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Tran Van Thuy is a celebrated Vietnamese filmmaker of more than twenty award-winning documentaries. A cameraman for the People's Army of Vietnam during the Vietnam War, he went on to achieve international fame as the director of films that address the human costs of the war and its aftermath.

Thuy's memoir, when published in Vietnam in 2013, immediately sold out. In this translation, English-language readers are now able to learn in rich detail about the life and work of this preeminent artist. Written in a gentle and charming style, the memoir is filled with reflections on war, peace, history, freedom of expression, and filmmaking. Thuy also offers a firsthand account of the war in Vietnam and its aftermath from a Vietnamese perspective, adding a dimension rarely encountered in English-language literature.

The home pregnancy test is a technology that can be purchased in drug stores, gas stations, and online, and the results are often casually posted to social media. But, as sociologist and attorney Joan Robinson argues, no technology is as simple as it appears. In Whose Hands traces this test from its origin story in a lab to its day-to-day existence in the hands of users, showing that mundane technologies matter, especially when they are used as tools of surveillance and self-surveillance. The book is the result of Robinson's fourteen-year exploration of the social life of the home pregnancy test, and it describes the breadth and beauty of people's messy reproductive lives today. Based on archival and legal research as well as interviews with home pregnancy test users, it shows how even those technologies that we use because they're convenient can be tools of shame, surveillance, and control. 
 

The first literary biography of a much-neglected American writer, this book explores the multiple tensions at the core of Mary E. Wilkins Freeman's life and work. A prolific short story writer and novelist, Freeman (1852–1930) developed a reputation as a local colorist who depicted the peculiarities of her native New England. Yet as Leah Blatt Glasser shows, Freeman was one of the first American authors to write extensively about the relationships women form outside of marriage and motherhood, the role of work in women's lives, the complexity of women's sexuality, and the interior lives of women who rebel rather than conform to patriarchal strictures.

In a Closet Hidden traces Freeman's evolution as a writer, showing how her own inner conflicts repeatedly found expression in her art. As Glasser demonstrates, Freeman's work examined the competing claims of creativity and convention, self-fulfillment and self-sacrifice, spinsterhood and marriage, lesbianism and heterosexuality.

In 1869, at a moment when women were largely barred from public life and professional opportunities, Harriet Tenney stepped into Michigan’s State Capitol and made history. As the first woman to hold a full-time position in the State of Michigan’s government, she spent the next twenty-two years reshaping not only Michigan’s libraries, but the nation’s understanding of what women could achieve in public service.

Appointed and reappointed by seven governors from both political parties, Tenney built one of the country’s most respected state libraries. She dramatically expanded its collections, established professional standards that became models for libraries across the country, and mentored a generation of women librarians who followed in her path. She also founded Michigan’s first state museum, ensuring that historical artifacts, portraits, and documents would be preserved for future generations; today, tens of thousands of people each year visit and study the objects she collected and curated.

Tenney’s impact radiated far beyond the Capitol. Under her leadership, the state librarianship itself became recognized as a “woman’s position”—a remarkable shift in an era when women's work remained largely invisible. In Lansing, she founded the Woman’s Club as well as the Lansing Library and Literary Association, which evolved into the Capital Area District Library system.

In the Charge of a Woman not only tells the story of Tenney’s achievements in expanding the role of women in the workforce; it also illuminates domestic and political life in nineteenth-century Michigan, revealing how one woman navigated, and transformed, a world built to exclude her.

Recovering the bold voices and audacious lives of women who confronted capitalist society’s failures and injustices in the 1930s—a decade unnervingly similar to our own
 

In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers—Black, Jewish, and white—who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.

As Hennessy brilliantly shows, the documentary journalism and creative and biographical writings of Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser recognized that life is sustained across a web of dependencies that we each have a duty to maintain. Their work brought into sharp focus the value and dignity of Black women’s domestic work, confronted the destructive myths of land exploitation and white supremacy, and explored ways of knowing attuned to a life-giving erotic energy that spans bodies and relations. In doing so, they also expanded the scope of American communism.

By tracing the attention these seven women pay to “life-making” as the relations supporting survival and wellbeing—from Harlem to the American South and Midwest—In the Company of Radical Women Writers reveals their groundbreaking reconceptions of the political and provides bracing inspiration in the ongoing fight for justice.

An exploration of how Indigenous and Black communities shaped religious imagery and navigated life in colonial Lima.

Colonial Lima was steeped in Christian devotional imagery. While Spaniards set the norms for these works, it was the city’s Black and Indigenous majority that engaged with them most. As members of lay societies of worshippers called confraternities, subalterns were Lima’s key promoters of religious art, surpassing the colonial hierarchy.

Ximena Gómez argues that, by commissioning and exhibiting sacred images—in chapels and urban processions, adorned with clothing and accessories—Indigenous and Black confraternities created Lima’s visual culture. In one case study, the Indigenous confraternity of the Virgin of Copacabana "invisibly" transforms a sculpture into an object that reflected its multiethnic Andean caretakers. Another case study, that of the confraternity of the Virgin of the Antigua, finds Black worshippers initially united in their interpretation of a Spanish image and later fracturing when some of its members applied a West African interpretive lens. Taking advantage of Lima’s rich documentary record, In the Hands of Devotees centers the ritual practices of Black and Indigenous people and opens possibilities for incorporating subalterns into the history of Lima’s art when limited extant visual evidence has survived.

