395 books match the query 'How' and 8 start with l

cover of Labor's End: How the Promise of Automation Degraded Work

Labor's End

How the Promise of Automation Degraded Work

Jason Resnikoff

University of Illinois Press, 2022

Labor's End traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term automation expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress.

A forceful intellectual history, Labor's End challenges entrenched assumptions about automation's transformation of the American workplace.

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cover of Leading Libraries: How to Create a Service Culture

Leading Libraries

How to Create a Service Culture

Wyoma vanDuinkerken

American Library Association, 2015

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cover of Leave Me Alone and I'll Make You Rich: How the Bourgeois Deal Enriched the World

Leave Me Alone and I'll Make You Rich

How the Bourgeois Deal Enriched the World

Deirdre Nansen McCloskey and Art Carden

University of Chicago Press, 2020

The economist and historian Deirdre Nansen McCloskey has been best known recently for her Bourgeois Era trilogy, a vigorous defense, unrivaled in scope, of commercially tested betterment.  Its massive volumes, The Bourgeois Virtues, Bourgeois Dignity, and Bourgeois Equality, solve Adam Smith’s puzzle of the nature and causes of the wealth of nations, and of the moral sentiments of modernity.   The world got rich, she argues, not chiefly by material causes but by an idea and a sentiment, a new admiration for the middle class and its egalitarian liberalism.  

For readers looking for a distillation of McCloskey’s magisterial work, Leave Me Alone and I’ll Make You Rich is what you’ve been waiting for. In this lively volume, McCloskey and the economist and journalist Carden bring together the trilogy’s key ideas and its most provocative arguments. The rise of the west, and now the rest, is the story of the rise of ordinary people to a dignity and liberty inspiring them to have a go. The outcome was an explosion of innovation after 1800, and a rise of real income by an astounding 3,000 percent.  The Great Enrichment, well beyond the conventional Industrial Revolution, did not, McCloskey and Carden show, come from the usual suspects, capital accumulation or class struggle.  It came from the idea of economic liberty in Holland and the Anglosphere, then Sweden and Japan, then Italy and  Israel and China and India, an idea that bids fair in the next few generations to raise up the wretched of the earth.  The original shift to liberalism arose from 1517 to 1789 from theological and political revolutions in northwest Europe, upending ancient hierarchies.  McCloskey and Carden contend further that liberalism and “innovism” made us better humans as well as richer ones.  Not matter but ideas.  Not corruption but improvement.

Leave Me Alone and I’ll Make You Rich draws in entertaining fashion on history, economics, literature, philosophy, and popular culture, from growth theory to the Simpsons. It is the perfect introduction for a broad audience to McCloskey’s influential explanation of how we got rich.  At a time when confidence in the economic system is under challenge, the book mounts an optimistic and persuasive defense of liberal innovism, and of the modern world it has wrought.
 
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cover of Legal Reference for Librarians: How and Where to Find the Answers

Legal Reference for Librarians

How and Where to Find the Answers

Paul D. Healey

American Library Association, 2014

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cover of Life in the Hothouse: How a Living Planet Survives Climate Change

Life in the Hothouse

How a Living Planet Survives Climate Change

Melanie Lenart

University of Arizona Press, 2010

In this insightful, compelling, and highly readable work, Melanie Lenart, an award-winning journalist and science writer who holds a PhD in Natural Resources and Global Change, examines global warming with the trained eye of a professional scientist. And she presents the science in a clear, straightforward manner. Why does the planet’s warming produce stronger hurricanes, rising seas, and larger floods? Simple, says Lenart. The Earth is just doing what comes naturally. Just as humans produce sweat to cool off on a hot day, the planet produces hurricanes, floods, wetlands, and forests to cool itself off.

Life in the Hothouse incorporates Lenart’s extensive knowledge of climate science—including the latest research in climate change—and the most current scientific theories, including Gaia theory, which holds that the Earth has some degree of climate control “built in.” As Lenart points out, scientists have been documenting stronger hurricanes and larger floods for many years. There is a good reason for this, she notes. Hurricanes help cool the ocean surface and clear the air of carbon dioxide, the main greenhouse gas responsible for global warming. From the perspective of Gaia theory, these responses are helping to slow the ongoing global warming and Lenart expounds upon this in a clear and understandable fashion.

