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As a diary writer imagines shadow readers rifling diary pages, she tweaks images of the self, creating multiple readings of herself, fixed and unfixed. When the readers and potential readers are husbands and publishers, the writer maneuvers carefully in a world of men who are quick to judge and to take offense. She fills the pages with reflections, anecdotes, codes, stories, biographies, and fictions. The diary acts as a site for the writer’s tension, rebellion, and remaking of herself.

In this book Martinson examines the diaries of Virginia Woolf, Katherine Mansfield, Violet Hunt, and Doris Lessing’s fictional character Anna Wulf, and shows that these diaries (and others like them) are not entirely private writings as has been previously assumed. Rather, their authors wrote them knowing they would be read. In these four cases, the audience is the author’s male lover or husband, and Martinson reveals how knowledge of this audience affects the language and content in each diary. Ultimately, she argues, this audience enforces a certain “male censorship” which changes the shape of the revelations, the shape of the writer herself, making it impossible for the female author to be honest in writing about her true self.

Even sophisticated readers often assume that diaries are primarily private. This study interrogates the myth of authenticity and self-revelation in diaries written under the gaze of particular peekers.

Since its publication in 1981, this book has established itself as the major new interpretation of the historical concept of Ibn Khaldûn, the great figure of Arab-Islamic letters and of historical thought overall--a figure generally thought to be on a par with Thucydides, Vico, Herder and others of similar stature.

The author has eschewed the ahistorical interpretations to which Ibn Khaldûn has normally been subjected, both by authors who have sought unduly to modernise his thought, and by those who sought to freeze it in stereotypical models of Islamic philosophy.

Ibn Khaldûn is not only a true historical source of his time; he is also taken as the unchallenged sociological and cultural interpreter of medieval North Africa and much of medieval and modern Arab-Islamic culture as well. The validity of his discourse is considered to be so universal as to confer upon his ideas the status of progenitor--or, at least, anticipator--of a great variety of modern ideas.

Winner of the 2026 PIA MidAmerica GraphEx Award for Best of Category, Hardcover Book Binding

Finalist for the 2026 Locus Awards in the Illustrated and Art Books category 

"The Korshak Collection is a portrait and biography of a man and his family, who once looked upon the dark skies and saw Immortals, gods hunting in the storm clouds. Stephen Korshak decided to dedicate his life to tell us all how the thunder sounded and preserve the outlines of the cosmos for the awe of us all. Enjoy, believe—be amazed." —Guillermo del Toro, from the Foreword

Icons of the Fantastic: Illustrations of Imaginative Literature from the Korshak Collection features artwork by pioneering artists from over 160 years of published works of science fiction and fantasy. The illustrations in the collection appeared on the covers of timeless novels such as the Tarzan series by Edgar Rice Burroughs and classic pulp magazines from the 1930s through 1960s, such as Amazing Stories and Weird Tales. They accompany images of mischievous satyrs, ethereal mermaids, and spell-casting witches for texts ranging from The Tempest, Don Quixote, and Alice's Adventures in Wonderland to works by Edgar Allan Poe and H. G. Wells. Alongside essays about famous illustrators such as Arthur Rackham and Aubrey Beardsley, contributors engage in a critical reassessment of understudied artists such as José Segrelles, Wladyslaw Benda, Margaret Brundage, and Hannes Bok. The book includes a foreword by Guillermo del Toro, a preface by Kevin J. Anderson, an introduction by Michael Dirda, and an interview with renowned contemporary illustration artist Michael Whelan. 
 

Racial strife, increased social and economic discrimination, amplified political friction, and growing uncertainty around the impacts of the COVID-19 pandemic and climate change have laid bare many inequalities within the city of Boston. How will these disruptions and inequities influence the city’s future, especially as Boston celebrates its quadricentennial in 2030?

This collection of original essays addresses the many challenges Boston contends with in the twenty-first century and considers ways to improve the city for everyone. Presenting a range of perspectives written by area experts—academics, reflective practitioners, and policymakers—these essays tackle issues of resiliency, mobility, affordable housing, health outcomes, social equity, economic equality, zoning, regionalism, and more. Reflecting the diversity of the city and the challenges and opportunities Boston currently faces, Idea City will help readers think differently about their own areas of expertise and draw conclusions from urban regeneration work in other fields.