The Calumet Region around Lake Michigan’s southern rim once housed massive steel mills, workshops, and railroads. Capitalists like Elbert Gary built factories and dominated local governments. During its heyday in the twentieth century, the Calumet Region was also a thriving district for immigrants who worked dangerous jobs.

But even before the area’s decline started in the 1970s, intense racial, ethnic, and political strife determined job and housing prospects. In the Heart of the Rustbelt details how people struggled as factory rules and local politics failed to protect residents from health hazards and sabotaged workers’ rights. 

Roger Biles and Mark Rose describe how workers organized (or didn’t), the ethnic neighborhoods where they lived, and the distinct foodstuffs, such as Hungarian goulash, that both bonded and excluded immigrants. The authors also showcase individuals including Gary, IN Mayor Richard G. Hatcher, who fought for equality. Chapters also explore the lives of steelworkers Eddie Sadlowski, who sought to democratize the union, and Mexican American Jesse Villalpando, who experienced union and management’s hostility in hiring and job assignments. 

In the Heart of the Rustbelt provides a fascinating history about industrial growth and why race and ethnicity mattered as the Calumet Region rose and fell. 

2024 On The Brinck Book Award and Lecture Series, University of New Mexico
2024 PROSE Award, Architecture–Urban Planning, Association of American Publishers

An on-the-ground account of the design and evolution of West Bank settlements, showing how one of the world’s most contested landscapes was produced by unexpected conflicts and collaborations among widely divergent actors.

Since capturing the West Bank in 1967, Israel has overseen the construction of scores of settlements across the territory’s rocky hilltops. The settlements are part of a fierce political conflict. But they are not just hotly contested political ventures. They are also something more everyday: residential architectural projects.

In the Land of the Patriarchs is an on-the-ground account of the design and evolution of West Bank settlements. Noam Shoked shows how settlements have been shaped not only by the decisions of military generals, high-profile politicians, and prominent architects but also by a wide range of actors, including real estate developers, environmental consultants, amateur archeologists, and Israelis who feel unserved by the country’s housing system. The patterns of design and construction they have inspired reflect competing worldviews and aesthetic visions, as well as everyday practices not typically associated with the politics of the Israeli occupation. Revealing the pragmatic choices and contingent circumstances that drive what appears to be a deliberately ideological landscape, Shoked demonstrates how unpredictable the transformation of political passion into brick and mortar can be.

This book explores the way in which literature can be used to reinforce social power. Through rigorous readings of a series of antebellum plantation novels, Susan J. Tracy shows how the narrative strategies employed by proslavery Southern writers served to justify and perpetuate the oppression of women, blacks, and poor whites.

Tracy focuses on the historical romances of six authors: George Tucker, James Ewell Heath, William Alexander Caruthers, John Pendleton Kennedy, Nathaniel Beverley Tucker, and William Gilmore Simms. Using variations on a recurring plot—in which a young planter/hero rescues a planter's daughter from an “enemy” of her class—each of these novelists reinforced an idealized vision of a Southern civilization based on male superiority, white supremacy, and class inequality. It is a world in which white men are represented as the natural leaders of loyal and dependent women, grateful and docile slaves, and inferior poor whites. According to Tracy, the interweaving of these themes reveals the extent to which the Southern defense of slavery in the years leading up to the Civil War was an argument not only about race relations but about gender and class relations as well.

In this book Joan Wallach Scott discusses the role history has played as an arbiter of right and wrong and of those who claim to act in its name—"in the name of history." Scott investigates three different instances in which repudiation of the past was conceived as a way to a better future: the International Military Tribunal at Nuremberg in 1946, the South African Truth and Reconciliation Commission in 1996, and the ongoing movement for reparations for slavery in the United States.

Scott shows how in these cases history was not only used to explain the past but to produce a particular future. Yet both past and future were subject to the political realities of their time and defined in terms of moral absolutes, often leading to deep contradictions. These three instances demonstrate that history is not an impartial truth, rather its very meaning is constructed by those who act in its name.

Examining how claims of necessity have reshaped American liberty in times of war.

Though the war on terrorism is said to have generated unprecedented military situations, arguments for the Patriot Act and military tribunals following 9/11 resemble many historical claims for restricting civil liberties, more often than not in the name of necessity.

Marouf Hasian Jr. examines the major legal cases that show how various generations have represented the need for military tribunals, and how officials historically have applied the term “necessity.” George Washington cited the necessity of martial discipline in executing the British operative Major André. Tribunals tried and convicted more than 200 Sioux warriors during the Dakota Wars. President Lincoln suspended habeas corpus for many civilian and military prisoners during the Civil War. Twentieth Century military and civilian leaders selectively drafted their own codes, leading to the execution of German saboteurs during World War II. Further, General MacArthur’s tribunal to investigate the wartime activities of Japanese General Yamashita raised the specter of “victor’s justice,” anticipating the outcry that attended the Nuremberg trials.

In those cases as in current debates about the prosecution of terrorists, Hasian argues that the past is often cited selectively, neglecting historical contexts and the controversies these cases engendered.