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A pivotal summer in the life of Maria Branwell, the mother of the Brontë sisters

In imagined diary entries from the summer of 1812, twenty-nine-year-old Maria Branwell is pondering a momentous choice. Far from her Cornish home, working with her aunt and uncle at their Methodist boys’ school on the moors of Yorkshire, she has just been introduced to the Irish clergyman Patrick Brontë. The two are powerfully drawn to one another, resulting in a proposal Maria accepts wholeheartedly—yet reservations begin to surface. From her earliest years she has felt marked by an uncommon destiny, one she had assumed incompatible with an ordinary life of marriage and children. Does marriage fit into that destiny? Or is there a different path to take? The choice of this woman forgotten by history will alter the course of literature forever.

The full extent of Plutarch’s moral educational program remains largely understudied, at least in those aspects pertaining to women and the gendered other. As a result, scholarship on his views on women have differed significantly in their conclusions, with some scholars suggesting that he is overwhelmingly positive towards women and marriage and perhaps even a “precursor to feminism,”  and others arguing that he was rather negative on the issue. Like a Captive Bird: Gender and Virtue in Plutarch is an examination of these educational methods employed in Plutarch’s work to regulate the expression of gender identity in women and men. In six chapters, author Lunette Warren analyzes Plutarch’s ideas about women and gender in Moralia and Lives. The book examines the divergences between real and ideal, the aims and methods of moral philosophy and psychagogic practice as they relate to identity formation, and Plutarch’s theoretical philosophy and metaphysics. 

Warren argues that gender is a flexible mode of being that expresses a relation between body and soul, and that gender and virtue are inextricably entwined. Plutarch’s expression of gender is also an expression of a moral condition that signifies relationships of power, Warren claims, especially power relationships between the husband and wife. Uncovered in these texts is evidence of a redistribution of power, which allows some women to dominate other women and, in rare cases, men too. Like a Captive Bird offers a unique and fresh interpretation of Plutarch’s metaphysics which centers gender as one of the organizational principles of nature. It is aimed at scholars of Plutarch, ancient philosophy, and ancient gender studies, especially those who are interested in feminist studies of antiquity.

How writers, activists, and artists without power resist dominant social, cultural, and political structures through the deployment of unconventional means and materials

In Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance, Vanessa Kraemer Sohan applies a translingual and transmodal framework informed by feminist rhetorical practice to three distinct case studies that demonstrate women using unique and effective rhetorical strategies in political, religious, and artistic contexts. These case studies highlight a diverse set of actors uniquely situated by their race, gender, class, or religion, but who are nevertheless connected by their capacity to envision and recontextualize the seemingly ordinary means and materials available to them in order to effectively persuade others.

The Great Depression provides the backdrop for the first case study, a movement whereby thousands of elderly citizens proselytized and fundraised for a monthly pension plan dreamt up by a California doctor in the hopes of lifting themselves out of poverty. Sohan investigates how the Townsend Plan’s elderly supporters—the Townsendites—worked within and across language, genre, mode, and media to enable them for the first time to be recognized by others, and themselves, as a viable political constituency.

Next, Sohan recounts the story of Quaker minister Eliza P. Kirkbride Gurney who met President Abraham Lincoln in 1862. Their subsequent epistolary exchanges concerning conscientious objectors made such an impression on him that one of her letters was rumored to be in his pocket the night of his assassination. Their exchanges and Gurney’s own accounts of her transnational ministry in her memoir provide useful examples of how, throughout history, women rhetors have adopted and transformed typically underappreciated forms of rhetoric—such as the epideictic—for their particular purposes.

The final example focuses on the Gee’s Bend quiltmakers—a group of African American women living in rural Alabama who repurpose discarded work clothes and other cast-off fabrics into the extraordinary quilts for which they are known. By drawing on the means and materials at hand to create celebrated works of art in conditions of extreme poverty, these women show how marginalized artisans can operate both within and outside the bounds of established aesthetic traditions and communicate the particulars of their experience across cultural and economic divides.

 

Living the Changes explores the nature and extent of women's changing realities. The contributors include writers, artists, academics, street kids and social workers, and range in age from nine to seventy-three. Their topics reflect the diversity and complexity of the concerns of contemporary women – birthing and aging, body image, culture, drugs, violence, sexual abuse, prostitution, reproductive technology, and spirituality.

