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Questo libro è stato tradotto grazie a un contributo del Ministero degli Affari Esteri e della Cooperazione Internazionale italiano.
This book has been translated thanks to a contribution from the Italian Ministry of Foreign Affairs and International Cooperation.

In Hilal Chouman’s Limbo Beirut, a gay artist, a struggling novelist, a pregnant woman, a disabled engineering student, a former militia member, and a medical intern all take turns narrating the violent events of May 2008, when Hezbollah militants and Sunni fighters clashed in the streets of Beirut. For most of these young men and women, the Lebanese Civil War (1975–1990) is but a vague recollection, but the brutality of May 2008 serves to reawaken forgotten memories and stir up fears of a revival of sectarian violence. Yet despite these fears, the violence these characters witness helps them to break free from the mundane details of their lives and look at the world anew.

The multiple narrative voices and the dozens of pen-and-ink illustrations that accompany the text allow Chouman to achieve a mesmerizing cinematic quality with this novel that is unique in modern Arabic fiction. Not only will readers appreciate the meaningful exploration of the effects of violence on the psyche, but they will also enjoy discovering how the lives of these characters—almost all of whom are strangers to one another—intersect in surprising ways.

A literary tour de force through the symbolic landscapes of recent cultural history, Lookalikes is a text in which everything is as it seems and nothing is as it is.

Thomas Meinecke’s lookalikes resemble many people––Marlon Brando, Shakira, Justin Timberlake, or Josephine Baker to name a few––but never themselves. Illusion is their capital; imitation is their business. They stroll through Düsseldorf's posh Königsallee, reading, quoting, and plagiarizing their way through the history of pop culture and philosophy, exploring categories of realness in parallel worlds and digital chat forums. At the same time, yet another Thomas wanders Brazil in disguise, tracing the journey of Hubert Fichte and his doppelgänger Jäcki. In this endless play of similarities, all identity is lost. 

Between literary and sexual genres, mimesis and authenticity, fiction and reality, these lookalikes only ever find the Other, just as Meinecke’s text duplicates itself in the furor of allusions and reference systems, constantly branching out anew, never remaining the same, always changing these so-called original signs.

Cristina, the young protagonist of Tree of Desire, and her little brother Joaquín run away from a home that is outwardly normal, but inwardly disfunctional. Lost on the streets of Mexico City, they confront some of the most terrifying aspects of city life. Or is it all a dream? The story suggests, without confirming, that sexual abuse has driven Cristina to her desperate escape. But is it an escape? Are they awakening from a dream, or reentering a nightmare?

Serafín, too, is lost in the city. Searching for his father who has deserted the family, he is virtually helpless amid the city dangers. Serafín finds compassion in surprising places, but will he survive to return to his mother and their rural village?

These two novels by one of Mexico's premier writers illuminate many aspects of contemporary Mexican life. Solares describes Mexico's different social classes with Dickensian realism. His focus on young protagonists, unusual in Mexican literature, opens a window onto problems of children's vulnerability that know no national borders. At the same time, his use of elements of the fantastic and the paranormal, and his evocative writing style, make reading his novels a most pleasurable experience.