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This gonzo-style metamemoir follows Chuck Kinder on a wild tour of the back roads of his home state of West Virginia, where he encounters Mountain State legends like Sid Hatfield, Dagmar, Robert C. Byrd, the Mothman, Chuck Yeager, Soupy Sales, Don Knotts, and Jesco White, the “Dancing Outlaw.”

Sue Cato Gennings’ first novel traces two young immigrant brothers from early adulthood in Tidewater Virginia to successful entrepreneurship in northern Georgia during the late Nineteenth and early Twentieth Centuries. Penniless but energetic, the brothers struggle to refine and realize their dreams of family and business success. Their paths explore themes of family, ambition, honor, and maturation, finding resolutions as distinct as their characters.

Gratuitous sex. Graphic violence. Lies, revenge, and murder. Before there was digital cable or reality television, there was Renaissance Italy and the courts in which Italian magistrates meted out justice to the vicious and the villainous, the scabrous and the scandalous. Love and Death in Renaissance Italy retells six piquant episodes from the Italian court just after 1550, as the Renaissance gave way to an era of Catholic reformation.

Each of the chapters in this history chronicles a domestic drama around which the lives of ordinary Romans are suddenly and violently altered. You might read the gruesome murder that opens the book—when an Italian noble takes revenge on his wife and her bastard lover as he catches them in delicto flagrante—as straight from the pages of Boccaccio. But this tale, like the other stories Cohen recalls here, is true, and its recounting in this scintillating work is based on assiduous research in court proceedings kept in the state archives in Rome.

Love and Death in Renaissance Italy contains stories of a forbidden love for an orphan nun, of brothers who cruelly exact a will from their dying teenage sister, and of a malicious papal prosecutor who not only rapes a band of sisters, but turns their shambling father into a pimp! Cohen retells each cruel episode with a blend of sly wit and warm sympathy and then wraps his tales in ruminations on their lessons, both for the history of their own time and for historians writing today. What results is a book at once poignant and painfully human as well as deliciously entertaining.

Yusuf and Zulaykha. Khusrau and Shirin. Layla and Majnun. For hundreds of years, Persian poets have captivated audiences with recitations and reinterpretations of timeless tales of earthly and spiritual love. These tales were treasured not only in Iran, but also across the neighboring Mughal and Ottoman Empires.

In Love and Devotion, leading specialists in literature, art history, and philosophy reveal new perspectives on these evocative stories and the exquisite illustrated manuscripts that convey them. Particularly in courtly settings, poetry was a key component of Persian cultural life from the fourteenth through the eighteenth century, and elite patrons commissioned copies of lyrical poems and epics told in verse. Beautifully presented here in full-page reproductions are more than one hundred folios from these illustrated manuscripts, representing masterful works from Hafiz, Rumi, and many others. Echoes of works by Persian poets are manifest across European literature from Dante and Shakespeare to the present, and this lavishly illustrated book reveals new perspectives on the universal theme of love.

In Love and Ethics, Peter Nicholson offers a comprehensive and accessible reading of Gower's Confessio, as well as a guide to the issues that it poses, linking all of the diverse elements of Gower's complex poem into a single broad view of its purpose and structure. Beginning with an investigation of the literary antecedents of the poem, the author then distinguishes the Confessio from its predecessors in order to discover what is most unique about it. In viewing the Confessio both as a poem and as a work of moral instruction, Love and Ethics illustrates the work's concern with the laws that govern human love, and its understanding of the elusiveness of moral certainty in a fallen world.

Intended for both specialists and non-specialists, Love and Ethics addresses many of the specific concerns of current Gower criticism, provides complete translations of all foreign quotation, and guides the novice reader through Gower's Middle English.

