elite intellectuals, one that supports and advocates for a new authoritarianism.
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Imperial Decline
Russia’s Changing Role in AsiaStephen J. Blank and Alvin Z. Rubinstein, eds.
Duke University Press, 1997
This collection of essays by a distinguished group of international scholars is the first to analyze current Russian policies in China, Japan, and the two Koreas. Although Russia was a rising power in Asia a century ago, historical and political events since then have diverted attention from this potential site of development.
The essays in Imperial Decline describe the major changes that have occurred in Russia’s relations with China, Japan, and South Korea under Boris Yeltin’s presidency, speculating about both Russia’s future in the region and the impact this future could have on relations with the United States. Contributors to this volume demonstrate how incoherent taxation and investment, uncoordinated and contradictory economic policies, runaway inflation and currency instability, and problems of defense now constrain the possibility of Russia expanding its economic influence in the region. This book is essential for students and scholars of international relations, foreign policy, and Russian history.
The essays in Imperial Decline describe the major changes that have occurred in Russia’s relations with China, Japan, and South Korea under Boris Yeltin’s presidency, speculating about both Russia’s future in the region and the impact this future could have on relations with the United States. Contributors to this volume demonstrate how incoherent taxation and investment, uncoordinated and contradictory economic policies, runaway inflation and currency instability, and problems of defense now constrain the possibility of Russia expanding its economic influence in the region. This book is essential for students and scholars of international relations, foreign policy, and Russian history.
Contributors. Stephen J. Blank, Bruce A. Elleman, Harry Gelman, Hongchan Chun , Rajan Menon, Alvin Z. Rubinstein, Oles M. Smolansky, Henry Trofimenko, Charles E. Ziegler
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In Search of the True Russia
The Provinces in Contemporary Nationalist DiscourseLyudmila Parts
University of Wisconsin Press, 2020
Russia's provinces have long held a prominent place in the nation's cultural imagination. Lyudmila Parts looks at the contested place of the provinces in twenty-first-century Russian literature and popular culture, addressing notions of nationalism, authenticity, Orientalism, Occidentalism, and postimperial identity.
Surveying a largely unexplored body of Russian journalism, literature, and film from the late twentieth and early twenty-first centuries, Parts finds that the harshest portrayals of the provinces arise within "high" culture. Popular culture, however, has increasingly turned from the newly prosperous, multiethnic, and westernized Moscow to celebrate the hinterlands as repositories of national traditions and moral strength. This change, she argues, has directed debate about Russia's identity away from its loss of imperial might and global prestige and toward a hermetic national identity based on the opposition of "us vs. us" rather than "us vs. them." She offers an intriguing analysis of the contemporary debate over what it means to be Russian and where "true" Russians reside.
Surveying a largely unexplored body of Russian journalism, literature, and film from the late twentieth and early twenty-first centuries, Parts finds that the harshest portrayals of the provinces arise within "high" culture. Popular culture, however, has increasingly turned from the newly prosperous, multiethnic, and westernized Moscow to celebrate the hinterlands as repositories of national traditions and moral strength. This change, she argues, has directed debate about Russia's identity away from its loss of imperial might and global prestige and toward a hermetic national identity based on the opposition of "us vs. us" rather than "us vs. them." She offers an intriguing analysis of the contemporary debate over what it means to be Russian and where "true" Russians reside.
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Inferno in Chechnya
The Russian-Chechen Wars, the Al Qaeda Myth, and the Boston Marathon BombingsBrian Glyn Williams
University Press of New England, 2015
In 2013, the United States suffered its worst terrorist bombing since 9/11 at the annual running of the Boston Marathon. When the culprits turned out to be U.S. residents of Chechen descent, Americans were shocked and confused. Why would members of an obscure Russian minority group consider America their enemy? Inferno in Chechnya is the first book to answer this riddle by tracing the roots of the Boston attack to the Caucasus Mountains of southern Russia. Brian Glyn Williams describes the tragic history of the bombers’ war-devastated homeland—including tsarist conquest and two bloody wars with post-Soviet Russia that would lead to the rise of Vladimir Putin—showing how the conflict there influenced the rise of Europe’s deadliest homegrown terrorist network. He provides a historical account of the Chechens’ terror campaign in Russia, documents their growing links to Al Qaeda and radical Islam, and describes the plight of the Chechen diaspora that ultimately sent two Chechens to Boston. Inferno in Chechnya delivers a fascinating and deeply tragic story that has much to say about the historical and ethnic roots of modern terrorism.