Once associated only with the wealthy and privileged in Latin America, lifelong illnesses are now emerging among a wider cross section of the population as an unfortunate consequence of growing urbanization and increased life expectancy. One of these diseases is the chronic autoimmune disorder lupus erythematosus. Difficult to diagnose and harder still to effectively manage, lupus challenges the very foundations of women’s lives, their real and imagined futures, and their carefully constructed gendered identities. While the illness is validated by medical science, it is poorly understood by women, their families, and their communities, which creates multiple tensions as women attempt to make sense of an unpredictable, expensive, and culturally suspect medically managed illness.

Living with Lupus vividly chronicles the struggles of Ecuadorian women as they come to terms with the experience of debilitating chronic illness. Drawing on years of ethnographic research, Ann Miles sensitively portrays the experiences and stories of Ecuadorian women who suffer with the intractable and stigmatizing disease. She uses in-depth case histories, rich in ethnographic detail, to explore not only how chronic illness can tear at the seams of women’s precarious lives, but also how meanings are reconfigured when a biomedical illness category moves across a cultural landscape. One of the few books that deals with the meanings and experiences of chronic illness in the developing world, Living with Lupus contributes to our understanding of a significant global health transition.

A woman who went West with her husband in the 1840s must have expected hardships and privation, but during the 1940s, when Etta Koch stopped off in Big Bend with her young family and a 23-foot travel trailer in tow, she anticipated no more than a civilized camping trip between her old home in Ohio and a new one in Arizona. It was only when she found herself moving into an old rock house without plumbing or electricity in the new Big Bend National Park that Etta realized, "From the sheltered life of a city girl of moderate circumstances, I too would have to face the reality of frontier living."

In this book based on her journals and letters, Etta Koch and her daughter June Cooper Price chronicle their family's first years (1944-1946) in the Big Bend. Etta describes how her photographer husband Peter Koch became captivated by the region as a place for natural history filmmaking-and how she and their three young daughters slowly adapted to a pioneer lifestyle during his months' long absences on the photo-lecture circuit. In vivid, often humorous anecdotes, she describes making the rock house into a home, getting to know the Park Service personnel and other neighbors, coping with the local wildlife, and, most of all, learning to love the rugged landscape and the hardy individuals who call it home.

During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.”

M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.

Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.

American barn dance radio of the 1920s-1940s evoked comforting images of a nostalgic and stable past for listeners beset by economic problems at home and worried about totalitarian governments abroad. Sentimental images such as the mountain mother and the chaste everybody's-little-sister "girl singer" helped to sell a new consumer culture and move commercial country music from regional fare to national treasure.

Drawing on personal interviews and rich archival material from the Grand Ole Opry, Kristine M. McCusker examines the gendered politics of the images through the lives and careers of six women performers: Linda Parker, the Girls of the Golden West (Milly and Dolly Good), Lily May Ledford, Minnie Pearl, and Rose Lee Maphis.

A journey with the novels that shape our emotions, our romances, and ourselves

Part memoir, part imagined history, this unique personal essay depicts the intimate experience of childhood bereavement, lost love affairs, and the complicated realities of motherhood and marriage. Framed by an extended train journey, author Sophie Ratcliffe turns to the novels, novelists, and heroines who have shaped her emotional and romantic landscapes. She transports us with her to survey the messiness of everyday life, all while reflecting on steam propulsion and pop songs, handbags and honeymoons, Anna Karenina and Anthony Trollope, former lovers and forgotten muses. Frank, funny, tender, and transporting, Loss, A Love Story asks why we fall in, and out, of love—and how we might understand doing so amid the ongoing upheavals and unwritten futures of the twenty-first century.   

Thurmond’s novel follows a girl becoming a woman in pre-Civil War Kentucky, through a romantic involvement in Detroit, and then into adulthood as she becomes the notorious gambler, Lottie Deno, in postwar New Orleans, San Antonio, and points Southwest. Her business acumen and fearlessness bring opportunities. Her love life takes several turns, and her character matures in often colorful, surprising ways.

Winner, 1999 Missouri Conference on History Book Award

This fascinating biography of a marriage in the Gilded Age closely examines the dynamic flow of power, control, and love between Washington blue blood Violet Blair and New Orleans attorney Albert Janin. Based on their voluminous correspondence as well as Violet’s extensive diaries, it offers a thoroughly intimate portrait of a fifty-four-year union which, in many ways, conformed to societal strictures, yet always created its own definition of itself in order to fit the flux of needs of both husband and wife.

