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A kaleidoscopic novel-in-stories set at a fictional Midwest college

Two centuries old and covered in ivy, Wisconsin’s Buchanan College is populated by an eclectic mix of students, staff, and professors hailing from the nearby suburbs to the far corners of the globe. From the outside, Buchanan seems an idyllic world of higher learning. Yet behind its bucolic exterior, a series of interconnected dramas play out: a slew of first-year students mysteriously disappear within days of moving in; an injured hockey star discovers an unlikely fountain of youth; an alumna returns to campus after fifty years in the hope of reconnecting with a former love. And throughout the novel we follow the story of Jenny Ramirez, a social worker and the wife of a popular professor, who commits an act that alters how the college sees her, and how she sees herself. Over a span of four years, from orientation to graduation, the characters in Liberal Arts are forced to weigh their ideals and aspirations against the harsh and often ridiculous realities of the world, and are left asking what, if anything, a liberal arts education has left to teach them.

Questo libro è stato tradotto grazie a un contributo del Ministero degli Affari Esteri e della Cooperazione Internazionale italiano.
This book has been translated thanks to a contribution from the Italian Ministry of Foreign Affairs and International Cooperation.

A poignant exploration of post–World War II life, blending fictional and non-fictional stories that challenge traditions and reflect on the enduring impact of historical disruptions. 

Lifespan Narratives has to do with stories, fictitious and not, which present a sad chronicle and question tradition from several different perspectives. Originally comprising Alexander Kluge’s first book, these stories were written between the years 1958 and 1962, in which he emphasizes the importance of continuously questioning our past. He underscores the necessity of recounting lifespan narratives even from today’s viewpoint, proposing that “life in a time of disruption” should be viewed as a constant experiential substance, transcending any single era.  

In Lifespan Narratives, readers are invited to explore the enduring impact of historical disruptions through Kluge’s masterful storytelling, which remains as relevant today as it was in the years following the Second World War. For this edition, the English translation of a selection of stories by Leila Vennewitz has been expanded by Alexander Booth in conjunction with the author. 

Marianne Moore said of Robert Francis's poetry, “He is so penetrating, delicate, and wise, one goes away without having said a word, merely grateful to have received so much.”

Francis readers will welcome this new volume of verse which features poems in the whole technical gamut of Francis styles, including word count, with which he first delighted critics in Come out into the Sun. 

Like Ghosts of Eagles also presents for the first time entirely new Francis styles and techniques. Such poems as “Bloodstains,” “Going to the Funeral,” and “Silent Poem” are distinguished by “fragmented surface,” a technique in which single words or short phrases are delivered without connecting tissue. Also new to his work are poems in which sentences are fused together in one continuous stream, as in “The Mountain,” “The Righteous,” and “The Peacock.” 

The works are equally diversified in mood, ranging from the bitterly satirical through the elegiac, lyrical and playful, to poems of pure celebration. “Few others writing today work with such fragile sounds and with such delicate, almost pastel perceptions,” wrote David Clark upon first reading the manuscript of Like Ghosts of Eagles.

A pivotal summer in the life of Maria Branwell, the mother of the Brontë sisters

In imagined diary entries from the summer of 1812, twenty-nine-year-old Maria Branwell is pondering a momentous choice. Far from her Cornish home, working with her aunt and uncle at their Methodist boys’ school on the moors of Yorkshire, she has just been introduced to the Irish clergyman Patrick Brontë. The two are powerfully drawn to one another, resulting in a proposal Maria accepts wholeheartedly—yet reservations begin to surface. From her earliest years she has felt marked by an uncommon destiny, one she had assumed incompatible with an ordinary life of marriage and children. Does marriage fit into that destiny? Or is there a different path to take? The choice of this woman forgotten by history will alter the course of literature forever.

On a summer evening in the 1990s, Anne learns that one of her husband’s lovers is expecting his child, only a few weeks after learning that she too is pregnant. He tells her casually, as if it’s just another colorful story about his day. And the tenuous understanding between them—the careful balance of privacy and flexibility that has sustained their open marriage to date—is shattered.

Meanwhile, Sandy, the lover, works to find her own path forward through her surprise pregnancy and all the million tiny miracles and catastrophes that she must now navigate, often entirely on her own. Searching through diaries and grocery lists and seances with the dead, Sandy tries to remember just enough of her original sense of direction to make her own way home.

