968 books match the query 'Movements' and 25 start with l

cover of Laboratory Epistemologies: A Hands-On Perspective

Laboratory Epistemologies

A Hands-On Perspective

Jenny Boulboullé

Duke University Press, 2024

In Laboratory Epistemologies: A Hands-On Perspective, Jenny Boulboullé examines the significance of hands-on experiences in contemporary life sciences laboratories. Addressing the relationship between contemplation and manipulation in epistemology, Boulboullé combines participant observations in molecular genetics labs and microbiological cleanrooms with a longue durée study of the history and philosophy of science. She radically rereads Descartes’s key epistemological text Meditations on First Philosophy, reframing the philosopher as a hands-on knowledge maker. With this reading, Boulboullé subverts the pervasive modern conception of the disembodied knower and puts the hands-on experimenter at the heart of life sciences research. In so doing, she contributes a theoretical model for understanding how life processes on cellular and molecular levels are manually produced in today’s techno-scientific spaces. By reassessing the Cartesian legacy and arguing that epistemology should be grounded in the standpoint of a hands-on practitioner, Boulboullé offers the philosophical and historical foundation to understand and study contemporary life sciences research as multisensory embodied practices.
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cover of Labyrinths: Explorations in the Critical History of Ideas

Labyrinths

Explorations in the Critical History of Ideas

Richard Wolin

University of Massachusetts Press, 1995

This book offers a series of probing reflections on issues at the heart of recent debates in philosophy, literary theory, and intellectual history. In ten powerfully articulated essays, Richard Wolin calls into question the implied radicalism of the so-called postmodern turn, exposes the unstated agenda of neoconservative cultural theory, and provides a major reinterpretation of Walter Benjamin’s place in contemporary cultural studies. 

At the center of the book lie the peculiar and troubling affinities between two groups of cultural critics usually seen as antithetical: the radical conservative thinkers of Germany’s Weimar Republic and the French poststructuralists who came to the prominence in the aftermath of the May 1968 uprising. 

Wolin concludes the volume with a cogent reappraisal of “antihumanism” as a leitmotif of postwar French intellectual culture, along with a reassessment of the “de Man affair” and its implications for the poststructuralist interpretation of fascism. 

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cover of Land and the Given Economy: The Hermeneutics and Phenomenology of Dwelling

Land and the Given Economy

The Hermeneutics and Phenomenology of Dwelling

Todd S. Mei

Northwestern University Press, 2017

Alarming environmental degradation makes ever more urgent the reconciliation of political economy and sustainability. Land and the Given Economy examines how the landed basis of human existence converges with economics, and it offers a persuasive new conception of land that transcends the flawed and inadequate accounts in classical and neoclassical economics.

Todd S. Mei grounds this work in a rigorous review of problematic economic conceptions of land in the work of John Locke, Adam Smith, David Ricardo, John Stuart Mill, Karl Marx, Henry George, Alfred Marshall, and Thorstein Veblen.

Mei then draws on the thought of Martin Heidegger to posit a philosophical clarification of the meaning of land—its ontological nature. He argues that central to rethinking land is recognizing its unique manner of being, described as its "givenness." Concluding with a discussion of ground rent, Mei reflects on specific strategies for incorporating the philosophical account of land into contemporary economic policies.

Revivifying economic frameworks that fail to resolve the impasse between economic development and sustainability, Land and the Given Economy offers much of interest to scholars and readers of philosophy, environmentalism, and the full spectrum of political economy.

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cover of Landscapes: Photographs 1926-1946

Landscapes

Photographs 1926-1946

August Sander

University of Chicago Press, 2016

In 1975, German readers were introduced to the Rheinlandschaften, a collection of stunning images of the Rhineland captured in the first half of the twentieth century by photographer August Sander (1876–1964). This fresh edition, now in English, brings Sander’s work to a new audience and into our own time.

These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing his contemporaries, including the writer Hans Ludwig Mathar and the painter Franz M. Jansen. Also explored are the ties between Sander’s landscapes and his portrait photography, which is celebrated worldwide. Crucially, Kemp highlights the need to consider the Rhineland’s unique political situation in the 1920s and 1930s for any discussion of Sander’s artistic approach.

