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In a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others. Immersions in Cultural Difference takes readers into the heart of immersive simulations, including a simulated terrorist training camp in Utah; mock Afghan villages at military bases in Canada and the UK; a fictional Mexico-US border run in Hidalgo, Mexico; and an immersive tour for settlers at a First Nations reserve in Manitoba, Canada. Natalie Alvarez positions the phenomenon of immersive simulations within intersecting cultural formations: a neoliberal capitalist interest in the so-called “experience economy” that operates alongside histories of colonization and a heightened state of xenophobia produced by War on Terror discourse. The author queries the ethical stakes of these encounters, including her own in relation to the field research she undertakes. As the book moves from site to site, the reader discovers how these immersions function as intercultural rehearsal theaters that serve a diverse set of strategies and pedagogical purposes: they become a “force multiplier” within military strategy, a transgressive form of dark tourism, an activist strategy, and a global, profit-generating practice for a neoliberal capitalist marketplace.

All writers risk their identities, some with each sentence. But abroad, writing about a life that can't help but seem elusive, the charlatan in oneself may feel all too exposed. Limited to the surface, to the most fortuitous of impressions, how can a foreign pair of eyes hope to pen anything that can vie with something an insider, born there, carrying that landscape in his bones, might write?

For more than four decades, poet Robin Magowan has journeyed in search of ecstatic spiritual experiences. Hitchhiking and walking, by bus or boat or when necessary by horse, he has explored lands as exotic as Nepal and New Guinea, as classic as Italy or France, and as forgotten as Persia and pre-Castro Cuba. All the while he has submerged himself, whether in the mysteries of Haitian voodoo or the simples pleasures of Burgundian peasant life. Known for the beauty, wit, and expressive power of his prose, Magowan's writing vibrates with the intensity of an outsider who crawls into the skin of a country--and emerges transformed.

When Tessa de Loo saw Albania for the first time, no foreigners were allowed to enter. Filled with a great curiosity, longing, and a sense of wonderment by this isolated land, de Loo gazed toward the mountains that stood like "the backs of patiently waiting elephants" across the water from Corfu. Inspired by the famous Thomas Phillips portrait of Lord Byron in Albanian national costume, and enthralled by the image of Lord Byron since her teenage years, she sets about exploring not only his physical journey, but attempts to understand his inner one as well. de Loo stole her way in and found a country suffering the hardships of post-communist reality and the constant and sometimes fractious clash between tradition and modernity. In the tradition of Bruce Chatwin, de Loo, the award-winning author of The Twins, has written a fascinating travelogue and a very personal reassessment of the a formative chapter in Lord Byron's short life.

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Whether the subject is the plants that grow there, the animals that live there, the rivers that run there, or the people he has known there, Paul Lindholdt’s In Earshot of Water illuminates the Pacific Northwest in vivid detail. Lindholdt writes with the precision of a naturalist, the critical eye of an ecologist, the affection of an apologist, and the self-revelation and self-awareness of a personal essayist in the manner of Annie Dillard, Loren Eiseley, Derrick Jensen, John McPhee, Robert Michael Pyle, and Kathleen Dean Moore.

Exploring both the literal and literary sense of place, with particular emphasis on environmental issues and politics in the far Northwest, Lindholdt weds passages from the journals of Lewis and Clark, the log of Captain James Cook, the novelized memoir of Theodore Winthrop, and Bureau of Reclamation records growing from the paintings that the agency commissioned to publicize its dams in the 1960s and 1970s, to tell ecological and personal histories of the region he knows and loves.

In Lindholdt’s beautiful prose, America’s environmental legacies—those inherited from his blood relatives as well as those from the influences of mass culture—and illuminations of the hazards of neglecting nature’s warning signs blur and merge and reemerge in new forms. Themes of fathers and sons layer the book, as well—the narrator as father and as son—interwoven with a call to responsible social activism with appeals to reason and emotion. Like water itself, In Earshot of Water cascades across boundaries and blends genres, at once learned and literary.

During years of travelling through North Africa, author Barnaby Rogerson has encountered a handful of stories so complicated that he could not place them into neat, tidy narratives. These are stories of characters who were neither distinctly good nor noticeably bad, neither malicious nor noble. In Search of Ancient North Africa is a journey into the ruins of a landscape to make sense of these stories through the multilayered lives of six individuals. Rogerson digs into the lives of Queen Dido, who was a sacrificial refugee; King Juba II, a prisoner of war who became a compliant tool of the Roman Empire; Septimius Severus, an unpromising provincial who, as its leader, brought his empire to its dazzling apogee; St. Augustine, an intellectual careerist who became a bishop and a saint; Hannibal, the greatest general the world has ever known; and Masinissa, the man who eventually defeated him. Together these six lives, clouded with as much myth as fact, are characters that represent classical North Africa. Among these life stories, we explore ruins and monuments tell of their lives and see the multiple connections that bind the culture of this region with the wider world, particularly the spiritual traditions of the ancient Near East.

