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702 books match the query 'America' and 10 start with j

cover of Jaguar: A Story of Africans in America

Jaguar

A Story of Africans in America

Paul Stoller

University of Chicago Press, 1999

Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His goal is to become a "Jaguar"—a West African term for a keen entrepreneur able to spot trends and turn a profit in any marketplace. This dynamic world, largely invisible to mainstream culture, is the backdrop of this timely novel.

Faced with economic hardship in Africa, Issa has left his home in Niger and his new wife, Khadija, to seek his fortune in America. Devout Muslims, the couple has entered into a "modern" marriage: Khadija is permitted to run her own business, and Issa has agreed not to take additional wives. Issa quickly adapts to his new surroundings, however, and soon attracts several girlfriends. Aided by a network of immigrants, he easily slips through gaps in the "system" and extends his stay in America indefinitely. Following a circuit of African-American cultural festivals across America, he marvels at African-Americans' attitudes toward Africa, and wonders if he'll ever return to Niger. Meanwhile, Khadija also struggles to make it—to become a "Jaguar"—as she combats loneliness, hostile in-laws, and a traditional, male-dominated society. The eventual success of her dry goods shop and her growing affection for a helpful Arab merchant make her wonder if she'll ever join Issa in America.

Drawing on his own decades of experience among Africans both in Niger and in New York, Paul Stoller offers enormous insight into the complexities of contemporary Africa. Alive with detail, Jaguar is a story of triumph and disappointment, of dislocation and longing, and of life lived in a world that no longer recognizes boundaries.
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cover of James Baldwin: America and Beyond

James Baldwin

America and Beyond

Bill Schwarz and Cora Kaplan, editors

University of Michigan Press, 2011

"This fine collection of essays represents an important contribution to the rediscovery of Baldwin's stature as essayist, novelist, black prophetic political voice, and witness to the Civil Rights era. The title provides an excellent thematic focus. He understood both the necessity, and the impossibility, of being a black 'American' writer. He took these issues 'Beyond'---Paris, Istanbul, various parts of Africa---but this formative experience only returned him to the unresolved dilemmas. He was a fine novelist and a major prophetic political voice. He produced some of the most important essays of the twentieth century and addressed in depth the complexities of the black political movement. His relative invisibility almost lost us one of the most significant voices of his generation. This welcome 'revival' retrieves it. Close call."
---Stuart Hall, Professor Emeritus, Open University
 
 This interdisciplinary collection by leading writers in their fields brings together a discussion of the many facets of James Baldwin, both as a writer and as the prophetic conscience of a nation. The core of the volume addresses the shifting, complex relations between Baldwin as an American—“as American as any Texas GI” as he once wryly put it—and his life as an itinerant cosmopolitan. His ambivalent imaginings of America were always mediated by his conception of a world “beyond” America: a world he knew both from his travels and from his voracious reading. He was a man whose instincts were, at every turn, nurtured by America; but who at the same time developed a ferocious critique of American exceptionalism. In seeking to understand how, as an American, he could learn to live with difference—breaking the power of fundamentalisms of all stripes—he opened an urgent, timely debate that is still ours. His America was an idea fired by desire and grief in equal measure. As the authors assembled here argue, to read him now allows us to imagine new possibilities for the future.

With contributions by Kevin Birmingham, Douglas Field, Kevin Gaines, Briallen Hopper, Quentin Miller, Vaughn Rasberry, Robert Reid-Pharr, George Shulman, Hortense Spillers, Colm Tóibín, Eleanor W. Traylor, Cheryl A. Wall, and Magdalena Zaborowska.

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cover of James Milton Turner and the Promise of America: The Public Life of a Post-Civil War Black Leader

James Milton Turner and the Promise of America

The Public Life of a Post-Civil War Black Leader

Gary R. Kremer

University of Missouri Press, 2020

James Milton Turner, Missouri's most prominent nineteenth-century African American political figure, possessed a deep faith in America. The Civil War, he believed, had purged the land of its sins and allowed the country to realize what had always been its promise: the creation of a social and political environment in which merit, not race, mattered.

Born a slave, Turner gained freedom when he was a child and received his education in clandestine St. Louis schools, later briefly attending Oberlin College. A self-taught lawyer, Turner earned a statewide reputation and wielded power far out of proportion to Missouri's relatively small black population.