Love and Fatigue in America records an Englishman’s decade-long journey through his newly adopted country in the company of a mystifying illness and a charismatic dog.
    When he receives an unexpected invitation from an unfamiliar American university, he embraces it as a triumphant new beginning. Instead, on arrival, he is stricken with a persistent inability to stand up or think straight, and things quickly go wrong. Diagnosed with ME disease—chronic fatigue syndrome—he moves restlessly from state to state, woman to woman, and eccentric doctor to eccentric doctor, in a search for a love and a life suited to his new condition. The journey is simultaneously brave, absurd, and instructive.
    Finding himself prostrate on beds and couches from Los Alamos to Albany, he hears the intimate stories offered by those he encounters—their histories, hurts, and hopes—and from these fragments an unsentimental map emerges of the inner life of a nation. Disability has shifted his interest in America from measuring its opportunities to taking the measure of its humanity. Forced to consider for himself the meaning of a healthy life and how best to nurture it, he incidentally delivers a report on the health of a country.
    By turns insightful, comic, affecting, and profound, Roger King’s Love and Fatigue in America briskly compresses an illness, a nation, and an era through masterly blending of literary forms. In a work that defies categorization, and never loses its pace or poise, the debilitated narrator is, ironically, the most lively and fully awake figure in the book.

Insisting on the vital, productive relationship between ethics and the study of literature, Love and Good Reasons demonstrates ways of reading novels and stories from a Christian perspective. Fritz Oehlschlaeger argues for the study of literature as a training ground for the kinds of thinking on which moral reasoning depends. He challenges methods of doing ethics that attempt to specify universally binding principles or rules and argues for the need to bring literature back into conversation with the most basic questions about how we should live.

Love and Good Reasons combines postliberal narrative theology—especially Stanley Hauerwas’s Christian ethics and Alasdair MacIntyre’s idea of traditional inquiry—with recent scholarship in literature and ethics including the work of Martha Nussbaum, J. Hillis Miller, Wayne Booth, Jeffrey Stout, and Richard Rorty. Oehlschlaeger offers detailed readings of literature by five major authors—Herman Melville, Jane Austen, Anthony Trollope, Henry James, and Stephen Crane. He examines their works in light of biblical scripture and the grand narratives of Israel, Jesus, and the Church. Discussing the role of religion in contemporary higher education, Oehlschlaeger shares his own experiences of teaching literature from a religious perspective at a state university.

The son of a coal miner from a small Illinois town, Cleveland Indians shortstop Ray Chapman lived the American dream until his untimely death at age twenty-nine. In his brief life, he reached the pinnacle of baseball success as the best shortstop in the American League. While many professional ballplayers struggled with meager salaries, the handsome Chapman had married heiress Kathleen Daly, one of Cleveland’s wealthiest women. With a child on the way and an executive job in the offseason, Chapman was moving toward a privileged place in society until an errant fastball fractured his skull and ended his life the next day. Late in the 1920 pennant race, the Indians were in New York for a key series against the Yankees. New York pitcher Carl Mays threw a high hard one that Chapman could not evade. He was taken to a nearby hospital, where doctors tried in vain to save his life. The tragedy did not end there. His widow took her own life eight years later, and their daughter, Rae, subsequently died from meningitis. Today, people visit Chapman’s impressive grave in Cleveland’s Lake View Cemetery, leaving baseballs and gloves in his memory. Though gone over a hundred years, he is well remembered as a Cleveland icon. This book goes far beyond the well-worn accounts of Chapman’s untimely death to illustrate the fullness of his short life.

Preeminent medieval scholar Georges Duby argues that the structure of sexual relationships took its cue from the family and from feudalism—both bastions of masculinity—as he reveals the role of women, what they represented, and what they were in the Middle Ages.

Beautifully written in Duby's characteristically nuanced and powerful style, this collection is an ideal entree into Duby's thinking about marriage and the diversities of love, spousal decorum, family structure, and their cultural context in bodily and spiritual values. Love and Marriage in the Middle Ages will be of great interest to students in social and cultural history, medieval and early modern history, and women's studies, as well as those interested in the nature of social life in the Middle Ages.

Georges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.