In the second century CE, the multiethnic, multilingual, and religiously diverse Roman Empire grew to its greatest extent. To maintain order, Rome relied heavily on strict social hierarchies, established not only through legal frameworks like citizenship, but also through cultural markers (such as clothing and language) and personal traits (such as educational achievement). Even as Rome grew into one of the world’s most powerful empires, however, its social systems strained under the stresses caused by that very growth, which encouraged cultural interaction, long-distance travel, and social mobility—all of which threatened the hierarchies that underpinned Roman order.

It was during this time that the North African–born, Latin-speaking, Greek-educated Apuleius—whose own background showcases the multiplicity of identities available then to Roman individuals—flourished. He remains one of the ancient world’s best-known authors today, thanks particularly to his famous novel, Metamorphoses, known also as The Golden Ass. Taking a bird’s-eye view of his work, Ashli J. E. Baker proffers a bold new reading of Apuleius, proposing that across his writings there is a consistent focus on the theme of identity and its instability. By placing close readings in conversation with sociocultural and material contexts, she shows that because the structures of Roman power depended on inherently unreliable markers of identity, Apuleius’ work can be read as a biting critique of the fraught relationship between the individual, society, and the state in his contemporary Rome.

2002 — A Choice Outstanding Academic Book

The struggle to forge a collective national identity at the expense of competing plural identities has preoccupied Israeli society since the founding of the state of Israel. In this book, Yosefa Loshitzky explores how major Israeli films of the 1980s and 1990s have contributed significantly to the process of identity formation by reflecting, projecting, and constructing debates around Israeli national identity.

Loshitzky focuses on three major foundational sites of the struggle over Israeli identity: the Holocaust, the question of the Orient, and the so-called (in an ironic historical twist of the "Jewish question") Palestinian question. The films she discusses raise fundamental questions about the identity of Jewish Holocaust survivors and their children (the "second generation"), Jewish immigrants from Muslim countries or Mizrahim (particularly the second generation of Israeli Mizrahim), and Palestinians. Recognizing that victimhood marks all the identities represented in the films under discussion, Loshitzky does not treat each identity group as a separate and coherent entity, but rather attempts to see the conflation, interplay, and conflict among them.

In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel, Yaron Shemer presents the most comprehensive and systematic study to date of Mizrahi (Oriental-Jewish or Arab-Jewish) films produced in Israel in the last several decades. Through an analysis of dozens of films the book illustrates how narratives, characters, and space have been employed to give expression to Mizrahi ethnic identity and to situate the Mizrahi within the broader context of the Israeli societal fabric. The struggle over identity and the effort to redraw ethnic boundaries have taken place against the backdrop of a long-standing Zionist view of the Mizrahi as an inferior other whose “Levantine” culture posed a threat to the Western-oriented Zionist enterprise.

In its examination of the nature and dynamics of Mizrahi cinema (defined by subject-matter), the book engages the sensitive topic of Mizrahi ethnicity head-on, confronting the conventional notion of Israeli society as a melting pot and the widespread dismissal of ethnic divisions in the country. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. He also studies the role cultural policies and institutional power in Israel have played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema. In a broader sense, this pioneering work is a probing exploration of Israeli culture and society through the prism of film and cinematic expression. It sheds light on the play of ethnicity, class, gender, and religion in contemporary Israel, and on the heated debates surrounding Zionist ideology and identity politics. By charting a new territory of academic inquiry grounded in an interdisciplinary theoretical framework, the study contributes to the formation of “Mizrahi Cinema” as a recognized and vibrant scholarly field.

The ideogram changed the course of modern American poetry, and Ideogram is the first history of this important poetic tradition.

In modern poetry the ideogram is an idea presented to the reader by means of the juxtaposition of concrete particulars, usually without connective words or phrases. The poem is therefore presented in precise images, usually very tersely, and free from conventional form and meter. The idea of presenting a concept in this manner derives in part from Ernest Fenollosa's essay "The Chinese Character as a Medium for Poetry," the Chinese written character itself being a juxtaposition of pictographs to form a new meaning.