Shining welcome light on the full range of Sander’s practice, this book offers a glorious journey through the landscapes that most affected him.
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cover of Language Beyond Postmodernism: Saying and Thinking in Gendlin Philosophy

Language Beyond Postmodernism

Saying and Thinking in Gendlin Philosophy

David Kleinberg-Levin

Northwestern University Press, 1997

Eugene Gendlin's contribution to the theory of language is the focus of this collection of essays edited by David Michael Levin. This compilation of critical studies—each followed by a comment from Gendlin himself—investigates how concepts grow out of experience, and explores relations between Gendlin's philosophy of language and experience and the philosophies of Wittgenstein, Dilthey, and Heidegger.
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Language and Death

The Place of Negativity

Giorgio Agamben

University of Minnesota Press, 2006

A formidable and influential work, Language and Death sheds a highly original light on issues central to Continental philosophy, literary theory, deconstruction, hermeneutics, and speech-act theory. Focusing especially on the incompatible philosophical systems of Hegel and Heidegger within the space of negativity, Giorgio Agamben offers a rigorous reading of numerous philosophical and poetic works to examine how these issues have been traditionally explored. Agamben argues that the human being is not just “speaking” and “mortal” but irreducibly “social” and “ethical.”Giorgio Agamben teaches philosophy at the Collège International de Philosophie in Paris and at the University of Macerata in Italy. He is the author of Means without End (2000), Stanzas (1993), and The Coming Community (1993), all published by the University of Minnesota Press. Karen E. Pinkus is professor of French and Italian at the University of Southern California. Michael Hardt is professor of literature and romance studies at Duke University.
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cover of Late Theory: Fredric Jameson, or The Persistence of Reading

Late Theory

Fredric Jameson, or The Persistence of Reading

Phillip E. Wegner

University of Minnesota Press, 2026

A bold, dialectic engagement with Fredric Jameson’s thought

Fredric Jameson (1934–2024) is widely regarded as the most influential literary and cultural theorist of the past fifty years. The culmination of more than three decades of sustained engagement with Jameson’s work, Late Theory offers a critical response to his late writings, namely the final volumes of his “Poetics of Social Forms,” to develop an original and dialectical reading practice in conversation with his evolving thought.

Jameson’s final works bring renewed clarity to three foundational concerns that structure his intellectual legacy. These are the problem of periodization and the challenge of grasping the present as a historical category, the dangers posed by the rise of moralizing modes of critique in literary and cultural studies, and the radical interpretive potential unlocked by allegory and the semiotic method. Phillip E. Wegner shows how these late interventions mark not a conclusion but an extension of Jameson’s long-standing project: envisioning the dialectic as a living, collective form of reasoning—a “thought mode of the future” capable of transforming our lives.

At its core, Late Theory is a passionate argument for cultural and aesthetic education as a practice of solidarity and imagination. Foregrounding Jameson’s enduring effort to build heterogeneous communities of readers committed to shared inquiry, Wegner affirms the urgency of reading, teaching, and thinking together in a moment of crisis for the university and global culture.

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cover of Laughing and Crying: A Study of the Limits of Human Behavior

Laughing and Crying

A Study of the Limits of Human Behavior

Helmuth Plessner; Translated from the German by James Spencer Churchill and Marjorie Grene and with a new foreword by J. M. Bernstein

Northwestern University Press, 2020

First published in German in 1940 and widely recognized as a classic of philosophical anthropology, Laughing and Crying is a detailed investigation of these two particularly significant types of expressive behavior, both in themselves and in relation to human nature. Elaborating the philosophical account of human life he developed in Levels of Organic Life and the Human: An Introduction to Philosophical Anthropology, Plessner suggests that laughing and crying are expressions of a crisis brought about in certain situations by the relation of a person to their body.
 
With a new foreword by J. M. Bernstein that situates the book within the broader framework of Plessner’s philosophical anthropology and his richly suggestive and powerful account of human bodily life, Laughing and Crying is essential reading for anyone interested in the philosophy of the body, emotions, and human behavior.
 
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cover of Lectures on Imagination

Lectures on Imagination

Paul Ricoeur

University of Chicago Press, 2024

Ricoeur’s theory of productive imagination in previously unpublished lectures.

The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur’s most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity’s creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind’s power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.
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cover of Levinas on the Primacy of the Ethical: Philosophy as Prophecy

Levinas on the Primacy of the Ethical

Philosophy as Prophecy

Jeffrey Bloechl

Northwestern University Press, 2023

Exploring the relationship between phenomenology and religion in Levinas’s writings

The philosophy of Emmanuel Levinas affirms both the urgency of peace and the fact that peace is never finally assured. This tension is a question of responsibility and of the ethical relation in which that responsibility is grounded. Jeffrey Bloechl pursues this prophetic dimension of Levinas’s philosophy—his commitment to phenomenology and to a philosophy of religion—to make the case for the mutual reinforcement and intelligibility of these two threads.

