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Over the past two decades, profound changes in Israel opened its society to powerful outside forces and the dominance of global capitalism. As a result, the centrality of Zionism as an organizing ideology waned, prompting expressions of anxiety in Israel about the coming of a post-Zionist age. The fears about the end of Zionism were quelled, however, by the Palestinian uprising in 2000, which spurred at least a partial return to more traditional perceptions of homeland. Looking at Israeli literature of the late twentieth century, Yaron Peleg shows how a young, urban class of Israelis felt alienated from the Zionist values of their forebears, and how they adopted a form of escapist romanticism as a defiant response that replaced traditional nationalism.

One of the first books in English to identify the end of the post-Zionist era through inspired readings of Hebrew literature and popular media, Israeli Culture between the Two Intifadas examines Israel's ambivalent relationship with Jewish nationalism at the end of the twentieth century.

The last two decades have given rise to a proliferation of scholarship by Israeli feminists working in diverse fields, ranging from sociology to literature, anthropology, and history. As the Israeli feminist movement continually decentralizes and diversifies, it has become less Eurocentric and heterocentric, making way for pluralistic concerns. Collecting fifteen previously published essays that give voice to this diversity, Israeli Feminist Scholarship showcases articles on Ashkenazi, Mizrahi, Palestinian, and lesbian identities as well as on Israeli women’s roles as mothers, citizens and activists, and soldiers.

Citing evidence that these scholars have redefined their object of inquiry as an open site of contested and constructed identity, luminary Esther Fuchs traces the history of Israeli feminism. Among the essays are Jewish historian Margalit Shilo’s study of the New Hebrew Woman, sociologist Ronit Lentin’s analysis of gendered representations of the Holocaust in Israeli culture, peace activist Erella Shadmi on lesbianism as a nonissue in Israel, and cultural critic Nitza Berkovitch’s examination of womanhood as constructed in Israeli legal discourse.

Creating a space for a critical examination of the relationship between disparate yet analogous discourses within feminism and Zionism, this anthology reclaims the mobilizing, inclusive role of these multifaceted discourses beyond the postmodern paradigm.

Searing images of suicide bombings and retaliatory strikes now define the Israeli-Palestinian conflict for many Westerners, but television and print media are not the only visual realms in which the conflict is playing out. Even tourist postcards and greeting cards have been pressed into service as vehicles through which Israelis and Palestinians present competing visions of national selfhood and conflicting claims to their common homeland.

In this book, Tim Jon Semmerling explores how Israelis and Palestinians have recently used postcards and greeting cards to present images of the national self, to build national awareness and reinforce nationalist ideologies, and to gain international acceptance. He discusses and displays the works of numerous postcard/greeting card manufacturers, artists, and photographers and identifies the symbolic choices in their postcards, how the choices are arranged into messages, what the messages convey and to whom, and who benefits and loses in these presentations of national self. Semmerling convincingly demonstrates that, far from being ephemeral, Israeli and Palestinian postcards constitute an important arena of struggle over visual signs and the power to produce reality.

Inaugural volume in the new series Transregional Middle Easts

As Istanbul faces mounting ecological pressures—from the recently proclaimed “death” of the Marmara Sea to deforestation driven by mega-infrastructure, rising sea levels, and the threat of a major earthquake—this volume argues that environmental history is essential to understanding the city’s predicaments. Coedited by K. Mehmet Kentel and Onur İnal, it bridges urban and environmental history, foregrounding nonhuman actors, ecological processes, and material landscapes, while challenging how the concept of “the City” has been defined and contested. Appropriately the first volume in the series Transregional Middle Easts, Istanbul Unbound integrates environmental dynamics, recognizes fluid boundaries, and centers nonhuman agents in urban transformation, revealing the inseparable entanglement of urban life and regional environmental change in one of the world’s most dynamic metropolises.

In the late 1980s, the introduction of crack cocaine and easy access to guns led to the emergence of the street gang culture and an explosion of gun violence in Boston. Black and Latino youth were both perpetrators and victims of firearm violence as the city grappled with a staggering number of shootings and homicides. Officers within the Boston Police Department struggled to find new and creative ways to combat the growing violence and neutralize gang influence. Paul Joyce was one of those officers.

Throughout his extensive career with the Boston Police, Joyce was at the forefront of the Department’s anti-gang and youth violence initiatives, including during the height of gang and gun violence in the late 1980s through early 1990s. Later in his career, after thirty-one years in policing, Joyce transitioned to academia as a criminologist, seeking to better understand the lives of the gang members he had encountered during his time as an officer. He interviewed thirty Black and Latino men who witnessed and led the emergence of the street gang phenomenon in Boston. Joyce’s strong relationship with community leaders led to the recruitment of the men, who ultimately entrusted him with their life stories and their inner worlds. Using the men’s own words to describe the tragedies they endured, the crimes they committed, and the penalties they paid, Joyce now shares their stories of life before, during, and after gang membership.