Ezra Pound's search for an alternative to traditional forms of verse composition resulted in his use of the ideogrammic method which, Laszlo K. Géfin asserts, became the major mode of presentation in twentieth-century American poetry. Two generations of avant-garde, experimental poets since Pound have turned to it for inspiration, evolving their own methods from its principles.

Géfin begins by tracing the development of Pound's poetics from the pre-Imagist stage through Imagism and Vorticism to the formulation of the ideogrammic method. He then examines the Objectivist poetics of Louis Zukofsky, Charles Reznikoff, and George Oppen; the contributions to the ideogrammic tradition of William Carlos Williams; and the Projectivist theories of Charles Olson, Robert Duncan, and Robert Creeley. He concludes with an exploration of Allen Ginsberg's theory of the ellipse and Gary Snyder's "riprap" method. Throughout, Géfin maintains that the ideogrammic mode is the literary representation of the twentieth-century post-logical—even post-humanist—world view.

This volume gathers authors who wrote important works in the fields of the history of ideologies, the comparative study of dictatorships, and intellectual history. The book is a state of the art reassessment and analysis of the ideological commitments of intellectuals and their relationships with dictatorships during the twentieth century. The contributions focus on turning points or moments of breakage as well as on the continuities. Though its focus is on an East–West comparison in Europe, there are texts also dealing with Latin America, China, and the Middle East giving the book a global outlook. 

The first part of the book deals with intellectuals' involvement with communist regimes or parties; the second looks at the persistence of utopianism in the trajectory of intellectuals who had been associated earlier in their lives with either communism or fascism; the third tackles intellectuals' role in national imaginations from either the left or the right; and, the fourth ties late twentieth century phenomena to current phenomena such as the persistence of anti-Semitism in the West, the slow erosion of the values upon which the EU is built, the quagmire in Iraq, and China's rise in the post-Cold War era. The collection provides a comprehensive big-picture of intellectual genealogies and dictatorial developments.

This is a history of political ideologies during the period famously described by Eric Hobsbawn as ‘The Age of Extremes’ - from the First World War to the collapse of the Soviet Union.

Ideologies in the Age of Extremes introduces the key ideologies of the age; liberalism, conservatism, communism and fascism. Willie Thompson identifies the political influence of mass movements as a key feature. He uses a powerful approach that considers the different ideologies in relation to each other. This allows him to shows that they often emerged from a common root or merged into a common future, stealing each other’s clothes and reinventing themselves as the stark opposite of a competing ideology.

This sophisticated yet accessible analysis will be of great interest to students of 20th century history and political theory.

In 1912, white land developers founded Idlewild, an African American resort community in western Michigan. Over the following decades, the town became one of the country’s foremost vacation destinations for the black middle class, during its peak drawing tens of thousands of visitors annually and hosting the era’s premier entertainers, such as The Four Tops, Della Reese, Brook Benton, and George Kirby. With the civil rights movement and the resulting expansion of recreation options available to African Americans, Idlewild suffered a sharp social and economic decline, and by the early 1980s the town had become a struggling retirement community in the midst of financial and political crises.

Meticulously researched and unearthing never-before-seen historical material, Ronald J. Stephens’s book examines the rapid rise and decline of this pivotal landmark in African American and leisure history, in the process exploring intersections among race, class, tourism, entertainment, and historic preservation in the United States. Featuring a wealth of fieldwork on contemporary Idlewild, the book also takes a candid look at recent revitalization efforts and analyzes the possibilities for a future resurgence of this national treasure.

John Hendrix drew upon his own varied experiences for this panoramic view of West Texas ranch life, presented here in an integral compilation of flavorful articles written originally for The Cattleman. Touching upon virtually every facet of the cattle industry, they examine economic influences and technological changes as well as the personal and emotional aspects of range life.

Here are accurate, detailed, fascinating descriptions of the day-to-day life of the cowboy, the chuck-wagon cook, the range boss: narratives rich in human interest, in pathos, comedy, drama. Some tell of the organization and operation of the cow camp: the activities of the men, their duties and their entertainments, the clothes they wore, the food they ate, the horses they rode, the language they spoke. Some compare West Texas cattle-handling techniques with those of other sectors, or contrast early techniques with later practices. Others give biographies of cattlemen and cowboys. Still others study the operation, development, problems, and achievements of typical ranches of various types: the early open-range ranches, the large ranches which successfully made the transition to modem operation, the unsuccessful company-owned ranches of the 1880s, the pioneer cattle-feeding projects. Several articles describe the geography of the West Texas cattle country: the vast, arid expanses; the brown-green hills and Cap Rock; the life-giving springs; and the fickle weather. These are all considered in terms of their physical appearance and emotional impact, their importance as economic factors, and their effect on the duties of the cowboys.