The Latin American Literary Boom was marked by complex novels steeped in magical realism and questions of nationalism, often with themes of surreal violence. In recent years, however, those revolutionary projects of the sixties and seventies have given way to quite a different narrative vision and ideology. Dubbed the new sentimentalism, this trend is now keenly elucidated in Love and Politics in the Contemporary Spanish American Novel.

Offering a rich account of the rise of this new mode, as well as its political and cultural implications, Aníbal González delivers a close reading of novels by Miguel Barnet, Elena Poniatowska, Isabel Allende, Alfredo Bryce Echenique, Gabriel García Márquez, Antonio Skármeta, Luis Rafael Sánchez, and others. González proposes that new sentimental novels are inspired principally by a desire to heal the division, rancor, and fear produced by decades of social and political upheaval. Valuing pop culture above the avant-garde, such works also tend to celebrate agape—the love of one's neighbor—while denouncing the negative effects of passion (eros). Illuminating these and other aspects of post-Boom prose, Love and Politics in the Contemporary Spanish American Novel takes a fresh look at contemporary works.

Hannah Arendt's classic philosophical study, which Kirkus called “a revelation”

 

Hannah Arendt began her scholarly career with an exploration of Saint Augustine's concept of caritas, or neighborly love, written under the direction of Karl Jaspers and the influence of Martin Heidegger. After her German academic life came to a halt in 1933, Arendt carried her dissertation into exile in France, and years later took the same battered and stained copy to New York. During the late 1950s and early 1960s, as she was completing or reworking her most influential studies of political life, Arendt was simultaneously annotating and revising her dissertation on Augustine, amplifying its argument with terms and concepts she was using in her political works of the same period. The disseration became a bridge over which Arendt traveled back and forth between 1929 Heidelberg and 1960s New York, carrying with her Augustine's question about the possibility of social life in an age of rapid political and moral change.

In Love and Saint Augustine, Joanna Vecchiarelli Scott and Judith Chelius Stark make this important early work accessible for the first time. Here is a completely corrected and revised English translation that incorporates Arendt's own substantial revisions and provides additional notes based on letters, contracts, and other documents as well as the recollections of Arendt's friends and colleagues during her later years.

Love and Scorn: New and Selected Poems combines twenty new poems by Carol Frost with a substantial selection of work from her previous seven books. In forms ranging from the sonnet to the lyric to the narrative, Frost's poems are fiery, passionate meditations on experience and consciousness.

In Love and the Soul's title poem, a male speaker asks "not to believe/that what lights up the world from within is always the wrong thing" and is answered by a female speaker midway through the book who says "I don't think men and women/are meant to have relationships any more." Between these poles, Williamson's powerful collection explores the enormous burden of expectation that our culture has placed on love and its gifts to the soul.

Robert Johnson was undoubtedly the most outstanding of the Mississippi Delta blues musicians and also one of the first inductees into the Rock and Roll Hall of Fame, but his short life remains steeped in mystery and wrapped in some of the most enduring legends of modern music. Love in Vain is Alan Greenberg’s remarkable, highly acclaimed, and genre-defying screenplay and is widely considered to be one of the foremost books on Robert Johnson’s life and legacy and an extraordinary exercise in American mythmaking. Newly revised and complete with extensive historical notes on Johnson’s life and the culture of the Mississippi Delta and blues music during the 1930s, Love in Vain is at once a classic of music writing and a screenplay whose reputation lies firmly in the realm of great American literature.

Love in a Dead Language is a love story, a translation of an Indian sex manual, an erotic farce, and a murder mystery rolled into one. Enticing the reader to follow both victims and celebrants of romantic love on their hypertextual voyage of folly and lust-through movie posters, upside-down pages, the Kamasutra: Game of Love board game, and even a proposed CD-ROM, Love in a Dead Language exposes the complicities between the carnal and the intellectual, the erotic and the exotic and, in the end, is an outrageous operatic portrayal of romantic love.

