354 books match the query 'Authors, American' and 13 start with l
By Tracy Daugherty
University of Texas Press, 2018
Acclaimed by critics as a second F. Scott Fitzgerald, Billy Lee Brammer was once one of the most engaging young novelists in America. “Brammer’s is a new and major talent, big in scope, big in its promise of even better things to come,” wrote A. C. Spectorsky, a former staffer at the New Yorker. When he published his first and only novel, The Gay Place, in 1961, literary luminaries such as David Halberstam, Willie Morris, and Gore Vidal hailed his debut. Morris deemed it “the best novel about American politics in our time.” Halberstam called it “a classic . . . [a] stunning, original, intensely human novel inspired by Lyndon Johnson. . . . It will be read a hundred years from now.” More recently, James Fallows, Gary Fisketjon, and Christopher Lehmann have affirmed The Gay Place’s continuing relevance, with Lehmann asserting that it is “the one truly great modern American political novel.”
Leaving the Gay Place tells a sweeping story of American popular culture and politics through the life and work of a writer who tragically exemplifies the highs and lows of the country at mid-century. Tracy Daugherty follows Brammer from the halls of power in Washington, DC, where he worked for Senate majority leader Johnson, to rock-and-roll venues where he tripped out with Janis Joplin, and ultimately to back alleys of self-indulgence and self-destruction. Constantly driven to experiment with new ways of being and creating—often fueled by psychedelics—Brammer became a cult figure for an America on the cusp of monumental change, as the counterculture percolated through the Eisenhower years and burst out in the sixties. In Daugherty’s masterful recounting, Brammer’s story is a quintessential American story, and Billy Lee is our wayward American son.
By Ira B. Nadel
University of Texas Press, 2010
As the best-selling author of Exodus, Mila 18, QB VII, and Trinity, Leon Uris blazed a path to celebrity with books that readers could not put down. Uris's thirteen novels sold millions of copies, spent months on the best-seller lists, appeared in fifty languages, and have been adapted into equally popular movies and TV miniseries. Few other writers equaled Uris's fame in the mid-twentieth century. His success fueled the rise of mass-market paperbacks, movie tie-ins, and celebrity author tours. Beloved by the public, Uris was, not surprisingly, dismissed by literary critics. Until now, his own life—as full of drama as his fiction—has never been the subject of a book.
In Leon Uris: Life of a Best Seller, Ira Nadel traces Uris from his disruptive youth to his life-changing experiences as a marine in World War II. These experiences, coupled with Uris's embrace of his Judaism and desire to write, led to his unprecedented success and the lavish excesses of a career as a best-selling author. Nadel reveals that Uris lived the adventures he described, including his war experiences in the Pacific (Battle Cry), life-threatening travels in Israel (Exodus), visit to Communist Poland (Mila 18), libel trial in Britain (QB VII), and dangerous sojourn in fractious Northern Ireland and the Irish Republic (Trinity). Nadel also demonstrates that Uris's talent for writing action-packed, yet thoroughly researched, novels meshed perfectly with the public's desire to revisit and understand the tumultuous events of recent history. This made him far more popular (and wealthy) than more literary authors, while paving the way for writers such as Irving Wallace and Tom Clancy.
Bernard Bragg
Gallaudet University Press, 1989
To succeed as an actor is a rare feat. To succeed as a deaf actor is nothing short of amazing. Lessons in Laughter is the story of Bernard Bragg and his astonishing lifelong achievements in the performing arts.
Born deaf of deaf parents, Bernard Bragg has won international renown as an actor, director, playwright, and lecturer. Lessons in Laughter recounts in stories that are humorous, painful, touching, and outrageous, the growth of his dream of using the beauty of sign language to act. He starred in his own television show “The Quiet Man,” helped found The National Theatre of the Deaf, and traveled worldwide to teach his acting methods.
Theodore Dreiser. Edited by Thomas P. Riggio
University of Illinois Press, 2008
Theodore Dreiser led a long and controversial life, almost always pursuing some serious question, and not rarely pursuing women. This collection, the second volume of Dreiser correspondence to be published by the University of Illinois Press, gathers previously unpublished letters Dreiser wrote to women between 1893 and 1945, many of them showing personal feelings Dreiser revealed nowhere else. Here he both preens and mocks himself, natters and scolds, relates his jaunts with Mencken and his skirmishes with editors and publishers. He admits his worries, bemoans his longings, and self-consciously embarks on love letters that are unafraid to smolder and flame. To one reader he sends “Kisses, Kisses, Kisses, for your sweety mouth” and urges his needy requests: “Write me a love-letter Honey girl.” Alongside such amorous play, he often expressed his deepest feelings on philosophical, religious, and social issues that characterize his public writing.
Chronologically arranged and meticulously edited by Thomas P. Riggio, these letters reveal how wide and deep Dreiser’s needs were. Dreiser often discussed his writing in his letters to women friends, telling them what he wanted to do, where he thought he succeeded and failed, and seeking approval or criticism. By turns seductive, candid, coy, and informative, these letters provide an intimate view of a master writer who knew exactly what he was after.

