Cynthia DeHaven Pitcock
University of Arkansas Press, 2000
Laura Clawson
University of Chicago Press, 2011
The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn’t performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members’ often profound differences.
Laura Clawson’s research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.
Robert Miklitsch
University of Illinois Press, 2020

Frances Jacobson Harris
American Library Association, 2011
Gerald Eskenazi
University of Missouri Press, 2005
Imagine that there was a time in America when a child sat next to a radio and simply listened. But didn’t just listen, was enthralled and knew that this time was his alone, that he was part of the vortex of drama unfolding inside the radio’s innards. . . . I never saw a punch thrown, or a glass shatter, or a blood-smeared shirt as I listened to the radio. Nor did I know Barbara Stanwyck’s hairstyle as she overacted in Sorry, Wrong Number on the Lux Radio Theatre. And I had no idea how corpulent Happy Felton was as he dropped ten silver dollars that jangled into a Sheffield’s Milk bottle on Guess Who. (Yes, ten bucks was what you won on that show.) Instead, I imagined it all.
I Hid It under the Sheets captures a bygone era—the late 1930s, 1940s, and early 1950s—through the reminiscences of award-winning New York Times reporter Gerald Eskenazi. This first-person recollection shows radio’s broad impact on his generation and explains how and why it became such a major factor in shaping America and Americans.
Frankie Condon
Utah State University Press, 2012
"Both from the Right and from the Left, we are stymied in talking well with one another about race and racism, by intransigent beliefs in our own goodness as well as by our conviction that such talk is useless. . . . White antiracist epistemology needs to begin not with our beliefs, but with our individual and collective awakening to that which we do not know."
Drawing on scholarship across disciplines ranging from writing and rhetoric studies to critical race theory to philosophy, I Hope I Join the Band examines the limits and the possibilities for performative engagement in antiracist activism. Focusing particularly on the challenges posed by raced-white identity to performativity, and moving between narrative and theoretical engagement, thebook names and argues for critical shifts in the understandings and rhetorical practices that attend antiracist activism.
Joan Scottie
University of Manitoba Press, 2022
David Zang
University of Illinois Press, 2015
Greg Carter
University of Texas Press, 2025
How the Star Wars trilogies and their fandoms have engaged with and mirrored American beliefs about race and gender.
2026 Award for Best Single Work, Popular Culture Association (MPCA)
The Star Wars saga takes place in a galaxy far, far away, but its social structures—in particular its racial realities—are thoroughly American. So argues Greg Carter in this thought-provoking analysis, which blends historical and theoretical treatments of science fiction cinema and Star Wars fandom to explore the subtle mirroring between fantasy and the communities that create and consume it.
I’d Just as Soon Kiss a Wookiee draws on insights from prominent scholars to examine fictional relationships between groups perceived to be biologically different. Three areas of commonality between the United States and Star Wars arise: stiff regulation of racial mixture; racialized servitude, with nonhumans placed in positions of bondage; and the presumption of white male supremacy. None of these are functions of the of the Star Wars story; rather, they index the expectations of US society. But expectations have also shifted since Star Wars launched in 1977, and the franchise with it. Carter gauges minority and mainstream fan reactions, finding that, while science fiction enthusiasts have a reputation for progressiveness, the truth turns out to be as complicated as US racism itself.
Karen Surman Paley
Southern Illinois University Press, 2001
In this ethnographic study of the teaching of writing, Karen Surman Paley reveals the social significance of first-person writing and the limitations of a popular taxonomy of composition studies. Paley looks critically at the way social constructionists have created an “Other” in the field of composition studies and named it “expressivist.”
Paley demonstrates the complexity of approaches to teaching writing through an ethnographic study of two composition faculty at Boston College, a programthat some would say is “expressivist.” She prompts her colleagues to consider how family experiences shape the way students feel about and treat people of races, religions, genders, and sexual preferences other than their own. Finally, she suggests to the field of composition that practitioners spend less time shoring up taxonomies of the field and more time sharing pedagogies.
Jen Rose Smith
Duke University Press, 2025
Olga Goriunova
University of Minnesota Press, 2025
How data and artificial intelligence create a new, abstract digital subject
Ideal Subjects examines how samples of our lives and daily behaviors have come to reside in the world of data and artificial intelligence—and what this means for who we are and what we may become. Detailing how AI-facilitated algorithmic prediction and data modeling make “ideal subjects” of us, Olga Goriunova explores the complex ways we relate to these digital abstractions.
