754 books match the query 'Native American Studies' and 22 start with l

cover of LEARNING TO BE AN ANTHROPOLOGIST: SELECTED WRITINGS

LEARNING TO BE AN ANTHROPOLOGIST

SELECTED WRITINGS

Dr. Beatrice Medicine

University of Illinois Press, 2001

This prodigious volume represents a landmark assemblage of the significant work of the legendary anthropologist and Native American intellectual Beatrice Medicine.
 
For half a century, Dr. Medicine has defied stereotypes, racism, and sexism in her life and work while combating the reductive, patronizing views of Native Americans perpetuated by mainstream anthropologists. This retrospective collection reflects her unswerving commitment to furthering Native Americans' ability to speak for themselves and deal with the problems of contemporary life.
 
Learning to Be an Anthropologist and Remaining "Native" includes Medicine's clear-eyed views of assimilation, bilingual education, and the adaptive strategies by which Native Americans have conserved and preserved their ancestral languages. Her discussions of sex roles in contemporary Native American societies encompass homosexual orientation among males and females and the "warrior woman" role among Plains Indians as one of several culturally accepted positions according power and prestige to women. The volume also includes Medicine's thoughtful assessments of kinship and family structures, alcoholism and sobriety, the activism implicit in the religious ritual of the Lakota Sioux Sun Dance, and the ceremonial uses of Lakota star quilts.
 
"The Native American is possibly the least understood ethnic minority in contemporary American society," Medicine observes. Her decades of deliberate, generous, dedicated work have done much to reveal the workings of Native culture while illuminating the effects of racism and oppression on Indian families, kinship units, and social and cultural practices.


 
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cover of La Florida del Inca and the Struggle for Social Equality in Colonial Spanish America

La Florida del Inca and the Struggle for Social Equality in Colonial Spanish America

Jonathan D. Steigman

University of Alabama Press, 2005

A cross-disciplinary view of an important De Soto chronicle.


Among the early Spanish chroniclers who contributed to popular images of the New World was the Amerindian-Spanish (mestizo) historian and literary writer, El Inca Garcilaso de la Vega (1539-1616).  He authored several works, of which La Florida del Inca (1605) stands out as the best because of its unique Amerindian and European perspectives on the De Soto expedition (1539-1543).  As the child of an Indian mother and a Spanish father, Garcilaso lived in both worlds--and saw value in each. Hailed throughout Europe for his excellent contemporary Renaissance writing style, his work was characterized as literary art. Garcilaso revealed the emotions, struggles, and conflicts experienced by those who participated in the historic and grandiose adventure in La Florida. Although criticized for some lapses in accuracy in his attempts to paint both the Spaniards and the Amerindians as noble participants in a world-changing event, his work remains the most accessible of all the chronicles.

In this volume, Jonathan Steigman explores El Inca’s rationale and motivations in writing his chronicle. He suggests that El Inca was trying to influence events by influencing discourse; that he sought to create a discourse of tolerance and agrarianism, rather than the dominant European discourse of intolerance, persecution, and lust for wealth. Although El Inca's purposes went well beyond detailing the facts of De Soto’s entrada, his skill as a writer and his dual understanding of the backgrounds of the participants enabled him to paint a more complete picture than most--putting a sympathetic human face on explorers and natives alike.


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cover of La Partera: Story of a Midwife