"Rare is the book that makes one stop and wonder: Is this a literary masterpiece or do I need my head examined? But such is the alternately awe-inspiring and goofy thrall cast by Lee Siegel's Love in a Dead Language. . . . His work stands out as a book that is not simply a novel but its own genus of rollicking, narrative scholarship . . . it is just the cerebral aphrodisiac we need." —Carol Lloyd, Salon

"Immensely clever and libidinously hilarious. . . . [T]he most astonishing thing about Love in a Dead Language is its ingenious construction. Insofar as any printed volume can lay claim to being a multimedia work, this book earns that distinction." —Paul di Filippo, Washington Post Book World

"Now along comes Lee Siegel, who mixes a bit of Borges with some Nabokov and then adds an erotic gloss from the Kama Sutra to write Love in a Dead Language, a witty, bawdy, language-rich farce of academic life. . . . Whether it is post-modern or not, Love in a Dead Language is pulled off with such unhinged élan by Mr. Siegel that it is also plain good fun, a clever, literate satire in which almost everything is both travestied and, strangely, loved by its author." —Richard Bernstein, The New York Times

"Love in a Dead Language deserves space on the short, high shelf of literary wonders." —Tom LeClair, New York Times Book Review

1999 New York Times Book Review Notable Book of the Year

In praise of diversity, Jessie Grearson and Lauren Smith offer Love in a Global Village: A Celebration of Intercultural Families in the Midwest, an account of the triumphs of fifteen intercultural families and the perseverance of their relationships in midwestern America. The couples recount their courtships, their adventures and difficulties, and their individual choices to create families and build lives together despite differences of race, language, religion, and culture.

Welcomed into homes in towns like Kalona, Iowa, and Springfield, Missouri, Grearson and Smith introduce readers to unexpected fusions of culture in middle America. By focusing on small communities where intercultural relationships are exceptions rather than the norm, Smith and Grearson offer affirmation that multicultural households can endure and flourish almost anywhere.

2020 — Ruth Benedict Prize – Association for Queer Anthropology, American Anthropological Association
2020 — Gloria E. Anzaldúa Book Prize – National Women’s Studies Association
2020 — Honorable Mention, Sara A. Whaley Book Prize
2021 — Best Book in Social Sciences – Mexico Section, Latin American Studies Association (LASA)

Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers.

Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis.

Originally published in 1622, Love in the Mirror tells the unforgettable and path-breaking story of a passionate love affair between two women in early modern Florence. Despite the risk of social sanctions, Florinda and Lidia freely consent to love each other “breast to breast and mouth to mouth,” with some surprising consequences for the institution of marriage.

This bilingual edition of the play introduces the English-speaking reader to one of the most remarkable creative artists of the Baroque age, Giovan Battista Andreini (1576–1654). Actor, playwright, and son of the first great diva of the European stage, Isabella Andreini, Giovan Battista was renowned in his lifetime as an avant-garde theatrical innovator. While drawing on the Italian commedia dell’arte, his comedies go far beyond its limits in order— like Calderón, Corneille and Shakespeare—to subvert traditional views of the relationship between art and life, representation and reality.

Love in the Mirror, which was lost from view for centuries, is here translated for the first time into a highly accessible and fully annotated English version. The volume includes a wideranging introduction to this experimental comic masterpiece, as well as to the life and works of G.B. Andreini.

Few landscapes are as striking as that of the Hebrides, the hundreds of small islands that speckle the waters off Scotland’s northwest coast. The jagged, rocky cliffs and roiling waves serve as a reminder of the islands’ dramatic geological history, inspiring awe and dread in those drawn there. With Britain at their back and facing the Atlantic, the Hebrides were at the center of ancient shipping routes and have a remarkable cultural history as well, as a meeting place for countless cultures that interacted with a long, rich Gaelic tradition.

