3064 books match the query 'Social conditions' and 121 start with l

cover of Locating Filipino Americans

Locating Filipino Americans

Rick Bonus

Temple University Press, 2000

The Filipino American population in the U.S.  is expected to reach more than two million by the next  century. Yet many Filipino Americans contend that years of formal and covert exclusion from mainstream political, social, and economic institutions on the basis of their race have perpetuated racist stereotypes about them, ignored their colonial and immigration history, and prevented them from becoming fully recognized citizens of the nation. Locating Filipino Americans shows how Filipino Americans counter exclusion by actively engaging in alternative practices of community building.

Locating Filipino Americans, an ethnographic study of Filipino American communities in Los Angeles and San Diego, present a multi-disciplinary cultural analysis of the relationship between ethnic identity and social space. Author Rick Bonus argues that alternative community spaces enable Filipino Americans to respond to and resist the ways in which the larger society has historically and institutionally rendered them invisible, silenced, and racialized. Bonus focuses on the "Oriental" stores, the social halls and community centers, and the community newspapers to demonstrate how ethnic identities are publicly constituted and communities are transformed. Delineating the spaces formed by diasporic consciousness, Bonus shows how community members appropriate elements from their former homeland and from their new settlements in ways defined by their critical stances against racism, homogenization, complete assimilation, and exclusionary citizenship. Locating Filipino Americans is one of the few books that offers a grounded approach to theoretical analyses of ethnicity and contemporary culture in the U.S.
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cover of Lord, Please Don't Take Me in August: African-Americans in Newport and Saratoga Springs, 1870-1930

Lord, Please Don't Take Me in August

African-Americans in Newport and Saratoga Springs, 1870-1930

Myra B. Young Armstead

University of Illinois Press, 1999

The lives built by Black Americans in a pair of summer resort towns

In the late nineteenth and early twentieth centuries, northern resort towns were in their heyday as celebrated retreats for America's wealthy. Lord, Please Don't Take Me in August documents the experiences of African Americans in Saratoga Springs, New York, and Newport, Rhode Island--towns that provided a recurring season of expanded employment opportunities, enhanced social life, cosmopolitan experience, and, in a good year, enough money to last through the winter.

Affirming that the decision to live in their tiny resort communities was conscious and deliberate, Myra B. Young Armstead shows how Afro-Saratogians and Afro-Newporters organized their rhythms, their routines, and their communities to create meaningful identities for themselves. Living on streets close to their churches, developing social organizations that promoted their standards of gentility and respectability, and lobbying for wider opportunities, these African Americans actively shaped their lives within the structures and limitations imposed on them.

Armstead situates the resort town between the poles of the rural South and the large industrial cities of the North. She shows how these small northern towns, with their seasonal economic rhythms and domestic wage work, permitted an important continuity between rural and urban lifestyles and a path from rural South to urban North besides the jarring, disruptive journey that often ended in the ghetto.

"Lord, Please Don't Take Me in August" tells a story that is at once American and uniquely African American: a story of economic imperatives and enlarged social aspirations culminating in a season--June, July, and August--that brought Blacks as close as they could get to the American Dream.

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cover of Los Yarderos: Mexican Yard Workers in Transborder Chicago

Los Yarderos

Mexican Yard Workers in Transborder Chicago

Sergio Lemus

University of Illinois Press, 2025

Migrants from the Mexican states of Zacatecas, Guanajuato, Jalisco, and Michoacán have become an important presence in Chicago and the Midwest. Many hold jobs as yarderos gardening, caring for lawns, and doing other landscaping work.

Sergio Lemus explores the lives of these migrants and looks at the struggles they face as they work to make the city their home. Drawing on fieldwork in South Chicago, Lemus tells the stories of first and second-generation yarderos and discusses the historical, economic, cultural, and political ramifications they face as they acquire their working-class identity. Lemus’s compassionate portrait places them within America’s ongoing tradition as a nation of immigrants while analyzing their place within today’s transborder cultural moment.