La Partera

Story of a Midwife

Fran Leeper Buss

University of Michigan Press, 2001

Jesusita Aragon earned the title "la partera," or midwife, at the age of fourteen. Apprenticed to her grandmother, she learned the traditional Hispanic methods of assisting childbirth. She won the coveted title by performing her first delivery when an expectant mother went into labor in her grandmother's absence. In the years that followed, she was often the only source of medical care available in an isolated, mountainous area of New Mexico. Jesusita was so prized for her medical wisdom that she came to deliver more than 12,000 babies in the course of her career.
This is Jesusita's story, told in her own words. She describes her early training as a midwife, her forced departure from home due to two unmarried pregnancies, and her solitary struggle to support her children. La Partera tells how she gradually emerged as a leader in her community, painstakingly building by hand a small maternity center for her patients while gaining the respect of the Anglo medical community.
As Jesusita's story unfolds, so too does the story of the women of the region. Supplemental sections by the author illuminate Jesusita's culture and past, along with a historical account of the network of medical care provided by Hispanic and Anglo female healers. Illustrated with photographs of both people and places, La Partera reflects the culture of an era through the prism of Jesusita's hard and useful life.
Fran Leeper Buss lives and teaches in Tucson, Arizona.
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cover of Land Uprising: Native Story Power and the Insurgent Horizons of Latinx Indigeneity

Land Uprising

Native Story Power and the Insurgent Horizons of Latinx Indigeneity

Simón Ventura Trujillo

University of Arizona Press, 2020

Land Uprising reframes Indigenous land reclamation as a horizon to decolonize the settler colonial conditions of literary, intellectual, and activist labor. Simón Ventura Trujillo argues that land provides grounding for rethinking the connection between Native storytelling practices and Latinx racialization across overlapping colonial and nation-state forms.

Trujillo situates his inquiry in the cultural production of La Alianza Federal de Mercedes, a formative yet understudied organization of the Chicanx movement of the 1960s and 1970s. La Alianza sought to recover Mexican and Spanish land grants in New Mexico that had been dispossessed after the Mexican-American War. During graduate school, Trujillo realized that his grandparents were activists in La Alianza. Written in response to this discovery, Land Uprising bridges La Alianza’s insurgency and New Mexican land grant struggles to the writings of Leslie Marmon Silko, Ana Castillo, Simon Ortiz, and the Zapatista Uprising in Chiapas, Mexico. In doing so, the book reveals uncanny connections between Chicanx, Latinx, Latin American, and Native American and Indigenous studies to grapple with Native land reclamation as the future horizon for Chicanx and Latinx indigeneities.
 
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cover of Land of Water, City of the Dead: Religion and Cahokia's Emergence

Land of Water, City of the Dead

Religion and Cahokia's Emergence

Sarah E. Baires

University of Alabama Press, 2017

Explores the embodiment of religion in the Cahokia land and how places create, make meaningful, and transform practices and beliefs

Cahokia, the largest city of the Mississippian mound cultures, lies outside present-day East St. Louis. Land of Water, City of the Dead reconceptualizes Cahokia’s emergence and expansion (ca. 1050–1200), focusing on understanding a newly imagined religion and complexity through a non-Western lens. Sarah E. Baires argues that this system of beliefs was a dynamic, lived component, based on a broader ontology, with roots in other mound societies. This religion was realized through novel mortuary practices and burial mounds as well as through the careful planning and development of this early city’s urban landscape.

Baires analyzes the organization and alignment of the precinct of downtown Cahokia with a specific focus on the newly discovered and excavated Rattlesnake Causeway and the ridge-top mortuary mounds located along the site axes. Land of Water, City of the Dead also presents new data from the 1954 excavations of the ridge-top mortuary Wilson Mound and a complete analysis of the associated human remains. Through this skeletal analysis, Baires discusses the ways that Cahokians processed and buried their ancestors, identifying unique mortuary practices that include the intentional dismemberment of human bodies and burial with marine shell beads and other materials.

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cover of Land of the Tejas: Native American Identity and Interaction in Texas, A.D. 1300 to 1700

Land of the Tejas

Native American Identity and Interaction in Texas, A.D. 1300 to 1700

By John Wesley Arnn III

University of Texas Press, 2012

Combining archaeological, historical, ethnographic, and environmental data, Land of the Tejas represents a sweeping, interdisciplinary look at Texas during the late prehistoric and early historic periods. Through this revolutionary approach, John Wesley Arnn reconstructs Native identity and social structures among both mobile foragers and sedentary agriculturalists. Providing a new methodology for studying such populations, Arnn describes a complex, vast, exotic region marked by sociocultural and geographical complexity, tracing numerous distinct peoples over multiple centuries.