As more and more of our experience is funneled through computational records and models, datafied aspects of our lives are segmented and reconfigured to operate as new entities. Rather than viewing these abstract assemblages as extensions of our selves, Goriunova encourages us to consider these products of computational processes as an entirely new kind of subject, one that is both more and less than a human.
Through close readings of contemporary digital practices and data analytics, Goriunova exposes the profound ethical, aesthetic, and political implications of producing and managing these new digital subjects. Highlighting the distinctive impact of computation on contemporary subject formation while placing the present within a history of shifting conceptions of the subject, she gives us much-needed tools for understanding how our intimate selves are rendered by the abstract entities of big data. Ideal Subjects presents an uncanny and deeply fascinating portrait of modern subjectivity in the technological age.
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Robert G. Dunn
Temple University Press, 2008
Identifying Consumption illustrates how an individual’s buying habits are shaped by the dynamics of the consumer marketplace—and thus how consumption and identity inform each other. Robert Dunn brings together the various theories of spending and develops a mode of analysis concentrating on the individual subjectivity of consumption. By doing so, he addresses how we spend and its relationship with status and lifestyle.
Dunn provides a comprehensive guide to the study of modern consumer behavior before summarizing and critiquing the major theories of consumption. At this juncture, he proposes a method of analysis that focuses on the significance of status and lifestyle in social relations that can help explain how the consumer marketplace is shaped. He concludes by raising issues about different ways of consuming and the relationship between consumption and identity.

Robert G. Dunn
University of Minnesota Press, 1998
A readable analysis of postmodernity that provides a cultural context for its rise.
Though the term “postmodern” looms large on our cultural landscape, rarely do we find a systematic and impartial discussion of the circumstances of its ascendance. Identity Crises offers just such an accounting. In this book, Robert G. Dunn situates the intellectual currency of “the postmodern” within the larger context of social and cultural change shaping the movement over the past several decades. Along the way, he offers a necessary corrective to both the sociological and historical shortcomings of cultural criticism and the cultural myopia of social science in considering the postmodern world.
Dunn explains contemporary culture and contemporary cultural criticism as part of a distinct historical moment, one that entails new social relations as a consequence of new means of production. In place of prevailing cultural and political constructions, Dunn proposes a “social relational” approach that explicitly recognizes the structural and situational contexts of identity formation. He conceptualizes issues of identity and difference in terms of social, cultural, and political transformations in the transition from modern to postmodern society. This provides a socio-historical perspective through which to consider the impact of consumption, mass media, globalization, and new social movements on identity-forming processes. Unique to this undertaking and crucial to Dunn’s critique of poststructuralist and postmodern theories is his application of the theory of George Herbert Mead as a more effective means of theorizing identity and difference. Dunn’s focus on postmodernity as opposed to postmodernism serves to ground the analysis of identity and difference materially and socially. Learned, evenhanded, and enlightening, Identity Crises is an essential demonstration of the connections between cultural theory and criticism, contemporary culture, and sociological analysis. ISBN 0-8166-3072-0 Cloth $49.95xxISBN 0-8166-3073-9 Paper $19.95x304 pages 5 7/8 x 9 MarchTranslation inquiries: University of Minnesota Pressedited by Bronwyn T. Williams
Utah State University Press, 2006
How do definitions of literacy in the academy, and the pedagogies that reinforce such definitions, influence and shape our identities as teachers, scholars, and students? The contributors gathered here reflect on those moments when the dominant cultural and institutional definitions of our identities conflict with our other identities, shaped by class, race, gender, sexual orientation, location, or other cultural factors.
These writers explore the struggle, identify the sources of conflict, and discuss how they respond personally to such tensions in their scholarship, teaching, and administration. They also illustrate how writing helps them and their students compose alternative identities that may allow the connection of professional identities with internal desires and senses of self. They emphasize how identity comes into play in education and literacy and how institutional and cultural power is reinforced in the pedagogies and values of the writing classroom and writing profession.
Edited by Anna Poletti and Julie Rak
University of Wisconsin Press, 2013
Ani Maitra
Northwestern University Press, 2020
Yaron Shemer
University of Michigan Press, 2013
In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel, Yaron Shemer presents the most comprehensive and systematic study to date of Mizrahi (Oriental-Jewish or Arab-Jewish) films produced in Israel in the last several decades. Through an analysis of dozens of films the book illustrates how narratives, characters, and space have been employed to give expression to Mizrahi ethnic identity and to situate the Mizrahi within the broader context of the Israeli societal fabric. The struggle over identity and the effort to redraw ethnic boundaries have taken place against the backdrop of a long-standing Zionist view of the Mizrahi as an inferior other whose “Levantine” culture posed a threat to the Western-oriented Zionist enterprise.
