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Coerced into taking the veil, Venetian writer Arcangela Tarabotti (1604–1652) spent her life protesting the practice of forcing girls into convents. Her fearless defense of women and attacks on patriarchal Venetian society earned her renown and access to the presses. Her publications, however, invited constant controversy. Tarabotti published her Letters Familiar and Formal to protect and enhance her literary reputation while also chronicling contemporary literary society and material existence in an early modern convent. The Letters flaunted Tarabotti’s literary accomplishments, humiliated her critics, and advertised her powerful network of allies in Northern Italy and France. The Letters document how Tarabotti established herself as one of the most forceful proponents for women’s self-determination in early modern Europe.

John Muir (1838–1914), founder of the Sierra Club, was one of the most famous and influential environmental conservationists of all time. From 1879 to 1880 Muir traveled the waters of southeastern Alaska in a Tlingit Indian dugout canoe and reported his encounters in a series of letters published in the San Francisco Daily Evening Bulletin. Collected here are Muir’s original letters, bearing the immediacy and candor of his best work and providing a rare account of southeastern Alaska history, alongside breathtaking observations of glaciers and the untamed landscape. Through Muir we encounter gold miners, rogue towns, Taku Inlet, Glacier Bay, profiles of Tlingit Indians, and the infancy of the tourist industry. This collection of work by one of America’s foremost naturalists provides a magnificent look into early conservationist thought and one individual’s encounter with nature.

Forgotten for more than a century in an old cardboard box, these are the letters of Guy Carlton Taylor, a farmer who served in the Thirty-Sixth Wisconsin Volunteer Infantry Regiment in the American Civil War. From March 23, 1864, to July 14, 1865, Taylor wrote 165 letters home to his wife Sarah and their son Charley.

From the initial mustering and training of his regiment at Camp Randall in Wisconsin, through the siege of Petersburg in Virginia, General Lee’s surrender at Appomattox, and the postwar Grand Review of the Armies parade in Washington, D.C., Taylor conveys in vivid detail his own experiences and emotions and shows himself a keen observer of all that is passing around him. While at war, he contracts measles, pneumonia, and malaria, and he writes about the hospitals, treatments, and sanitary conditions that he and his comrades endured during the war. Amidst the descriptions of soldiering, Taylor’s letters to Sarah are threaded with the concerns of a young married couple separated by war but still coping together with childrearing and financial matters. The letters show, too, Taylor’s transformation from a lonely and somewhat disgruntled infantryman to a thoughtful commentator on the greater ideals of the war.

This remarkable trove of letters, which had been left in the attic of Taylor’s former home in Cashton, Wisconsin, was discovered by local historian Kevin Alderson at a household auction. Recognizing them for the treasure they are, Alderson bought the letters and, aided by his wife Patsy, painstakingly transcribed the letters and researched Taylor’s story in Wisconsin and at historical sites of the Civil War. The Aldersons’ preface and notes are augmented by an introduction by Civil War historian Kathryn Shively Meier, and the book includes photographs, maps, and illustrations related to Guy Taylor’s life and letters.

Charles Demuth is widely recognized as one of the most significant American modernists. His precisionist cityscapes, exquisite flowers, and free-wheeling watercolors of vaudeville performers, homosexual bathhouses, and cabaret scenes hand in many of the country's most prestigious collections, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Columbus Museum of Art, the Amon Carter Museum in Fort Worth, the Art Institute of Chicago, and in Demuth's Lancaster, Pennsylvania, family residence, now home of the Demuth Foundation. At a time when many American artists remained tied to Europe, Demuth "Americanized" European modernism.

This  collection of 155 of his letters offers valuable views of the arts and letters colonies in Provincetown, New York, and  Paris. Besides offering information on Demuth's own works, the letters also shed light on the output of his contemporaries, as well as references to their trips, liaisons, and idiosyncrasies. Demuth numbered among his correspondents some of the most famous artists and writers of his time, including Georgia O'Keeffe, Eugene O'Neill, John Reed, Gertrude Stein, Alfred Stieglitz, Carl Van Vechten, and William Carlos Willliams. In his travels in the United States and abroad, he encountered many other  talented contemporaries: Peggy Bacon, Muriel Draper, Marcel Duchamp, the Stetthemer sisters, artists and writers, patrons, and gallery owners. 