Drawing heavily on a detailed analysis of Toyah (a Late Prehistoric II material culture), as well as early European documentary records, an investigation of the regional environment, and comparisons of these data with similar regions around the world, Land of the Tejas examines a full scope of previously overlooked details. From the enigmatic Jumano Indian leader Juan Sabata to Spanish friar Casanas's 1691 account of the vast Native American Tejas alliance, Arnn's study shines new light on Texas's poorly understood past and debunks long-held misconceptions of prehistory and history while proposing a provocative new approach to the process by which we attempt to reconstruct the history of humanity.

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cover of Landscape of the Spirits: Hohokam Rock Art at South Mountain Park

Landscape of the Spirits

Hohokam Rock Art at South Mountain Park

Text by Todd W. Bostwick; Photographs by Peter Krocek; Illustrations by Todd W. Bostwick and Peter Krocek

University of Arizona Press, 2002

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail.

Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made.

Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy.

Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.
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cover of Landscapes of Power: Politics of Energy in the Navajo Nation

Landscapes of Power

Politics of Energy in the Navajo Nation

Dana E. Powell

Duke University Press, 2018

In Landscapes of Power Dana E. Powell examines the rise and fall of the controversial Desert Rock Power Plant initiative in New Mexico to trace the political conflicts surrounding native sovereignty and contemporary energy development on Navajo (Diné) Nation land. Powell's historical and ethnographic account shows how the coal-fired power plant project's defeat provided the basis for redefining the legacies of colonialism, mineral extraction, and environmentalism. Examining the labor of activists, artists, politicians, elders, technicians, and others, Powell emphasizes the generative potential of Navajo resistance to articulate a vision of autonomy in the face of twenty-first-century colonial conditions. Ultimately, Powell situates local Navajo struggles over energy technology and infrastructure within broader sociocultural life, debates over global climate change, and tribal, federal, and global politics of extraction.
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cover of Language Shift among the Navajos: Identity Politics and Cultural Continuity

Language Shift among the Navajos

Identity Politics and Cultural Continuity

Deborah House

University of Arizona Press, 2002

To experience change on the Navajo Reservation, one need only close one's eyes and listen. Today an increasing number of Navajos speak only English, while very few speak only Navajo. The Navajo language continues to be taught, but it is less often practiced. Deborah House asks why, despite the many factors that would seem to contribute to the maintenance of the Navajo language, speakers of the language continue to shift to English at such an alarming rate—and what can be done about it.

Language Shift among the Navajos provides a close look at the ideological factors that intervene between the desire of the Navajos to maintain their language as an important aspect of their culture and their actual linguistic practice. Based on more than ten years of fieldwork within a Navajo institution and community, it points to ideologies held by Navajo people about their unequal relationship with the dominant American society as a primary factor in the erosion of traditional language use. House suggests that the Navajos employ their own paradigm—Sa’ah Naagháí Bik’eh Hózhóón—to learn both Western language and culture and their own without denigrating either perspective. By building on the traditional Navajo belief in harmony and balance, she advocates that those who value the language should use and teach it not just in school but also in the home, in the ceremonial hogans, and among those who cherish their heritage. Now is the time when language choices and behavior will influence whether the Navajo language lives or dies. House's book carries important lessons for anyone concerned with cultural continuity. It is a wake-up call for educators, youth, politicians, or family and community members who value Native language and culture. It remains to be seen in what language that call will be answered.
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cover of Language and Art in the Navajo Universe