In Hilal Chouman’s Limbo Beirut, a gay artist, a struggling novelist, a pregnant woman, a disabled engineering student, a former militia member, and a medical intern all take turns narrating the violent events of May 2008, when Hezbollah militants and Sunni fighters clashed in the streets of Beirut. For most of these young men and women, the Lebanese Civil War (1975–1990) is but a vague recollection, but the brutality of May 2008 serves to reawaken forgotten memories and stir up fears of a revival of sectarian violence. Yet despite these fears, the violence these characters witness helps them to break free from the mundane details of their lives and look at the world anew.

The multiple narrative voices and the dozens of pen-and-ink illustrations that accompany the text allow Chouman to achieve a mesmerizing cinematic quality with this novel that is unique in modern Arabic fiction. Not only will readers appreciate the meaningful exploration of the effects of violence on the psyche, but they will also enjoy discovering how the lives of these characters—almost all of whom are strangers to one another—intersect in surprising ways.

In the fall of 2018, a bomb goes off at a water-bottling plant in the mountains of southwest Virginia, an incident the FBI declares an act of ecoterrorism. Arrested at the scene is Chris Bright, a mountain hermit with a long history of activism. Unaccounted for—and presumed dead—is Mara Wood, an installation artist who in the last two years has lost her son and left her husband.

But Mara’s estranged husband David cannot quite believe she is dead, and as he goes about reconstructing the story of what happened, he begins to imagine an alternate narrative—one in which their son doesn’t die and his wife doesn’t leave him, one in which his wife doesn’t carry on a secret relationship with Chris Bright, a man bent on fighting back against the environmental despoliation of his Appalachian home. Lioness is a page-turning, heart-wrenching examination of extremism: What pushes people to act violently, and is that violence ever justified?

A soldier engulfed in napalm suspends his death by composing a family saga in which he learns to live within the flames

Do not remain on the fire’s edge, find your way to the heart of the fire and do not leave. . . . Death does not exist as long as you reject it. A soldier watches an airplane dropping napalm on his position. In the instant before his fiery death, he does not see his life flash before his eyes. Instead, he improvises a novel, one that screams out of him at high speed.

In his story, Sam wanders a postapocalyptic landscape of broken cities and empty steppes for days, years, centuries. Through a series of blackly comic, dreamlike, bizarre scenes, he gleans lessons imparted by the weird and violent members of his family, including sorceress Aunt Yoanna, doomed Uncle Slutov, and two sharp-shooting cousins who try to persuade him to kill their mother. Sam’s clan teaches him how to accept his fate and live in the world of flames with no fear for the future.

The forty-ninth novel in the post-exotic series and the last to appear under the name Antoine Volodine, Living in Fire includes an interview with the writer about this book’s place in his overall project, its literary and cinematic influences, and its thematic connections with other works in the sequence. A triumphant conclusion to an epic experiment, Living in Fire cuts through a world aflame using dark humor, flights of fantasy, and radical acceptance.

Retail e-book files for this title are screen-reader friendly.

Many of the authors are well-known poets and writers, but others have not been published in mainstream media. They represent a range of cultural backgrounds. Although their works approach caregiving in very different ways, the authors share a commitment to emotional truth, unvarnished by societal ideals of what caregivers should feel and do. These stories and poems paint profoundly moving and revealing portraits of family caregivers.

Texas has always staked a large claim on the nation's imagination, and its mystery literature is no exception. Hundreds of crime novels are set within the state, most of which have been published in the last twenty years. From the highest point atop the Guadalupe Mountains in West Texas to the Piney Woods of East Texas, from the High Plains of the Panhandle to the subtropical climate of the lower Rio Grande Valley, mystery writers have covered every aspect of Texas's extraordinarily diverse geography.

The first book to emphasize the wealth of Texas's mystery writers and the images they convey of the state's wide range of regions and cultures, Lone Star Sleuths is a noteworthy introduction not only to the literary genre but also to a sense of Texas as a place in fiction. Celebrating a genre that has expanded to include women and an increasing diversity of cultures, the book features selections from the works of such luminaries as Kinky Friedman and Mary Willis Walker, lesser-known stars in the making, and even some outsiders like Nevada Barr and Carolyn Hart who have succumbed to the allure of the state's weather, geography, and colorful history.

Lone Star Sleuths captures the sense of place that distinguishes much of the great literature set in Texas, and is a must-read for mystery lovers.