Whether he is offering to pick up a copy of Joyce's Ulysses for Eugene O'Neill or trying to convince Georgia O'Keeffe to decorate his music room ("just allow that red and yellow 'canna' one to spread until it fills the room"), Demuth is always in the thick of art and  literary life. Flamboyant in attire but discreet  in his homosexuality, Demuth also reveals in his letters the life of a talented homosexual in the teens and twenties. With his best friends Robert Locher and Marsden Hartley, he circulated through the art colonies of Greenwich Village, Provincetown, and Paris, meeting everyone.

The book also contains reprints of some short appraisals of Demuth and his work that were published during his lifetime, long out of print, including pieces by A. E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, and Willard Huntington Wright.

By the end of the fifteenth century, Cassandra Fedele (1465-1558), a learned middle-class woman of Venice, was arguably the most famous woman writer and scholar in Europe. A cultural icon in her own time, she regularly corresponded with the king of France, lords of Milan and Naples, the Borgia pope Alexander VI, and even maintained a ten-year epistolary exchange with Queen Isabella and King Ferdinand of Spain that resulted in an invitation for her to join their court. Fedele's letters reveal the central, mediating role she occupied in a community of scholars otherwise inaccessible to women. Her unique admittance into this community is also highlighted by her presence as the first independent woman writer in Italy to speak publicly and, more importantly, the first to address philosophical, political, and moral issues in her own voice. Her three public orations and almost all of her letters, translated into English, are presented here for the first time.

In Letters from Limbo, voices of the dead reach the living through various means, including the titular letters, revealing experiences harrowing and mysterious, and exploring limbo as an abode of souls as well as a state of entrapment and intermediacy. Fluent in many modes—lyric to documentary—the poet commands varied poetic forms. That we dwell in metaphorical limbos by virtue of our unpredictable earthly sojourn is a haunting truth this book both illuminates and celebrates.

In 1888, young Helen Keller traveled to Boston with her teacher, Annie Sullivan, where they met a man who would change her life: Boston Transcript columnist and editor Joseph Edgar Chamberlin. Throughout her childhood and young adult years, Keller spent weekends and holidays at Red Farm, the Chamberlins' home in Wrentham, Massachusetts, a bustling environment where avant-garde writers, intellectuals, and social reformers of the day congregated. Keller eventually called Red Farm home for a year when she was sixteen.

Informed by previously unpublished letters and extensive research, Letters from Red Farm explores for the first time Keller's deep and enduring friendship with the man who became her literary mentor and friend for over forty years. Written by Chamberlin's great-great granddaughter, this engaging story imparts new insights into Keller's life and personality, introduces the irresistible Chamberlin to a modern public, and follows Keller's burgeoning interest in social activism, as she took up the causes of disability rights, women's issues, and pacifism.

Late one night in July, 1963, a South African police unit surrounded the African National Congress headquarters in Rivonia and arrested a group of Movement leaders gathered inside. Eventually eight of them, including Nelson Mandela, who was already serving a sentence, Walter Sisulu, Dennis Goldberg, Govan Mbeki, Raymond Mhlaba, Elias Motsoledi, Andrew Mangeni, and Ahmed Kathrada, were convicted of sabotage and, on June 12, 1964, sentenced to life in prison. Soon, these men became widely known as the "Rivonia Trialists." Despite their imprisonment, the Trialists played active roles in the struggle against South Africa's racist regime. Instead of being forgotten, as apartheid officials had hoped, they became enduring symbols in a struggle against injustice and racism. 
     Kathrada and his colleagues were classified as high security prisoners, segregated from others and closely watched. Every activity was regulated and monitored. Among the many indignities visited upon them, the prisoners were prohibited from keeping copies of incoming and outgoing correspondence. Kathrada, or "Kathy" as he is known, successfully hid both. 
     Letters From Robben Island contains a selection of 86 of the more than 900 pieces of correspondence Ahmed Kathrada wrote during his 26 years on Robben Island and at Pollsmoor Prison. Some were smuggled out by friends; others were written in code to hide meaning and content from prison censors. These are among his most poignant, touching, and eloquent communications. They are testimonies to Kathrada, his colleagues, and to their commitment to obtaining human dignity and freedom for all South Africans.