Language and Art in the Navajo Universe

Gary Witherspoon

University of Michigan Press, 1977

This is a complex and theoretical study on the roles of language and art in Navajo culture, resulting from nearly a decade of research on the Navajo reservation. The structures of Navajo thought, language, speech, and knowledge are used to frame discussions on a number of topics. Primary among these from a cosmological perspective are the concepts of inner and outer forms in the duality on nature coupled with static and dynamic concepts of motion. Also explored is the importance of language in ritual control and perceptions of action, causality, and plurality. Two terms essential to the Navajo ethos are semantically explored as organizing principles. The first is the concept of k'T which finds its primary expression in the patterning of kin relationships and solidarity. The second is h=zh=, which is most easily glossed as representing Navajo ideals of harmony and order. Art examples, represented by music, sand painting, and weaving, are used to demonstrate how these complex semantic and cosmological considerations find their way into Navajo daily ritual life. Information is also included on color classification, numerology, mythology, ethnophysocology, and taxonomies. The conclusions expand the data into summary statements of Navajo ethos.
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cover of Language, History, and Identity: Ethnolinguistic Studies of the Arizona Tewa

Language, History, and Identity

Ethnolinguistic Studies of the Arizona Tewa

Paul V. Kroskrity

University of Arizona Press, 1993

The Arizona Tewa are a Pueblo Indian group that migrated around 1700 to First Mesa on the Hopi Reservation and who, while speaking Hopi, have also retained their native language. Paul V. Kroskrity examines this curiosity of language and culture, explaining the various ways in which the Tewa use their linguistic resources to successfully adapt to the Hopi and their environment while retaining their native language and the cultural identity it embodies.
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cover of Latino Los Angeles: Transformations, Communities, and Activism

Latino Los Angeles

Transformations, Communities, and Activism

Edited by Enrique C. Ochoa and Gilda L. Ochoa

University of Arizona Press, 2005

As the twenth-first century begins, Latinas/os represent 45 percent of the residents of Los Angeles County, making them the largest racial/ethnic group in the region. At the same time, the shift from manufacturing to a service-based economy in the area has contributed to a decline in good-paying jobs, significantly impacting working class families. These transformations have created a backlash that has included state propositions impacting Latinas/os and escalating anti-immigrant rhetoric—and Latina/os of all backgrounds are making their voices heard. Until recently, most research on Latinas/os in the U.S. has ignored historical and contemporary dynamics in Latin America, just as scholars of Latin America have generally stopped their studies at the border. This volume roots Los Angeles in the larger arena of globalization, exploring the demographic changes that have transformed the Latino presence in LA from primarily Mexican-origin to one that now includes peoples from throughout the hemisphere. Bringing together scholars from a range of disciplines, it combines historical perspectives with analyses of power and inequality to consider how Latinas/os are responding to exclusionary immigration, labor, and schooling practices and actively creating communities. The contributors examine Latina/o Los Angeles in the context of historical, economic and social factors that have shaped the region. The first section provides contexts for understanding Latina/o migration, with chapters focusing on such factors as U.S. economic and military domination, labor and economic integration in the Americas, and Los Angeles’ economic history. The second section considers how various Latina/o groups have settled and formed communities and interacted with the existing Mexican-origin populations, showing how Zapotecs, Salvadorans, and other peoples are remaking urban demographics. The final section on labor organizing and political activism examines the role of Latina/o immigrants in such actions as the janitors’ strike and also considers the contemporary role of students in political activism. The volume concludes with an up-to-date compilation of contemporary scholarship on immigration, the economy, schools, neighborhoods, gender and activism as they relate to Central American and Mexican immigrants. Reflecting a range of methodologies—statistical, historical, ethnographic, and participatory research—this collection is relevant not only to ethnic studies but also to broader concerns in political science, sociology, history, economics, and urban studies. In addition, some chapters focus explicitly on women, and gender issues are interwoven throughout the text. Latino Los Angeles is an important work that contributes to contemporary scholarship on transnationalism as it reexamines the changing face of America’s largest western metropolis.
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cover of Laughing Whitefish