Levinas on the Primacy of the Ethical traces the emergence of Levinas’s early thought in relation to modern political philosophy, his revision of Martin Heidegger’s existential phenomenology, the consolidation of his mature position, his important differences with Freudian psychoanalysis, the turn from metaphysics to language in his later philosophy, and his complex relationship with Christian theology. Starting with an exposition of how positive notions of religious transcendence are already present in some of Levinas’s early phenomenological texts, Bloechl then stakes the reverse claim: that Levinas’s conception of God is dependent on his existential phenomenology. Proceeding chronologically, but with frequent nods to later developments, this book builds toward the ultimate assertion that Levinas offers us a phenomenology of event and of relation without appeal to any foundation, ground, or causal principle. Only in this way is Levinas able to generate an argument—and not merely an exhortation—for the primacy of the ethical as he conceives it.
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cover of Levinas's Existential Analytic: A Commentary on Totality and Infinity

Levinas's Existential Analytic

A Commentary on Totality and Infinity

James R. Mensch

Northwestern University Press, 2015

By virtue of the originality and depth of its thought, Emmanuel Levinas’s masterpiece, Totality and Infinity: An Essay on Exteriority, is destined to endure as one of the great works of philosophy. It is an essential text for understanding Levinas’s discussion of “the Other,” yet it is known as a “difficult” book. Modeled after Norman Kemp Smith’s commentary on Kant’s Critique of Pure Reason, Levinas’s Existential Analytic guides both new and experienced readers through Levinas’s text. James R. Mensch explicates Levinas’s arguments and shows their historical referents, particularly with regard to Heidegger, Husserl, and Derrida. Students using this book alongside Totality and Infinity will be able to follow its arguments and grasp the subtle phenomenological analyses that fill it.
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cover of Life Death

Life Death

Jacques Derrida

University of Chicago Press, 2020

The seventh in our series of Derrida's seminars, Life Death provides interdisciplinary reflections on the relationship of life and death—now in paperback.

One of Jacques Derrida’s most provocative works, Life Death deconstructs a deeply rooted dichotomy of Western thought: life and death. In rethinking the relationship between life and death, Derrida undertakes a multi-disciplinary analysis of a range of topics across philosophy, linguistics, and the life sciences. Derrida gave this seminar over fourteen sessions between 1975 and 1976 at the École normale supérieure in Paris to prepare students for the agrégation, a notoriously competitive exam. The theme for the exam that year was “Life and Death,” but Derrida made a critical modification to the title by dropping the coordinating conjunction. The resulting title of Life Death poses a philosophical question about the close relationship between life and death. Through close readings of Freudian psychoanalysis, the philosophy of Nietzsche and Heidegger, French geneticist François Jacob, and epistemologist Georges Canguilhem, Derrida argues that death must be considered neither as the opposite of life nor as the truth or fulfillment of it, but rather as that which both limits life and makes it possible. Derrida thus not only questions traditional understandings of the relationship between life and death but also ultimately develops a new way of thinking about what he calls “life death.”
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cover of Life of Henry David Thoreau

Life of Henry David Thoreau

Henry S. SaltEdited by George Hendrick, Willene Hendrick, and Fritz Oehlschlaeger

University of Illinois Press, 1993

No Englishman did more in the nineteenth century to advance the literary reputation of Henry David Thoreau than Henry S. Salt. A biographer and literary critic as well as a remarkable reformer who participated broadly in his era's movements for social change, Salt abandoned his mastership at Eton in the 1880s to devote himself to causes including socialism, vegetarianism, animals' rights, conservation, and prison reform.
 
In 1890 Salt published the initial version of Thoreau's Life. With the help of American friends, he revised the book and published it anew six years later. The present volume is the third version of the biography, completed in 1908 but never published in Salt's lifetime.
 
Combining a concise narrative of Thoreau's life with a perceptive treatment of his ideas and writings, it stands as a penetrating study of Thoreau, stressing his distinctive individuality. Through an astute analysis of the text and a concise biography, the editors illustrate Salt's growth as a scholar and his changing views on Thoreau and Thoreau's philosophy.
 
