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In Kincraft Todne Thomas explores the internal dynamics of community life among black evangelicals, who are often overshadowed by white evangelicals and the common equation of the “Black Church” with an Afro-Protestant mainline. Drawing on fieldwork in an Afro-Caribbean and African American church association in Atlanta, Thomas locates black evangelicals at the center of their own religious story, presenting their determined spiritual relatedness as a form of insurgency. She outlines how church members cocreate themselves as spiritual kin through what she calls kincraft—the construction of one another as brothers and sisters in Christ. Kincraft, which Thomas traces back to the diasporic histories and migration experiences of church members, reflects black evangelicals' understanding of Christian familial connection as transcending racial, ethnic, and denominational boundaries in ways that go beyond the patriarchal nuclear family. Church members also use their spiritual relationships to navigate racial and ethnic discrimination within the majority-white evangelical movement. By charting kincraft's functions and significance, Thomas demonstrates the ways in which black evangelical social life is more varied and multidimensional than standard narratives of evangelicalism would otherwise suggest.

In Kingdom Come, Tshepo Masango Chéry charts a new genealogy of early twentieth-century Black Christian activists who challenged racism in South Africa before the solidification of apartheid by using faith as a strategy against global racism. Masango Chéry traces this Black freedom struggle and the ways that South African church leaders defied colonial domination by creating, in solidarity with Black Christians worldwide, Black-controlled religious institutions that were geared toward their liberation. She demonstrates how Black Christians positioned the church as a site of political resistance and centered specifically African visions of freedom in their organizing. Drawing on archival research spanning South Africa, Zimbabwe, Kenya, the United Kingdom, and the United States, Masango Chéry tells a global story of the twentieth century that illuminates the formations of racial identity, state control, and religious belief. Masango Chéry’s recentering of South Africa in the history of worldwide Black liberation changes understandings of spiritual and intellectual routes of dissemination throughout the diaspora.

As a collective, klaverjas players form a distinct community of practice with a unique organisational discourse, language, and set of socialisation practices. Given its prevalence within South Africa’s Black communities, klawerjas, as it is locally known, is perceived as both the traditional game of the communities in question and a marker of a particular regional ethnic identity. The history of klaverjas is part of the unmapped sporting heritage of South Africa’s Black communities, whose true extent and meaning have long remained obscured. This book maps the development of klaverjas, its consolidation, its unique local character, and its intersections with broader societal events. It places competitive klaverjas in the mainstream of South Africa’s sports history and claims its place as a part of the country’s national sports identity.