Steven Feld
Duke University Press, 2012
William Minor
University of Michigan Press, 2004
Aaron J. Johnson
University of Illinois Press, 2024
An interwoven story of a music and a medium, Jazz Radio America answers perennial questions about why certain kinds of jazz get played and why even that music is played in so few places.
Bruce Evan Barnhart
University of Alabama Press, 2013
WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE
Jazz in the Time of the Novel argues that a culture’s understanding of the concept of time plays a central role in its economic, social, and aesthetic affairs and that a culture arrives at its conception of time through its artistic practices.
Bruce Barnhart, in Jazz in the Time of the Novel, shows that American culture of the first three decades of the twentieth century was shaped by the kindred rhythms and movements of two particular art forms: jazz and fiction. At the beginning of the twentieth century, widespread changes in America’s social, demographic, and economic norms threatened longstanding faith in a unified and inevitable movement towards a better future. As Barnhart shows both jazz and novels of the period address these temporal uncertainties, inserting themselves into arguments about the proper unfolding of an affirmative American future. Barnhart proposes that these two aesthetic forms can be viewed as co-participants in an ongoing discussion about the way in which the future should be imagined and experienced—a discussion symptomatic of the broader exchanges taking place within the many trajectories comprising early twentieth-century American culture.
This book includes in-depth approaches to numerous examples of jazz and the novel, including performances by James P. Johnson, Louis Armstrong, Bessie Smith, Duke Ellington, and Ethel Waters, and novels by James Weldon Johnson, F. Scott Fitzgerald, Ernest Hemingway, Gertrude Stein, and Nella Larsen, among others. In addition to the details of specific musical and literary works, Jazz in the Time of the Novel offers careful consideration as to how these works impact their social context.
Edited by Geneviève Fabre and Michel Feith
Rutgers University Press, 2000
Jean Toomer's novel Cane has been hailed as the harbinger of the Harlem Renaissance and as a model for modernist writing, yet it eludes categorization and its author remains an enigmatic and controversial figure in American literature. The present collection of essays by European and American scholars gives a fresh perspective by using sources made available only in recent years, highlighting Toomer's bold experimentations, as well as his often ambiguous responses to the questions of his time.
Some of the essays achieve this through close readings of the text, leading to new and challenging interpretations of Toomer's transcendence of genres and styles. Others show how the publication of Cane and his later writings placed Toomer at the heart of contemporary ideological and artistic debates: race and identity, the negro writer and the white literary world, primitivism and modernism.
Barbara Foley
University of Illinois Press, 2019
The 1923 publication of Cane established Jean Toomer as a modernist master and one of the key literary figures of the emerging Harlem Renaissance. Though critics and biographers alike have praised his artistic experimentation and unflinching eyewitness portraits of Jim Crow violence, few seem to recognize how much Toomer's interest in class struggle, catalyzed by the Russian Revolution and the post–World War One radical upsurge, situate his masterwork in its immediate historical context. In Jean Toomer: Race, Repression, and Revolution, Barbara Foley explores Toomer's political and intellectual connections with socialism, the New Negro movement, and the project of Young America. Examining his rarely scrutinized early creative and journalistic writings, as well as unpublished versions of his autobiography, she recreates the complex and contradictory consciousness that produced Cane. Foley's discussion of political repression runs parallel with a portrait of repression on a personal level. Examining family secrets heretofore unexplored in Toomer scholarship, she traces their sporadic surfacing in Cane. Toomer's text, she argues, exhibits a political unconscious that is at once public and private.
Kathryn Tucker Windham
University of Alabama Press, 2015
A commemorative edition of the beloved and best-selling second book in famed folklorist Kathryn Tucker Windham’s southern ghosts series.
Jeffrey was the resident apparition in the Selma, Alabama, home of nationally-known folklorist Kathryn Tucker Windham and the inspiration for Windham’s best-selling collection of macabre tales that reveal two hundred years of Alabama’s ghostly secrets, Thirteen Alabama Ghosts and Jeffrey. One of the most popular books ever published in the state, generations of Alabama children and students have been thrilled and chilled by Windham’s spectral legends.
Following the overwhelming success of Thirteen Alabama Ghosts and Jeffrey, Windham and Jeffrey began to journey across the South assembling a second collection of ghastly tales that repeat Windham’s winning combination of traditional folklore, Southern history and culture, and family-friendly story-telling. In Jeffrey Introduces Thirteen More Southern Ghosts, Windham’s disembodied friend roams the states of Kentucky, Tennessee, Georgia, Mississippi, Louisiana, and Florida to recall thirteen more timeless, spine-tingling tales of baneful and melancholy spirits that spook the most stoic heart.