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Irina Nakhova
Museum on the EdgeJane A. Sharp
Rutgers University Press, 2019
Throughout her extensive career, Russian conceptual artist Irina Nakhova has frequently pushed the limits of what constitutes art and how we experience the art museum. One of her famous early pieces, for instance, transformed a room in her very own Moscow apartment into an art installation.
Released in conjunction with Nakhova’s first museum retrospective exhibition in the United States, this book includes many full-color illustrations of her work, spanning the entirety of her forty-year career and demonstrating her facility with a variety of media. It also includes essays by a variety of world-renowned curators and art historians, each cataloging Nakhova’s artistic innovations and exploring how she deals with themes of everyday life, memory, viewer engagement, and moral responsibility. It concludes with a new interview with Nakhova herself, giving new insight into her creative process and artistic goals. Irina Nakhova: Museum on the Edge provides a vivid look at the work of a visionary artist. Published in partnership with the Zimmerli Museum.
Released in conjunction with Nakhova’s first museum retrospective exhibition in the United States, this book includes many full-color illustrations of her work, spanning the entirety of her forty-year career and demonstrating her facility with a variety of media. It also includes essays by a variety of world-renowned curators and art historians, each cataloging Nakhova’s artistic innovations and exploring how she deals with themes of everyday life, memory, viewer engagement, and moral responsibility. It concludes with a new interview with Nakhova herself, giving new insight into her creative process and artistic goals. Irina Nakhova: Museum on the Edge provides a vivid look at the work of a visionary artist. Published in partnership with the Zimmerli Museum.
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Isaac Babel and the Self-Invention of Odessan Modernism
Rebecca Jane Stanton
Northwestern University Press, 2012
In what marks an exciting new critical direction, Rebecca Stanton contends that the city of Odessa—as a canonical literary image and as a kaleidoscopic cultural milieu—shaped the narrative strategies developed by Isaac Babel and his contemporaries of the Revolutionary generation. Modeling themselves on the tricksters and rogues of Odessa lore, Babel and his fellow Odessans Valentin Kataev and Yury Olesha manipulated their literary personae through complex, playful, and often subversive negotiations of the boundary between autobiography and fiction. In so doing, they cannily took up a place prepared for them in the Russian canon and fostered modes of storytelling that both reflected and resisted the aesthetics of Socialist Realism. Stanton concludes with a rereading of Babel’s “autobiographical” stories and examines their legacy in post-Thaw works by Kataev, Olesha, and Konstantin Paustovsky.
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It Will Be Fun and Terrifying
Nationalism and Protest in Post-Soviet RussiaFabrizio Fenghi
University of Wisconsin Press, 2021
The National Bolshevik Party, founded in the mid-1990s by Eduard Limonov and Aleksandr Dugin, began as an attempt to combine radically different ideologies. In the years that followed, Limonov, Dugin, and the movements they led underwent dramatic shifts. The two leaders eventually became political adversaries, with Dugin and his organizations strongly supporting Putin’s regime while Limonov and his groups became part of the liberal opposition.
To illuminate the role of these right-wing ideas in contemporary Russian society, Fabrizio Fenghi examines the public pronouncements and aesthetics of this influential movement. He analyzes a diverse range of media, including novels, art exhibitions, performances, seminars, punk rock concerts, and even protest actions. His interviews with key figures reveal an attempt to create an alternative intellectual class, or a “counter-intelligensia.” This volume shows how certain forms of art can transform into political action through the creation of new languages, institutions, and modes of collective participation.
To illuminate the role of these right-wing ideas in contemporary Russian society, Fabrizio Fenghi examines the public pronouncements and aesthetics of this influential movement. He analyzes a diverse range of media, including novels, art exhibitions, performances, seminars, punk rock concerts, and even protest actions. His interviews with key figures reveal an attempt to create an alternative intellectual class, or a “counter-intelligensia.” This volume shows how certain forms of art can transform into political action through the creation of new languages, institutions, and modes of collective participation.
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