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Jairus’s Daughter and the Female Body in Mark demonstrates that ubiquitous and significant depictions of children in the literature and material culture of the first century CE shaped the mindsets of the Gospel of Mark’s original audience. Through a detailed analysis of the story of Jairus’s daughter in Mark 5 and of the archaeological remains depicting female children, Janine E. Luttick reveals how ancient hearers of this story encountered an image of a female child that communicated ideas of hope to Jesus’s followers and in turn how readers today can understand the authority of Jesus, the domestic structures of early Christianity, and the suffering and loss experienced by some early Christians.

A fresh interpretation of the nature, purpose, and date of Jerome’s Epistle 106

In this volume of the Writings from the Greco-Roman World series, Michael Graves offers the first accessible English translation and commentary on Jerome’s Epistle 106, an important work of patristic biblical interpretation. In his treatise Jerome discusses different textual and exegetical options according to various Greek and Latin copies of the Psalms with input from the Hebrew. Epistle 106 provides insightful commentary on the Gallican Psalter, Jerome’s translation of Origen’s hexaplaric edition. Jerome’s work offers a unique window into the complex textual state of the Psalter in the late fourth century and serves as an outstanding example of ancient philological scholarship on the Bible. Graves’s translation and commentary is an essential resource for scholars and students of patristic exegesis, biblical textual criticism, and late antique Christianity.

Explore the diverse character of emerging Christian narratives

This book presents essays that show how prophetic and priestly emphases in Luke and Acts, and emphasis on Jesus’s existence prior to creation in the Gospel of John, are reworked in some second- and third-century Christian literature. Early Christians interpreted and expressed the storylines of Jesus, Mary, and other important figures in ways that created new images and stories. Contributors show the effect of including rhetography, the rhetoric of a text that prompts images and pictures in the mind of a hearer or reader, in interpretation of texts.

Features:

• Readings that attempt to account for the development of richly creative and complicated early Christian traditions
• Essays bridging New Testament studies and interpretation of Early Christian literature
• Interpretations that integrate social and rhetorical interpretations

Not a Jew marginally, but centrally

In this book, LaCocque presents the case that Jesus was totally and unquestionably a Jew. He lived as a Jew, thought as a Jew, debated as a Jew, acted as a Jew and died as a Jew. He had no intention of creating a new religion; rather, he was a reformer of the Judaism of his day. True, his critique went far beyond an intellectual subversion. In fact, Jesus progressively thought of himself as the “Son of Man” inaugurating the advent of the Kingdom of God on earth.

Features:

• Focused attention given to the historical Jesus and not Christianity or Christology
• Addresses restricted sources, namely, the Synoptic Gospels
• Close examination of Jesus’s way of thinking, teaching, and behaving

Rebecca K. Esterson explores how Christian methods of biblical interpretation shifted during the eighteenth century, producing a rhetorical rejection of allegory while embracing literalism. Under the influence of Enlightenment concepts of human reason and advances in the experimental sciences, Christian interpreters began casting Jewish biblical interpretation as allegorical, while presenting Christian interpretation as literal. This shift in self-understanding allowed Christians to portray their own interpretations as scientifically, philosophically, and historically superior, resulting in a new way of othering the Jewish people. This study of biblical exegesis, theology, philosophy, and the arts in English, Swedish, and German contexts is an essential resource for scholars interested in biblical reception history and the history of Jewish-Christian relations.

An accessible point of entry into the rich medieval religious landscape of Jewish biblical exegesis s

Medieval Judeo-Arabic translations of the Hebrew Bible and their commentaries provide a rich source for understanding a formative period in the intellectual, literary, and cultural history and heritage of Jews in Islamic lands. The carefully selected texts in this volume offer intriguing insight into Arabic translations and commentaries by Rabbanite and Karaite Jewish exegetes from the tenth to the twelfth centuries CE, arranged according to the three divisions of the Torah, the Former and Latter Prophets, and the Writings. Each text is embedded within an essay discussing its exegetical context, reception, and contribution.

Features:

• Focus on underrepresented medieval Jewish commentators of the Eastern world
• A list of additional resources, including major Judeo-Arabic commentators in the medieval period
• Previously unpublished texts from the Cairo Geniza

The first Greek text of the Epistle of Aristeas published in more than a century

The Greek text Epistle of Aristeas is a Jewish work of the late Hellenistic period that recounts the origins of the Septuagint. Long recognized as a literary fiction, the Epistle of Aristeas has been variously dated from the third century BCE to the first century CE. As a result, its epistolary features, and especially those in which the putative author, Aristeas, addresses his brother and correspondent, Philocrates, have largely been ignored. In light of more recent scholarship on epistolary literature in the Greco-Roman world, however, this volume presents for the first time a complete Greek text and English Translation with introduction, notes, and commentary of the Epistle of Aristeas with key testimonia from Philo, Josephus, and Eusebius, as well as other related examples of Jewish fictional letters from the Apocrypha and Pseudepigrapha.

Features

• Relevant excerpts from Eupolemus, 2 Maccabees, 3 Maccabees, and the Greek Additions to Esther with translations and introductions
• A critical introduction to ancient Greek letter-writing
• An outline of epistolary features in the text

Israel Shahak was a remarkable man. Born in the Warsaw ghetto and a survivor of Belsen, Shahak arrived in Israel in 1945. Brought up under Jewish Orthodoxy and Hebrew culture, he consistently opposed the expansion of the borders of Israel from 1967.

In this extraordinary and highly acclaimed book, Shahak embarks on a provocative study of the extent to which the secular state of Israel has been shaped by religious orthodoxies of an invidious and potentially lethal nature. Drawing on the Talmud and rabbinical laws, Shahak argues that the roots of Jewish chauvinism and religious fanaticism must be understood before it is too late.

Written from a humanitarian viewpoint by a Jewish scholar, this is a rare and highly controversial criticism of Israel that will both excite and disturb readers worldwide.

Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present.

Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the “science of music” as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman’s wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period’s music, this volume is a lavish tribute to Jewish contributions to modernity.