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cover of Lines of Thought: Branching Diagrams and the Medieval Mind

Lines of Thought

Branching Diagrams and the Medieval Mind

Ayelet Even-Ezra

University of Chicago Press, 2021

We think with objects—we conduct our lives surrounded by external devices that help us recall information, calculate, plan, design, make decisions, articulate ideas, and organize the chaos that fills our heads. Medieval scholars learned to think with their pages in a peculiar way: drawing hundreds of tree diagrams. Lines of Thought is the first book to investigate this prevalent but poorly studied notational habit, analyzing the practice from linguistic and cognitive perspectives and studying its application across theology, philosophy, law, and medicine.

These diagrams not only allow a glimpse into the thinking practices of the past but also constitute a chapter in the history of how people learned to rely on external devices—from stone to parchment to slide rules to smartphones—for recording, storing, and processing information. Beautifully illustrated throughout with previously unstudied and unedited diagrams, Lines of Thought is a historical overview of an important cognitive habit, providing a new window into the world of medieval scholars and their patterns of thinking.
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cover of Listening in the Afterlife of Data: Aesthetics, Pragmatics, and Incommunication

Listening in the Afterlife of Data

Aesthetics, Pragmatics, and Incommunication

David Cecchetto

Duke University Press, 2022

In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data—the cultural context in which data’s hegemony persists even in the absence of any belief in its validity—Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening—whether through wearable technology, internet-based artwork, or the ways in which computers process sound—to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
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cover of Listening to the Whispers: Re-thinking Ethics in Healthcare

Listening to the Whispers

Re-thinking Ethics in Healthcare

Edited by Christine Sorrell Dinkins and Jeanne Merkle Sorrell

University of Wisconsin Press, 2006

Listening to the Whispers gives voice to scholars in philosophy, medical anthropology, physical therapy, and nursing, helping readers re-think ethics across the disciplines in the context of today's healthcare system. Diverse voices, often unheard, challenge readers to enlarge the circle of their ethical concerns and look for hidden pathways toward new understandings of ethics. Essays range from a focus on the context of corporatization and managed care environments to a call for questioning the fundamental values of society as these values silently affect many others in healthcare. Each chapter is followed by a brief essay that highlights issues useful for scholarly research and classroom discussion. The conversations of interpretive research in healthcare contained in this volume encourage readers to re-think ethics in ways that will help to create an ethical healthcare system with a future of new possibilities.

Outstanding Academic Title, Choice Magazine

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cover of Literary Conclusions: The Poetics of Ending in Lessing, Goethe, and Kleist

Literary Conclusions

The Poetics of Ending in Lessing, Goethe, and Kleist

Oliver Simons

Northwestern University Press, 2022

Endings are not just singular moments in time but the outcomes of a process. And whatever a book’s conclusion, its form has a history. Literary Conclusions presents a new theory of textual endings in eighteenth-century literature and thought. Analyzing essential works by Gotthold Ephraim Lessing, Johann Wolfgang von Goethe, and Heinrich von Kleist, Oliver Simons shows how the emergence of new kinds of literary endings around 1800 is inextricably linked to the history of philosophical and scientific concepts.

Simons examines the interrelations of Lessing’s literary endings with modes of logical conclusion; he highlights how Goethe’s narrative closures are forestalled by an uncontrollable vital force that was discussed in the sciences of the time; and he reveals that Kleist conceived of literary genres themselves as forms of reasoning. Kleist’s endings, Simons demonstrates, mark the beginning of modernism. Through close readings of these authors and supplemental analyses of works by Walter Benjamin, Friedrich Hölderlin, and Georg Wilhelm Friedrich Hegel, he crafts an elegant theory of conclusions that revises established histories of literary genres and forms.
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cover of Lived Time: Phenomenological and Psychopathological Studies

Lived Time

Phenomenological and Psychopathological Studies

Eugène Minkowski; translated by Nancy Metzel; with a new foreword by Dan Zahavi

Northwestern University Press, 2019

Eugène Minkowski’s Lived Time articulates a phenomenology of time that is as inspired by the philosophical writings of Henri Bergson and Edmund Husserl as it is by the psychiatric descriptions of Eugen Bleuler. After providing a phenomenological description of the experience of time in normal life, Minkowski considers a number of mental illnesses, including schizophrenia, manic depression, and dementia, and he attempts to show that these pathological cases can be characterized in terms of a distortion of lived time and space.