When David and Courtney Reeder Jones moved into two rooms reached by ladder in a northern Arizona Indian ruin, they had been married only two weeks. Except for the ruin's cement floors, which were originally hardened mud, and skylights instead of smokeholes, the rooms were exactly as they had been 800 years before.

The year was 1938, and the newlyweds had come to Wupatki National Monument as full-time National Park Service caretakers for the ruin. Remote in time and place, their story as described in Courtney's letters will take readers into a dramatic landscape of red rocks, purple volcanoes, and endless blue sky. Here, some 60 years ago, two young people came to terms with their new life together and with their nearly total reliance upon each other and their Navajo neighbors.

"They helped us in any way that a neighbor would, and we helped them as we could," wrote Courtney in her memoirs years later. Vivid and engaging, her letters home spill over with descriptions of their friendship with local Navajo families, their sings and celebrations, and her good luck in being able to be a part of it all.

Letters from Wupatki captures a more innocent era in southwestern archaeology and the history of the National Park Service before the post-war years brought paved roads, expanded park facilities, and ever-increasing crowds of visitors. Courtney's letters to her family and friends reflect all the charm of the earlier time as they convey the sense of rapid transition that came after the war.

Tracking those changes in the development of Wupatki National Monument and the National Park Service, the letters also—and perhaps more important—reveal changes in the Joneses themselves. Of particular interest to anthropologists and historians, their story also gives the general reader captivating glimpses of a partnership between two people who only grew stronger for the struggles they shared together.

Words from the Wisconsin boys manning the trenches.

On the 100th anniversary of the arrival of the flood of American troops in Europe that would shift the tide of World War I in favor of the Allies, Letters from the Boys brings to life this terrible war as experienced by Wisconsinites writing home.

Technology had transformed the battlefield in alarming ways. Automatic rifles mowed down the young men who went “over the top” to attack enemy trenches; airplanes and improved artillery brought death unseen from miles away; terrifying clouds of poison gas choked and burned the European countryside; the internal combustion engine brought tanks to the battlefield for the first time and revolutionized the way troops deployed. 

In the thick of it were young men from Wisconsin who found themselves caught up in geopolitical events half a world away. Professor Carrie A. Meyer combed through three newspapers in Green County, Wisconsin, to collect and synthesize the letters from the boys into a narrative that is both unique and representative, telling the stories of several Green County boys and what they saw, from preparing for war, to life among French families near the front, to the terror of the battlefield. Meyer gracefully removes the veil of obscurity and anonymity hanging over soldiers who participated in a war fought so long ago by great numbers of men, reminding us that armies are made of individuals who strove to do their part and then return to their families. 
 

  William F. Woo, born in China, was the first person outside the Pulitzer family to edit the St. Louis Post-Dispatch and the first Asian American to edit a major American newspaper. After forty years in the newsroom, Woo embarked on a second career in 1996 teaching journalism at Stanford University, where he wrote weekly informal essays to his students in the same personal style that characterized his columns for the Post-Dispatch. Each made a philosophical point about journalism and society and their delicate relationship over the last half of the twentieth century.

            Woo was revered as both a writer and a reporter, and this volume collects some of the best of those essays to the next generation of journalists on their craft’s high purpose. As inspiration for students from someone who knew the ropes, it distills the essence of the values that define independent journalism while offering them invaluable food for thought about their future professions.

            The essays touch on a wide range of subjects. Woo reflects on journalism as a public trust, requiring the publication of stories that give readers a better understanding of society and equip them to change it for the better. He also ponders print journalism conducted in the face of broadcast and online competition along with the transformation of newspapers from privately owned to publicly traded companies. Here too are personal reflections on the Pulitzer family’s impact on journalism and on the tensions between a journalist’s personal and professional life, as well as the conflicts posed by political advocacy versus free speech or a reporter’s expertise versus a newspaper’s credibility.

            Woo’s idealistic spirit conveys the virtues of his era’s newspaper journalism to the next generation of journalists—and most likely to the next generation of news media as well. Even as new students of journalism have an eye on an electronic future, Woo’s essays come straight from a newsman’s heart and soul to remind them of values worth preserving.

The Federal Farmer’s letters were written in opposition to the Constitution in the form in which it had come from the Federal Convention of 1787. Their immediate objective was to secure amendments to the Constitution before it was ratified by state convention. But the letters are valuable also for the basic political philosophy that they represent, specifically, the political philosophy of the revolution and the Bill of Rights. This philosophy stresses principles of federalism and republicanism and exemplifies the liberal idealism that took root in America during the Revolutionary War era.