Laughing Whitefish

Robert Traver

Michigan State University Press, 2011

Laughing Whitefish is an engrossing trail drama of ethnic hostility and the legal defense of Indian treaties. Young Lawyer William (Willy) Poe puts out a shingle in Marquette, Michigan, in 1873, hoping to meet a woman who will take him seriously. His first client, the alluring Charlotte Kawbawgam, known as Laughing Whitefish, offers an enticing challenge—a compelling case of injustice at the hands of powerful mining interests. Years earlier, Charlotte's father led the Jackson Mining Company to a lucrative iron ore strike, and he was then granted a small share in the mine, which the new owners refuse to honor. Willy is now Charlotte's sole recourse for justice. Laughing Whitefish is a gripping account of barriers between Indian people and their legal rights. These poignant conflicts are delicately wrought by the pre-eminent master of the trial thriller, the best-selling author of Anatomy of a Murder. This new edition includes a foreword by Matthew L.M. Fletcher, Director of the Indigenous Law and Policy Center at Michigan State University, that contextualizes the novel and actual decisions of the Michigan Supreme Court ruling in favor of Charlotte.
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cover of Lewis H. Morgan on Iroquois Material Culture

Lewis H. Morgan on Iroquois Material Culture

Elisabeth Tooker

University of Arizona Press, 1994

Lewis Henry Morgan's mid-nineteenth-century assemblage of Iroquois-made artifacts featured more than 500 objects and at the time was the largest such collection for a single Indian group. In this richly illustrated volume, Elisabeth Tooker has brought together much previously unpublished material not only to show how Morgan managed such an impressive feat of scholarship but also to reveal something of his too often neglected research methods.
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cover of Life Among the Piutes: Their Wrongs and Claims

Life Among the Piutes

Their Wrongs and Claims

Sarah Winnemucca Hopkins

University of Nevada Press, 1994

This autobiographical work was written by one of the country's most well-known Native American women, Sarah Winnemucca. She was a Paiute princess and a major figure in the history of Nevada; her tribe still resides primarily in the state. Life Among the Piutes deals with Winnemucca's life and the plight of the Paiute Indians. Life Among the Piutes is Winnemucca's powerful legacy to both white and Paiute cultures. Following the oral tradition of Native American people, she reaches out to readers with a deeply personal appeal for understanding. She also records historical events from a unique perspective. She managed to record the Native American viewpoint of whites settling the West, told in a language that was not her own and by a woman during the time when even white women were not allowed to vote. Sarah Winnemucca dedicated her life to improving the living and social conditions for her people. She gave more than 400 speeches across the United States and Europe to gain support for the Paiutes. She died of tuberculosis in 1891. Life Among the Piutes was originally published in 1883.

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cover of Life in a Mississippian Warscape: Common Field, Cahokia, and the Effects of Warfare

Life in a Mississippian Warscape

Common Field, Cahokia, and the Effects of Warfare

Meghan E. Buchanan

University of Alabama Press, 2022

Analyzes Mississippian daily life at Cahokia’s environs during wartime

In Life in a Mississippian Warscape: Common Field, Cahokia, and the Effects of Warfare Meghan E. Buchanan posits that to understand the big histories of warfare, political fragmentation, and resilience in the past archaeologists must also analyze and interpret the microscale actions of the past. These are the daily activities of people before, during, and after historical events. Within warscapes, battles take place in peoples’ front yards, family members die, and the impacts of violence in near and distant places are experienced on a daily basis. This book explores the microscale of daily lives of people living at Common Field, a large, palisaded mound center, during the period of Cahokia’s abandonment and the spread of violence and warfare throughout the Southeast.

Linking together ethnographic, historic, and archaeological sources, Buchanan discusses the evidence that the people of Common Field engaged in novel and hybrid practices in these dangerous times. At the microscale, they adopted new ceramic tempering techniques, produced large numbers of serving vessels decorated with warfare-related imagery, adapted their food practices, and erected a substantial palisade with specially prepared deposits. The overall picture that emerges at Common Field is of a people who engaged in risk-averse practices that minimized their exposure to outside of the palisade and attempted to seek intercession from otherworldly realms through public ceremonies involving warfare-related iconography.
 