Joyce examines the influences that motivated the men toward joining gangs, their gang experiences, and the turning points that shaped their paths later in life, whether leading to desistance from or continued persistence in criminal behavior. Joyce explores their lives from childhood into adulthood, providing a deep analysis of the factors that influenced the entire trajectory of gang members’ lives. By utilizing this life-course approach, Joyce adds to the discourse regarding what influences a gang member’s ability or inability to transition out of criminality and the gang life.

This uniquely candid look at gang membership, humanized by the perspectives of the men who experienced it, provides invaluable insight into the complex interplay of the social, cultural, and personal factors that shape individuals’ life courses. This, in turn, has important implications regarding the types of outside interventions that would be the most effective in making a positive difference in the lives of current and former gang members.

The recent flashpoint of Colin Kaepernick taking a knee renews a long tradition of athlete-activists speaking out against racism, injustice, and oppression. Like Kaepernick, Jackie Robinson, Paul Robeson, Muhammad Ali, Bill Russell, Tommie Smith, and John Carlos—among many others, of all races, male and female, pro and amateur—all made the choice to take a side to command public awareness and attention rather than “shut up and play,” as O. J. Simpson, Michael Jordan, and Tiger Woods did. Using their celebrity to demand change, these activists inspired fans but faced great personal and professional risks in doing so. It Was Always a Choice traces the history and impact of these decisive moments throughout the history of U.S. sports.

David Steele identifies the resonances and antecedents throughout the twentieth century of the choices faced by athletes in the post-Kaepernick era, including the advance of athletes’ political organizing in the era of activism following the death of George Floyd. He shows which athletes chose silence instead of action—“dropping the baton,” as it were—in the movement to end racial inequities and violence against Black Americans. The examples of courageous athletes multiply as LeBron James, Megan Rapinoe and the activist-athletes of the NBA, WNBA, and NFL remain committed to fighting daily and vibrantly for social change.

One union, many voices—Alabama coal miners and the century-long fight for justice.

Much of Alabama's labor history is written in its coal fields. This book records the critical contribution that District 20 of the United Mine Workers of America played in the state's labor movement through its strong stands on such issues as child labor, public education, and inter-racial unions. 

Standing at the cutting edge of social and political history, these essays cover five periods over a century of union activity: the emergence of a militant labor force during mining's formative years; the World War I era, when mine operators tried to divide black and white labor; the increasing role of the state in labor relations during the interwar years; rapid changes in the union between 1942 and 1975; and the 1977-79 strike, the largest in the United Mine Workers' history. 

Through historic photographs and depictions of living and working conditions, contributors Edwin L. Brown, Colin J. Davis, Daniel Letwin, Brian M. Kelly, Peter Alexander, Glenn Feldman, and Robert H. Woodrum portray the world that miners, both black and white, made. In a state where racial segregation was the norm,even the earliest District 20 contract proposals demanded equal pay for equal work regardless of color. It Is Union and Liberty shows that the UMW in Alabama stands apart from perceptions of southern trade unionism as exclusionary and racially fragmented. It sheds light on an important segment of the state's labor history and is a testament to District 20 on its centennial celebration.
 

2025 John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association (PCA/ACA)
2025 Longlist, Kraszna-Krausz Moving Image Book Award

How changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.

Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.

In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.

Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.

An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transition

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.

Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.

A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.

In Italian Workers of the World, a distinguished roster of contributors examines how the reception of immigrants in their new countries shaped their sense of national identity and shaped the multiethnic states where they settled. Argentina and Brazil welcomed Italian migrants as a civilizing influence, and these immigrant workers played an instrumental part in establishing and leading movements committed to labor internationalism. In the United States, by contrast, the American Federation of Labor's hostility to socialism, internationalism, and unskilled laborers fueled distrust and xenophobia that steered Italian immigrants into ethnically mixed unions like radical Industrial Workers of the World. Essays also focus on specific topics ranging from the work of republican Garibaldians in South America to antifascist currents among Italian migrants in France and the United States, and from a 1912 textile strike in Lawrence, Massachusetts, to Mussolini's invasion of Ethiopia. 

Contributors: Antonio Bechelloni, Fernando J. Devoto, Pietro Rinaldo Fanesi, Donna R. Gabaccia, Mirta Zaida Lobato, Fraser M. Ottanelli, Carina Frid de Silberstein, Michael Miller Topp, Angelo Trento, Nadia Venturini, and Elisabetta Vezzosi

I'll Tell You a Tale is a garland of some of Frank Dobie's best writing, put together by Isabel Gaddis, one of his former students at the University of Texas. The tales included are those the author himself liked best, and he even rewrote some of them especially for this anthology. Ben Carlton Mead has contributed 32 original line drawings to illustrate the stories.

These tales spring from the soil and folklore of our land; but more than this, they make the readers contemporary with the times, filling us with the wonder of something past and yet still with us. They are arranged topically into sections whose titles speak for them: "The Longhorn Breed," "Mustangs and Mustangers," "The Saga of the Saddle," "Characters and Happenings of Long Ago," "Animals of the Wild," "In Realms of Gold," and "Ironies."