112 books match the query 'Americans' and 9 start with m
Chad Parker
University of Massachusetts Press, 2015
In 1933 American oilmen representing what later became the Arabian American Oil Company (Aramco) signed a concession agreement with the Saudi Arabian king granting the company sole proprietorship over the oil reserves in the country's largest province. As drilling commenced and wells proliferated, Aramco soon became a major presence in the region. In this book Chad H. Parker tells Aramco's story, showing how an American company seeking resources and profits not only contributed to Saudi “nation building” but helped define U.S. foreign policy during the early Cold War.
In the years following World War II, as Aramco expanded its role in Saudi Arabia, the idea of “modernization” emerged as a central component of American foreign policy toward newly independent states. Although the company engaged in practices supportive of U.S. goals, its own modernizing efforts tended to be pragmatic rather than policy-driven, more consistent with furthering its business interests than with validating abstract theories. Aramco built the infrastructure necessary to extract oil and also carved an American suburb out of the Arabian desert, with all the air-conditioned comforts of Western modern life. At the same time, executives cultivated powerful relationships with Saudi government officials and, to the annoyance of U.S. officials, even served the monarchy in diplomatic disputes. Before long the company became the principal American diplomatic, political, and cultural agent in the country, a role it would continue to play until 1973, when the Saudi government took over its operation.
Donald Hoffman
University of Missouri Press, 2006
Jeffrey Alan Melton
University of Alabama Press, 2008
Susan K. Harris
University of Alabama Press, 2020

Juan Herrera
Temple University Press, 1997

Myra Page
University of Illinois Press, 1995
Betsy Draine and Michael Hinden
University of Wisconsin Press, 2014
The cave of Lascaux may be closed to the public, but five scholars a day are allowed inside, and Nora Barnes has finagled an appointment. True, she may have fudged a bit in her letter to the authorities, but she does teach art history, and she isn’t about to miss her chance to see the world’s most famous prehistoric paintings. Nora and her high-spirited husband, Toby, are visiting the Dordogne, in the southern French region of the Aquitaine. Aware that the Dordogne’s renown for cave art is matched only by its reputation for delicious cuisine, the couple has also signed up for a cooking class at a nearby château, but they soon find that more than food is on their minds.
During their tour of the cave, another visitor is murdered. When the local inspector pegs Nora and Toby as suspects, they embark on a mission to solve the crime, tracing strange links between a Cro-Magnon symbol and a thirteenth-century religious cult. As they match wits with the crusty inspector, Nora finds herself immersed in the notebooks of a forgotten artist who once lived in the château. In sifting through the artist’s papers and uncovering old secrets, she begins to piece together the motives for the murder. But has she cooked up more trouble than she can handle?
Clarence Major
University of Alabama Press, 1986
Originally published in 1986, this new edition returns to print a classic, influential work of American fiction
The author of the acclaimed novel Reflex and Bone Structure returns here in My Amputations to the question of identity, the double, adventure, detection, and mystery, but with more hypnotic power and range. In My Amputations he has his protagonist, Mason Ellis (who may just be “a desperate ex-con” or a wronged American novelist out to right the wrong done to him), jump through flaming loops like a trained dog, so to speak. In other words, there seems to be no end to the troubles Mason Ellis faces.
His story takes him from the South Side of Chicago, to New York, with a stint in Attica prison, across America and Europe and into the primal depths of Africa. Mason, all the while, tries to convince the reader that he is the important American writer he says he is. Upon his release from prison he sets out to prove his claim. After an audacious bank-robbery and a couple of burglaries that are hilarious, he goes into hiding to escape the malice of one of his cohorts, and eventually flees to Europe. The irony is that he is now as much the runner as the seeker. After encounters with a Zuni ex-folksinger, kidnappers, the New York underworld, literary groupies, an Italian swordsman, a violent German secret society, and an anti-bellum cotillion in rural Greece, he finds himself face to face (behind a mask) with his own destiny.
By John Graves
University of Texas Press, 2005
In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II—as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed John Graves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.