First published in French in 1933 as Le temps vécu, this edition of this classic work of phenomenological psychiatry and psychopathology includes a new foreword by Dan Zahavi that presents some of Minkowski’s main ideas and discusses his contemporary relevance.
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cover of Living On After Failure: Affective Structures of Modern Life

Living On After Failure

Affective Structures of Modern Life

Irving Goh

Duke University Press, 2025

In Living On After Failure, Irving Goh dwells with failure and all of its negative affects. Goh does not seek a theorization of failure as something to overcome or turn into a recuperative philosophy or progress narrative. Rather, he engages with the ontological condition of failure as a process of staying with the impasse that failure brings. Drawing on the thought of Berlant, Derrida, Foucault, and Nancy, Goh examines works by contemporary writers like Ottessa Moshfegh, Rachel Cusk, Édouard Levé, Yiyun Li, and Kate Zambreno. He guides readers through stages of reckoning with failure as an immersive impasse: flopping, drifting itself, a dark care of the self, melodrama, and postscripting. By unsettling the failure/success binary, Goh provides those who cannot shake off their sense of failure, or who refuse the narratives of progress or success and their ideologies of grit and resilience, with discursive and affective spaces in which to attend to their desire to be attached to their failures.
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cover of Living in the Future: Sovereignty and Internationalism in the Canterbury Tales

Living in the Future

Sovereignty and Internationalism in the Canterbury Tales

Susan Nakley

University of Michigan Press, 2017

Nationalism, like medieval romance literature, recasts history as a mythologized and seamless image of reality. Living in the Future analyzes how the anachronistic nationalist fantasies in Geoffrey Chaucer’s Canterbury Tales create a false sense of England’s historical continuity that in turn legitimized contemporary political ambitions. This book spells out the legacy of the Tales that still resonates throughout English literature, exploring the idea of England in the medieval literary imagination as well as critiquing more recent centuries’ conceptions of Chaucer’s nationalism.     
       
Chaucer uses two extant national ideals, sovereignty and domesticity, to introduce the concept of an English nation into the contemporary popular imagination and reinvent an idealized England as a hallowed homeland. For nationalist thinkers, sovereignty governs communities with linguistic, historical, cultural, and religious affinities. Chaucerian sovereignty appears primarily in romantic and household contexts that function as microcosms of the nation, reflecting a pseudo-familial love between sovereign and subjects and relying on a sense of shared ownership and judgment. This notion also has deep affinities with popular and political theories flourishing throughout Europe. Chaucer’s internationalism, matched with his artistic use of the vernacular and skillful distortions of both time and space, frames a discrete sovereign English nation within its diverse interconnected world.

As it opens up significant new points of resonance between postcolonial theories and medieval ideas of nationhood, Living in the Future marks an important contribution to medieval literary studies. It will be essential for scholars of Middle English literature, literary history, literary political and postcolonial theory, and literary transnationalism.
 
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cover of Logic and Pragmatism: Selected Essays by Giovanni Vailati

Logic and Pragmatism

Selected Essays by Giovanni Vailati

Claudia Arrighi, Paola Cantu, Mauro de Zan, and Patrick Suppes

CSLI, 2009

Logic and Pragmatism features a number of the key writings of Giovanni Vailati (1863–1909), the Italian mathematician and philosopher renowned for his work in mechanics, geometry, logic, and epistemology. The selections in this book—many of which are available here for the first time in English—focus on Vailati’s significant contributions to the field of pragmatism. Accompanying these pieces are introductory essays by the volume’s editors that outline the traits of Vailati’s pragmatism and provide insights into the scholar’s life.

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cover of Looking East: Rubens’s Encounter with Asia

Looking East

Rubens’s Encounter with Asia

Stephanie Schrader

J. Paul Getty Trust, The, 2013

Peter Paul Rubens’s fascinating depiction of a man wearing Korean costume of around 1617, in the collection of the J. Paul Getty Museum, has been considered noteworthy since it was made. Published to accompany an exhibition of Rubens’s Man in Korean Costume at the J. Paul Getty Museum from March 5 to June 9, 2013, Looking East: Rubens’s Encounter with Asia explores the various facets of Rubens’s compelling drawing of this Asian man that appears in later Rubens works. This large drawing was copied in Rubens’s studio during his own time and circulated as a reproductive print in the eighteenth century. Despite the drawing’s renown, however, the reasons why it was made and whether it actually depicts a specific Asian person remain a mystery. The intriguing story that develops involves a shipwreck, an unusual hat, the earliest trade between Europe and Asia, the trafficking of Asian slaves, and the role of Jesuit missionaries in Asia.

The book’s editor, Stephanie Schrader, traces the interpretations and meanings ascribed to this drawing over the centuries. Could Rubens have actually encountered a particular Korean man who sailed to Europe, or did he instead draw a model wearing Asian clothing or simply hear about such a person? What did Europeans really know about Korea during that period, and what might the Jesuits have had to do with the production of this drawing? All of these questions are asked and explored by the book’s contributors, who look at the drawing from various points of view.