In its examination of the nature and dynamics of Mizrahi cinema (defined by subject-matter), the book engages the sensitive topic of Mizrahi ethnicity head-on, confronting the conventional notion of Israeli society as a melting pot and the widespread dismissal of ethnic divisions in the country. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. He also studies the role cultural policies and institutional power in Israel have played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema. In a broader sense, this pioneering work is a probing exploration of Israeli culture and society through the prism of film and cinematic expression. It sheds light on the play of ethnicity, class, gender, and religion in contemporary Israel, and on the heated debates surrounding Zionist ideology and identity politics. By charting a new territory of academic inquiry grounded in an interdisciplinary theoretical framework, the study contributes to the formation of “Mizrahi Cinema” as a recognized and vibrant scholarly field.
Edited by Reinhard Bernbeck and Randall McGuire
University of Arizona Press, 2011
Robert Cantwell
University of Illinois Press, 2008

Christopher Castiglia
University of Minnesota Press, 2011
The AIDS epidemic soured the memory of the sexual revolution and gay liberation of the 1970s, and prominent politicians, commentators, and academics instructed gay men to forget the sexual cultures of the 1970s in order to ensure a healthy future. But without memory there can be no future, argue Christopher Castiglia and Christopher Reed in this exploration of the struggle over gay memory that marked the decades following the onset of AIDS.
Challenging many of the assumptions behind first-wave queer theory, If Memory Serves offers a new perspective on the emergence of contemporary queer culture from the suppression and repression of gay memory. Drawing on a rich archive of videos, films, television shows, novels, monuments, paintings, and sculptures created in the wake of the epidemic, the authors reveal a resistance among critics to valuing—even recognizing—the inscription of gay memory in art, literature, popular culture, and the built environment. Castiglia and Reed explore such topics as the unacknowledged ways in which the popular sitcom Will and Grace circulated gay subcultural references to awaken a desire for belonging among young viewers; the post-traumatic (un)rememberings of queer theory; and the generation of “ideality politics” in the art of Félix González-Torres, the film Chuck & Buck, and the independent video Video Remains.
Inspired by Alasdair MacIntyre’s insight that “the possession of a historical identity and the possession of a social identity coincide,” Castiglia and Reed demonstrate that memory is crafted in response to inadequacies in the present—and therefore a constructive relation to the past is essential to the imagining of a new future.
Jose Angel N.
University of Illinois Press, 2014
Arriving in the 1990s with a ninth grade education, N. traveled to Chicago where he found access to ESL and GED classes. He eventually attended college and graduate school and became a professional translator.
Despite having a well-paying job, N. was isolated by a lack of legal documentation. Travel concerns made promotions impossible. The simple act of purchasing his girlfriend a beer at a Cubs baseball game caused embarrassment and shame when N. couldn't produce a valid ID. A frustrating contradiction, N. lived in a luxury high-rise condo but couldn't fully live the American dream. He did, however, find solace in the one gift America gave him–-his education. Ultimately, N.'s is the story of the triumph of education over adversity. In Illegal, he debunks the stereotype that undocumented immigrants are freeloaders without access to education or opportunity for advancement. With bravery and honesty, N. details the constraints, deceptions, and humiliations that characterize alien life "amid the shadows."
Hershini Bhana Young
Duke University Press, 2017
Suk-Young Kim
University of Michigan Press, 2010
"North Korea is not just a security or human rights problem (although it is those things) but a real society. This book gets us closer to understanding North Korea beyond the usual headlines, and does so in a richly detailed, well-researched, and theoretically contextualized way."
---Charles K. Armstrong, Director, Center for Korean Research, Columbia University
"One of this book's strengths is how it deals at the same time with historical, geographical, political, artistic, and cultural materials. Film and theatre are not the only arts Kim studies---she also offers an excellent analysis of paintings, fashion, and what she calls 'everyday performance.' Her analysis is brilliant, her insights amazing, and her discoveries and conclusions always illuminating."
---Patrice Pavis, University of Kent, Canterbury
No nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, Illusive Utopia shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, Illusive Utopia captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population.
