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Suitable for academics across a wide range of subject areas, Tóth’s work is a broad international comparative analysis, concentrating on the long-term development of literacy rates and the use of written and oral culture in early modern societies. Tóth also examines the social history of elementary schools and its teachers, and book reading among peasants and noblemen throughout the sixteenth to nineteenth centuries in Hungary. 

Literal Figures is the most important work on John Bunyan to appear in many years, and a significant contribution to the history and theory of representation. Beginning with mainstream Puritan responses to a challenge to orthodoxy—a man who claims he has been literally transformed into Christ and his companion who claims to be the "Spouse of Christ"—and concluding with an analysis of The Pilgrim's Progress, which John Bunyan described as a "fall into Allegory," Thomas Luxon presents detailed analyses of key moments in the Reformation crisis of representation.

Why did Puritan Christianity repeatedly turn to allegorical forms of representation in spite of its own intolerance of "Allegorical fancies?" Luxon demonstrates that Protestant doctrine itself was a kind of allegory in hiding, one that enabled Puritans to forge a figural view of reality while championing the "literal" and the "historical". He argues that for Puritanism to survive its own literalistic, anti-symbolic, and millenarian challenges, a "fall" back into allegory was inevitable. Representative of this "fall," The Pilgrim's Progress marks the culminating moment at which the Reformation's war against allegory turns upon itself. An essential work for understanding both the history and theory of representation and the work of John Bunyan, Literal Figures skillfully blends historical and critical methods to describe the most important features of early modern Protestant and Puritan culture.

This study examines literary celebrity in Britain from 1850 to 1914. Through lively analysis of rare cultural materials, Easley demonstrates the crucial role of the celebrity author in the formation of British national identity. As Victorians toured the homes and haunts of famous writers, they developed a sense of shared national heritage. At the same time, by reading sensational accounts of writers’ lives, they were able to reconsider conventional gender roles and domestic arrangements. As women were featured in interviews and profiles, they were increasingly associated with the ephemerality of the popular press and were often excluded from emerging narratives of British literary history, which defined great literature as having a timeless appeal. Nevertheless, women writers were able to capitalize on celebrity media as a way of furthering their own careers and retelling history on their own terms. Press attention had a more positive effect on men’s literary careers since they were expected to assume public identities; however, in some cases, media exposure had the effect of sensationalizing their lives, bodies, and careers. With the development of proto-feminist criticism and historiography, the life stories of male writers were increasingly used to expose unhealthy domestic relationships and imagine ideal forms of British masculinity.

The first section of Literary Celebrity explores the practice of literary tourism in Victorian Britain, focusing specifically on the homes and haunts of Charles Dickens, Christina Rossetti, George Eliot, Elizabeth Barrett Browning, and Harriet Martineau. This investigation incorporates analysis of fascinating cultural texts, including maps, periodicals, and tourist guidebooks. Easley links the practice of literary tourism to a variety of cultural developments, including nationalism, urbanization, spiritualism, the women’s movement, and the expansion of popular print culture. The second section provides fresh insight into the ways that celebrity culture informed the development of Victorian historiography. Easley demonstrates how women were able to re-tell history from a proto-feminist perspective by writing contemporary history, participating in architectural reform movements, and becoming active in literary societies. In this chapter she returns to the work of Harriet Martineau and introduces a variety of lesser-known contributors to the field, including Mary Gillies and Mary Ward. Literary Celebrity concludes with a third section focused on the expansion of celebrity media at the fin de siècle. These chapters and a brief coda link the popularization of celebrity news to the de-canonization of women writers, the professionalization of medicine, the development of the open space movement, and the institutionalization of English studies. These investigations elucidate the role of celebrity media in the careers of Charlotte Robinson, Marie Corelli, Mary Braddon, Harriet Martineau, Thomas Carlyle, Ernest Hart, and Octavia Hill.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

Although the literary circle is widely recognized as a significant feature of Renaissance literary culture, it has received remarkably little examination. In this collection of essays, the authors attempt to explain literary circles and cultural communities in Renaissance England by exploring both actual and imaginary ways in which they were conceived and the various needs they fulfilled. The book also pays considerable attention to larger theoretical issues relating to literary circles.