Opening this volume is “The Girl Nobody Knew.” One midsummer night in the genteel Kentucky mineral spring resort of Harrodsburg, a beautiful lady arrived at the town’s grand hotel. The belle danced late into the night with the town’s smitten gallants only to expire suddenly with the notes of the last quadrille. The spooked residents of Harrodsburg guard a grave you can see to this day. Readers then visit the world-famous Bell Witch of Robinson County, Tennessee. Jeffrey also makes his first trip to old New Orleans to reveal a revenant in residence on Royal Street before continuing his ghostly progress across Dixie.
This new edition returns Jeffrey Introduces Thirteen More Southern Ghosts to its original format in jacketed cloth full of original, black-and-white illustrations in a handsome keepsake edition perfect for gift-giving and for families, folklorists of all ages, and libraries.
Kathryn Tucker Windham
University of Alabama Press, 2016
A deluxe, commemorative edition of a beloved collection of ghostly stories from famed southern author and folklorist Kathryn Tucker Windham’s home state of Alabama.
Accompanied by her faithful companion, Jeffrey, a friendly spirit who resided in her home in Selma, Alabama, Kathryn Tucker Windham traveled the South, visiting the sites of spectral legends in Mississippi, Georgia, and Tennessee, among other places. In Jeffrey’s Latest Thirteen: More Alabama Ghosts, a sequel to her landmark Thirteen Alabama Ghosts and Jeffrey, Windham introduces readers to thirteen more of Jeffrey's ghostly acquaintances, each with the charm and universal appeal that has created hundreds of thousands of Jeffrey fans.
Among the other hair-raising tales in this collection, Windham spotlights the apparitions of academia. From the three Yankee soldiers who haunt the University of Alabama’s Civil War–era Little Round House to the Confederate soldier who resides in the University Chapel at Auburn University, Alabama’s institutions of higher learning seem to have more than a few paranormal pupils.
Photographs of the sites about which Windham writes are one of the best-loved features of her series of “Jeffrey the Ghost” books. Jeffrey’s Latest Thirteen features the image of a beautiful child who, though not photographed in life, reappeared long enough to be photographed with his bereaved father's borrowed camera. Bewitched readers will find the startling photograph of the child in the next-to-last chapter, just pages before he book’s photograph of Windham’s own spectral muse, Jeffrey.
This commemorative edition returns Windham’s thrilling classic to its original 1982 keepsake quality and includes a new afterword by the author’s children.
Charles Thomas
University of Arkansas Press, 2012
Eric H. Cline
University of Michigan Press, 2005
Moses Mendelssohn
Brandeis University Press, 1983
Jon Wolseth
University of Arizona Press, 2011
Claudia Gould
Utah State University Press, 2009
Drawing on ethnographic field work she conducted among Christians in her home state of North Carolina, Claudia Gould crafts stories that lay open the human heart and social complications of fundamentalist belief. These stories and the compelling characters who inhabit them draw us into the complex essence of religious experience among southern American Christians.
Bettye Collier-Thomas
Temple University Press, 2013
Baker, Cynthia M
Rutgers University Press, 2017
David E. Kaufman
Brandeis University Press, 2012

Baigell, Matthew
Rutgers University Press, 2002
Calling attention to the local cultural scene as well as to events taking place in Europe, Matthew Baigell considers the art produced by Jewish artists who were inspired to respond to the murders of their fellow Jews during World War II.
Although there were only a few instances of visual documentation of events until the war’s later stages, responses to news reports and the very few authentic images received of the atrocities of the Holocaust varied from avoidance and denial to scattered attempts to create direct visual representations. Those artists who chose the latter alternative did so with little support from the Jewish intelligentsia of New York City. Art critics such as the influential Clement Greenberg purposely avoided addressing this issue at all. Jewish artists were left to cope with the events of the war in isolation, without a collective visual memory to deal with the traumas presented by news reports.
Baigell discusses how the limited access to images, information, and support during the war led to a unique artistic response created not only by the conflict itself, but also by the anti-Semitic social climate of the United States. Surveys taken in the U.S. between 1940 and 1946 demonstrate that the general population considered Jews a greater menace to the welfare of the country than the Germans or the Japanese.
Artists featured include Marc Chagall, Jacques Lipchitz, Barnett Newman, Abraham Rattner, Mark Rothko, and Max Weber.
Géza Komoróczy
Central European University Press, 1999
Joanna Sliwa
Rutgers University Press, 2021
Angelika Timm
Central European University Press, 1998
This is the first comprehensive history of Jewish negotiations with East Germany regarding restitution and reparations for Nazi war crimes. Angelika Timm analyzes the politics of old and new anti-Semitism and the context in which they grew under the officially propagated ideology of antifascism.
