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Investigating insecurity as the predominant logic of life in the present moment

Challenging several key concepts of the twenty-first century, including precarity, securitization, and resilience, this collection explores the concept of insecurity as a predominant logic governing recent cultural, economic, political, and social life in the West. The essays illuminate how attempts to make human and nonhuman systems secure and resilient end up having the opposite effect, making insecurity the default state of life today.

Unique in its wide disciplinary breadth and variety of topics and methodological approaches—from intellectual history and cultural critique to case studies, qualitative ethnography, and personal narrative—Insecurity is written predominantly from the viewpoint of the United States. The contributors’ analyses include the securitization of nongovernmental aid to Palestine, Bangladeshi climate refugees, and the privatization of U.S. military forces; the history of the concept of insecurity and the securitization of finance; racialized urban development in Augusta, Georgia; Amazon’s Mechanical Turk and the consequences of the Marie Kondo method; and the intricate politics of sexual harassment in the U.S. academy.

Contributors: Neel Ahuja, U of California, Santa Cruz; Aneesh Aneesh, U of Wisconsin, Milwaukee; Lisa Bhungalia, Kent State U; Jennifer Doyle, U of California, Riverside; Annie McClanahan, U of California, Irvine; Andrea Miller, Florida Atlantic U; Mark Neocleous, Brunel U London; A. Naomi Paik, U of Illinois, Chicago; Maureen Ryan, U of South Carolina; Saskia Sassen, Columbia U.

In the mid-nineteenth century, Chinese opera theater arrived as one of the significant performing art forms in California. Nancy Yunhwa Rao excavates and contextualizes the important history of Chinese Opera Theater, bringing to light the ways it became woven into the financial, political, social, and family life in California and beyond.

Chinese opera theater found brick-and-mortar homes with San Francisco theaters like the Hing Chuen Yuen and the Donn Qui Yuen. But troupes had already followed Chinese immigrants to mining and railroad towns, and across the American West. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal diaries, newspapers and artifacts to place Chinese theater within the everyday lives of San Francisco. She also examines the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves.

Illustrated with seventy photographs, Inside Chinese Theater is an expert and eloquent journey into the early decades of Chinese opera in America.

From the stone quarries of Sing Sing that supplied marble for early New York City landmarks, to twenty-first-century construction projects staffed by formerly incarcerated workers, Inside Jobs traces the relationship between prison work and the labor market over the past two hundred years. Sociologist Adam Reich demonstrates how prison labor has repeatedly been used to solve economic problems—disciplining workers, lowering labor costs, managing unemployment—revealing unexpected connections that challenge our assumptions about freedom, coercion, and labor itself.

Reich examines the history of work in prisons to understand how it has related to the free labor market. He finds that the organization of prison work, and debates over it, have changed dramatically over time. In the mid to late nineteenth century, prisons helped shape the emerging factory system as the apprentice-based labor market gave way to industrial production. Labor unions opposed prison labor as immoral, and in the early to mid-twentieth century, the moral character of the workforce became central to economic life within the prison and without. Therapeutic professionals worked in prisons to rehabilitate the incarcerated and determine what motivated them to work. Following prison uprisings in the late twentieth century, prison work became a tool of population control. Yet, paradoxically, work programs were remodeled to mirror the free labor market, requiring applications and hiring processes. 

Blending archival research, political economy, and sociological theory, Inside Jobs offers a powerful new framework for understanding mass incarceration and reentry today. Reich examines how the dynamics of mass incarceration have begun to shift. He explores how the "mark of a criminal record"—the stigma traditionally associated with felony convictions—has given way to a "market" for criminal records, as employers discover advantages in hiring disadvantaged, dependent, and disciplined workers recently released from prison. Looking toward the future, Reich focuses on promising efforts to transform this system.

Inside Jobs is an illuminating examination of prison work's history, its relationship to work outside prison walls, and how the criminal justice system disempowers workers both behind bars and beyond.

Inside Tenement Time is the first comprehensive treatment of literary and cultural texts on surveillance in the Caribbean. Covering the long historical arc of the twentieth to the twenty-first centuries, Inside Tenement Time uses Jamaica as a case study to examine moments of crisis and particular spaces, especially urban yard enclaves and their environs, in the Caribbean encounter with surveillance. Making the argument that the Caribbean situation reveals flexible hegemonies rather than provinces of exclusive control, the book demonstrates the countervailing force of sussveillance and spiritveillance, Afro-Indigenous variations on surveillance. Sussveillance and spiritveillance are exemplars of vernacular arts and sciences that operate at and within the frangible borders of state power, exposing the unique dynamics of surveillance in the region and marshalling the acts of imagination with which it contends. For example, the Smile Jamaica concert of 1976, headlined by reggae Superstar Bob Marley, and the reputedly US government-backed 2010 Tivoli Gardens incursion in West Kingston, both moments that have dramatic, even mythic residue in Caribbean and global memory, are among the real-life events brought into conversation with literary representations of this history.