In Search of Ancient North Africa sheds new light on a time and place at the crossroads of numerous histories and cultures. It offers the first history of ancient North Africa told through the lives of North Africans themselves.

Las Vegas, says William Fox, is a pay-as-you-play paradise that succeeds in satisfying our fantasies of wealth and the excesses of pleasure and consumption that go with it. In this context, Fox examines how Las Vegas’s culture of spectacle has obscured the boundaries between high art and entertainment extravaganza, nature and fantasy, for-profit and nonprofit enterprises. His purview ranges from casino art galleries—including Steve Wynn’s private collection and a branch of the famed Guggenheim Museum—to the underfunded Las Vegas Art Museum; from spectacular casino animal collections like those of magicians Siegfried and Roy and Mandalay Bay’s Shark Reef exhibit to the city’s lack of support for a viable public zoo; from the environmental and psychological impact of lavish water displays in the arid desert to the artistic ambiguities intrinsic to Las Vegas’s floating world of showgirls, lapdancers, and ballet divas. That Las Vegas represents one of the world’s most opulent displays of private material wealth in all its forms, while providing miserly funding for local public amenities like museums and zoos, is no accident, Fox maintains. Nor is it unintentional that the city’s most important collections of art and exotic fauna are presented in the context of casino entertainment, part of the feast of sensation and excitement that seduces millions of visitors each year. Instead, this phenomenon shows how our insatiable modern appetite for extravagance and spectacle has diminished the power of unembellished nature and the arts to teach and inspire us, and demonstrates the way our society privileges private benefit over public good. Given that Las Vegas has been a harbinger of national cultural trends, Fox’s commentary offers prescient insight into the increasing commercialization of nature and culture across America.

Kenny Fries embarks on a journey of profound self-discovery as a disabled foreigner in Japan, a society historically hostile to difference. As he visits gardens, experiences Noh and butoh, and meets artists and scholars, he also discovers disabled gods, one-eyed samurai, blind chanting priests, and A-bomb survivors. When he is diagnosed as HIV positive, all his assumptions about Japan, the body, and mortality are shaken, and he must find a way to reenter life on new terms.

A stunning history of legendary treasure seekers and enigmatic natives in Mexico's Copper Canyon

Based on his one-year sojourn in Copper Canyon among the Raramuri/Tarahumara, award-winning journalist Jeff Biggers offers a rare look into the ways of the most resilient indigenous culture in the Americas, the exploits of Mexican mountaineers, and the fascinating parade of argonauts and accidental travelers who have journeyed into the Sierra Madre over centuries. From African explorers, Bohemian friars, Confederate and Irish war deserters, French poets, Boer and Russian commandos, Apache and Mennonite communities, bewildered archaeologists, addled writers, and legendary characters including Antonin Artaud, Henry Flipper, B. Traven, Sergei Eisenstein, George Patton, Geronimo, and Pancho Villa, Biggers uncovers the remarkable treasures of the Sierra Madre.

In Incidence of Travel, archaeologist Jerry Moore draws on his personal experiences and historical and archaeological studies throughout South America to explore and understand the ways traditional peoples created cultural landscapes in the region. Using new narrative structures, Moore introduces readers to numerous archaeological sites and remains, describing what it is like to be in the field and sparking further reflection on what these places might have been like in the past.

From the snow-capped mountains of Colombia to the arid deserts of Peru and Chile, ancient peoples of South America built cities, formed earthen mounds, created rock art, and measured the cosmos—literally inscribing their presence and passage throughout the continent. Including experiences ranging from the terrifying to the amusing, Moore’s travels intersect with the material traces of traditional cultures. He refers to this intersection as "the incidence of travel." Braiding the tales of his own journeys with explanations of the places he visits through archaeological, anthropological, and historical contexts, Moore conveys the marvelous and intriguing complexities of prehistoric and historic peoples of South America and the ways they marked their presence on the land.

Combining travel narrative and archaeology in a series of essays—accounts of discoveries, mishaps of travel, and encounters with modern people living in ancient places—Incidence of Travel will engage any general reader, student, or scholar with interest in archaeology, anthropology, Latin American history, or storytelling.