The essayists raise important questions about the extent to which literary circles were actual constructs or fictional creations. Whether illuminating or limiting, the circle metaphor itself can be extended or reformulated. Some of the authors discuss how particular circles actually operated, and some question the very concept of the literary circle. Literary Circles and Cultural Communities in Renaissance England will be an important addition to seventeenth-century studies.

For two generations, writers in the German Democratic Republic enjoyed a massive audience in their own country, a readership dependent on their works for a measure of utopian solace amid the grimness of life under Communism. But after the fall of the Berlin Wall, these writers were abandoned by their readers and stripped of the professional structures that had supported them. Their literary culture destroyed, they were rebuked for compliant service to the discredited state; and some were reviled for collaborating with the East German secret police, the Stasi.

What drove leading thinkers, including those of the avant-garde who publicly embraced intellectual freedom, to serve as government informants? Why were they content to work within a repressive system rather than challenging it outright? This collection of interviews with more than two dozen writers and literary scholars, including several Stasi informants, provides a gripping, often dismaying picture of the motivations, compromises, and illusions of East German intellectual life.

In conversations with Robert von Hallberg, writers such as best-selling novelist Hermann Kant, playwright Christoph Hein, and avant-garde poet-publisher Sascha Anderson talk about their lives and work before the fall of the wall in 1989—about the constraints and privileges of Communist Party membership, experiences of government censorship and self-censorship, and relations with their readers. They reflect on why the possibilities of opposition to the state seemed so limited, and on how they might have found ways to resist more aggressively. Turning to the controversies that have emerged since reunification, including the Stasi scandals involving Anderson and Christa Wolf, they discuss their feelings of complicity and the need for further self-examination. Two interviews with Anderson—one conducted before he was exposed as a Stasi collaborator and one conducted afterward—offer unique insight into the double life led by many writers and scholars in the German Democratic Republic.

Over 200 writings about Nevada with selections from Native American tales to contemporary writings on urban experience and environmental concerns. The state of Nevada embodies paradox and contradiction—home to one of the fastest-growing cities in the nation and to isolated ranches scattered across a sparsely populated backcountry. Nevada is a place where the lust for sudden wealth has prompted both wild mining booms and glittering casinos, and where forbidding atomic test sites coexist with alluring tourist meccas. The variety and distinctiveness of Nevada’s landscape and peoples have inspired writers from the beginning of immigrant contact with the region. This contact has produced abundant literary wealth that includes the rich oral traditions of Native American peoples and an amazing spectrum of contemporary voices. Literary Nevada is the first comprehensive literary anthology of Nevada. It contains over 200 selections ranging from traditional Native American tales, explorers’ and emigrants’ accounts, and writing from the Comstock Lode and other mining boomtowns, as well as compelling fiction, poetry, and essays from throughout the state’s history. There is work by well-known Nevada writers such as Sarah Winnemucca, Mark Twain, and Robert Laxalt, by established and emerging writers from all parts of the state, and by some nonresident authors whose work illuminates important facets of the Nevada experience. The book includes cowboy poetry, travel writing, accounts of nuclear Nevada, narratives about rural life and urban life in Las Vegas and Reno, poetry and fiction from the state’s best contemporary writers, and accounts of the special beauty of wild Nevada’s mountains and deserts. Editor Cheryll Glotfelty provides insightful introductions to each section and author. The book also includes a photo gallery of selected Nevada writers and a generous list of suggested further readings. Nevada has inspired an exceptionally rich panorama of fine writing and a dazzling array of literary voices. The selections in Literary Nevada will engage and delight readers while revealing the complex and exciting diversity of the state’s history, people, and life.

Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O’Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era.

Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O’Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism’s effect on history and human labor, desire, and memory. This period’s imaginative writing, O’Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.

The United States set about defining and reforming its criminal justice institutions during the antebellum years, just as an innovative, expanding print culture afforded authors and publishers unprecedented opportunities to reflect on these important social developments. Carl Ostrowski traces the impact of these related historical processes on American literature, identifying a set of culturally resonant narratives that emerged from criminal justice-related discourse to shape the period's national literary expression.

Drawing on an eclectic range of sources including newspaper arrest reports, prison reform periodicals, popular literary magazines, transatlantic travel narratives, popular crime novels, anthologies of prison poetry, and the memoirs of prison chaplains, Ostrowski analyzes how authors as canonical as Nathaniel Hawthorne and as obscure as counterfeiter/poet/prison inmate Christian Meadows adapted, manipulated, or rejected prevailing narratives about criminality to serve their artistic and rhetorical ends. These narratives led to the creation of new literary subgenres while also ushering in psychological interiority as an important criterion by which serious fiction was judged. Ostrowski joins and extends recent scholarly conversations on subjects including African American civic agency, literary sentimentalism, outsider authorship, and the racial politics of antebellum prison reform.