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cover of Love Seeking Understanding: Aquinas, Balthasar, and the Renewal of Sapiential Theology

Love Seeking Understanding

Aquinas, Balthasar, and the Renewal of Sapiential Theology

Michael Altenburger

Catholic University of America Press, 2024

As Catholic theology emerged from the crisis of modernity, theologians turned to both patristic and medieval sources to recover lost wisdom from the theological tradition, and adapt it to the challenges of an age that separated reason from faith, the practice of theology from the spiritual life. . In time, Thomas Aquinas and Hans Urs von Balthasar became the patrons of two very different approaches to this challenge. St. Thomas Aquinas offering contemporary theologians an approach rooted in the patristic-medieval Latin synthesis of Augustine and Aristotle that also draws on the East, and von Balthasar offering contemporary theologians a patristic-modern approach rooted in the Eastern theological synthesis of Maximus the Confessor and Erich Przywara, that also draws on the West. Although Aquinas and Balthasar, together with their contemporary followers, sought to unite reason and faith, theology and prayer, contemporary Thomists and Balthasarians have tended to diverge widely from one another, often with a polemical spirit. How should one understand the theological genius of St. Thomas Aquinas and Hans Urs von Balthasar today? How can two of the greatest theologians in the Catholic tradition be brought together in more fruitful and peaceful dialogue? This edited volume comprises contributions from a range of scholars who elucidate the depth and breadth of two of the most prominent figures of the Catholic tradition today. A scholar from each school of thought contributes an essay on a particular theme: Metaphysics, Trinity, Revelation, Christology, Anthropology, Evil, and Eschatology. By presenting the two essays side by side, this volume provides the contemporary reader with an opportunity to better engage both thinkers and understand disagreements and areas for constructive movement forward. The tone of the volume is intentionally irenic, seeking points of constructive dialogue, and opening new pathways to the renewal of sapiential theology through a fruitful synthesis of Thomistic and Balthasarian thought.
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cover of Lumen: The Art and Science of Light, 800–1600

Lumen

The Art and Science of Light, 800–1600

Kristen Collins

J. Paul Getty Trust, The, 2024

Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance.

Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural world.

Through essays written by contributors from the fields of art history, the history of science, and neuroscience, and with more than two hundred illustrations, including glimmering golden reliquaries, illuminated manuscripts, rock crystal vessels, astronomical instruments, and more, Lumen cuts across religious, political, and geographic boundaries to reveal the ways medieval Christian, Jewish, and Islamic artists, theologians, and thinkers studied light. To convey the sense of wonder created by moving light on precious materials, a number of contemporary artworks are placed in dialogue with historic objects.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from September 10 to December 8, 2024.
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cover of L’impressionnisme à ses frontières: Le cas Meier-Graefe et la lutte pour l’art moderne en Allemagne

L’impressionnisme à ses frontières

Le cas Meier-Graefe et la lutte pour l’art moderne en Allemagne

Victor Claass

Diaphanes, 2023

Par ses écrits pionniers sur l’histoire du développement de l’art moderne, le critique d’art allemand Julius Meier-Graefe (1867-1935) joua un rôle décisif pour la canonisation de l’impressionnisme dans l’Europe de 1900. En défendant avec subversion et énergie la peinture de Manet, Renoir ou Cézanne outre-Rhin, il se mit à dos les élites conservatrices de l’Empire, qui observaient avec méfiance la propagation des valeurs de la modernité artistique. Tout au long de sa trajectoire franco-allemande, ponctuée de virulentes polémiques et cisaillée par le surgissement de la Première Guerre mondiale, Meier-Graefe lutta contre l’emprise d’un nationalisme obtus sur les récits artistiques. Son projet de régénération de la culture allemande fut ainsi indissociable de ses efforts pour la fédération d’une Europe pacifiée des images.

Si le progressisme francophile tout comme le vitalisme de son approche de la peinture ont parfois été soulignés, l’étude de son implication dans les débats politico-culturels de son temps révèle une personnalité plus nuancée. Ce livre analyse ainsi les surprenants à-coups et paradoxes ayant émaillé la carrière transnationale de Meier-Graefe, où alternèrent phases d’enthousiasme débridé et d’intense désillusion. Le personnage s’y dévoile comme un penseur du déclin et le chantre d’une modernité idéalisée, dont l’impressionnisme représentait à la fois la quintessence et le chant du cygne.

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