In Inheriting the Holocaust, Paula S. Fass explores her own past as the daughter of Holocaust survivors to reflect on the nature of history and memory. Through her parents' experiences and the stories they recounted, Fass defined her engagement as a historian and used these skills to better understand her parents' lives.

Fass begins her journey through time and relationships when she travels to Poland and locates birth certificates of the murdered siblings she never knew. That journey to recover her family's story provides her with ever more evidence for the perplexing reliability of memory and its winding path toward historical reconstruction. In the end, Fass recovers parts of her family's history only to discover that Poland is rapidly re-imagining the role Jews played in the nation's past.

Each of the nearly 100 essays in Insight Philadelphia tells a succinct, compelling, and little-known tale of the city’s past. Some stories are quirky, like how early gas stations were designed to resemble classical temples, or the saga of how a museum acquired a 2000-year-old Greek statue, then had it demolished with a sledgehammer. Other stories turn serious, exploring the tragic deaths of child laborers in the city’s textile mills and a century-old case of racial profiling that led to a stationhouse murder. Historian Kenneth Finkel introduces readers to the many brave souls and colorful characters who left their mark on the city, from the Irish immigrant “coal heavers”—who initiated the nation’s first general strike—to the teenage Josephine Baker making a flashy debut on the Philadelphia stage.
 
Illustrated with scores of rare archival images, Insight Philadelphia will give readers a new appreciation for the people and places that make the City of Brotherly Love so unique. 

Full of humor, profundity, and obsession, these are tales of writers on peregrine paths. Some set out in search of legends or artistic inspiration; others seek spiritual epiphany or fulfillment of a promise. Their journeys lead them variously to Dracula’s castle, Laura Ingalls Wilder’s prairie, the Grimms’ fairy-tale road, Mayan temples, Nathaniel West’s California, the Camino de Santiago trail, Scott’s Antarctica, the Marquis de Sade’s haunted manor, or the sacred city of Varanasi. All of these pilgrimages are worthy journeys—redemptive and serious. But a time-honored element of pilgrimage is a suspension of rules, and there is absurdity and exuberance here as well.

Craig Packer takes us into Africa for a journey of fifty-two days in the fall of 1991. But this is more than a tour of magnificent animals in an exotic, faraway place. A field biologist since 1972, Packer began his work studying primates at Gombe and then the lions of the Serengeti and the Ngorongoro Crater with his wife and colleague Anne Pusey. Here, he introduces us to the real world of fieldwork—initiating assistants to lion research in the Serengeti, helping a doctoral student collect data, collaborating with Jane Goodall on primate research.

As in the works of George Schaller and Cynthia Moss, Packer transports us to life in the field. He is addicted to this land—to the beauty of a male lion striding across the Serengeti plains, to the calls of a baboon troop through the rain forests of Gombe—and to understanding the animals that inhabit it. Through his vivid narration, we feel the dust and the bumps of the Arusha Road, smell the rosemary in the air at lunchtime on a Serengeti verandah, and hear the lyrics of the Grateful Dead playing off bootlegged tapes.

Into Africa also explores the social lives of the animals and the threats to their survival. Packer grapples with questions he has passionately tried to answer for more than two decades. Why do female lions raise their young in crèches? Why do male baboons move from troop to troop while male chimps band together? How can humans and animals continue to coexist in a world of diminishing resources? Immediate demands—logistical nightmares, political upheavals, physical exhaustion—yield to the larger inescapable issues of the interdependence of the land, the animals, and the people who inhabit it.

In the fall of 2001 Charles Salmon had a Fulbright fellowship in Israel. He was due to depart on September 12. Arriving in Israel a few weeks later, speaking no Hebrew and largely unfamiliar with Judaism and Israeli customs, he immersed himself in Israeli culture.
     This collection of correspondence began as a weekly report to friends and was designed to offer an alternative to mainstream media. With the excitement of a tourist and the eagerness of an anthropologist, Salmon emerges as a modern Candide. He describes historical sites and a supermarket in Tel Aviv, discusses the differences between university students in Israel and America, and negotiates the purchase of food and the vagaries of the weather with humor and passion. The letters also discuss Israeli–Palestinian relations, and details terrorist events and responses to them.
     This unique book focuses on how everyday hopes and fears transcend geopolitical boundaries and provides valuable lessons on how to thrive in these new and uncertain times.

Through the centuries, people from all walks of life have heard the siren call of a pilgrimage, the lure to journey away from the familiar in search of understanding. But is a pilgrimage even possible these days for city-dwellers enmeshed in the pressures of work and family life? Or is there a way to be a pilgrim without leaving one’s life behind? James Attlee answers these questions with Isolarion, a thoughtful, streetwise, and personal account of his pilgrimage to a place he thought he already knew—the Cowley Road in Oxford, right outside his door.