Central to their story is Violet’s fierce determination to maintain her autonomy within the patriarchic institution of marriage. An enduring belle who thought, talked, and acted with the assurance and self-confidence of one whose wishes demanded obedience, she rejected the Victorian ideal of women as silent, submissive consorts. Yet her feminism was a private one, not played out on a public stage but kept to the confines of her own daily life and marriage.

With abundant documentary evidence to draw upon, Laas ties this compelling story to broader themes of courtiship behavior, domesticity, gender roles, extended family bonds, elitism, and societal stereotyping. Deeply researched and beautifully written, Love and Power in the Nineteenth Century has the dual virtue of making an important historical contribution while also appealing to a broad popular audience.

Love in the Time of Zika examines the transformation of reproductive politics spurred by the Zika public health emergency in 2016. The Zika virus, a mosquito-borne disease with a direct link to fetal and children’s disabilities, provoked the surveillance of and intervention into women’s and girls’ bodies and lives. Paige Marie Patchin tracks this period of intense reproductive experimentation, from fast contraceptive implant insertion drives in Puerto Rico to the genetic modification of mosquitoes in Brazil, to explore the future of reproduction as environmental crises mount, public infrastructures wilt, and walls rise. Patchin questions what kind of a world we are building if the response to dangerous, global environmental problems like Zika is to pit fetuses against one another in a future of limited resources. Set between the twin specters of eugenics and fascism, Love in the Time of Zika argues for the relevance of reproduction to wider questions about what it means to be people living amongst other people, and people living amongst other beings.

WINNER, 2026 Illinois State Historical Society Russell P. Strange Book of the Year Award!

Rediscovering Lincoln through the female gaze

Abraham Lincoln belongs to everybody. The women he interacted with helped forge the outstanding moral character of America's greatest president. This unique Abraham Lincoln biography features thirty historical and personal essays, and within them, the stories of more than ninety women, each with their own mini biographies in an appendix. Among them are Lincoln’s friends, clients, and extended family, as well as writers, artists, and—blurring the lines between history and memoir—author Stacy Lynn herself.

As a professional Lincoln scholar and editor, Lynn was often frustrated that male historians often overlooked Lincoln’s love for and friendship with women. Here, she posits a new paradigm—one that, instead of downplaying women, lifts up their interactions with Lincoln.

Lincoln understood the importance of the women in his life, and he put women’s wellbeing at the center of his personal, professional, and political ethos. He was loved by two strong pioneer mothers as well as sisters, friends, nieces, friends’ daughters, and his wife. He served women clients during his long legal career. As president, he met with women, dedicating time to hear  their concerns despite the burdens of office. He replied to letters women wrote him. He believed in their capabilities and revolutionized the role of women in the workforce. After Lincoln’s death, women continued to shape his legacy. Mary Lincoln ensured his burial among friends, artist Vinnie Ream sculpted his statue in the US Capitol, and biographer Ida Tarbell provided a nuanced portrayal of his life. Harriet Monroe and Ruth Painter Randall further cemented his place in literature and history.

Lynn presents a fresh perspective on Lincoln, connecting his story to the stories of women and showcasing his kindness, sensitivity, and moral center. She explores how women shaped Lincoln’s inspirational legacy and pays homage to all the women who gave Lincoln to the world. Lynn’s unique blending of history, biography, and her own story reveals the ways in which an emotional connection to the historical figures one studies opens the door to richer human and historical understanding. By inviting readers to feel the past as well as read it, Lynn demonstrates that history matters most when it engages our minds and hearts. 

Lives of longing and resilience, searching and belonging in a debut story collection from a memoirist and renowned advocate for change

For a Lucky Tomorrow Buy a Flower Today. Is it true? a prospective customer asks. About the luck? “Absolutely!” Felma says. Flowers, she knows, are all that’s anchored in this world, even if not for long, and like others in these luminous stories, Felma knows what it is to be rootless. In Lucky Tomorrow, Deborah Jiang-Stein presents an unforgettable cast of characters dreaming of redemption, purpose, and connection in a wounded yet beautiful world.

A young girl stuck working at her family’s candy stand. A former priest trapped on a crowded train. A prisoner robbed of the book she’s been writing. A father haunted by his broken family. A woman confined to a psych ward. A reverend caring for her dying housemate. And Felma, a flower vendor, searching for the daughter she gave birth to while in prison, who was swiftly bundled away. Felma’s story leads us in, through, and around the others—a central beating heart for these lives on the fringes, where Jiang-Stein finds a singular, tenacious humanity.