Investigating the mass of unpublished, newly available archival data from the United States, Israel, and the former German Democratic Republic, and more than forty personal interviews, Timm fills a critical gap in the scholarship on postwar Germany. She analyzes the role of the Holocaust and the image of Jews in the historical consciousness and political culture of East Germany and chronicles the efforts of Jewish organizations, especially the Conference on Jewish Material Claims Against Germany, to negotiate reparations with the East German state. The unique relationship between ideology and Realpolitik defined the manner in which East Germany confronted the crimes of its past and allowed anti-Semitism to reemerge.
András Koerner
Central European University Press, 2020
Winner of the 2019 National Jewish Book Award in the category of Food Writing & Cookbooks.
The author refuses to accept that the world of pre-Shoah Hungarian Jewry and its cuisine should disappear almost without a trace and feels compelled to reconstruct its culinary culture. His book―with a preface by Barbara Kirshenblatt-Gimblett―presents eating habits not as isolated acts, divorced from their social and religious contexts, but as an organic part of a way of life.
According to Kirshenblatt-Gimblett: “While cookbooks abound, there is no other study that can compare with this book. It is simply the most comprehensive account of a Jewish food culture to date.” Indeed, no comparable study exists about the Jewish cuisine of any country, or―for that matter―about Hungarian cuisine. It describes the extraordinary diversity that characterized the world of Hungarian Jews, in which what could or could not be eaten was determined not only by absolute rules, but also by dietary traditions of particular religious movements or particular communities.
Ten chapters cover the culinary culture and eating habits of Hungarian Jewry up to the 1940s, ranging from kashrut (the system of keeping the kitchen kosher) through the history of cookbooks, the food traditions of weekdays and holidays, the diversity of households, and descriptions of food and hospitality industries to the history of some typical dishes. Although this book is primarily a cultural history and not a cookbook, it includes 83 recipes, as well as nearly 200 fascinating pictures of daily life and documents.i
Ari Y Kelman
Rutgers University Press, 2024
Boyarin, Jonathan
Rutgers University Press, 2013
Edited by Joanna Beata Michlic
Brandeis University Press, 2017

Israel Shahak
Pluto Press, 2004
This is a new edition of a classic and highly controversial book that examines the history and consequences of Jewish Fundamentalism in Israel. Fully updated, with new chapters and a new introduction by Norton Mezvinsky, it is essential reading for anyone who wants a full understanding of the way religious extremism has affected the political development of the modern Israeli state.
Acclaimed writer and human rights campaigner Israel Shahak was, up util his death in 2001, one of the most respected of Israel’s peace activists – he was, in the words of Gore Vidal, ‘the latest – if not the last – of the great prophets.’ Written by Shahak together with American scholar Norton Mezvinsky, this books shows how Jewish fundamentalism in Israel, as shown in the activities of religious settlers, is of great political importance.
The authors trace the history and development of Jewish fundamentalism. They place the assassination of Prime Minister Rabin in the context of what they see as a tradition of punishments and killings of those Jews perceived to be heretics. They conclude that Jewish fundamentalism is essentially hostile to democracy.

Israel Shahak
Pluto Press, 2008
Israel Shahak was a remarkable man. Born in the Warsaw ghetto and a survivor of Belsen, Shahak arrived in Israel in 1945. Brought up under Jewish Orthodoxy and Hebrew culture, he consistently opposed the expansion of the borders of Israel from 1967.
In this extraordinary and highly acclaimed book, Shahak embarks on a provocative study of the extent to which the secular state of Israel has been shaped by religious orthodoxies of an invidious and potentially lethal nature. Drawing on the Talmud and rabbinical laws, Shahak argues that the roots of Jewish chauvinism and religious fanaticism must be understood before it is too late.
Written from a humanitarian viewpoint by a Jewish scholar, this is a rare and highly controversial criticism of Israel that will both excite and disturb readers worldwide.
David G. Dalin
Brandeis University Press, 2017
Susanne Cohen-Weisz
Central European University Press, 2016
Leonid Smilovitsky
Central European University Press, 2014
Katerina Capková
Rutgers University Press, 2022
Steinberg, Kerri P
Rutgers University Press, 2015
ChaeRan Y. Freeze
Brandeis University Press, 2001
Pianko, Noam
Rutgers University Press, 2015
Sven-Erik Rose
Brandeis University Press, 2014
Sarra Copia Sulam
University of Chicago Press, 2009
The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?–41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon.
