In Living On After Failure, Irving Goh dwells with failure and all of its negative affects. Goh does not seek a theorization of failure as something to overcome or turn into a recuperative philosophy or progress narrative. Rather, he engages with the ontological condition of failure as a process of staying with the impasse that failure brings. Drawing on the thought of Berlant, Derrida, Foucault, and Nancy, Goh examines works by contemporary writers like Ottessa Moshfegh, Rachel Cusk, Édouard Levé, Yiyun Li, and Kate Zambreno. He guides readers through stages of reckoning with failure as an immersive impasse: flopping, drifting itself, a dark care of the self, melodrama, and post-scripting. By unsettling the failure/success binary, Goh provides those who cannot shake off their sense of failure or who refuse the narratives of progress or success and their ideologies of grit and resilience, with discursive and affective spaces to attend to their desire to be attached to their failures.

Irving Goh is Professor of Comparative Literature at Emory University and Associate Professor of English at the National University of Singapore, coauthor of The Deconstruction of Sex, also published by Duke University Press, and author of The Reject: Community, Politics, and Religion after the Subject.

Acknowledgments
Introduction. The Affective Structure of Failure
1. Flopping to Sleep: The Failures of Ottessa Moshfegh’s My Year of Rest and Relaxation
2. Drifting in a World of Failures: From Roland Barthes’s Neutral to Rachel Cusk’s Outline Trilogy
3. Exscribing a Dark Care of the Self of Failed Existence: Eve Sedgwick’s A Dialogue on Love and Édouard Levé’s Suicide
4. The Melodrama of Failure’s Shared Unshareability, Suicidal Ideation Included: Yijun Li’s Dear Friend, Where Reasons End, and Must I Go
Conclusion. Postscripting in Kate Zambreno and Afterthoughts on Form and Method
Notes
Bibliography
Index