428 books match the query 'Stories' and 5 start with k

cover of KEEP BOOKS Digital Editions pre-K/Kindergarten Set 1: Stories to Start Learning to Read

KEEP BOOKS Digital Editions pre-K/Kindergarten Set 1

Stories to Start Learning to Read

Mary Fried

Keep Books, 2018

This set of four books offers engaging stories with simple repeated language and related pictures, one or two lines of print per page, and ample space between words. 
Stories include: Balloons, The Farm, Dinosaurs, & Traffic. 
Age Level: 3-5 
Grade Level: preK-Kindergarten 
Reading level: A-B/1-2
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
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cover of KEEP BOOKS Digital Editions pre-K/Kindergarten Set 2: Stories to Start Learning to Read

KEEP BOOKS Digital Editions pre-K/Kindergarten Set 2

Stories to Start Learning to Read

Amanda Morley

Keep Books, 2019

This set of four books include traditional nursery rhymes and are formatted with clear text and engaging illustrations.
Stories include: Jack and Jill; Old Mother Hubbard; Humpty Dumpty; & One, Two, Buckle My Shoe.
Age Level: 3-5
Grade Level: preK-Kindergarten
Reading level: not leveled
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
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cover of Kafka in a Skirt: Stories from the Wall

Kafka in a Skirt

Stories from the Wall

Daniel Chacón

University of Arizona Press, 2019

This is not your ordinary short story collection. In his newest work, Daniel Chacón subverts expectation and bends the rules of reality to create stories that are intriguing, hilarious, and deeply rooted in Chicano culture. These stories explore the concept of a wall that reaches beyond our immediate thoughts of a towering physical structure. While Chacón aims to address the partition along the U.S.-Mexico border, he also uses these stories to work through the intangible walls that divide communities and individuals—particularly those who straddle multiple cultures in their daily lives.

Set in El Paso and other Latinx-dominant urban spaces, Kafka in a Skirt is an immersive look into the myriad lives of the characters who inhabit these culturally diverse areas. Chacón masterfully weaves elements of the surreal and fantastic through a shining tapestry of fiction, creating moments of touching realism in contrast with scenes that are fascinatingly unfamiliar. Occasionally teasing the ghosts of Jorge Luis Borges and the Argentine poet Alejandra Pizarnik, this collection disregards boundaries and transports readers into a world merely parallel to our own. Kafka in a Skirt unravels the intricacies of culture, sexuality, love, and loneliness in a collection that shows the personal implications of barriers while remaining hopeful and bright.
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cover of Keewaydinoquay, Stories from My Youth

Keewaydinoquay, Stories from My Youth

Keewaydinoquay Peschel

University of Michigan Press, 2006


Michael Blake's Dances with Wolves transformed denigrating Indian sterotypes and created widespread interest in Native American culture. The subsequent popularity of books on this topic underscores the power of a tale well told. While Blake's story relates the early chapters of Native Americans' survival struggles, later accounts of this struggle remain untold.
The Indians of Hungry Hollow authentically presents these later chapters. The days of Hungry Hollow have long passed, but the opportunity to capture its lessons of community, strong values, and an urge to thrive in matters of the heart and soul are still very much with us.
These are stories of survival, community, sharing, and caring. The situations are often dire: winter in the middle of the Depression; an Indian settlement illegally taken from its inhabitants and set on fire; boaters stranded by bad weather and threatened with death. But if the situations are extreme, the telling of the stories is consistently optimistic yet completely without self-pity or sentimentality, and the characters always find a way through the darkness.
Dunlop's unique style of storytelling is compelling and informative, and these historically significant stories help to elucidate the transition of the American Indian culture from post-tribal days to the present.
Bill Dunlop is a respected Ottawa elder and storyteller. Marcia Fountain-Blacklidge is a professional writer, counselor, and consultant.
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cover of Knut Hamsun Remembers America: Essays and Stories, 1885-1949

Knut Hamsun Remembers America

Essays and Stories, 1885-1949

Knut Hamsun, Edited & Translated by Richard Nelson Current

University of Missouri Press, 2003

When Americans remember him at all, they no doubt think of Knut Hamsun (1859–1952) as the author of Hunger or as the Norwegian who, along with Vidkun Quisling, betrayed his country by supporting the Nazis during World War II. Yet Hamsun, winner of the Nobel Prize in 1920 for his novel The Growth of the Soil, was and remains one of the most important and influential novelists of his time. Knut Hamsun Remembers America is a collection of thirteen essays and stories based largely on Hamsun’s experiences during the four years he spent in the United States when he was a young man. Most of these pieces have never been published before in an English translation, and none are readily available.
Hamsun’s feelings about America and American ways were complex. For the most part, they were more negative than positive, and they found expression in many of his writings—directly in his reminiscences and indirectly in his fiction. In On the Cultural Life of Modern America, his first major book, he portrayed the United States as a land of gross and greedy materialism, populated by illiterates who were utterly lacking in artistic originality or refinement. Although the pieces in this collection are not all anti-American, most of them emphasize the strangeness and unpleasantness, as the author saw it, of life in what he called Yankeeland.
Arranged chronologically, the pieces fall into three categories: Critical Reporting, Memory and Fantasy, and Mellow Reminiscence. The Critical Reporting section includes articles that appeared in Norwegian or Danish newspapers soon after each of Hamsun’s two visits to America and that give his views on a variety of American subjects, and includes an essay devoted to Mark Twain. Memory and Fantasy comprises narratives of life in America, most of which are presented as personal experiences but which actually are blends of fact and fiction. Mellow Reminiscence includes later and fonder recollections and impressions of the United States.
The pieces in this collection provide variations on a theme that runs through much of American history—European criticism of American ways. They give vivid, at times distorted, pictures of life as it was in the United States. They tell us something about the development of the worldview of a man who became a great writer, only to jeopardize his reputation by defending the Nazi oppressors of his own people. Knut Hamsun Remembers America will appeal to anyone interested in the history of American civilization or, more specifically, in the history of anti-Americanism.
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