Historical documents—and, for that matter, historical sources—exist in many forms. The traditional archival sources such as official documents, newspapers, correspondence, and diaries can be supplemented by personal archives, oral histories, and even works of fiction in order for historians to illuminate the past.

Literature as History offers a critical new path for Chicano and Latino history. Historian Mario T. García analyzes prominent works of Chicano fiction, nonfiction, and autobiographical literature to explore how they can sometimes reveal even more about ordinary people’s lives. García argues that this approach can yield personal insights into historical events that more formal documents omit, lending insights into such diverse issues as gender identity, multiculturalism, sexuality, and the concerns of the working class.

In a stimulating and imaginative look at the intersection of history and literature, García discusses the meaning and intent of narratives. Literature as History represents a unique way to rethink history. García, a leader in the field of Chicano history and one of the foremost historians of his generation, explores how Chicano historians can use Chicano and Latino literature as important historical sources. Autobiography, testimonio, and fiction are the genres the author researches to obtain new and insightful perspectives on Chicano history at the personal and grassroots levels. Breaking the boundaries between history and literature, García provides a thought-provoking discussion of what constitutes a historical source.

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas

Lithuanian Social Democracy in Perspective is the first book in any Western language on Lithuanian Social Democracy. In this work Leonas Sabaliunas studies the conflict between and convergence of socialism and nationalism in pre-1914 Lithuania. He analyzes the interplay of ideological priorities by observing the operations of Marxist political parties, emphasizing the origins, development, and achievements of the Social Democratic Party of Lithuania.
But Sabaliunas also considers such partners and rivals as the Jewish Bund, the Polish Socialist Party, the Social Democracy of the Kingdom of Poland and Lithuania, and the Russian Social Democratic Labor Party. He focuses on the appearance of socialist parties at the local level, the politics of assertive behavior during the Russian Revolution of 1905–1906, the nature of interparty relations, and efforts to promote party unity. In particular, he investigates the projected relationship between Russia and its subject nationalities—a cardinal concern today as the Baltic peoples attempt to distance themselves from their Russian neighbors.
Sabaliunas clarifies current massive Lithuanian opposition to Moscow and to its version of socialism. He stresses that in Lithuania the socialist movement from the beginning not only sought solutions to social and economic problems but also addressed issues of ethnic and national interest, especially the question of national sovereignty.

In Lithuanians in Michigan Marius Grazulis recounts the history of an immigrant group that has struggled to maintain its identity. Grazulis estimates that about 20 percent of the 1.6 million Lithuanians who immigrated to the United States arrived on American shores between 1860 and 1918.
     While first-wave immigrants stayed mostly on the east coast, by 1920 about one-third of newly immigrated Lithuanians lived in Michigan, working in heavy industry and mining.
     With remarkable detail, Grazulis traces the ways these groups have maintained their ethnic identity in Michigan in the face of changing demographics in their neighborhoods and changing interests among their children, along with the challenges posed by newly arriving "modern" Lithuanian immigrants, who did not read the same books, sing the same songs, celebrate the same holidays, or even speak the same language that previous waves of Lithuanian immigrants had preserved in America. Anyone interested in immigrant history will find Lithuanians in Michigan simultaneously familiar, fascinating, and moving.

Jeffrey Hammond’s Little Big World: Collecting Louis Marx and the American Fifties is the story of a middle-aged man’s sudden compulsion to collect the toys of his childhood: specifically themed playsets produced by the Louis Marx Toy Company. Hammond never made a conscious decision to become a collector of any kind, so he was surprised when his occasional visits to web sites turned into hours spent gazing at, and then impulsively purchasing, the tiny plastic people and animals in the Civil War set, the Fort Apache set, Roy Rogers Ranch, and Happi-Time Farm—just a few of the dozens of playsets the Marx Company produced.

      Hammond interweaves childhood memories with reflections on what they reveal about the culture and values of cold war America, offering an extended meditation on toys as powerful catalysts for the imagination of both children and adults. Never sentimentalizing his childhood in an effort to get his old toys back, Hammond exposes the dangers of nostalgia by casting an unsettling light on the culture of the fifties and the era’s lasting impact on those who grew up in it.