Where tradition meets bureaucracy—Native students redefine education on their own terms.

Inside the Eagle’s Head offers a compelling and deeply human portrait of the Southwestern Indian Polytechnic Institute (SIPI), a federally operated college serving Native American students from across the United States. In it, anthropologist Angelle Khachadoorian draws on years of teaching experience and extensive student interviews to illuminate the challenges and successes of life at SIPI. Far more than an institutional history, this book captures the voices of students navigating a complex educational landscape shaped by federal oversight, tribal identity, and personal ambition.

Through vivid metaphors—SIPI as a family, a prison, a reservation—students articulate their struggles and resilience within a system that is at once empowering and restrictive. Khachadoorian’s analysis reveals how SIPI’s hybrid nature—part community college, part BIA legacy—creates both opportunities and obstacles for its students. With empathy and insight, she explores how young Native Americans forge identity, community, and purpose in a setting few outsiders understand. Inside the Eagle’s Head is essential reading for educators, policymakers, and anyone interested in the intersection of Indigenous education, federal institutions, and student agency. It is a powerful testament to the transformative potential of listening to students’ stories.

Writing the history of law involves choices: whose stories are to be told, and how? 

While earlier scholarship centered on judges, lawyers, and legislators, recent work increasingly examines the experiences of women, colonial subjects, and gender-nonconforming people, using new sources and methods. Insiders and Outsiders in the History of Lawpresents research on the boundaries between legal insiders and outsiders across seven centuries of British legal history.

Drawing on underused records from contexts ranging from medieval Wales to twentieth-century British India, the chapters explore how individuals became insiders or outsiders, how the law treated them, and how they used legal processes. This book highlights the fluidity of this divide and calls for a more representative legal history.

Winner of the 2026 Outstanding Book Award in the Monograph category from the Conference on College Composition and Communication 

Insiders, Outliers invites readers into the lives of adult HBCU students for whom college is one meaningful activity among many. Although adults over the age of twenty-four comprise a quarter of all undergraduates, they are institutionally segregated and only partially served by a US higher education system that remains organized around traditional-aged learners. Even as such students are regarded as a market for postsecondary institutions, they are routinely marginalized by institutional barriers. Students’ stories of their personal, professional, community, and academic writing experiences illuminate a critical need for more age-inclusive practices across academia. Their cases also offer new conceptual models of writing as an ethical and emotional practice that fuels changes for individuals and the people and institutions that they care about—including higher education. What adult students reveal about writing across their life domains has powerful implications for conceptualizing writing as a complex form of agency and for teaching writing across the curriculum.
 

Examining the evolving reach of the #MeToo Movement

In this timely and important collection, editors Jason D. Spraitz and Kendra N. Bowen bring together the work of contributors in the fields of criminal justice and criminology, sociology, journalism, and communications. These chapters show #MeToo is not only a support network of victims’ voices and testimonies but also a revolutionary interrogation of policies, power imbalances, and ethical failures that resulted in decades-long cover-ups and institutions  structured to ensure continued abuse. This book reveals #MeToo as so much more than a hashtag.

Contributors discuss how #MeToo has altered the landscape of higher education; detail a political history of sexual abuse in the United States and the UK; discuss a recent grand jury report about religious institutions; and address the foster care and correctional systems. Hollywood instances are noted for their fear of retaliation among victims and continued accolades for alleged abusers. In sports, contributors examine the Jerry Sandusky scandal and the abuse by Larry Nassar. Advertising and journalism are scrutinized for covering the #MeToo disclosures while dealing with their own scandals. Finally, social media platforms are investigated for harassment and threats of violent victimization.

Drawing on the general framework of the #MeToo Movement, contributors look at complex and very different institutions—athletics, academia, religion, politics, justice, childcare, social media, and entertainment. Contributors include revelatory case studies to ensure we hear the victims’ voices; bring to light the complicity and negligence of social institutions; and advocate for systemic solutions to institutional sexual abuse, violence, and harassment.

Original and expert, Instrumental Lives brings a new understanding of how musical instruments interact with their environments and societies. Contributors: Supeena Insee Adler, Marie-Pierre Lissoir, Terauchi Naoko, Jennifer C. Post, Helen Rees, Xiao Mei, Tyler Yamin, and Bell Yung