Perceptive and humane, Los Yarderos reveals how a group of Mexican immigrants navigates the crossings of the borders that divide class, color hierarchies, gender, and belonging.

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cover of Lost Homelands: Ruin and Reconstruction in the 20th-Century Southwest

Lost Homelands

Ruin and Reconstruction in the 20th-Century Southwest

Audrey Goodman

University of Arizona Press, 2010

Before the 1930s, landscapes of the American Southwest represented the migrant’s dream of a stable and bountiful homeland. Around the time of the Great Depression, however, the Southwest suddenly became integrated into a much larger economic and cultural system. Audrey Goodman examines how—since that time—these southwestern landscapes have come to reveal the resulting fragmentation of identity and community.

Through analyzing a variety of texts and images, Goodman illuminates the ways that modern forces such as militarization, environmental degradation, internal migration, and an increased border patrol presence have shattered the perception of a secure homeland in the Southwest. The deceptive natural beauty of the Southwest deserts shields a dark history of trauma and decimation that has remained as a shadow on the region’s psyche. The first to really synthesize such wide-ranging material about the effects of the atomic age in the Southwest, Goodman realizes the value of combined visual and verbal art and uses it to put forth her own original ideas about reconstructing a new sense of homeland.

Lost Homelands reminds us of the adversity and dislocation suffered by people of the Southwest by looking at the ways that artists, photographers, filmmakers, and writers have grappled with these problems for decades. In assessing the ruination of the region, however, Goodman argues that those same artists and writers have begun to reassemble a new sense of homeland from these fragments.
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cover of Lost in Transition: Ethnographies of Everyday Life after Communism

Lost in Transition

Ethnographies of Everyday Life after Communism

Kristen Ghodsee

Duke University Press, 2011

Lost in Transition tells of ordinary lives upended by the collapse of communism. Through ethnographic essays and short stories based on her experiences with Eastern Europe between 1989 and 2009, Kristen Ghodsee explains why it is that so many Eastern Europeans are nostalgic for the communist past. Ghodsee uses Bulgaria, the Eastern European nation where she has spent the most time, as a lens for exploring the broader transition from communism to democracy. She locates the growing nostalgia for the communist era in the disastrous, disorienting way that the transition was handled. The privatization process was contested and chaotic. A few well-connected foreigners and a new local class of oligarchs and criminals used the uncertainty of the transition process to take formerly state-owned assets for themselves. Ordinary people inevitably felt that they had been robbed. Many people lost their jobs just as the state social-support system disappeared. Lost in Transition portrays one of the most dramatic upheavals in modern history by describing the ways that it interrupted the rhythms of everyday lives, leaving confusion, frustration, and insecurity in its wake.
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cover of Louis Sébastien Mercier: Revolution and Reform in Eighteenth-Century Paris

Louis Sébastien Mercier

Revolution and Reform in Eighteenth-Century Paris

Michael J. Mulryan

Bucknell University Press, 2023

French playwright, novelist, activist, and journalist Louis Sébastien Mercier (1740–1814) passionately captured scenes of social injustice in pre-Revolutionary Paris in his prolific oeuvre but today remains an understudied writer. In this penetrating study—the first in English devoted to Mercier in decades—Michael Mulryan explores his unpublished writings and urban chronicles, Tableau de Paris (1781–88) and Le Nouveau Paris (1798), in which he identified the city as a microcosm of national societal problems, detailed the conditions of the laboring poor, encouraged educational reform, and confronted universal social ills. Mercier’s rich writings speak powerfully to the sociopolitical problems that continue to afflict us as political leaders manipulate public debate and encourage absolutist thinking, deepening social divides. An outcast for his polemical views during his lifetime, Mercier has been called the founder of modern urban discourse, and his work a precursor to investigative journalism. This sensitive study returns him to his rightful place among Enlightenment thinkers.
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cover of Lovable Racists, Magical Negroes, and White Messiahs

Lovable Racists, Magical Negroes, and White Messiahs

David Ikard

University of Chicago Press, 2017

In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.