After years of hearing about Scotland as a place deeply interwoven with the story of her family, Madeleine Bunting was driven to see for herself this place so symbolic and full of history. Most people travel in search of the unfamiliar, to leave behind the comfort of what’s known to explore some suitably far-flung corner of the globe. From the first pages, it’s clear that Madeleine Bunting’s Love of Country marks a different kind of journey—one where all paths lead to a closer understanding of home, but a home bigger than Bunting’s corner of Britain, the drizzly, busy streets of London with their scream of sirens and high-rise developments crowding the sky. Over six years, Bunting returned again and again to the Hebrides, fascinated by the question of what it means to belong there, a question that on these islands has been fraught with tenacious resistance and sometimes tragedy. With great sensitivity, she takes readers through the Hebrides’ history of dispossession and displacement, a history that can be understand only in the context of Britain’s imperial past, and she shows how the Hebrides have been repeatedly used to define and imagine Britain. In recent years, the relationship between Britain and Scotland has been subject to its most testing scrutiny, and Bunting’s travels became a way to reflect on what might be lost and what new possibilities might lie ahead.

For all who have wondered how it might feel to stand face-out at the edge of home, Love of Country is a revelatory journey through one of the world’s most remote, beautiful landscapes that encourages us to think of the many identities we wear as we walk our paths, and how it is possible to belong to many places while at the same time not wholly belonging to any.
 

“What this remarkable book does . . . is to remind us of that passion, that revolutionary fervor, that camaraderie, that persistence in the face of political defeat and personal despair so needed in our time as in theirs.” —Howard Zinn

“Fascinating …With marvelous clarity and depth, Candace Falk illuminates for us an Emma Goldman shaped by her time yet presaging in her life the situation and conflicts of women in our time.” —Tillie Olsen

One of the most famous political activists of all time, Emma Goldman was also infamous for her radical anarchist views and her “scandalous” personal life. In public, Goldman was a firebrand, confidently agitating for labor reform, anarchism, birth control, and women’s independence. But behind closed doors she was more vulnerable, especially when it came to the love of her life. 

Love, Anarchy, & Emma Goldman is an account of Goldman’s legendary career as a political activist. But it is more than that—it is a biography that offers an intimate look at how Goldman’s passion for social reform dovetailed with her passion for one man: Chicago activist, hobo king, and red-light district gynecologist Ben Reitman. Candace Falk takes us into the heart of their tumultuous love affair, finding that even as Goldman lectured on free love, she confronted her own intense jealousy. 
 
As director of the Emma Goldman papers, Falk had access to over 40,000 writings by Goldman—including her private letters and notes—and she draws upon these archives to give us a rare insight into this brilliant, complex woman’s thoughts. The result is both a riveting love story and a primer on an exciting, explosive era in American politics and intellectual life.  

"It works, we're in business, yeah Babe!" So begins this remarkable selection from a forty-year correspondence between two artists who survived their time as wives in the Beat bohemia of the 1960s and went on to successful artistic careers of their own.
 

From their first meeting in 1960, writer Hettie Jones—then married to LeRoi Jones (Amiri Baraka)—and painter and sculptor Helene Dorn (1927–2004), wife of poet Ed Dorn, found in each other more than friendship. They were each other's confidant, emotional support, and unflagging partner through difficulties, defeats, and victories, from surviving divorce and struggling as single mothers, to finding artistic success in their own right. 
 

Revealing the intimacy of lifelong friends, these letters tell two stories from the shared point of view of women who refused to go along with society’s expectations. Jones frames her and Helene's story, adding details and explanations while filling in gaps in the narrative. As she writes, "we'd fled the norm for women then, because to live it would have been a kind of death."
 

Apart from these two personal stories, there are, as well, reports from the battlegrounds of women's rights and tenant's rights, reflections on marriage and motherhood, and contemplation of the past to which these two had remained irrevocably connected. Prominent figures such as Allen Ginsberg and Timothy Leary appear as well, making Love, H an important addition to literature on the Beats. 
 

Above all, this book is a record of the changing lives of women artists as the twentieth century became the twenty-first, and what it has meant for women considering such a life today. It's worth a try, Jones and Dorn show us, offering their lives as proof that it can be done.