      Writing in a lovably quirky voice, Hammond not only attempts to understand his personal connection to the Marx toys but also examines the psychology of his fellow eBay denizens. In this warm, funny, and contemplative work, the reader encounters an online community of serious adult collectors who, as the author suspects, are driven to obsession by middle-aged nostalgia. When Hammond questions this preoccupation with the past, he comes to realize that his own collecting has prevented him from moving forward. With this insight, he offers an insider’s take on the culture and psychology of collecting.

“Little Hawk” was born Raymond Kaquatosh in 1924 on Wisconsin’s Menominee Reservation. The son of a medicine woman, Ray spent his Depression-era boyhood immersed in the beauty of the natural world and the traditions of his tribe and his family.
After his father’s death, eight-year-old Ray was sent to an Indian boarding school in Keshena. There he experienced isolation and despair, but also comfort and kindness. Upon his return home, Ray remained a lonely boy in a full house until he met and befriended a lone timber wolf. The unusual bond they formed would last through both their lifetimes. As Ray grew into a young man, he left the reservation more frequently. Yet whenever he returned—from school and work, from service in the Marines, and finally from postwar Wausau with his future wife—the wolf waited.
In this rare first-person narrative of a Menominee Indian’s coming of age, Raymond Kaquatosh shares a story that is wise and irreverent, often funny, and in the end, deeply moving. 

“Little Hawk” was born Raymond Kaquatosh in 1924 on Wisconsin’s Menominee Reservation. The son of a medicine woman, Ray spent his Depression-era boyhood immersed in the beauty of the natural world and the traditions of his tribe and his family.
After his father’s death, eight-year-old Ray was sent to an Indian boarding school in Keshena. There he experienced isolation and despair, but also comfort and kindness. Upon his return home, Ray remained a lonely boy in a full house until he met and befriended a lone timber wolf. The unusual bond they formed would last through both their lifetimes. As Ray grew into a young man, he left the reservation more frequently. Yet whenever he returned—from school and work, from service in the Marines, and finally from postwar Wausau with his future wife—the wolf waited.
In this rare first-person narrative of a Menominee Indian’s coming of age, Raymond Kaquatosh shares a story that is wise and irreverent, often funny, and in the end, deeply moving. 

The Great War challenged all who were touched by it. Italian immigrants, torn between their country of origin and country of relocation, confronted political allegiances that forced them to consider the meaning and relevance of Americanization. In his engrossing study, Little Italy in the Great War, Richard Juliani focuses on Philadelphia’s Italian community to understand how this vibrant immigrant population reacted to the war as they were adjusting to life in an American city that was ambivalent toward them. 

Juliani explores the impact of the Great War on many immigrant soldiers who were called to duty as reservists and returned to Italy, while other draftees served in the U.S. Army on the Western Front. He also studies the impact of journalists and newspapers reporting the war in English and Italian, and reactions from civilians who defended the nation in industrial and civic roles on the home front. 

Within the broader context of the American experience, Little Italy in the Great War examines how the war affected the identity and cohesion of Italians as a population still passing through the assimilation process.

In the early twentieth century—not long after 1898, when the United States claimed the Philippines as an American colony—Filipinas/os became a vital part of the agricultural economy of California's fertile San Joaquin Delta. In downtown Stockton, they created Little Manila, a vibrant community of hotels, pool halls, dance halls, restaurants, grocery stores, churches, union halls, and barbershops. Little Manila was home to the largest community of Filipinas/os outside of the Philippines until the neighborhood was decimated by urban redevelopment in the 1960s. Narrating a history spanning much of the twentieth century, Dawn Bohulano Mabalon traces the growth of Stockton's Filipina/o American community, the birth and eventual destruction of Little Manila, and recent efforts to remember and preserve it.

Mabalon draws on oral histories, newspapers, photographs, personal archives, and her own family's history in Stockton. She reveals how Filipina/o immigrants created a community and ethnic culture shaped by their identities as colonial subjects of the United States, their racialization in Stockton as brown people, and their collective experiences in the fields and in the Little Manila neighborhood. In the process, Mabalon places Filipinas/os at the center of the development of California agriculture and the urban West.

