1787 books match the query 'Literary Collections' and 12 start with k

cover of Kafu the Scribbler: The Life and Writings of Nagai Kafu, 1897–1959

Kafu the Scribbler

The Life and Writings of Nagai Kafu, 1897–1959

Edward Seidensticker

University of Michigan Press, 1990

Kafū the Scribbler is neither pure biography nor pure criticism nor yet a pure anthology, but a blending of the three. It is an introduction to Nagai Kafū and his city, accompanied by a fairly generous sampling from his works. Marleigh Ryan writes:
“In this book Edward Seidensticker presents a unique combination of biography and literary criticism by skillfully interweaving details of the life of Nagai Kafū with studies of his writing. With quotations of from Kafū’s fiction and nonfiction alike, Seidensticker is able to reconstruct many incidents in the author’s life which had previously been little understood. The latter half of the book is given over to translations of short stories and to selections from two novels and a journal. Seidensticker has thoughtfully given cross references to the material in both parts of the book which enable the reader to handle this wealth of material with some dexterity.
“Seidensticker’s skill as a translator is so well established that it seems almost unnecessary to comment on it further here but one cannot help being impressed by his rendering of Kafū’s lyrical style. As we realize when reading the critical material, there is remarkably little plot or character development in Kafū’s fiction. His position as leading modern writer is dependent to a considerable degree upon the beauty and grace of his style, and we are fortunate indeed to have such masterful translations as these to convey that style.”*
*Ryan, Marleigh. Journal of the American Oriental Society 88, no. 3 (1968): 624. doi:10.2307/596924.
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cover of Kannani and Document of Flames: Two Japanese Colonial Novels

Kannani and Document of Flames

Two Japanese Colonial Novels

Katsuei Yuasa

Duke University Press, 2005

This volume makes available for the first time in English two of the most important novels of Japanese colonialism: Yuasa Katsuei’s Kannani and Document of Flames. Born in Japan in 1910 and raised in Korea, Yuasa was an eyewitness to the ravages of the Japanese occupation. In both of the novels presented here, he is clearly critical of Japanese imperialism. Kannani (1934) stands alone within Japanese literature in its graphic depictions of the racism and poverty endured by the colonized Koreans. Document of Flames (1935) brings issues of class and gender into sharp focus. It tells the story of Tokiko, a divorced woman displaced from her Japanese home who finds herself forced to work as a prostitute in Korea to support herself and her child. Tokiko eventually becomes a landowner and oppressor of the Koreans she lives amongst, a transformation suggesting that the struggle against oppression often ends up replicating the structure of domination.

In his introduction, Mark Driscoll provides a nuanced and engaging discussion of Yuasa’s life and work and of the cultural politics of Japanese colonialism. He describes Yuasa’s sharp turn, in the years following the publication of Kannani and Document of Flames, toward support for Japanese nationalism and the assimilation of Koreans into Japanese culture. This abrupt ideological reversal has made Yuasa’s early writing—initially censored for its anticolonialism—all the more controversial. In a masterful concluding essay, Driscoll connects these novels to larger theoretical issues, demonstrating how a deep understanding of Japanese imperialism challenges prevailing accounts of postcolonialism.

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cover of Katherine Mansfield Notebooks: Complete Edition

Katherine Mansfield Notebooks

Complete Edition

Katherine Mansfield

University of Minnesota Press, 2002

The only unexpurgated collection of Katherine Mansfield’s private writings-now available for the first time!

Edited by Margaret Scott

Katherine Mansfield (1888-1923) published three collections of short stories-In a German Pension, Bliss, and The Garden Party-during her tragically short life, and was acclaimed as one of modernism’s most daring and original writers. After her death from tuberculosis in France, Mansfield’s private writings and letters were edited by her husband, John Middleton Murry, and published in four volumes between 1927 and 1954. Murry, however, took liberties in recasting his wife’s journals and notes. He excluded most of the vast mass of material and revised much of what he included, resulting in a distorted image of Mansfield as a passive, ethereal spirit.More than four decades later, the real Mansfield finally emerges in The Katherine Mansfield Notebooks, the first unexpurgated edition of her private writings. Fully and accurately transcribed by editor Margaret Scott, these infrequent diary entries, drafts of letters, introspective notes jotted on scraps of paper, unfinished stories, half-plotted novels, poems, recipes, and shopping lists offer a complete and compelling portrait of a complex woman who was ambitious and at times ruthless, neurotic and sexually voracious, witty and acerbic, fascinated with the minutiae of daily life and obsessed with death."It is only now, with the publication of Margaret Scott’s complete and unselective transcription of the material bequeathed to Murry, that we can really see Mansfield, off her guard and unexpurgated, for the first time. . . . Mansfield's notebooks are remarkable, touched by a sense of the underlying pathos of things, two parts tragedy and two parts comedy." Times Literary Supplement (London)"Mansfield’s work speaks about what is irretrievably lost, material, mortal, unless it is turned to artifice-and nowhere more than in these notebooks, where she is so reluctantly introspective." London Review of Books
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cover of Kay Boyle: A Twentieth-Century Life in Letters

