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Dubbed 'the poster girl of Palestinian militancy', Leila Khaled's image flashed across the world after she hijacked a passenger jet in 1969. The picture of a young, determined looking woman with a checkered scarf, clutching an AK-47, was as era-defining as that of Che Guevara.

In this intimate profile, based on interviews with Khaled and those who know her, Sarah Irving gives us the life-story behind the image. Key moments of Khaled's turbulent life are explored, including the dramatic events of the hijackings, her involvement in the Marxist Popular Front for the Liberation of Palestine (a radical element within the PLO), her opposition to the Oslo peace process and her activism today.

Leila Khaled's example gives unique insights into the Palestinian struggle through one remarkable life – from the tension between armed and political struggle, to the decline of the secular left and the rise of Hamas, and the role of women in a largely male movement.

Honorable Mention for the 2025 New Deal Book Award 

Leon Bibel (1913–1995) was a prolific modern American artist who painted, printed, stamped, etched, sketched, and carved. He produced pieces that ranged from social realism to dreamy expressionism and was an aesthetic experimentalist, never working for too long in any medium or style. And despite Bibel's obvious talent, his work would have languished in obscurity were it not for the New Deal programs like the Federal Art Project and Public Works of Art Project.
 
Leon Bibel, the first biography of this eclectic artist, recounts his life from his birth in Szczebrzeszyn, Poland, in 1913, to his death in New Jersey in 1995. After immigrating to the United States in the 1920s, Bibel came of age during the Great Depression, when New Deal agencies recognized his abilities and supported his artistic endeavors. Working-class artists faced challenges after these programs folded, and Bibel would later spend twenty years as a New Jersey chicken farmer before resurrecting his art career in the 1960s.
 
Historian Richard Haw shows how Bibel's life was defined by the New Deal, his visionary artwork shaped by the era's commitment to social and economic justice. With reproductions of more than 240 of Bibel's works, most in vivid color, this book reveals how he depicted everything from the trauma of unemployment to the dignity of work, from the horrors of lynching to the pleasures of everyday life.

As the best-selling author of Exodus, Mila 18, QB VII, and Trinity, Leon Uris blazed a path to celebrity with books that readers could not put down. Uris's thirteen novels sold millions of copies, spent months on the best-seller lists, appeared in fifty languages, and have been adapted into equally popular movies and TV miniseries. Few other writers equaled Uris's fame in the mid-twentieth century. His success fueled the rise of mass-market paperbacks, movie tie-ins, and celebrity author tours. Beloved by the public, Uris was, not surprisingly, dismissed by literary critics. Until now, his own life—as full of drama as his fiction—has never been the subject of a book.

In Leon Uris: Life of a Best Seller, Ira Nadel traces Uris from his disruptive youth to his life-changing experiences as a marine in World War II. These experiences, coupled with Uris's embrace of his Judaism and desire to write, led to his unprecedented success and the lavish excesses of a career as a best-selling author. Nadel reveals that Uris lived the adventures he described, including his war experiences in the Pacific (Battle Cry), life-threatening travels in Israel (Exodus), visit to Communist Poland (Mila 18), libel trial in Britain (QB VII), and dangerous sojourn in fractious Northern Ireland and the Irish Republic (Trinity). Nadel also demonstrates that Uris's talent for writing action-packed, yet thoroughly researched, novels meshed perfectly with the public's desire to revisit and understand the tumultuous events of recent history. This made him far more popular (and wealthy) than more literary authors, while paving the way for writers such as Irving Wallace and Tom Clancy.

Pulitzer Prize–winning poet Richard Wilbur (b. 1921) is part of a notable literary cohort, American poets who came to prominence in the mid-twentieth century. Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Molière, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman.

Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived “normality” both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.

Barbara Jordan spoke for many Texas women when she told a reporter, "I get from the soil and spirit of Texas the feeling that I, as an individual, can accomplish whatever I want to, and that there are no limits, that you can just keep going, just keep soaring. I like that spirit." Indeed, the sense of limitless possibilities has inspired countless Texas women—sometimes in the face of daunting obstacles—to build lives rich in work, family, friends, faith, and community involvement.