This volume tells the stories of 62 men and women from Wisconsin who served in the Spanish-American War, World War I, and World War II. Letters from the Front is a vivid social history of wartime as told by those who took part in these foreign conflicts. Most of them are "ordinary" people, uprooted from farms, factories, and offices, who took part in extraordinary events. This work explores how war changed their lives and reveals the emotions they felt in uniform, in remote outposts, in combat, and in prison camps. These letters, diaries, oral histories, newspapers, and contemporary accounts provide a history of adaptation to military life; they also reflect the changes that occurred over the half-century encompassing these confilcts, an era of great technological innovation — and one in which America's vision of itself also changed.

Through epistolary essays and poems, American Book Award- and Colorado Book Award-winning author and poet Aaron A. Abeyta captures the soul of the cultural and geographical crossroads of the driest quadrant in the nation, the Colorado headwaters, source to all the rivers in the southwestern and mid-western United States. Originating from and expanding on the themes of twenty-five years of “Headwaters” conferences at Western State Colorado University, these essays and poems embrace the region’s past while also exploring the struggles of a present that seeks a sustainable future for the borderlands that define the very cross-cultural essence of the American experience.

Stocking writes about the people and places she knows so intimately

This edition presents in English, for the first time, Jeanne d’Albret’s Letters to the king, his mother, his brother, her own brother-in-law, and the queen of England, together with her Ample Declaration (1568) defending her decampment to the Protestant stronghold of La Rochelle. A historical-biographical introduction situates these writings in the larger context of Reformation politics and examines in detail the specific literary characteristics of her memoir. In her works, Jeanne d’Albret asserts her own position as legal sovereign of Béarn and Navarre and situates herself at the nexus of overlapping political, religious, and familial tensions.

In the fall of 1884, journalist Charles Lummis set out on foot from Ohio to California on assignment for the Los Angeles Times. The reports he mailed ahead to that newspaper were later refashioned for the book A Tramp Across the Continent, a work that helped to establish Lummis as the most active promoter of Southwestern culture who ever lived.

Lummis wrote another set of letters during his journey, however, which he sent back to Ohio for publication by the Chillicothe Leader. Although these letters contain basically the same narrative as those sent to Los Angeles and later found in A Tramp, the Ohio letters more closely reflect the author’s thoughts and observations while on the journey. In fact, a comparison of the two drafts indicates that Lummis spent considerable effort removing spontaneous details from the Ohio letters in favor or a more commercial, self-promoting, and politic reporting for the California paper.

The twenty-four Ohio letters, assembled here by James W. Byrkit, offer a far more candid look at the Southwest than Lummis was later to bring to print, as well as greater insight into the author’s own personality. Byrkit’s introductory essay provides the background for Lummis’s career, compares the three bodies of work relating to the trek, and offers an account of Lummis’s transformation from chronicler to promoter.

Early in the twentieth century, drawing upon the hundreds of letters written to his father by students who had emigrated to northeastern Iowa from Mecklenburg, in northeastern Germany, Johannes Gillhoff created the composite character of Juernjakob Swehn: the archetype of the upright, honest mensch who personified the German immigrant, on his way to a better life through ambition and hard work. Gillhoff's farmer-hero, planting and harvesting his Iowa acres, joking with his neighbors during the snowy winters, building a church with his own hands, proved so popular with the German public that a million copies of Jürnjakob Swehn der Amerikafahrer are in print. Now for the first time this wise and endearing book is available in English.

“First, let's talk about pigs,”Juernjakob Swehn writes from his farm in Iowa. “In America, pigs have a curly tail and talk in Low German so I can understand them.” Swehn builds a log house and makes a success of farming, marries a woman who's “a whole different nation that has its confidence from the inside,” raises a family, and becomes an elder in the Lutheran church. He recognizes his good fortune but acknowledges that memories of his village grow stronger every year, that “being homesick is the best thing that home can do for you …no power on earth holds on to you like your homeland.” It is this sense of home, both in Iowa and in Mecklenburg, that makes Juernjakob Swehn appeal to today's readers as much as he appealed to readers in 1916.