In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.
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cover of Love and Abolition: The Social Life of Black Queer Performance

Love and Abolition

The Social Life of Black Queer Performance

Alison Rose Reed

The Ohio State University Press, 2022

In Love and Abolition, Alison Rose Reed traces how the social life of Black queer performance from the 1960s to the present animates the unfinished work of abolition. She grounds social justice–oriented reading and activist practices specifically in the movement to abolish the prison industrial complex, with far-reaching implications for how we understand affective response as a mobilizing force for revolutionary change.

Reed identifies abolition literature as an emergent field of inquiry that emphasizes social relationships in the ongoing struggle to dismantle systems of coercion, criminalization, and control. Focusing on love as an affective modality and organizing tool rooted in the Black radical tradition’s insistence on collective sociality amidst unrelenting state violence, Reed provides fresh readings of visionaries such as James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german. Both abolitionist manifesto and examination of how Black queer performance offers affective modulations of tough and tender love, Love and Abolition ultimately calls for a critical reconsideration of the genre of prison literature—and the role of the humanities—during an age of mass incarceration.
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cover of Love and Marriage in the Middle Ages

Love and Marriage in the Middle Ages

Georges Duby

University of Chicago Press, 1993

Preeminent medieval scholar Georges Duby argues that the structure of sexual relationships took its cue from the family and from feudalism—both bastions of masculinity—as he reveals the role of women, what they represented, and what they were in the Middle Ages.

Beautifully written in Duby's characteristically nuanced and powerful style, this collection is an ideal entree into Duby's thinking about marriage and the diversities of love, spousal decorum, family structure, and their cultural context in bodily and spiritual values. Love and Marriage in the Middle Ages will be of great interest to students in social and cultural history, medieval and early modern history, and women's studies, as well as those interested in the nature of social life in the Middle Ages.

Georges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.
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cover of Love and Power in the Nineteenth Century: The Marriage of Violet Blair

Love and Power in the Nineteenth Century

The Marriage of Violet Blair

Virginia Jeans Laas

University of Arkansas Press, 1998

Winner, 1999 Missouri Conference on History Book Award

This fascinating biography of a marriage in the Gilded Age closely examines the dynamic flow of power, control, and love between Washington blue blood Violet Blair and New Orleans attorney Albert Janin. Based on their voluminous correspondence as well as Violet’s extensive diaries, it offers a thoroughly intimate portrait of a fifty-four-year union which, in many ways, conformed to societal strictures, yet always created its own definition of itself in order to fit the flux of needs of both husband and wife.

Central to their story is Violet’s fierce determination to maintain her autonomy within the patriarchic institution of marriage. An enduring belle who thought, talked, and acted with the assurance and self-confidence of one whose wishes demanded obedience, she rejected the Victorian ideal of women as silent, submissive consorts. Yet her feminism was a private one, not played out on a public stage but kept to the confines of her own daily life and marriage.

With abundant documentary evidence to draw upon, Laas ties this compelling story to broader themes of courtiship behavior, domesticity, gender roles, extended family bonds, elitism, and societal stereotyping. Deeply researched and beautifully written, Love and Power in the Nineteenth Century has the dual virtue of making an important historical contribution while also appealing to a broad popular audience.

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cover of Love in the Drug War: Selling Sex and Finding Jesus on the Mexico-US Border

Love in the Drug War

Selling Sex and Finding Jesus on the Mexico-US Border

By Sarah Luna

University of Texas Press, 2020

2020 — Ruth Benedict Prize – Association for Queer Anthropology, American Anthropological Association
2020 — Gloria E. Anzaldúa Book Prize – National Women’s Studies Association
2020 — Honorable Mention, Sara A. Whaley Book Prize
2021 — Best Book in Social Sciences – Mexico Section, Latin American Studies Association (LASA)

Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers.

Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis.

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cover of Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922-1972

Love in the Lav

A Social Biography of Same-Sex Desire in Ireland, 1922-1972

Averill Earls

Temple University Press, 2025

Love in the Lav uncovers Ireland’s queer lives of the past. Averill Earls investigates how same-sex-desiring men lived and loved in a country where their sexuality was illegal and seen as unnatural. Across seven social biographical chapters, each highlighting individuals at the nexus of these histories, Earls constructs a narrative of experiences through the larger contexts in which they are embedded.

Earls uses courtroom testimonies, police records, and family history archives as well as “educated speculation” to show how structures governing male same-sex desire in Ireland played out on the bodies of the men who desired men, the teen boys who sold sex to men, and the way the Catholic-nationalist ethos shaped the Gardaí who policed them.

Love in the Lav examines the experiences of people such as cabbie James Hand, who was put on trial for gross indecency, to provide a window into the queer working-class subculture of 1930s Dublin. Earls also focuses on issues of consent, especially with teens, and the unregulated queer Irish world of public figures, including Micheál Mac Liammóir, Hilton Edwards, Ronald Brown, and John Broderick.
By examining twentieth-century Ireland through the lived experiences of ordinary same-sex-desiring Irish men who were relegated to obscurity by Irish society, Earls reveals the contradictions, possibilities, and magnitude of postcolonial Irish Catholic nationalism.

In the series Sexuality Studies

 
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cover of Love, Marriage, and Jewish Families: Paradoxes of a Social Revolution

Love, Marriage, and Jewish Families

Paradoxes of a Social Revolution

Edited by Sylvia Barack Fishman

Brandeis University Press, 2015

The concepts of gender, love, and family—as well as the personal choices regarding gender-role construction, sexual and romantic liaisons, and family formation—have become more fluid under a society-wide softening of boundaries, hierarchies, and protocols. Sylvia Barack Fishman gathers the work of social historians and legal scholars who study transformations in the intimate realms of partnering and family construction among Jews. Following a substantive introduction, the volume casts a broad net. Chapters explore the current situation in both the United States and Israel, attending to what once were considered unconventional household arrangements—including extended singlehood, cohabitating couples, single Jewish mothers, and GLBTQ families—along with the legal ramifications and religious backlash. Together, these essays demonstrate how changes in the understanding of male and female roles and expectations over the past few decades have contributed to a social revolution with profound—and paradoxical—effects on partnering, marriage, and family formation. This diverse anthology—with chapters focusing on demography, ethnography, and legal texts—will interest scholars and students in Jewish studies, women’s and gender studies, Israel studies, and American Jewish history, sociology, and culture.
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cover of Love, Money and Obligation: Transnational Marriage in a Northeastern Thai Village

Love, Money and Obligation

Transnational Marriage in a Northeastern Thai Village

Patcharin Lapanun

National University of Singapore Press, 2019

Globalization has opened up a flow of economic and cultural exchanges. While we often think about these concepts in terms of trade policies or international treaties, they also play out in more intimate spheres, such as transnational marriages.

Northeast Thailand has seen an increase in marriages between Thai women and farang (Western) men. Often the women are less well off and from rural areas in the country, while the men largely come from the United States and Europe and settle permanently in Thailand. These unions have created a new social class, with distinctive consumption patterns and lifestyles. And they are challenging gender relations and local perceptions of sexuality, marriage, and family.