In this collection of interviews conducted by PJ Pierce, twenty-five Texas women ranging in age from 53 to 93 share the wisdom they've acquired through living unconventional lives. Responding to the question "What have you found that really matters about life?" they offer keen insights into motherhood, career challenges, being a minority, marriage and widowhood, anger, assertiveness, managing change, persevering, power, speaking out, fashioning success from failure, writing your own job description, loving a younger man, and recognizing opportunities disguised as disaster—to name only a few of their topics. In her introduction, Pierce describes how she came to write the book and how she chose her subjects to represent a cross-section of career paths and ethnic groups and all geographic areas of Texas. A topical index makes it easy to compare several women's views on a given subject.

Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2012
Liz Carpenter Award for Research in the History of Women, Texas State Historical Association, 2012

When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President George H. W. Bush—“Poor George, he can’t help it. He was born with a silver foot in his mouth”—she instantly became a media celebrity and triggered a rivalry that would alter the course of American history. In 1990, Richards won the governorship of Texas, upsetting the GOP’s colorful rancher and oilman Clayton Williams. The first ardent feminist elected to high office in America, she opened up public service to women, blacks, Hispanics, Asian Americans, gays, and the disabled. Her progressive achievements and the force of her personality created a lasting legacy that far transcends her rise and fall as governor of Texas.

In Let the People In, Jan Reid draws on his long friendship with Richards, interviews with her family and many of her closest associates, her unpublished correspondence with longtime companion Bud Shrake, and extensive research to tell a very personal, human story of Ann Richards’s remarkable rise to power as a liberal Democrat in a conservative Republican state. Reid traces the whole arc of Richards’s life, beginning with her youth in Waco, her marriage to attorney David Richards, her frustration and boredom with being a young housewife and mother in Dallas, and her shocking encounters with Lyndon Johnson and Jimmy Carter. He follows Richards to Austin and the wild 1970s scene and describes her painful but successful struggle against alcoholism. He tells the full, inside story of Richards’s rise from county office and the state treasurer’s office to the governorship, where she championed gun control, prison reform, environmental protection, and school finance reform, and he explains why she lost her reelection bid to George W. Bush, which evened his family’s score and launched him toward the presidency. Reid describes Richards’s final years as a world traveler, lobbyist, public speaker, and mentor and inspiration to office holders, including Hillary Clinton. His nuanced portrait reveals a complex woman who battled her own frailties and a good-old-boy establishment to claim a place on the national political stage and prove “what can happen in government if we simply open the doors and let the people in.”

After a brief taste of urban life, and convinced that nothing equaled the formidable challenge of life in the heart of the vast woods, Peter M. Leschak returned to northern Minnesota. Letters from Side Lake chronicles the marvelous range of adventures and reflections-described with thoughtfulness and humor-springing from his pioneer-like existence. In Leschak's unique voice and beautifully crafted style, Letters from Side Lake captures the great pleasures and rugged feats and hardships of North Woods living.

Although Roy Bedichek published less than his more famous friends J. Frank Dobie and Walter Prescott Webb, he wrote voluminously and, many say, with more distinction than the others. In addition to his four published books, Bedichek produced a great number of letters through which he communicated his broad interests and deep learning to a wide variety of correspondents.

Prefaced by a biographical sketch, this volume presents a collection of Bedichek letters that give us an insight into his literary and creative development—from his earliest years through his career at the University of Texas and on into his later years. They include letters to his closest associates, J. Frank Dobie and Walter Prescott Webb, and to many old friends, such as William A. Owens, John A. Lomax, and John Henry Faulk. Also included is Bedichek's correspondence with other contemporaries, not all old friends, among them Texas Governor James Ferguson, the recipient of some of Bedichek's most trenchant criticism. Throughout this collection, Bedichek's sparkling wit and profound learning are evident as he discusses his favorite subjects, among them ecology, education, literature, politics, and history, frequently related to Texas.

When Roy Bedichek gave his collection of letters to the Barker Collection in the University of Texas Library, he designated William A. Owens as the authorized editor of the letters, with the restriction that none of them be published until seven years following his death, which came in 1959.

Denise Von Glahn’s in-depth examination of Larsen merges traditional biography with a daring scholarly foray: an ethnography of one active artist. Drawing on musical analysis, the composer’s personal archive, and seven years of interviews with Larsen and those in her orbit, Von Glahn illuminates the polyphony of achievements that make up Larsen’s public and private lives. In considering Larsen’s musical impact, Von Glahn delves into how elements of the personal—a 1950s childhood, spiritual seeking, love of nature, and status as an “important woman artist”—inform her work. The result is a portrait of a musical pathfinder who continues to defy expectations and reject labels.