After working nearly a decade in Liberia, Turner never regained the prominence he had enjoyed during Reconstruction.
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cover of Jane Addams: The Most Dangerous Woman in America

Jane Addams

The Most Dangerous Woman in America

Marlene Targ Brill

Ohio University Press, 2024

As part of our Biographies for Young Readers series for middle-grade readers, this book explains who Jane Addams was and why she caused such a stir in the United States and worldwide. The story follows Addams from her first realization of the unfairness that limited the lives, livelihoods, and health of disadvantaged people in the late 1800s to her becoming one of the most beloved—and most disliked—women of her day. She worked to create a more peaceful, fair world for all people, no matter their race, color, nationality, or gender. Along her journey, Addams cofounded Hull-House, the most celebrated settlement house in the United States, and she became a motivating author, speaker, and women’s rights and peace advocate. She worked tirelessly on community, state, and national levels to promote women’s, workers’, and children’s rights, and she spoke passionately against the evils of war. Addams devoted her activities and writings to championing programs for these and other humanitarian causes. Votes for women! Equal rights for African Americans! Good schools and a healthy environment for children! No one—not millionaires, presidents, or the FBI—could stand in the way of her quest for justice. Addams became one of few women worldwide to earn a Nobel Peace Prize. Her efforts to improve social services and communities and to train leaders to carry out this work led to the opening of the first professional school of social work—named in her honor—at the University of Illinois, Chicago. Her writing, teaching, and actions were based on the belief that “without the advance and improvement of the whole, no man can hope for any lasting improvement in his own moral or material individual condition.”
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cover of Jazz Country: Ralph Ellison in America

Jazz Country

Ralph Ellison in America

Horace A. Porter

University of Iowa Press, 2001

Horace Porter is the chair of African American World Studies and professor of English at the University of Iowa. He is the author of Stealing Fire: The Art and Protest of James Baldwin and one of the editors of Call and Response: The Riverside Anthology of the African American Literary Tradition.
The first book to reassess Ralph Ellison after his death and the posthumous publication ofJuneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music.
Horace Porter's groundbreaking study addresses Ellison's jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer's personal and artistic inspiration and highlights the significance of Ellison's camaraderie with two African American friends and fellow jazz fans—the writer Albert Murray and the painter Romare Bearden. Most notably, Jazz Country demonstrates how Ellison appropriated jazz techniques in his two novels, Invisible Man and Juneteenth.
Using jazz as the key metaphor, Porter refocuses old interpretations of Ellison by placing jazz in the foreground and by emphasizing, especially as revealed in his essays, the power of Ellison's thought and cultural perception. The self-proclaimed “custodian of American culture,” Ellison offers a vision of “jazz-shaped” America—a world of improvisation, individualism, and infinite possibility.
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cover of Jesus in America and Other Stories from the Field

Jesus in America and Other Stories from the Field

Claudia Gould

Utah State University Press, 2009

Drawing on ethnographic field work she conducted among Christians in her home state of North Carolina, Claudia Gould crafts stories that lay open the human heart and social complications of fundamentalist belief. These stories and the compelling characters who inhabit them draw us into the complex essence of religious experience among southern American Christians.

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cover of Jewish Continuity in America: Creative Survival in a Free Society

Jewish Continuity in America

Creative Survival in a Free Society

Abraham J. Karp

University of Alabama Press, 1998

Presents an overview of a life's work by a preeminent scholar and brings new insight to the challenge of American Jewish continuity

Jews have historically lived within a paradox of faith and fear: faith that they are an eternal people and fear that their generation may be the last. In the United States, the Jewish community has faced to a heightened degree the enduring question of identity and assimilation: How does the Jewish community in this free, open, pluralistic society discover or create factors-both ideological and existential-that make group survival beneficial to the larger society and rewarding to the individual Jew?

Abraham J. Karp's Jewish Continuity in America focuses on the three major sources of American Judaism's continuing vitality: the synagogue, the rabbinate, and Jewish religious pluralism. Particularly illuminating is Karp's examination of the coexistence and unity-in-diversity of American religious Jewry's three divisions-Orthodox, Reform, and Conservative-and of how this Jewish religious pluralism fits into the larger picture of American religious pluralism.