Keet, a ten-year-old Tlingit Indian boy, stows away for a voyage on his father’s canoe . . . and soon finds himself caught in the middle of a wild seastorm. The story carries him far from his home village, and when he makes land, he winds up right in the middle of a dangerous dispute between two Indian clans. The story of how he copes with these surprises and extricates himself from danger is dramatic and unforgettable.
            And it’s mostly true. Roy Peratrovich here builds a wonderful children’s tale on the bones of a story his own grandfather passed down. His accompanying illustrations bring the people and landscapes of Alaska—to say nothing of the adventures!—to stunning life, drawing young readers into a long-gone time when the whims of nature and man could suddenly test a boy’s courage.
 

A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.

After describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. Harris also investigates lawns, fences, indoor-outdoor spaces, and other aspects of the postwar home and analyzes their contribution to the assumption that the rightful owners of ordinary houses were white.

Richly detailed, Little White Houses adds a new dimension to our understanding of race in America and the inequalities that persist in the U.S. housing market.

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price.

Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.

A great American institution; the bane of feminist ideology; a cornucopia of corn—few are neutral about the Miss America Pageant. Live from Atlantic City traces the pageant’s history from its birth as pseudo-event in 1920 through its emergence as American popular culture icon.
    A. R. Riverol takes the reader to times and places where no television camera has focused. Drawing upon (and sometimes debating with) primary and secondary sources, the author paints a vivid picture of life in Atlantic City during pageant week—whether that week be in 1944 or 1984. More than just chronicling events, the author also presents two opposing perspectives on the pageant: the pageant as celebration and idealization of American womanhood and the pageant as sexist, exploitative anachronism.

Lives and Legends of the Christmas Tree Ships brings the maritime heritage of the Great Lakes to life, using the tragic story of the schooner Rouse Simmons as a porthole into the robust but often forgotten communities that thrived along Lake Michigan from the Civil War to World War I.

Memorialized in songs, poems, fiction, and even a musical, the infamous ship that went down in a Thanksgiving storm while delivering Christmas trees to Chicago has long been shrouded in myth and legend. As a result, the larger story of the captain, crew, and affected communities has often been overlooked. Fred Neuschel delves into this everyday life of camaraderie, drudgery, ambition, and adventure—with tales of the Midwest’s burgeoning immigrant groups and rapid industrialization—to create a true story that is even more fascinating than the celebrated legends.

The essays look at the consequences that legal practice has on the lives of its practitioners as well as on the individual legal subject and on the shape of shared identities. These essays challenge liberal and communitarian notions of what it means to live the law.

 

In the first of the essays, Pnina Lahav presents a study of the Chicago Seven Trial to paint a picture of the law's power to serve as a site for the definition of a collective group identity. In contrast, Sarah Gordon focuses on the experience of an individual legal subject, namely, the defendant in the Hester Vaughn trial, a notorious nineteenth-century case of infanticide. Frank Munger looks at how law constructs the identity of women and explores the strategies by which poor women resist the law's construction of their dependency. In the fourth essay, Vicki Schultz offers a moral vision of equality that straddles the liberal and communitarian positions with her articulation of the concept of a "life's work." Lastly, Annette Wieviorka examines the recent trial of Maurice Papon for complicity in crimes against humanity to reveal how the very identity of a nation--in this case, France--can be defined through juridical and legal acts.

Austin Sarat is William Nelson Cromell Professor of Jurisprudence and Political Science and Professor of Law, Jurisprudence and Social Thought, Amherst College. Lawrence Douglas is Associate Professor of Law, Jurisprudence and Social Thought, Amherst College. Martha Umphrey is Assistant Professor of Law, Jurisprudence and Social Thought, Amherst College.

Lives of Their Own depicts the strikingly different lives of black, Italian, and Polish immigrants in Pittsburgh. Within a comparative framework, the book focuses on the migration process itself, job procurement, and occupational mobility, family structure, home-ownership, and neighborhood institutions. By blending oral histories with quantitative data, the authors have created a convincing multilayered portrait of working-class life in one of our great industrial cities.
 

Offering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean, Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress. 