Bengali writer Riza Rahman is the author of more than fifty novels, as well as countless short stories, set in Bangladesh and bringing to life the difficult, mostly forgotten lives of its poorest and most disadvantaged citizens. Letters of Blood is set in the often violent world of prostitution in Bangladesh. Rahman brings great sensitivity and insight to her chronicles of the lives of women trapped in that bleak world as they face the constant risk of physical abuse, disease, and pregnancy, while also all too often struggling with drug addiction. A powerful, unforgettable story, Letters of Blood shows readers a hard way of life, imbuing the stories of these women with unforgettable empathy and compassion.
 

The French Realist painter Gustave Courbet (1819-77), a
pivotal figure in the emergence of modern painting, remains
an artist whose interests, attitudes, and friendships are
little understood. A voluminous correspondent, Courbet
himself, through his letters, offers a tantalizing avenue
toward a keener assessment of his character and
accomplishments. In her critical edition of over six hundred
of the artist's letters, Petra ten-Doesschate Chu presents
just such a look at the inner life of the artist; her
unparalleled feat of gathering together all of Courbet's
known letters, many heretofore unpublished and untranslated,
is sure to change our evaluation of Courbet's creativity and
of his place in nineteenth-century French life.
Beginning when Courbet left his provincial home at
eighteen and ending eight days before his death in exile in
Switzerland, this correspondence enables readers to follow
the artist's development from youth to mature artist of
international repute. Addressed to correspondents such as
the poet Charles Baudelaire, the painter Claude Monet, the
writers Champfleury, Victor Hugo, and Théeophile Gautier,
the political theorist Pierre-Joseph Proudhon, and the
politician Jules Simon, the letters offer numerous insights
into Courbet's life and art as well as the cultural and
political activity of his day. In fascinating detail, they
present the artist's relation to the contemporary media, his
deliberate choice of subject matter for Salon paintings, his
preoccupation with photography, and his participation in the
Commune.

Besides collecting, translating, and annotating the
letters, Chu provides an introduction, a chronology,
biographies of persons appearing frequently in the letters,
and a list of paintings and sculptures mentioned in the
letters. Her work is an essential resource of immediate use
to historians of art and culture, political and social
historians, and readers of biography.

Petra ten-Doesschate Chu is professor and head of the
Department of Art and Music at Seton Hall University.

Letters of Transit is a passport to the space between: prose and poetry, reverie and memory, death and fecundity. Its invitation is a journey without destination, a ramble, a thrill ride, an open-ended ticket. But it maps an uncanny territory, populated with ominous doctors, proctors, theorists, forgers and game show hosts, whose agendas seem no less threatening than the intrusions of red spitting monkeys, biting spiders, monster hornets, unseen shrieking creatures. One ranges through its pages with an electric sense of visiting places impossibly recognizable—the dream realm of a collective unconscious. Its attractions are part freak show, part museum, part mausoleum. Theodore Worozbyt brings a rich and intricate vision to a world both gorgeous and grotesque, where one must suspect every detail of being a crucial clue.

The Roman statesman and philosopher Seneca (4 BCE–65 CE) recorded his moral philosophy and reflections on life as a highly original kind of correspondence. Letters on Ethics includes vivid descriptions of town and country life in Nero’s Italy, discussions of poetry and oratory, and philosophical training for Seneca’s friend Lucilius. This volume, the first complete English translation in nearly a century, makes the Letters more accessible than ever before.

Written as much for a general audience as for Lucilius, these engaging letters offer advice on how to deal with everything from nosy neighbors to sickness, pain, and death. Seneca uses the informal format of the letter to present the central ideas of Stoicism, for centuries the most influential philosophical system in the Mediterranean world. His lively and at times humorous expositions have made the Letters his most popular work and an enduring classic. Including an introduction and explanatory notes by Margaret Graver and A. A. Long, this authoritative edition will captivate a new generation of readers.

For Rainer Maria Rilke, letter writing was a discipline and art unto itself. Some seven thousand of his letters have survived, among them works of profound beauty and insight to rival his poems and fiction. For the first time, this volume makes available to an English-speaking audience two of the earliest collections of Rilke letters published after his death, each with a nuanced introduction and notes by Annemarie S. Kidder.