Suk-Young Kim is Associate Professor in the Department of Theater and Dance at the University of California, Santa Barbara, and coauthor with Kim Yong of Long Road Home: A Testimony of a North Korean Camp Survivor.
Tina M. Campt
Duke University Press, 2012
Harry Eiss
University of Wisconsin Press, 1994
This collection of articles on images of the child offers an excellent range of perspectives on an equally wide range of concerns, including advertising, girls' book series, rap music, realistic fiction, games, dolls, violence, and movies. Taken together as a book, this collection confirms the complexity of the world of childhood, and demonstrates how strongly images of the child reflect the entire culture.

Richard Barbrook
Pluto Press, 2007
Néstor García Canclini
Duke University Press, 2014
García Canclini contrasts the imaginaries of previous migrants to the Americas with those who live in transnational circuits today. He integrates metaphor and narrative, working through philosophical, anthropological, and socioeconomically grounded interpretations of art, literature, crafts, media, and other forms of expression toward his conclusion that globalization is, in important ways, a collection of heterogeneous narratives. García Canclini advocates global imaginaries that generate new strategies for dealing with contingency and produce new forms of citizenship oriented toward multiple social configurations rather than homogenization. This edition of Imagined Globalization includes a significant new introduction by George Yúdice and an interview in which the cultural theorist Toby Miller and García Canclini touch on events including the Arab Spring and Occupy Wall Street.
Heribert Adam
Temple University Press, 2015
John Bale
University of Minnesota Press, 2002
Zelideth María Rivas and Debbie Lee-DiStefano
Rutgers University Press, 2016
Austin Sarat
University of Alabama Press, 2011
Imagining Legality argues that images of law suggested by television and film are as numerous as they are various, and that they give rise to a potent and pervasive imaginative life of the law. The media’s projections of the legal system remind us not only of the way law lives in our imagination but also of the contingencies of our own legal and social arrangements.
Contributors to Imagining Legality are less interested in the accuracy of the portrayals of law in film and television than in exploring the conditions of law’s representation, circulation, and consumption in those media. In the same way that legal scholars have taken on the disciplinary perspectives of history, economics, sociology, anthropology, and psychology in relation to the law, these writers bring historical, sociological, and cultural analysis, as well as legal theory, to aid in the understanding of law and popular culture.
Sandhya Shukla and Heidi Tinsman, eds.
Duke University Press, 2007
Scholars of literature, ethnic studies, and regional studies as well as of anthropology and history, the contributors focus on the Americas as a broadly conceived geographic, political, and cultural formation. Among the essays are explorations of the varied histories of African Americans’ presence in Mexican and Chicano communities, the different racial and class meanings that the Colombian musical genre cumbia assumes as it is absorbed across national borders, and the contrasting visions of anticolonial struggle embodied in the writings of two literary giants and national heroes: José Martí of Cuba and José Rizal of the Philippines. One contributor shows how a pidgin-language mixture of Japanese, Hawaiian, and English allowed second-generation Japanese immigrants to critique Hawaii’s plantation labor system as well as Japanese hierarchies of gender, generation, and race. Another examines the troubled history of U.S. gay and lesbian solidarity with the Cuban Revolution. Building on and moving beyond previous scholarship, this collection illuminates the productive intellectual and political lines of inquiry opened by a focus on the Americas.
Contributors. Rachel Adams, Victor Bascara, John D. Blanco, Alyosha Goldstein, Héctor Fernández L’Hoeste, Ian Lekus, Caroline F. Levander, Susan Y. Najita, Rebecca Schreiber, Sandhya Shukla, Harilaos Stecopoulos, Michelle Stephens, Heidi Tinsman, Nick Turse, Rob Wilson
Jan Bender Shetler
Ohio University Press, 2007
Many students come to African history with a host of stereotypes that are not always easy to dislodge. One of the most common is that of Africa as safari grounds—as the land of expansive, unpopulated game reserves untouched by civilization and preserved in their original pristine state by the tireless efforts of contemporary conservationists. With prose that is elegant in its simplicity and analysis that is forceful and compelling, Jan Bender Shetler brings the landscape memory of the Serengeti to life. She demonstrates how the social identities of western Serengeti peoples are embedded in specific spaces and in their collective memories of those spaces. Using a new methodology to analyze precolonial oral traditions, Shetler identifies core spatial images and reevaluates them in their historical context through the use of archaeological, linguistic, ethnographic, ecological, and archival evidence. Imagining Serengeti is a lively environmental history that will ensure that we never look at images of the African landscape in quite the same way.