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cover of Light on the Path: The Anthropology and History of the Southeastern Indians

Light on the Path

The Anthropology and History of the Southeastern Indians

Thomas J. Pluckhahn

University of Alabama Press, 2006

Social history of the native peoples of the American South, bridging prehistory and history
 
The past 20 years have witnessed a change in the study of the prehistory and history of the native peoples of the American South. This paradigm shift is the bridging of prehistory and history to fashion a seamless social history that includes not only the 16th-century Late Mississippian period and the 18th-century colonial period but also the largely forgotten--and critically important--century in between.  The shift is in part methodological, for it involves combining methods from anthropology, history, and archaeology. It is also conceptual and theoretical, employing historical and archaeological data to reconstruct broad patterns of history--not just political history with Native  Americans as a backdrop, nor simply an archaeology with added historical specificity, but a true social history of the Southeastern Indians, spanning their entire existence in the American South.

The scholarship underlying this shift comes from many directions, but much of the groundwork can be attributed to Charles Hudson. The papers in this volume were contributed by Hudson’s colleagues and former students (many now leading scholars themselves) in his honor.  The assumption links these papers is that of a historical transformation between Mississippian societies and the Indian societies of the historic era that requires explanation and critical analysis.

In all of the chapters, the legacy of Hudson’s work is evident. Anthropologists, archaeologists, and historians are storming the bridge that connects prehistory and history in a manner unimaginable 20 years ago.  While there remains much work to do on the path toward understanding this transformation and constructing a complete social history of the Southeastern Indians, the work of Charles Hudson and his colleagues have shown the way.
 
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cover of Listen but Don't Ask Question: Hawaiian Slack Key Guitar across the TransPacific

Listen but Don't Ask Question

Hawaiian Slack Key Guitar across the TransPacific

Kevin Fellezs

Duke University Press, 2019

Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don’t Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai‘i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai‘i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific. 
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cover of Living Ruins: Native Engagements with Past Materialities in Contemporary Mesoamerica, Amazonia, and the Andes

Living Ruins

Native Engagements with Past Materialities in Contemporary Mesoamerica, Amazonia, and the Andes

Philippe Erikson

University Press of Colorado, 2022

Ruins and remnants of the past are endowed with life, rather than mere relics handed down from previous generations. Living Ruins explores some of the ways Indigenous people relate to the material remains of human activity and provides an informed and critical stance that nuances and contests institutionalized patrimonialization discourse on vestiges of the past in present landscapes.
 
Ten case studies from the Maya region, Amazonia, and the Andes detail and contextualize narratives, rituals, and a range of practices and attitudes toward different kinds of vestiges. The chapters engage with recently debated issues such as regimes of historicity and knowledge, cultural landscapes, conceptions of personhood and ancestrality, artifacts, and materiality. They focus on Indigenous perspectives rather than mainstream narratives such as those mediated by UNESCO, Hollywood, travel agents, and sometimes even academics. The contributions provide critical analyses alongside a multifaceted account of how people relate to the place/time nexus, expanding our understanding of different ontological conceptualizations of the past and their significance in the present.
 
Living Ruins adds to the lively body of work on the invention of tradition, Indigenous claims on their lands and history, “retrospective ethnogenesis,” and neo-Indianism in a world where tourism, NGOs, and Western essentialism are changing Indigenous attitudes and representations. This book is significant to anyone interested in cultural heritage studies, Amerindian spirituality, and Indigenous engagement with archaeological sites in Latin America.
 