In Love, Money and Obligation, Patcharin Lapanun offers an exploration of these marriages and their larger effect on Thai communities. Her interviews with women and men engaging in these transnational relationships highlight the complexities of the associations, as they are shaped by love, money, and gender obligations on the one hand and the dynamics of socio-cultural and historical contexts on the other. Her in-depth and even-handed examination highlights the importance of women’s agency and the strength and creativity of people seeking to forge meaningful lives in the processes of social transition and in the face of local and global encounters.
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cover of Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability

Love, Sex, and Desire in Modern Egypt

Navigating the Margins of Respectability

By L. L. Wynn

University of Texas Press, 2018

Cairo is a city obsessed with honor and respectability—and love affairs. Sara, a working-class woman, has an affair with a married man and becomes pregnant, only to be abandoned by him; Ayah and Zeid, a respectably engaged couple, argue over whether Ayah’s friend is a prostitute or a virgin; Malak, a European belly dancer who sometimes gets paid for sex, wants to be loved by a man who won’t treat her like a whore just because she’s a dancer; and Alia, a Christian banker who left her abusive husband, is the mistress of a wealthy Muslim man, Haroun, who encourages business by hosting risqué parties for other men and their mistresses.

Set in transnational Cairo over two decades, Love, Sex, and Desire in Modern Egypt is an ethnography that explores female respectability, male honor, and Western theories and fantasies about Arab society. L. L. Wynn uses stories of love affairs to interrogate three areas of classic anthropological theory: mimesis, kinship, and gift. She develops a broad picture of how individuals love and desire within a cultural and political system that structures the possibilities of, and penalties for, going against sexual and gender norms. Wynn demonstrates that love is at once a moral horizon, an attribute that “naturally” inheres in particular social relations, a social phenomenon strengthened through cultural concepts of gift and kinship, and an emotion deeply felt and desired by individuals.

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cover of Love, Sorrow, And Rage

Love, Sorrow, And Rage

Alisse Waterston

Temple University Press, 1999

Love, Sorrow, and Rage gives powerful voice to women like Nora Gaines and Dixie Register, who tell use what it's like to live on the streets of New York, how it feels to lose your mind, about the taste of crack cocaine and the sweetness of friendship. In this novel-like narrative of homelessness and hope, poor women share a table, their meals, and their intimacies with author Alisse Waterston. On the pages of this impassioned ethnography, Waterston puts mythic, demonized bag ladies to rest, and in so doing, brings ordinary women to life.

From drug addiction and the spread of AIDS to the growing gap between rich and poor in the U.S., the topics in this book get front-page coverage in daily newspapers across the country. Waterston seeks to understand, to explain, and to solve the human crisis that surrounds us. Towards this end, she challenges us to look at the ways in which our society and the workings of our political, economic, and popular culture contribute to the suffering experienced by our most vulnerable citizens. An important corrective to popular depictions of the urban poor, Love, Sorrow, and Rage provides a penetrating analysis of the causes and consequences of poverty. It offers a deeper understanding of what leads to and perpetuates poverty and of the human complex of love, sorrow, and rage felt by those who experience it.

Love, Sorrow, and Rage will engage readers interested in urban studies, women's studies, social issues and policies, anthropology, sociology, political economy, and New York City life.
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cover of Loving Black Boys: A Black Feminist Bible on Racism and Revolutionary Mothering

Loving Black Boys

A Black Feminist Bible on Racism and Revolutionary Mothering

Tamura Lomax

Duke University Press, 2026

Loving Black Boys is not just a love letter to Tamura Lomax’s own sons, but to all Black boys, men, fathers, and brothers. With understanding and urgency, Lomax writes honestly about Black endangerment and what it means to endure living in what James Baldwin called the “burning house” of white supremacist capitalist heteropatriarchal America. Seeing the full humanity of Black boys and men, and the liberation of all Black people, Lomax writes, requires a Black feminist lens. A companion piece to Freeing Black Girls, this book connects the everyday and extraordinary moments of Black mothering: phenomena as varied as “the talk” about police brutality, physical and emotional violence, Christian nationalism, miseducation, emotional health, sports, and more, which produce not only shared vulnerabilities but also tensions among Black folks. To her sons and to all Black men, Lomax insists that Black feminism, which emphasizes mutuality, protection, ethical autonomy, and healing, is vital to forging a safer future for individual and collective survival.
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cover of Lowest White Boy

Lowest White Boy

Greg Bottoms

West Virginia University Press, 2019

An innovative, hybrid work of literary nonfiction, Lowest White Boy takes its title from Lyndon Johnson’s observation during the civil rights era: “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket.”