Informing the larger enterprise through sharp and full delineation of discrete endeavors, the essays collected in Jewish Continuity in America-some already acknowledged as classics, some appearing here for the first time-describe creative individual and communal responses to the challenge of Jewish survival. As the title suggests, this book argues that continuity in a free and open society demands a high order of creativity, a creativity that, to be viable, must be anchored in institutions wholly pledged to continuity.





 
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cover of Jewish Renaissance and Revival in America

Jewish Renaissance and Revival in America

Edited by Eitan P. Fishbane and Jonathan D. Sarna

Brandeis University Press, 2011

In the late 1870s, shaken by rapid socioeconomic change, internal crises, and the rise of antisemitism, young Jews assumed leadership, created dozens of organizations, and inspired masses of followers. These organizations helped define the nineteenth-century Jewish awakening: cultural and religious renewal, and the promotion of Jewish education. Expanding upon the unfinished work of Leah Levitz Fishbane, this volume seeks to broaden our understanding of this period, which paved the way for new developments in American Jewish communal, cultural, and religious life.
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cover of Jewish in America

Jewish in America

Sara Blair and Jonathan Freedman, Editors

University of Michigan Press, 2004

"Jewish culture in America is creating a genuinely new archive---a powerful admixture of texts old and new, Jewish and gentile, sacred and secular, on which our writers and critics offer creative commentary and to which they make compelling response. Shaped in the American crucible of race and ethnicity, pushed and pulled by the American traditions of ahistorical and individualist thinking, empowered by a powerful sacramental and hermeneutic tradition yet challenged by that tradition's stunning variety of inflections, impelled to furious response by world crisis, these writers testify not only to the anguishing and joyous complexity of being Jewish in America, but the creative energies such multiplicity generates."
-From the Introduction


This rare and original work of cultural studies offers uncommon and engaging perspectives-as well as provocative and humorous insights-on what it means to be Jewish in America.

Jewish in America features poetry, art, essays, and stories from an impressive and respected list of contributors, including among others Stephen Greenblatt, Richard Kostelanetz, Jacqueline Osherow, Robert Pinsky, Sharon Pomerantz, Nancy Reisman, Grace Schulman, Louis Simpson, Alisa Solomon, and Stephen J. Whitfield.

In addition to pieces by some of the country's leading writers, the book features a stunning gallery of original photographs that transport the viewer from the crowded Coney Island beaches of the 1940s to the landscapes of Oaxaca, Mexico in the 1990s.
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cover of John Cage: Composed in America

John Cage

Composed in America

Edited by Marjorie Perloff and Charles Junkerman

University of Chicago Press, 1994

When the great avant-gardist John Cage died, just short of his eightieth birthday in 1992, he was already the subject of dozens of interviews, memoirs, and discussions of his contribution to music, music theory, and performance practice. But Cage never thought of himself as only (or even primarily) a composer; he was a poet, a visual artist, a philosophical thinker, and an important cultural critic.

John Cage: Composed in America is the first book-length work to address the "other" John Cage, a revisionist treatment of the way Cage himself has composed and been "composed" in America. Cage, as these original essays testify, is a contradictory figure. A disciple of Duchamp and Schoenberg, Satie and Joyce, he created compositions that undercut some of these artists' central principles and then attributed his own compositional theories to their "tradition." An American in the Emerson-Thoreau mold, he paradoxically won his biggest audience in Europe. A freewheeling, Californian artist, Cage was committed to a severe work ethic and a firm discipline, especially the discipline of Zen Buddhism.

Following the text of Cage's lecture-poem "Overpopulation and Art," delivered at Stanford shortly before his death and published here for the first time, ten critics respond to the challenge of the complexity and contradiction exhibited in his varied work. In keeping with Cage's own interdisciplinarity, the critics approach that work from a variety of disciplines: philosophy (Daniel Herwitz, Gerald L. Bruns), biography and cultural history (Thomas S. Hines), game and chaos theory (N. Katherine Hayles), music culture (Jann Pasler), opera history (Herbert Lindenberger), literary and art criticism (Marjorie Perloff), cultural poetics (Gordana P. Crnkovic, Charles Junkerman), and poetic practice (Joan Retallack). But such labels are themselves confining: each of the essays sets up boundaries only to cross them at key points. The book thus represents, to use Cage's own phrase, a much needed "beginning with ideas."
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