Written in direct language and savoring of the life they describe, these articles capture the beauty of the cattle country—as well as its violence, hardships, drudgery. John Hendrix’s affection for the land, the people, and the life gives his writing a special warmth that his readers are sure to recognize and admire.

Texas artist Malcolm Thurgood has provided delightful illustrations for the text, and Wayne Gard, author of The Chisholm Trail and The Great Buffalo Hunt, has written a valuable introduction.

An insider’s record of the St. Augustine Civil Rights drama.

This memoir recounts the struggle against segregation in St. Augustine, Florida, in the early and mid-1960s. In the summer of 1964 the nation’s oldest city became the center of the civil rights movement as Martin Luther King Jr., encouraged by President Johnson, a southerner, who made the civil rights bill the center piece of his domestic policy, chose this tourism-driven community as an ideal location to demonstrate the injustice of discrimination and the complicity of southern leaders in its enforcement.

St. Augustine was planning an elaborate celebration of its founding, and expected generous federal and state support. But when the kick-off dinner was announced only whites were invited, and local black leaders protested. The affair alerted the national civil rights leadership to the St. Augustine situation as well as fueling local black resentment.

Ferment in the city grew, convincing King to bring his influence to the leadership of the local struggle. As King and his allies fought for the right to demonstrate, a locally powerful Ku Klux Klan counter-demonstrated. Conflict ensued between civil rights activists, local and from out-of-town, and segregationists, also home-grown and imported. The escalating violence of the Klan led Florida’s Governor to appoint State Attorney Dan Warren as his personal representative in St. Augustine. Warren’s crack down on the Klan and his innovative use of the Grand Jury to appoint a bi-racial committee against the intransigence of the Mayor and other officials, is a fascinating story of moral courage. This is an insider view of a sympathetic middleman in the difficult position of attempting to bring reason and dialog into a volatile situation.

Philadelphia has long been a crucial site for the development of Black politics across the nation. If There Is No Struggle There Is No Progress provides an in-depth historical analysis—from the days of the Great Migration to the present—of the people and movements that made the city a center of political activism. The editor and contributors show how Black activists have long protested against police abuse, pushed for education reform, challenged job and housing discrimination, and put presidents in the White House.  

If There Is No Struggle There Is No Progress emphasizes the strength of political strategies such as the “Don’t Buy Where You Can’t Work” movement and the Double V campaign. It demonstrates how Black activism helped shift Philadelphia from the Republican machine to Democratic leaders in the 1950s and highlights the election of politicians like Robert N. C. Nix, Sr., the first African American representative from Philadelphia. In addition, it focuses on grassroots movements and the intersection of race, gender, class, and politics in the 1960s, and shows how African Americans from the 1970s to the present challenged Mayor Frank Rizzo and helped elect Mayors Wilson Goode, John Street, and Michael Nutter. 

If There Is No Struggle There Is No Progress cogently makes the case that Black activism has long been a powerful force in Philadelphia politics.

Born in 1947, Ifáyẹmí Ọ̀ṣúndàgbonù Ẹlẹ́buìbọn descends from a long line of Yorùbá healers, philosophers, and priests. A fervent disciple of Ifá from age four, Ẹlẹ́buìbọn grew to become both a living moral exemplar and an internationally recognized face of his religion. The first scholarly work to connect the biography of a devout Ifá practitioner to broader intellectual conversations around pluriversalism and Indigenous knowledge systems, Ifá Priestcraft analyzes the complexities of Yorùbá philosophy and religion and their lasting cultural impact in Nigeria and throughout the diaspora. Toyin Falola, a world-renowned scholar of African studies, employs a phenomenological approach that recognizes and solidifies the voice of the “guru” as an organic and authentic source of knowledge. The result is a wholly original and uniquely interdisciplinary study of Yorùbá spirituality and an extraordinary contribution to the field of ancestral studies.