The thematic collection Letters on God contains two letters by Rilke, the first an actual letter written during World War I, in 1915 in Munich, the second a fictional one composed after the war, in 1922 at Muzot in Switzerland. In these letters, Rilke builds on the mystical view of God conceived in The Book of Hours, but he moves beyond it, demonstrating a unique vision of God and Christ, the church and religious experience, friendship and death.

Like his famous Letters to a Young Poet, Rilke’s Letters to a Young Woman presents an intimate series of letters written to a young admirer. The nine letters collected here were written to Lisa Heise over the course of five years, from 1919 to 1924. Though Rilke and Heise never met, the poet emerges in these letters as a compassionate listener and patient teacher who with levelheaded sensitivity affirms and guides the movements of another person’s soul.

The letters of Margherita Datini to her husband, “the merchant of Prato,” are virtually impossible to put down. Margherita is never obsequious, and never holds her tongue as she chastises Francesco for staying up too late, asks about a case before the Eight of Florence, beseeches him to help friends in prison, worries over financial transactions, and updates him on his business, the harvests, and his illegitimate child (whom she cares for) when he is away. Rich in emotional life and historical particulars, the letters are a unique window into late medieval Tuscany and women’s “work.” Thanks to Carolyn James and Antonio Pagliaro for their illuminating introduction and equally luminous translation.
—Jane Tylus
Professor of Italian Studies and vice provost for academic affairs, New York University

The seventy-three surviving letters written by Florentine widow, Alessandra Macinghi Strozzi (c.1406–1471), to her distant sons first appeared in print well over a century ago, but are here translated into English in their entirety for the first time. Whether for the professional historian or for the general reader interested in Renaissance Florence, they constitute a most precious testimony regarding both private and public life in the mid-fifteenth century, with themes ranging from familial relations, motherhood, marriage, and aspects of material culture to the harsh realities of political exile meted out by the Medici to their perceived opponents, these latter including her husband and, subsequently, her sons.

He published his only novel more than fifty years ago. He has hardly been seen or heard from since 1965. Most writers fitting such a description are long forgotten, but if the novel is The Catcher in the Rye and the writer is J. D. Salinger . . . well, he’s the stuff of legends, the most famously reclusive writer of the twentieth century. If you could write to him, what would you say?

Salinger continues to maintain his silence, but Holden Caulfield, Franny and Zooey, and Seymour Glass—the unforgettable characters of his novel and short stories—continue to speak to generations of readers and writers. Letters to Salinger includes more than 150 personal letters addressed to Salinger from well-known writers, editors, critics, journalists, and other luminaries, as well as from students, teachers, and readers around the world, some of whom have just discovered Salinger for the first time. Their voices testify to the lasting impressions Salinger’s ideas and emotions have made on so many diverse lives.

Contributors include Marvin Bell, Frederick Busch, Stephen Collins, Nicholas Delbanco, Warren French, Herbert Gold, W. P. Kinsella, Molly McQuade, Stewart O’Nan, Robert O’Connor, Ellis Paul, Molly Peacock, Sanford Pinsker, George Plimpton, Gerald Rosen, Sid Salinger, David Shields, Joseph Skibell, Melanie Rae Thon, Alma Luz Villanueva, Katharine Weber, and many others

Gathers some of the most intimate, personal writing on life and the art of poetry by a crucial figure in late twentieth-century American letters
 
Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner’s poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet.
 
Eigner’s correspondence with Williams began in the early 1950s, as the two were in conversation over the manuscript of On My Eyes, published by Jargon in 1960. Their correspondence continued for many years thereafter, extending into the period when Eigner’s work started to gain recognition from the nascent movement that would become known as “Language” writing.
 
The letters are quite broad in their range of reference and provide a fuller context for Eigner’s poetry and thinking. Eigner and Williams discuss their own poetic practices, including the source material for specific poems, general writing practices, and small press and little magazine publication. This volume offers considerable insight into their shared literary communities as Eigner reports on his readings in contemporary poetry and poetics, as well as his correspondence and contact with other poets including Charles Olson, Vincent Ferrini, Robert Duncan, Denise Levertov, Robert Grenier, and Barrett Watten.
 
Also recorded are Eigner’s reactions to current events and explications of his own poems, including the contexts for appropriated lines and distinctions of character spacing. Eigner also shares with Williams details of his home life, his financial difficulties and the daily challenges of his cerebral palsy. Finally, the book features a series of images of the original letters, enabling readers to see Eigner’s specific material-textual practices.