Greg Bottoms writes about growing up white and working class in Tidewater, Virginia, during school desegregation in the 1970s. He offers brief stories that accumulate to reveal the everyday experience of living inside complex, systematic racism that is often invisible to economically and politically disenfranchised white southerners—people who have benefitted from racism in material ways while being damaged by it, he suggests, psychologically and spiritually. Placing personal memories against a backdrop of documentary photography, social history, and cultural critique, Lowest White Boy explores normalized racial animus and reactionary white identity politics, particularly as these are collected and processed in the mind of a child.

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cover of Loyal but French: The Negotiation of Identity by French-Canadian Descendants in the United States

Loyal but French

The Negotiation of Identity by French-Canadian Descendants in the United States

Mark Paul Richard

Michigan State University Press, 2008

By focusing on patterns of immigration and acculturation in a small industrial city in the northeastern United States, Mark Paul Richard offers a noteworthy look at the ways in which French-Canadians negotiated their identity in the United States and provides new insights into the ways in which immigrants "Americanize."
     Richard’s work challenges prevailing notions of "assimilation." As he shows, “acculturation” better describes the roundabout process by which some ethnic groups join their host society. He argues that, for more than a century, the French- Canadians in Lewiston, Maine, pursued the twin objectives of ethnic preservation and acculturation. These were not separate goals but rather intertwined processes. Underscored with statistics compiled by the author, Loyal but French portrays the French-Canadian history of Lewiston, from the 1880s through the 1990s, in this light.
    With a wealth of data, the insights of a professional historian, and the sensitivity of a "local," Richard offers a new conceptualization of ways that immigrants become "Americans."
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cover of Lucia: Testimonies Of A Brazilian

Lucia

Testimonies Of A Brazilian

Robert Gay

Temple University Press, 2005

Favelas, or shantytowns, are where cocaine is mainly sold in Rio de Janeiro. There are some six hundred favelas in the city, and most of them are controlled by well-organized and heavily armed drug gangs. The struggle for the massive profits from this drug trade has resulted in what are increasingly violent and deadly confrontations between rival drug gangs and a corrupt and brutal police force, that have transformed parts of the city into a war-zone. Lucia tells the story of one woman who was once intimately involved with drug gang life in Rio throughout the 1990s. Through a series of conversations with the author, Lucia describes conditions of poverty, violence, and injustice that are simply unimaginable to outsiders. In doing so, she explains why women like her become involved with drugs and gangs, and why this situation is unlikely to change.
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cover of Lusophone Africa: Beyond Independence

Lusophone Africa

Beyond Independence

Fernando Arenas

University of Minnesota Press, 2010

Lusophone Africa: Beyond Independence is a study of the contemporary cultural production of Portuguese-speaking Africa and its critical engagement with globalization in the aftermath of colonialism, especially since the advent of multiparty politics and market-oriented economies.

Exploring the evolving relationship of Lusophone Africa with Portugal, its former colonial power, and Brazil, Fernando Arenas situates the countries on the geopolitical map of contemporary global forces. Drawing from popular music, film, literature, cultural history, geopolitics, and critical theory to investigate the postcolonial condition of Portuguese-speaking Africa, Arenas offers an entirely original discussion of world music phenomenon Cesária Évora, as well as the most thorough examination to date of Lusophone African cinema and of Angolan post-civil-war fiction.

Throughout, Arenas evokes the rich multidimensionality of this community of African nations as a whole and of its individual parts: Angola, Cape Verde, Guinea-Bissau, and Mozambique, and São Tomé and Príncipe since they gained their independence in the mid-1970s. In doing so, he puts forth a conceptual framework for understanding, for the first time, recent cultural and historical developments in Portuguese-speaking Africa.
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