For this bilingual edition, Don Harrán has collected all of Sulam’s previously scattered writings—letters, sonnets, a Manifesto—into a single volume. Harrán has also assembled all extant correspondence and poetry that was addressed to Sulam, as well as all known contemporary references to her, making them available to Anglophone readers for the first time. Featuring rich biographical and historical notes that place Sulam in her cultural context, this volume will provide readers with insight into the thought and creativity of a woman who dared to express herself in the male-dominated, overwhelmingly Catholic Venice of her time.
Jael Silliman
Seagull Books, 2001
Edited by Eitan P. Fishbane and Jonathan D. Sarna
Brandeis University Press, 2011
Edited by Michael Bernard-Donals and Janice W. Fernheimer
Brandeis University Press, 2014
Edited by Marcie Ferris and Mark I. Greenberg
Brandeis University Press, 2006
Bush, Andrew
Rutgers University Press, 2011
Jewish Studies, the first volume in a groundbreaking new series, Key Words in Jewish Studies, introduces the basic approach of the series by organizing discussion around key concepts in the field that have emerged over the last two centuries: history and science, race and religion, self and community, identity and memory. The book is oriented by contemporary critical theory, especially feminist and postcolonial studies, and the multidisciplinary approaches of cultural studies.
By looking backward and forward—and across continents and disciplines—to unearth the evolution of the scholarly study of Jews, Andrew Bush provides a comprehensive introduction to the development of Jewish studies from the turn of the nineteenth century to the present. In the course of engaging scholarship on periods from the classical to the contemporary and from the disciplines of history, philosophy, sociology, anthropology, psychology, and literary studies, Bush questions male-dominated and Ashkenazi-centric visions of the field. He concludes with an experimental exposition of a new Jewish studies for a time where attention to difference has overtaken the security of canons and commonalities.
Edited by Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem
Brandeis University Press, 2009
Lenn E. Goodman
Rutgers University Press, 1999
Eliyana R. Adler
Rutgers University Press, 2021
Sara Blair and Jonathan Freedman, Editors
University of Michigan Press, 2004
Thompson, Jennifer A
Rutgers University Press, 0
Over half of all American Jewish children are being raised by intermarried parents. This demographic group will have a tremendous impact on American Judaism as it is lived and practiced in the coming decades. To date, however, in both academic studies about Judaism and in the popular imagination, such children and their parents remain marginal.
Jennifer A. Thompson takes a different approach. In Jewish on Their Own Terms, she tells the stories of intermarried couples, the rabbis and other Jewish educators who work with them, and the conflicting public conversations about intermarriage among American Jews. Thompson notes that in the dominant Jewish cultural narrative, intermarriage symbolizes individualism and assimilation. Talking about intermarriage allows American Jews to discuss their anxieties about remaining distinctively Jewish despite their success in assimilating into American culture.
In contrast, Thompson uses ethnography to describe the compelling concerns of all of these parties and places their anxieties firmly within the context of American religious culture and morality. She explains how American and traditional Jewish gender roles converge to put non-Jewish women in charge of raising Jewish children. Interfaith couples are like other Americans in often harboring contradictory notions of individual autonomy, universal religious truths, and obligations to family and history.
Focusing on the lived experiences of these families, Jewish on Their OwnTerms provides a complex and insightful portrait of intermarried couples and the new forms of American Judaism that they are constructing.
Thomas A. Kolsky
Temple University Press, 1992
This is the first full-scale history of the only organized American Jewish opposition to Zionism during the 1940s. Despite extensive literature on the Zionist movement, the Jewish opposition to Zionism has received only marginal and usually negative attention. In this impartial study, Thomas A. Kolsky examines the neglected phenomenon of Jewish anti-Zionism, its roots, and its results.
In 1942, a number of dissident Reform rabbis founded the American Council for Judaism, the first and only Jewish organization created to fight against Zionism and the establishment of a Jewish state. Emphasizing the purely religious nature of Judaism and unequivocally rejecting Jewish nationalism, the Council supported free Jewish immigration and equal rights for Jews throughout the world. For Palestine, specifically, it advocated establishment of a democratic state wherein all citizens, regardless of their religion, would enjoy equal political rights.
Summarizing both the history of Zionism and the history of American Jews, Kolsky traces the effects of the Holocaust on the Zionist movement and the personalities that shaped the leadership of the Council. Its position toward Zionism has particular contemporary relevance in understanding the historical relationship between Israel and the Palestinians.
Robert Liberles
Brandeis University Press, 2012
Edited by Simon Rabinovitch
Brandeis University Press, 2012
Jonathan Boyarin
University of Minnesota Press, 1997
Till van Rahden
University of Wisconsin Press, 2008