With the title of her latest collection, Love, Like Pronouns, Waldrop demonstrates with deft humor the relational aspects of any discourse. And, she implicitly suggests the similar slipperiness in human emotion and in human speech, as both the love object and the pronoun's referent easily shift with, even because of any attempt to articulate it. The title also subtly resonates with Waldrop's admiration for other writers, as well as demonstrates her awareness that each act of writing occurs in relation to—and within—the environment of other writings, past and present. In this collection, poem cycles dedicated to other writers echo with subtle synchronisms of that writer's forms, tones, textures. Yet from out of this synchronism, Waldrop evolves her own unique mediums of address. Each poem travels its own distinct and unrepeatable conduit between experience and language. Waldrop is an accomplished and applauded writer of poetry, fiction, essays and translation.

The concepts of gender, love, and family—as well as the personal choices regarding gender-role construction, sexual and romantic liaisons, and family formation—have become more fluid under a society-wide softening of boundaries, hierarchies, and protocols. Sylvia Barack Fishman gathers the work of social historians and legal scholars who study transformations in the intimate realms of partnering and family construction among Jews. Following a substantive introduction, the volume casts a broad net. Chapters explore the current situation in both the United States and Israel, attending to what once were considered unconventional household arrangements—including extended singlehood, cohabitating couples, single Jewish mothers, and GLBTQ families—along with the legal ramifications and religious backlash. Together, these essays demonstrate how changes in the understanding of male and female roles and expectations over the past few decades have contributed to a social revolution with profound—and paradoxical—effects on partnering, marriage, and family formation. This diverse anthology—with chapters focusing on demography, ethnography, and legal texts—will interest scholars and students in Jewish studies, women’s and gender studies, Israel studies, and American Jewish history, sociology, and culture.

Globalization has opened up a flow of economic and cultural exchanges. While we often think about these concepts in terms of trade policies or international treaties, they also play out in more intimate spheres, such as transnational marriages.

Northeast Thailand has seen an increase in marriages between Thai women and farang (Western) men. Often the women are less well off and from rural areas in the country, while the men largely come from the United States and Europe and settle permanently in Thailand. These unions have created a new social class, with distinctive consumption patterns and lifestyles. And they are challenging gender relations and local perceptions of sexuality, marriage, and family.

In Love, Money and Obligation, Patcharin Lapanun offers an exploration of these marriages and their larger effect on Thai communities. Her interviews with women and men engaging in these transnational relationships highlight the complexities of the associations, as they are shaped by love, money, and gender obligations on the one hand and the dynamics of socio-cultural and historical contexts on the other. Her in-depth and even-handed examination highlights the importance of women’s agency and the strength and creativity of people seeking to forge meaningful lives in the processes of social transition and in the face of local and global encounters.

"If you do not know where you come from, you will always be a child." Cicero wasn't talking about being a child in the sense of enjoying life in a state of ignorant bliss. He was, rather, adamant that those who don't understand their origins are consigned to a life without power or authority, without the ability to act fully in the world. Love, Sex & Tragedy is acclaimed classicist Simon Goldhill's corrective to our state of ignorance. Lifting the veil on our inheritance of classical traditions, Goldhill offers a witty, engrossing survey of the Greek and Roman roots of everything from our overwhelming mania for "hard bodies" to our political systems.

Marx, Clark Gable, George W. Bush, Oscar Wilde, and Freud—Goldhill's range here is enormous, and he takes great delight in tracing both follies and fundamental philosophical questions through the centuries and continents to the birthplace of Western civilization as we know it. Underlying his brisk and learned excursions through history and art is the foundational belief, following Cicero, that learning about the classics makes a critical difference to our self-understanding. Whether we are considering the role of religion in contemporary society, our expectations about the boundaries between public and private life, or even how we spend our free time, recognizing the role of the classics is integral to our comprehension of modern life and our place in it.

When Goldhill asks "Who do you think you are?" he presents us with the rarest of opportunities: the chance to let him lead us, firmly but with a wink, back two thousand years to where we are.