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Originally published as part of Twayne's World Authors Series, Jacques Lacan offers a comprehensive and rigorous introduction to the life and work of the French psychoanalyst Jacques Lacan, one of the most influential and challenging thinkers of the twentieth century. Written by a philosopher with a deep engagement in both continental philosophy and psychoanalytic theory, Jonathan Scott Lee traces the development of Lacan's theoretical project from his early psychiatric writings through the landmark Écrits and the renowned seminars that Lacan delivered over more than two decades.

Lee's approach is distinctive in its philosophical clarity, making complex Lacanian ideas available to readers in the humanities and social sciences. His careful analysis of the mirror stage, the role of the Other, and Lacan's three fundamental registers—the Imaginary, the Symbolic, and the Real— provides new insight into the ways they structure human subjectivity, language, and desire. This book situates Lacan within the broader intellectual currents of twentieth-century French thought, drawing connections to structuralism, post-structuralism, and the philosophical traditions that shaped and were shaped by Lacan's radical "return to Freud."

Widely cited in scholarly literature across disciplines, including literary criticism, philosophy, theology, film studies, and cultural theory, Jacques Lacan remains a valued introduction for students, scholars, and general readers seeking a careful and comprehensive guide to one of the most formidable intellectual figures of the modern era.

If the 1930s was the Swing Era, then the years from 1937 on might well be called the Jump Era. That summer Count Basie recorded “Jumping at the Woodside,” and suddenly jump tunes seemed to be everywhere. Along with the bouncy beat came a new dance step—the high-flying aerials of the jitterbuggers—and the basketball games that took place in the dance halls of African America became faster, higher, and flashier. Duke Ellington and a cast of hundreds put the buoyant spirit of the era on stage with their 1941 musical revue, Jump for Joy, a title that captured the momentum and direction of the new culture of exuberance. 

Several high-profile public victories accompanied this increasing optimism: the spectacular successes of African American athletes at the 1936 Olympics, the 1937 union victory of the Brotherhood of Sleeping Car Porters, and Joe Louis's 1937 and 1938 heavyweight championship fights. For the first time in history, Black Americans emerged as cultural heroes and ambassadors, and many felt a new pride in citizenship. 

In this book, Gena Caponi-Tabery chronicles these triumphs and shows how they shaped American music, sports, and dance of the 1930s and beyond. But she also shows how they emboldened ordinary African Americans to push for greater recognition and civil liberties—how cultural change preceded and catalyzed political action. 

Tracing the path of one symbolic gesture—the jump—across cultural and disciplinary boundaries, Caponi-Tabery provides a unique political, intellectual, and artistic analysis of the years immediately preceding World War II.