Kay Boyle

A Twentieth-Century Life in Letters

Edited and with an Introduction by Sandra Spanier

University of Illinois Press, 2015

One of the Lost Generation modernists who gathered in 1920s Paris, Kay Boyle published more than forty books, including fifteen novels, eleven collections of short fiction, eight volumes of poetry, three children's books, and various essays and translations. Yet her achievement can be even better appreciated through her letters to the literary and cultural titans of her time.

<p>Kay Boyle shared the first issue of <i>This Quarter</i> with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.
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cover of Keeping Fires Night and Day: Selected Letters of Dorothy Canfield Fisher

Keeping Fires Night and Day

Selected Letters of Dorothy Canfield Fisher

Edited & Intro by Mark J. Madigan & Foreword by Clifton Fadiman

University of Missouri Press, 1993

Eleanor Roosevelt called her one of the most influential women in America.  Among the earliest and most assertive members of the Book-of-the-Month Club selection committee, Dorothy Canfield Fisher helped define literary taste in America for more than three decades.  She helped shape the careers of such great writers as Pearl Buck, Isak Dinesen, and Richard Wright.  A best-selling author herself, Fisher was also a deeply committed social activist.  In Keeping Fires Night and Day, Mark J. Madigan collects much of Fisher's copious correspondence.   With letters to Willa Cather, W.E.B. Du Bois, Albert Einstein, Robert Frost, Margaret Mead, James Thurber, and E.B. White, he documents Fisher's personal and professional life and career in a way that no biography could.  Set against the American historical and cultural landscape from 1900 to 1958, these letters offer a firsthand account of one of the twentieth century's most remarkable women. 

While Fisher's novels treated such conventional subjects as marriage and domestic life, her own life was anything but conventional.  When her best-selling novels made her the chief breadwinner in her marriage, her husband, John Fisher, quietly assumed the role of secretary and editor of her work.  Fluent in five languages, Dorothy Canfield Fisher founded a Braille press in France and introduced the educational methods of Dr. Maria Montessori to the United States.  She became a pioneering advocate of adult education and served as the first woman on the Vermont Board of Education. 

In letters to friends, fans, and colleagues, Fisher discussed her homelife, her work, and the world around her.  Her passions and concerns-revealed in her correspondence with wit and poignancy-include the "New Woman' and the suffrage movement, racial discrimination and the emergence of the NAACP, the development of the national education system, two world wars, the depression, and the influence of book clubs in the literary market-place.

Dorothy Canfield Fisher "helped twentieth-century American literature to come of age," writes Clifton Fadimon in his Foreward.  Yet lasting recognition has eluded her.  In Keeping Fires Night and Day the distinctive voice of this gifted, intelligent and spirited woman is heard once again.

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cover of Kept Secret: The Half-Truth in Nonfiction

Kept Secret

The Half-Truth in Nonfiction

Jen Hirt

Michigan State University Press, 2017

Creative nonfiction writers wrestle constantly with the boundaries of creative license—what to reveal, when to reveal it, and how best to do it. While the truth may inspire us to make confident assertions, secrets, lies, and half-truths inspire us to delve further into our own writing to discover the heart of the story. The pieces in this collection feature essayists who do this type of detective work. Each essay contains a secret, lie, or half-truth—some of these are revealed by the author, but others remain buried. Ranging from the deep family secret to the little white lie, from the shocking to the humorous, and from the straightforward revelation to the slanted half-truth, these essays ask us to appreciate the magnitude of keeping a secret. They also ask us to consider the obstacles writers must overcome if they want to write about secrets in their own lives and the lives of others. In short interviews following each essay the contributors discuss craft, ethics, creativity, and how they eventually decided to reveal—or not reveal—a secret.
 