Fabienne Darling-Wolf
University of Michigan Press, 2014
Elizabeth S. Manley
Rutgers University Press, 2025
Sara J. Grossman
Duke University Press, 2023
Pooja Rangan
Duke University Press, 2017
John J Bukowczyk
University of Illinois Press, 2016
Hirokazu Yoshikawa
Russell Sage Foundation, 2011
Dowell Myers
Russell Sage Foundation, 2007
Janelle S. Wong
Russell Sage Foundation, 2018
Edited by Sofía Espinoza Álvarez and Martin Guevara Urbina
University of Arizona Press, 2018

Lesley S. J. Farmer
American Library Association, 2021
Foreword by Dr. Lois Bridges
Inspired by the Library of Congress Literacy Awards Program and its applicants, which have showcased and disseminated innovative literacy initiatives across the country and around the world since 2013, this book provides evidence-based practice guidelines for librarians and educators. To optimize results, the projects in this book blend early literacy benefits, fundamental reading skills, and other foundational concepts with culture- or community-specific sensitivity and leveraging. They’re adaptable based on age, audience, size, resources, and budget; and most importantly, they address social inequities and foster cross-culture interactions. Inside, readers will find
Ann Laura Stoler, ed.
Duke University Press, 2013
Roxanne Doty
University of Minnesota Press, 1996
Offers a fresh perspective on power relationships in global politics.
“Developed/underdeveloped,” “first world/third world,” “modern/traditional”-although there is nothing inevitable, natural, or arguably even useful about such divisions, they are widely accepted as legitimate ways to categorize regions and peoples of the world. In Imperial Encounters, Roxanne Lynn Doty looks at the way these kinds of labels influence North-South relations, reflecting a history of colonialism and shaping the way national identity is constructed today.
Employing a critical, poststructuralist perspective, Doty examines two “imperial encounters” over time: between the United States and the Philippines and between Great Britain and Kenya. The history of these two relationships demonstrates that not only is the more powerful member allowed to construct “reality,” but this construction of reality bears an important relationship to actual practice. Doty is particularly interested in the way in which the South has been represented by policymakers, scholars, and journalists, and how these representations have influenced specific encounters. Doty also uses the insights of Edward Said to argue that the power dynamic that allows the North to define the global identity of nations in the South ultimately tells us more about northern powers than about their southern neighbors. Doty then considers the persistence of representational practices, particularly with regard to Northern views of human rights in the South and contemporary social science discourses on North-South relations. She ends with the argument that the discipline of international relations needs to be reformed by broadening the repertoire of theoretical and analytical tools available to scholars studying global politics. Important and timely, Imperial Encounters brings a fresh perspective to the debate over the past-and the future-of global politics.
Elspeth Kaiser-Derrick
University of Manitoba Press, 2019
Geoffrey Baker
Duke University Press, 2008
Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
Angus McLaren
University of Chicago Press, 2007
As anyone who has watched television in recent years can attest, we live in the age of Viagra. From Bob Dole to Mike Ditka to late-night comedians, our culture has been engaged in one long, frank, and very public talk about impotence—and our newfound pharmaceutical solutions. But as Angus McLaren shows us in Impotence, the first cultural history of the subject, the failure of men to rise to the occasion has been a recurrent topic since the dawn of human culture.
Drawing on a dazzling range of sources from across centuries, McLaren demonstrates how male sexuality was constructed around the idea of potency, from times past when it was essential for the purpose of siring children, to today, when successful sex is viewed as a component of a healthy emotional life. Along the way, Impotence enlightens and fascinates with tales of sexual failure and its remedies—for example, had Ditka lived in ancient Mesopotamia, he might have recited spells while eating roots and plants rather than pills—and explanations, which over the years have included witchcraft, shell-shock, masturbation, feminism, and the Oedipal complex. McLaren also explores the surprising political and social effects of impotence, from the revolutionary unrest fueled by Louis XVI’s failure to consummate his marriage to the boost given the fledgling American republic by George Washington’s failure to found a dynasty. Each age, McLaren shows, turns impotence to its own purposes, using it to help define what is normal and healthy for men, their relationships, and society.
From marraige manuals to metrosexuals, from Renaissance Italy to Hollywood movies, Impotence is a serious but highly entertaining examination of a problem that humanity has simultaneously regarded as life’s greatest tragedy and its greatest joke.
Mary Pattillo
Russell Sage Foundation, 2004