Henry S. SaltEdited by George Hendrick, Willene Hendrick, and Fritz Oehlschlaeger
University of Illinois Press, 1993
Delores Bird Carpenter
Michigan State University Press, 2012
Wayne C. Temple, Edited by Douglas L. Wilson and Rodney O. Davis: Introduction by Michael Burlingame
University of Illinois Press, 2019
Best remembered as one of the president's few true intimates, Brooks was also a nationally recognized man of letters, who mingled with the likes of Mark Twain and Bret Harte. Temple draws on archives and papers long thought lost to re-create Brooks's colorful life and relationship with Lincoln. Brooks's closeness to the president made him privy to Lincoln's thoughts on everything from literature to spirituality. Their frank conversations contributed to the wealth of journalism and personal observations that would make Brooks's writings a much-quoted source for historians and biographers of Lincoln.
A carefully researched and well-documented scholarly resource, Lincoln's Confidant is the story of an extraordinary friendship by one of the luminaries of Lincoln scholarship.
Steve Paul
University of Missouri Press, 2021
Winner, 2022 Society of Midland Authors award for Biography/Memoir
Evan S. Connell (1924–2013) emerged from the American Midwest determined to become a writer. He eventually made his mark with attention-getting fiction and deep explorations into history. His linked novels Mrs. Bridge (1959) and Mr. Bridge (1969) paint a devastating portrait of the lives of a prosperous suburban family not unlike his own that, more than a half century later, continue to haunt readers with their minimalist elegance and muted satire. As an essayist and historian, Connell produced a wide range of work, including a sumptuous body of travel writing, a bestselling epic account of Custer at the Little Bighorn, and a singular series of meditations on history and the human tragedy.
This first portrait and appraisal of an under-recognized American writer is based on personal accounts by friends, relatives, writers, and others who knew him; extensive correspondence in library archives; and insightful literary and cultural analysis of Connell’s work and its context. It also illuminates aspects of American publishing, Hollywood, male anxieties, and the power of place.
Dale Patrick Brown
Ohio University Press, 2011
The history of Cincinnati runs much deeper than the stories of hogs that once roamed downtown streets. In addition to hosting the nation’s first professional baseball team, the Tall Stacks riverboat celebration, and the May Festival, there’s another side to the city—one that includes some of the most famous names and organizations in American letters.
Literary Cincinnati fills in this missing chapter, taking the reader on a joyous ride with some of the great literary personalities who have shaped life in the Queen City. Meet the young Samuel Clemens working in a local print shop, Fanny Trollope struggling to open her bizarre bazaar, Sinclair Lewis researching Babbitt, hairdresser Eliza Potter telling the secrets of her rich clientele, and many more who defined the nineteenth- and early twentieth-century Queen City.
For lovers of literature everywhere—but especially in Cincinnati—this is a literary tour that will entertain, inform, and amuse.
Edited by Ralph F. Bogardus and Fred Hobson
University of Alabama Press, 1982
This collection captures the sense—at times the ordeal—of the 1930s literary experience in America. Fourteen essayists deal with the experience of being a writer in a time of overwhelming economic depression and political ferment, and thereby illuminate the social, political, intellectual, and aesthetic problems and pressures that characterized the experience of American writers and influenced their works.
The essays, as a group, constitute a reevaluation of the American literature of the 1930s. At the same time they support and reinforce certain assumptions about the decade of the Great Depression—that it was grim, desperate, a time when dreams died and poverty became something other than genteel—they challenge other assumptions, chief among them in the notion that 1930s literature was uniform in content, drab in style, anti-formalist, and always political or sociological in nature. They leave us with an impression that there was variety in American writing of the 1930s and a convincing argument that the decade was not a retreat from the modernism of the 1920s. Rather it was a transitional period in which literary modernism was very much an issue and a force that bore imaginative fruit.
Jeanne Reesman
University of Iowa Press, 2020
Everyone knows Jack London for his tales of adventure in Alaska and the Canadian Yukon. With his work translated into more than 100 languages, London is one of the most popular American writers in the world, alongside Mark Twain. Yet for the reader tackling The Call of the Wild or White Fang, or perhaps his most often-anthologized short story “To Build a Fire,” many misconceptions about his life confuse his legacy.
London in His Own Time is based on Jeanne Reesman’s nearly thirty-five years of archival research. The book offers surprising perspectives on Jack London’s many sides by family, friends, fellow struggling young writers, business associates, high school and college classmates, interviewers, editors, coauthors, visitors to his Sonoma Valley Beauty Ranch in Glen Ellen, California, and more.
People who have commented on and discussed the mercurial genius include Joseph Conrad, Theodore Dreiser, Upton Sinclair, Sinclair Lewis, Ambrose Bierce, and Mary Austin, as well as his half-sister, Eliza London Shepard, and his first wife, Elizabeth Bess “Bessie” Maddern London. There are a few Klondike pals he kept in touch with, and some fellow writers such as Cloudesley Johns, but many of those closest to him truly demonstrate his wide range of friends: barman Johnny Heinold; his second wife, Charmian, whom he called “Mate Woman”; his daughters, Joan and Becky; his lover, Anna Strunsky; his closest friends, especially the poet George Sterling; his former crewmate on the Snark, Martin Johnson; and his valet/memoirist, Yoshimatsu Nakata. Reesman also includes dozens of entries from Bay-area socialists, friends in Hawai’i and the South Seas, fellow war correspondents, neighbors like Luther Burbank, and his long-time editor at Macmillan, George Brett.
Hettie Jones
Duke University Press, 2016
Lydia Moland
University of Chicago Press, 2022