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cover of Kinesis: The Ancient Depiction of Gesture, Motion, and Emotion

Kinesis

The Ancient Depiction of Gesture, Motion, and Emotion

Christina A. Clark, Edith Foster, and Judith P. Hallett, editors

University of Michigan Press, 2015

Donald Lateiner, in his groundbreaking work The Sardonic Smile, presented the first thorough study of nonverbal behavior in Homeric epics, drawing a significant distinction between ancient and modern gesture and demonstrating the intrinsic relevance of this “silent language” to psychological, social, and anthropological studies of the ancient world.

Using Lateiner’s work as a touchstone, the scholars in Kinesis analyze the depiction of emotions, gestures, and other nonverbal cues in ancient Greek and Roman texts and consider the precise language used to depict them. Individual contributors examine genres ranging from historiography and epic to tragedy, philosophy, and vase decoration. They explore evidence as disparate as Pliny’s depiction of animal emotions, Plato’s presentation of Aristophanes’ hiccups, and Thucydides’ use of verb tenses. Sophocles’ deployment of silence is considered, as are Lucan’s depiction of death and the speaking objects of the medieval Alexander Romance.

This collection will be valuable to scholars studying Greek and Roman society and literature, as well as to those who study the imitation of ancient literature in later societies. Jargon is avoided and all passages in ancient languages are translated, making this volume accessible to advanced undergraduates.

Contributors in addition to the volume editors include Jeffrey Rusten, Rosaria Vignolo Munson, Hans-Peter Stahl, Carolyn Dewald, Rachel Kitzinger, Deborah Boedeker, Daniel P. Tompkins, John Marincola, Carolin Hahnemann, Ellen Finkelpearl, Hanna M. Roisman, Eliot Wirshbo, James V. Morrison, Bruce Heiden, Daniel B. Levine, and Brad L. Cook.

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cover of Kiosk Literature of Silver Age Spain: Modernity and Mass Culture

Kiosk Literature of Silver Age Spain

Modernity and Mass Culture

Edited by Jeffrey Zamostny and Susan Larson

Intellect Books, 2017

The so-called “Silver Age” of Spain ran from 1898 to the rise of Franco in 1939 and was characterized by intense urbanization, widespread class struggle and mobility, and a boom in mass culture. This book offers a close look at one manifestation of that mass culture: weekly collections of short, often pocket-sized books sold in urban kiosks at low prices. These series published a wide range of literature in a variety of genres and formats, but their role as disseminators of erotic and anarchist fiction led them to be censored by the Franco dictatorship. This book offers the most detailed scholarly analysis of kiosk literature to date, examining the kiosk phenomenon through the lens of contemporary interdisciplinary theories of urban space, visuality, celebrity, gender and sexuality, and the digital humanities.
 
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cover of Know It by Heart

Know It by Heart

Karl Luntta

Northwestern University Press, 2003

When a racially mixed family moves into an all-white neighborhood in East Hartford, Connecticut, in 1961, lives are altered forever. Karl Luntta's Know It by Heart follows the adventures of young Dub Teed, his sister Susan and neighbor Doug Hammer, who befriend newly arrived Ricky Dubois, the daughter of an African-American woman and her white husband. When a burning cross flares in the night—and worse—the young adolescents set out to find justice and discover themselves in the process.

Despite the book's serious anti-racist theme, Know It by Heart is filled with humor reminiscent of Mark Twain. In this suspenseful novel, Karl Luntta brilliantly captures the world of the young adolescent in his characters and dialogue and in the innate comedy and awkwardness of that age. This is a book that will appeal to parents and teenagers alike.