Contributors: Cedric Becquey, Laurence Charlier Zeineddine, Marie Chosson, Pablo Cruz, Philippe Erikson, Antoinette Molinié, Fernando Santos-Granero, Emilie Stoll, Valentina Vapnarsky, Pirjo Kristiina Virtanen
 
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cover of Living Through the Generations: Continuity and Change in Navajo Women’s Lives

Living Through the Generations

Continuity and Change in Navajo Women’s Lives

Joanne McCloskey

University of Arizona Press, 2007

Navajo women’s lives reflect the numerous historical changes that have transformed “the Navajo way.” At the same time, in their behavior, beliefs, and values, women preserve the legacy of Navajo culture passed down through the generations. By comparing and contrasting three generations of Navajo women—grandmothers, mid-life mothers, and young mothers—similarities and differences emerge in patterns of education, work, family life, and childbearing. Women’s roles as mothers and grandmothers are central to their respected position in Navajo society. Mothers bestow membership in matrilineal clans at birth and follow the example of the beloved deity Changing Woman. As guardians of cultural traditions, grandmothers actively plan and participate in ceremonies such as the Kinaaldá, the puberty ceremony, for their granddaughters.

Drawing on ethnographic interviews with 77 women in Crownpoint, New Mexico, and surrounding chapters in the Eastern Navajo Agency, Joanne McCloskey examines the cultural traditions evident in Navajo women’s lives. Navajo women balance the demands of Western society with the desire to preserve Navajo culture for themselves and their families.
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cover of Living in the Land of Death: The Choctaw Nation, 1830-1860

Living in the Land of Death

The Choctaw Nation, 1830-1860

Donna L. Akers

Michigan State University Press, 2004

With the Indian Removal Act of 1830, the Choctaw people began their journey over the Trail of Tears from their homelands in Mississippi to the new lands of the Choctaw Nation. Suffering a death rate of nearly 20 percent due to exposure, disease, mismanagement, and fraud, they limped into Indian Territory, or, as they knew it, the Land of the Dead (the route taken by the souls of Choctaw people after death on their way to the Choctaw afterlife). Their first few years in the new nation affirmed their name for the land, as hundreds more died from whooping cough, floods, starvation, cholera, and smallpox.
     Living in the Land of the Dead depicts the story of Choctaw survival, and the evolution of the Choctaw people in their new environment. Culturally, over time, their adaptation was one of homesteads and agriculture, eventually making them self-sufficient in the rich new lands of Indian Territory. Along the Red River and other major waterways several Choctaw families of mixed heritage built plantations, and imported large crews of slave labor to work cotton fields. They developed a sub-economy based on interaction with the world market. However, the vast majority of Choctaws continued with their traditional subsistence economy that was easily adapted to their new environment.
     The immigrant Choctaws did not, however, move into land that was vacant. The U.S. government, through many questionable and some outright corrupt extralegal maneuvers, chose to believe it had gained title through negotiations with some of the peoples whose homelands and hunting grounds formed Indian Territory. Many of these indigenous peoples reacted furiously to the incursion of the Choctaws onto their rightful lands. They threatened and attacked the Choctaws and other immigrant Indian Nations for years. Intruding on others’ rightful homelands, the farming-based Choctaws, through occupation and economics, disrupted the traditional hunting economy practiced by the Southern Plains Indians, and contributed to the demise of the Plains ways of life.

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cover of Looking for Lost Lore: Studies in Folklore, Ethnology, and Iconography

Looking for Lost Lore

Studies in Folklore, Ethnology, and Iconography

George E. Lankford

University of Alabama Press, 2008

All students of the past bump into what seem to be impenetrable walls and are left looking longingly beyond the barrier for the lore that seems hopelessly lost. This book is an argument that all that information is not necessarily lost. It may just need a different approach–perhaps multidisciplinary, perhaps a new method, or maybe just with a new hypothesis for testing. Vanished societies have left behind masses of raw data, but it is up to us to discover new ways to look through these windows into the past.
 
Especially in light of the growing relationship—and tensions—between cultural traditions and scientific inquiry, Lankford’s breadth of knowledge, long-term engagement with the issues, and excellent writing style bring clarity to this issue. It is not an easy process, but it is engaging. Any puzzle-solver will find this sort of historical detective work worth the effort.
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