Steven Blevins calls this reimagining “unhousing history”—an aesthetic and political practice that animates and improvises on the institutional archive, repurposing it toward different ends and new possibilities. He discusses the work of novelists, including Caryl Phillips, Fred D’Aguiar, David Dabydeen, and Bernardine Evaristo; filmmakers Isaac Julien and Inge Blackman; performance poet Dorothea Smartt; fashion designer Ozwald Boateng; artists Hew Locke and Yinka Shonibare; and the urban redevelopment of Bristol, England, which unfolded alongside the public demand to remember the city’s slave-trading past. 

Living Cargo argues that the colonial archive is neither static nor residual but emergent. By reassembling historical fragments and traces consolidated in the archive, these artists not only perform a kind of counter-historiography, they also imagine future worlds that might offer amends for the atrocities of the past.

Honorable mention, 2018 Ananda Kentish Coomaraswamy Book Prize from the South Asia Council of the Association for Asian Studies

Many Americans still envision India as rigidly caste-bound, locked in traditions that inhibit social mobility. In reality, class mobility has long been an ideal, and today globalization is radically transforming how India’s citizens perceive class. Living Class in Urban India examines a nation in flux, bombarded with media images of middle-class consumers, while navigating the currents of late capitalism and the surges of inequality they can produce. 

 

Anthropologist Sara Dickey puts a human face on the issue of class in India, introducing four people who live in the “second-tier” city of Madurai: an auto-rickshaw driver, a graphic designer, a teacher of high-status English, and a domestic worker. Drawing from over thirty years of fieldwork, she considers how class is determined by both subjective perceptions and objective conditions, documenting Madurai residents’ palpable day-to-day experiences of class while also tracking their long-term impacts. By analyzing the intertwined symbolic and economic importance of phenomena like wedding ceremonies, religious practices, philanthropy, and loan arrangements, Dickey’s study reveals the material consequences of local class identities. Simultaneously, this gracefully written book highlights the poignant drive for dignity in the face of moralizing class stereotypes.  

 

Through extensive interviews, Dickey scrutinizes the idioms and commonplaces used by residents to justify class inequality and, occasionally, to subvert it. Along the way, Living Class in Urban India reveals the myriad ways that class status is interpreted and performed, embedded in everything from cell phone usage to religious worship.  

This book is also freely available online as an open-access digital edition, published with the support of the National Endowment for the Humanities.

 

In 1972, Dennis Parks, a young potter with a promising academic career ahead of him, decided to move to Tuscarora, a near-abandoned mining town in remote northeastern Nevada. Parks and his wife were attracted to Tuscarora's isolation and beautiful setting, and they believed that it might be a healthy environment in which to raise their two small sons. This is Parks' account of his family's life in Tuscarora, a tiny settlement whose population even forty years later numbers fewer than twenty permanent residents.

Parks created a pottery school that attracts students from around the world and developed for himself an international reputation as the creator of powerful, innovative works in clay. Meanwhile, he and his family had to master the skills required of those who choose to live in the back country--growing and hunting their own food, renovating or building from scratch the structures they needed for residences or studios, resolving conflicts with neighbors, inventing their own amusements. The transformation from middle-class urbanity to small-town simplicity is, as Parks reveals, a lurching and sometimes hilarious process, and the achievement of self-sufficiency is similarly fraught with unexpected challenges.

At the heart of this excellent book are the striking and rare postcards that provide a comprehensive visual review of this popular building type from coast to coast. Over 150 illustrations feature the gingerbread structures of the Northeast, the simple buildings of the Gold Rush West, and the mission-style stations of the Southwest in this first book to concentrate on this overlooked aspect of railroad history.

While much has been written on post-apartheid social movements in South Africa, most discussion centers on ideal forms of movements, disregarding the reality and agency of the activists themselves. In Living Politics, Kerry Ryan Chance radically flips the conversation by focusing on the actual language and humanity of post-apartheid activists rather than the external, idealistic commentary of old.
 
Tracking everyday practices and interactions between poor residents and state agents in South Africa’s shack settlements, Chance investigates the rise of nationwide protests since the late 1990s. Based on ethnography in Durban, Cape Town, and Johannesburg, the book analyzes the criminalization of popular forms of politics that were foundational to South Africa’s celebrated democratic transition. Chance argues that we can best grasp the increasingly murky line between “the criminal” and “the political” with a “politics of living” that casts slum and state in opposition to one another. Living Politics shows us how legitimate domains of politics are redefined, how state sovereignty is forcibly enacted, and how the production of new citizen identities crystallize at the intersections of race, gender, and class.