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cover of Korea Letters in the William Elliot Griffis Collection: An Annotated Selection

Korea Letters in the William Elliot Griffis Collection

An Annotated Selection

Young-mee Yu Cho

Rutgers University Press, 2024

William Elliot Griffis (1843 – 1928) graduated from Rutgers College in 1869 and taught four years in Fukui and Tokyo. After his return to the United States, he devoted himself to his research and writing on East Asia throughout his life. He authored 20 books about Japan and five books about Korea including, Corea: The Hermit Nation (1882), Corea, Without and Within: Chapters on Corean History, Manners and Religion (1885), The Unmannerly Tiger, and Other Korean Tales (1911), A Modern Pioneer in Korea: The Life Story of Henry G. Appenzeller (1912), and Korean Fairy Tales (1922). In particular, his bestseller, Corea: The Hermit Nation (1882) was reprinted numerous times through nine editions over thirty years. He was not only known as "the foremost interpreter of Japan to the West before World War I but also the American expert on Korea. After his death, his collection of books, documents, photographs and ephemera was donated to Rutgers.

The Korean materials in the Griffis Collection at Rutgers University consist of journals, correspondence, articles, maps, prints, photos, postcards, manuscripts, scrapbooks, and ephemera. These papers reflect Griffis's interests and activities in relation to Korea as a historian, scholar, and theologian. They provide a rare window into the turbulent period of late nineteenth- and twentieth-century Korea, witnessed and evaluated by Griffis and early American missionaries in East Asia. The Korea Letters in the William Elliot Griffis Collection are divided into two parts: letters from missionaries and letters from Japanese and Korean political figures. Newly available and accessible through this collection, these letters develop a multifaceted history of early American missionaries in Korea, the Korean independence movement, and Griffis's views on Korean culture.
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cover of Korean Treasures: Rare Books, Manuscripts and Artefacts in the Bodleian Libraries and Museums of Oxford University

Korean Treasures

Rare Books, Manuscripts and Artefacts in the Bodleian Libraries and Museums of Oxford University

Minh Chung

Bodleian Library Publishing, 2011

The Bodleian Library and the museums of the University of Oxford are home to many historically significant and valuable manuscripts, rare books, and artifacts related to Korean history and culture. Despite their importance, many of these items have been overlooked within the libraries’ collections and largely neglected by scholars. Korean Treasures seeks to change this by highlighting the many noteworthy and unusual archaeological relics and artworks in the collections and presenting them together in a single volume for the first time. 
 
Notable items included here are the court painting scroll of the funeral procession of King Yongjo (1694–1776); a presentation edition of a book given by King Yongjo to his son-in-law; a group of documents issued by Emperor Kojong (1852–1919) between 1885–86 to confer various titles to his civil and military officials; a sundial made by the famous maker Kang Yun (1830–1898) for Emperor Kojong; a ceramic dish made and signed by Princess Yi Pangja (1901–1989) as well as a rare example of a suit of armor, an ornate helmet of the early sixteenth century, and a general’s quiver and arrows. In addition to the numerous color images of items from the collection, Korean Treasures provides a thorough overview of the extent of the Korean book collections in Oxford and a guide to the locations where some of these treasures can be found.
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cover of Kurt Vonnegut Remembered

Kurt Vonnegut Remembered

Edited by Jim O'Loughlin

University of Alabama Press, 2019

A collection of reminiscences that illuminate the career and private life of the iconic author of 'Slaughterhouse-Five'
 
Kurt Vonnegut (1922–2007), who began his writing career working for popular magazines, held both literary aspirations and an attraction to genre fiction. His conspicuous refusal to respect literary boundaries was part of what made him a countercultural icon in the 1960s and 1970s. Vonnegut’s personal life was marked in large part by public success and private turmoil. Two turbulent marriages, his sudden adoption of his late sister’s four children (and the equally sudden removal of one of those children), and a mid-eighties suicide attempt all signaled the extent of Vonnegut’s inner troubles. Yet, he was a generous friend to many, maintaining close correspondences throughout his life.

Kurt Vonnegut Remembered gathers reminiscences—by those who knew him intimately, and from those met him only once—that span Vonnegut’s entire life. Among the anecdotes in this collection are remembrances from his immediate family, reflections from his comrades in World War II, and tributes from writers he worked with in Iowa City and from those who knew him when he was young. Editor Jim O’Loughlin offers biographical notes on Vonnegut’s relationship with each of these figures.
 
Since Vonnegut’s death, much has been written on his life and work, but this new volume offers a more generous view of his life, particularly his last years. In O’Loughlin’s introduction to the volume, he argues that we can locate and understand Vonnegut’s best self through his public persona, and that in his performance as the kind and humane figure that many of the speakers here knew him as, Vonnegut became a better person than he ever felt himself to be.
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