There is hope, Lenart writes. If we help sustain Earth's natural defense systems, including wetlands and forests, perhaps Mother Earth will no longer need to rely as much on the cooling effects of what we call "natural disasters"—many of which carry a human fingerprint. At a minimum, she argues, these systems can help us survive the heat.
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cover of Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin

Listening to Popular Music

Or, How I Learned to Stop Worrying and Love Led Zeppelin

Theodore Gracyk

University of Michigan Press, 2007

It has long been assumed that people who prefer Led Zeppelin to Mozart live aesthetically impoverished lives. But why? In Listening to Popular Music, award-winning popular music scholar Theodore Gracyk argues that aesthetic value is just as important in popular listening as it is with “serious” music. And we don’t have to treat popular music as art in order to recognize its worth. Aesthetic values are realized differently in different musical styles, and each requires listening skills that people must learn.

Boldly merging insights from popular music studies, aesthetic theory, cognitive science, psychology, identity theory, and cultural studies, Gracyk crafts an innovative study that argues that understanding aesthetic value is crucial to the enjoyment of all forms of music. Listening to Popular Music thusoffers a new, general framework for understanding what it means to appreciate music, showing that an informed preference for popular music is a response to real values of the music, including aesthetic values.
"Finally, a book on aesthetics that's philosophically grounded, anti-elitist, and tailored to popular music. Much needed and deftly achieved."
—William Echard, Department of Music, and Institute for Comparative Studies in Literature, Art, and Culture, Carleton University
"A sophisticated account of aesthetic value in popular music that revealingly challenges orthodoxies of cultural studies and traditional aesthetics."
—Stephen Davies, Department of Philosophy, University of Auckland, and author of The Philosophy of Art
"Gracyk's arguments are thoughtful, clear, and persuasive, and it's refreshing to see him expose the flaws in commonly repeated critiques of popular music. This book will challenge open-minded doubters to take popular music seriously."
—Mark Katz, Assistant Professor of Music, University of North Carolina at Chapel Hill, and author of Capturing Sound: How Technology Has Changed Music
Theodore Gracyk is Department Chair and Professor of Philosophy at Minnesota State University Moorhead. He is the author of Rhythm and Noise: An Aesthetics of Rock and I Wanna Be Me: Rock Music and the Politics of Identity, which won the 2002 IASPM-US Woody Guthrie Book Award.
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cover of Little White Houses: How the Postwar Home Constructed Race in America

Little White Houses

How the Postwar Home Constructed Race in America

Dianne Harris

University of Minnesota Press, 2013

A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.

After describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. Harris also investigates lawns, fences, indoor-outdoor spaces, and other aspects of the postwar home and analyzes their contribution to the assumption that the rightful owners of ordinary houses were white.

Richly detailed, Little White Houses adds a new dimension to our understanding of race in America and the inequalities that persist in the U.S. housing market.

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cover of Love, Sex & Tragedy: How the Ancient World Shapes Our Lives

Love, Sex & Tragedy

How the Ancient World Shapes Our Lives

Simon Goldhill

University of Chicago Press, 2004

"If you do not know where you come from, you will always be a child." Cicero wasn't talking about being a child in the sense of enjoying life in a state of ignorant bliss. He was, rather, adamant that those who don't understand their origins are consigned to a life without power or authority, without the ability to act fully in the world. Love, Sex & Tragedy is acclaimed classicist Simon Goldhill's corrective to our state of ignorance. Lifting the veil on our inheritance of classical traditions, Goldhill offers a witty, engrossing survey of the Greek and Roman roots of everything from our overwhelming mania for "hard bodies" to our political systems.

Marx, Clark Gable, George W. Bush, Oscar Wilde, and Freud—Goldhill's range here is enormous, and he takes great delight in tracing both follies and fundamental philosophical questions through the centuries and continents to the birthplace of Western civilization as we know it. Underlying his brisk and learned excursions through history and art is the foundational belief, following Cicero, that learning about the classics makes a critical difference to our self-understanding. Whether we are considering the role of religion in contemporary society, our expectations about the boundaries between public and private life, or even how we spend our free time, recognizing the role of the classics is integral to our comprehension of modern life and our place in it.

When Goldhill asks "Who do you think you are?" he presents us with the rarest of opportunities: the chance to let him lead us, firmly but with a wink, back two thousand years to where we are.
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