Isolarion takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that’s what Attlee, sharp-eyed and armed with tape recorder and notebook, provides for Cowley Road. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist’s or student’s Oxford. What Attlee presents instead is a thoroughly modern, impressively cosmopolitan, and utterly organic collection of shops, restaurants, pubs, and religious establishments teeming with life and reflecting the multicultural makeup of the surrounding neighborhood.

From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, Attlee investigates every aspect of the Cowley Road’s appealingly eclectic culture, where halal shops jostle with craft jewelers and reggae clubs pulsate alongside quiet churchyards. But the very diversity that is, for Attlee, the essence of Cowley Road’s appeal is under attack from well-meaning city planners and predatory developers. His pilgrimage is thus invested with melancholy: will the messy glories of the Cowley Road be lost to creeping homogenization?

Drawing inspiration from sources ranging from Robert Burton’s The Anatomy of Melancholy to contemporary art, Attlee is a charming and companionable guide who revels in the extraordinary embedded in the everyday. Isolarion is at once a road movie, a quixotic stand against uniformity, and a rousing hymn in praise of the complex, invigorating nature of the twenty-first-century city.

With its varied and glorious history, Istanbul remains one of the world’s perennially fascinating cities. Richard Tillinghast, who first visited Istanbul in the early 1960s and has watched it transform over the decades into a vibrant metropolis, explores its rich art and architecture, culture, cuisine, and much more in this book.

Istanbul was known in Byzantine times as the “Queen of Cities” and to the Ottoman Turks as the “Abode of Felicity.” Steeped in Istanbul’s history, Tillinghast takes his readers on a voyage of discovery through this storied cultural hub, and he is as comfortable talking about Byzantine mosaics and dervish ceremonies as Iznik ceramics and the imperial mosques. His lyrical writing brings Istanbul alive on the page as he accompanies readers to cafés, palaces, and taverns, perfectly conjuring the atmospheric delights, sounds, and senses of the city. Illuminating Istanbul’s great buildings with tales that bring Ottoman and Byzantine history to life, Tillinghast is adept at discovering both what the city remembers and what it chooses to forget.

Through 67 interviews and 59 photographs, It’s a Living reveals the energy and struggle of the world of work in Vietnam today. A goldfish peddler installing aquariums, a business school graduate selling shoes on the sidewalk, a college student running an extensive multi-level sales network, and a promotion girl intent on moving into management are just a few of the people profiled.

Based on frank and freewheeling interviews conducted by students, the book engages a broad range of Vietnamese, both living in Vietnam and abroad, on their feelings about work, life and getting ahead. By providing a ground-level view of the texture of daily working life in the midst of rapid and unsettling change, the book reveals Vietnam today as a place where ordinary people are leveraging whatever assets they have, not just to survive, but to make a better life for themselves.

In Itineraries in Conflict, Rebecca L. Stein argues that through tourist practices—acts of cultural consumption, routes and imaginary voyages to neighboring Arab countries, culinary desires—Israeli citizens are negotiating Israel’s changing place in the contemporary Middle East. Drawing on ethnographic and archival research conducted throughout the last decade, Stein analyzes the divergent meanings that Jewish and Palestinian citizens of Israel have attached to tourist cultures, and she considers their resonance with histories of travel in Israel, its Occupied Territories, and pre-1948 Palestine. Stein argues that tourism’s cultural performances, spaces, souvenirs, and maps have provided Israelis in varying social locations with a set of malleable tools to contend with the political changes of the last decade: the rise and fall of a Middle East Peace Process (the Oslo Process), globalization and neoliberal reform, and a second Palestinian uprising in 2000.

Combining vivid ethnographic detail, postcolonial theory, and readings of Israeli and Palestinian popular texts, Stein considers a broad range of Israeli leisure cultures of the Oslo period with a focus on the Jewish desires for Arab things, landscapes, and people that regional diplomacy catalyzed. Moving beyond conventional accounts, she situates tourism within a broader field of “discrepant mobility,” foregrounding the relationship between histories of mobility and immobility, leisure and exile, consumption and militarism. She contends that the study of Israeli tourism must open into broader interrogations of the Israeli occupation, the history of Palestinian dispossession, and Israel’s future in the Arab Middle East. Itineraries in Conflict is both a cultural history of the Oslo process and a call to fellow scholars to rethink the contours of the Arab-Israeli conflict by considering the politics of popular culture in everyday Israeli and Palestinian lives.