The stories in Lucky Tomorrow move through settings drawn from the path of the author’s own life: Seattle, where she grew up after being born in an Appalachian prison; Tokyo, where she once lived; the Twin Cities, where she currently resides; and the American South, where she travels for much of her advocacy work with women in prison. Pushing the boundaries of genre, Jiang-Stein delicately layers the stories of these outcasts, eccentrics, and visionaries, gathering them in from the shadows with remarkable empathy and candor, laying bare our shared sorrows and joys.

Committed abolitionist, controversial Quaker minister, tireless pacifist, fiery crusader for women's rights--Lucretia Mott was one of the great reformers in America history. Her sixty years of sermons and speeches reached untold thousands of people. Yet Mott eschewed prepared lectures in favor of an extemporaneous speaking style inspired by the inner light at the core of her Quaker faith. It was left to stenographers, journalists, Friends, and colleagues to record her words for posterity.

Drawing on widely scattered archives, newspaper accounts, and other sources, Lucretia Mott Speaks unearths the essential speeches and remarks from Mott's remarkable career. The editors have chosen selections representing important themes and events in her public life. Extensive annotations provide vibrant context and show Mott's engagement with allies and opponents. The speeches illuminate her passionate belief that her many causes were all intertwined. The result is an authoritative resource, one that enriches our understanding of Mott's views, rhetorical strategies, and still-powerful influence on American society.

Now in paperback, a compelling biography of Lydia Maria Child, one of nineteenth-century America’s most courageous abolitionists.

By 1830, Lydia Maria Child had established herself as something almost unheard of in the American nineteenth century: a beloved and self-sufficient female author. Best known today for the immortal poem “Over the River and through the Wood,” Child had become famous at an early age for spunky self-help books and charming children’s stories. But in 1833, Child shocked her readers by publishing a scathing book-length argument against slavery in the United States—a book so radical in its commitment to abolition that friends abandoned her, patrons ostracized her, and her book sales plummeted. Yet Child soon drew untold numbers to the abolitionist cause, becoming one of the foremost authors and activists of her generation.
 
Lydia Maria Child: A Radical American Life tells the story of what brought Child to this moment and the extraordinary life she lived in response. Through Child’s example, philosopher Lydia Moland asks questions as pressing and personal in our time as they were in Child’s: What does it mean to change your life when the moral future of your country is at stake? When confronted by sanctioned evil and systematic injustice, how should a citizen live? Child’s lifetime of bravery, conviction, humility, and determination provides a wealth of spirited guidance for political engagement today.

Lydia Darragh is famed for eavesdropping on British General William Howe’s staff as they planned a surprise attack, then sneaking through the lines to give warning to American soldiers. Her actions are said to have saved George Washington’s army from a devastating ambush as it lay starving and freezing on the barren hills of Whitemarsh at the end of 1777. But did the secret she brought to the Patriots really prevent their defeat? Why would a professed pacifist choose to risk her life by intervening in military affairs? Who was the mysterious intelligence officer she met between the lines? Was her story even true?
Lydia’s Tale:The Mystery of Lydia Darragh, Irish Quaker, Patriot Spy by Robert N. Fanelli uncovers a myriad of previously unknown records, knitting together for the first time the life and experiences of this remarkable heroine of the American Revolution who lived in the heart of Philadelphia. Behind her story we find an assertive woman who took an active hand in the affairs of her family and her community. Drawing on genealogical sources, legal documents, and other correspondence, the author reconstructs Lydia Darragh’s early life in Dublin, her livelihood in Pennsylvania, and how the Revolution shaped her and her children’s lives. Exploring the context of Lydia’s tale sheds light on the activities of women in Revolutionary Philadelphia, reveals the complex issues faced by pacifist Quakers in a time of war, and brings to light the contributions of Irish immigrants in securing America’s freedom.
The author’s careful research reveals little known details and corrects historians’ common misapprehensions about the Revolutionary period. Along the way, we meet often overlooked figures, including diarist Christopher Marshall and his family, the irascible Quaker recluse Bathsheba Bowers, and Blair McClenachan, the wealthy Patriot financier who also served his adopted country as a common soldier. Lydia Darragh is frequently included among that small group of women cited as Revolutionary heroines. This detailed microhistory demonstrates how legend can inform the study of history, describing how one woman’s personal reminiscence morphed into a piece of American mythology, now recovered in the historical context it deserves.