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593 books match the query 'Jews' and 6 start with k

cover of Kafka and Cultural Zionism: Dates in Palestine

Kafka and Cultural Zionism

Dates in Palestine

Iris Bruce

University of Wisconsin Press, 2007

Kafka and Cultural Zionism is an illumination of the individual Jewish identity of this major modernist German author. Through a thorough examination of Kafka's life, his influences, and his writings, Iris Bruce makes a case for Kafka's interest in Zionism and demonstrates the presence of Jewish themes and motifs in Kafka's literary works. In recognizing this essential part of Kafka's individual voice, Bruce hopes to provide a new perspective on Kafka and his writings that allows the reader to find the humor, playfulness, rebelliousness, and challenge that can be overlooked if the reader expects to find a Kafka who is disengaged from his ethnic and cultural identity, as well as the politics of his age.
 
Outstanding Academic Title, Choice Magazine
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cover of Kentucky

Kentucky

I. J. Schwartz

University of Alabama Press, 1990

An epic poem about life in America in the early 20th century, as perceived by a Jewish immigrant.

Kentucky is the first major work in Yiddish literature to present America as its primary theme. The long epic poem paints a rich picture of life in Kentucky just after the Civil War. Written between 1918 and 1922 by Lithuanian-born writer, I. J. Schwartz, it first appeared in the Yiddish journal Zukunft and later, in 1925, was published as a book. Although unknown to English readers until this translation, the book was a primary text for immigrants and potential immigrants in places as remote as Poland and Argentina who received their first impressions of America from its pages. Parts of it were even set to music and sung in choruses around the world.

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cover of Key Texts in American Jewish Culture

Key Texts in American Jewish Culture

Kugelmass, Jack

Rutgers University Press, 2003

Key Texts in American Jewish Culture expands the frame of reference used by students of culture and history both by widening the "canon" of Jewish texts and by providing a way to extrapolate new meanings from well-known sources.

Contributors come from a variety of disciplines, including American studies, anthropology, comparative literature, history, music, religious studies, and women's studies. Each provides an analysis of a specific text in art, music, television, literature, homily, liturgy, or history. Some of the works discussed, such as Philip Roth's novel Counterlife, the musical Fiddler on the Roof, and Irving Howe's World of Our Fathers, are already widely acknowledged components of the American Jewish studies canon. Others-such as Bridget Loves Bernie, infamous for the hostile reception it received among American Jews+ may be considered "key texts" because of the controversy they provoked. Still others, such as Joshua Liebman's Piece of Mind and the radio and TV sitcom The Goldbergs, demonstrate the extent to which American Jewish culture and mainstream American culture intermingle with and borrow from each other.
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cover of Kibbutz Buchenwald: Survivors and Pioneers

Kibbutz Buchenwald

Survivors and Pioneers

Judith Tydor Baumel

Rutgers University Press, 1997

Kibbutz Buchenwald is the story of a nightmare that became a dream and a dream that became a reality. Emerging from the depths of the liberated concentration camp Buchenwald in the spring of 1945, a group of sixteen gaunt and battered young men organized and formed Kibbutz Buchenwald, the first agricultural collective in postwar Germany designed to prepare Jews for emigation to Palestine. What caused a handful of survivors to take their fate into their own hands within days of their liberation, at a time when most survivors were passively awaiting orders from the occupying forces? From what wellsprings did they draw the physical and emotional strength to begin life anew as Zionist pioneers in a world which had turned upside down?

Judith Baumel's moving account of this courageous group is divided into two parts. Part One, entitled "The Dream," examines the kibbutz from its creation in Germany until the departure of the founding group for Palestine in the summer of 1945. Part Two, "The Reality," follows the members of Kibbutz Buchenwald into Palestine, where they eventually established their own independent settlement in 1948. This settlement exists as Kibbutz Netzer Sereni today.

Drawing from the diaries of the kibbutz's founding members, Baumel provides a detailed account of an incredible story and places the central narrative in the larger contexts of communal living, European politics after the war, and the link between European Jewry and Israeli postwar nationhood. An afterword, "Where Are They Now," briefly describes the later life of each of the original kibbutz members.

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cover of Klezmer: Music and Community in Twentieth-Century Jewish Philadelphia

Klezmer

Music and Community in Twentieth-Century Jewish Philadelphia

Hankus Netsky

Temple University Press, 2017

Klezmer presents a lively and detailed overview of the folk musical tradition as practiced in Philadelphia's twentieth-century Jewish community. Through interviews, archival research, and recordings, Hankus Netsky constructs an ethnographic portrait of Philadelphia’s Jewish musicians, the environment they worked in, and the repertoire they performed at local Jewish lifestyle and communal celebrations.

Netsky defines what klezmer music is, how it helped define Jewish immigrant culture in Philadelphia, and how its current revival has changed klezmer’s meaning historically. Klezmer also addresses the place of musicians and celebratory music in Jewish society, the nature of klezmer culture, the tensions between sacred and secular in Jewish music, and the development of Philadelphia's distinctive “Russian Sher” medley, a unique and masterfully crafted composition.

Including a significant amount of musical transcriptions, Klezmer chronicles this special musical genre from its heyday in the immigrant era, through the mid-century period of its decline through its revitalization from the 1980s to today.
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cover of Knish: In Search of the Jewish Soul Food

Knish

In Search of the Jewish Soul Food

Laura Silver

Brandeis University Press, 2014

When Laura Silver’s favorite knish shop went out of business, the native New Yorker sank into mourning, but then she sprang into action. She embarked on a round-the-world quest for the origins and modern-day manifestations of the knish. The iconic potato pie leads the author from Mrs. Stahl’s bakery in Brighton Beach, Brooklyn, to an Italian pasta maker in New Jersey—and on to a hunt across three continents for the pastry that shaped her identity. Starting in New York, she tracks down heirs to several knish dynasties and discovers that her own family has roots in a Polish town named Knyszyn. With good humor and a hunger for history, Silver mines knish lore for stories of entrepreneurship, survival, and major deliciousness. Along the way, she meets Minnesota seniors who make knishes for weekly fundraisers, foodies determined to revive the legacy of Mrs. Stahl, and even the legendary knish maker’s granddaughters, who share their joie de vivre—and their family recipe. Knish connections to Eleanor Roosevelt and rap music? Die-hard investigator Silver unearths those and other intriguing anecdotes involving the starchy snack once so common along Manhattan’s long-lost Knish Alley. In a series of funny, moving, and touching episodes, Silver takes us on a knish-eye tour of worlds past and present, thus laying the foundation for a global knish renaissance.
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