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Explores how researchers used systems for recording human movement to navigate the relationship between mind and body, freedom and control, and the individual and the state.
 
In the early twentieth century, human bodily movement garnered interest among researchers who were convinced that understanding and controlling it could help govern an increasingly frazzled, fragmented world. Making Movement Modern traces one movement visualization technique, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. Frustrated by societies that seemed plagued by regimentation and alienation, the users of Laban-inspired systems—from artists and scientists to factory owners, politicians, lawyers, anthropologists, psychiatrists, and computer scientists—hoped to provide opportunities for individual expression while simultaneously harnessing movement to serve the needs of larger communities, businesses, and states.  
 
Making Movement Modern reveals how Labanotation’s creator, choreographer Rudolf Laban, and his acolytes offered this system to a surprising variety of individuals and groups. It was a technique that promised liberation through expressive movement; it was also a means of organizing fascist displays of pure “Aryan” culture. The book explores these political ambiguities as Laban-based systems entered postwar society in the United States and the United Kingdom, where they were used to document disappearing folk cultures, treat Holocaust survivors, and make even the dullest, most repetitive work feel spiritually meaningful. Central to these efforts were vast programs to collect and store new kinds of personal movement data, and this history also has much to tell us about mass data collection today. This is a book for anyone interested in the relationship between art, science, data, and the human body across the tumultuous twentieth century.

Body, space, and narrative in Renaissance representations of disability. Monstrous Kinds is the first book to explore textual representations of disability in the global Renaissance. Elizabeth B. Bearden contends that monstrosity, as a precursor to modern concepts of disability, has much to teach about our tendency to inscribe disability with meaning. Understanding how early modern writers approached disability not only provides more accurate genealogies of disability, but also helps nuance current aesthetic and theoretical disability formulations. The book analyzes the cultural valences of early modern disability across a broad national and chronological span, attending to the specific bodily, spatial, and aesthetic systems that contributed to early modern literary representations of disability. The cross section of texts (including conduct books and treatises, travel writing and wonder books) is comparative, putting canonical European authors such as Castiglione into dialogue with transatlantic and Anglo-Ottoman literary exchange. Bearden questions grand narratives that convey a progression of disability from supernatural marvel to medical specimen, suggesting that, instead, these categories coexist and intersect.

The 2024 Moon City Poetry Award

How do our ancestors inhabit the world that they have abandoned? What is the place of our family in our hearts? In this stunning debut collection, Ìfẹ́olúwa Àyàndélé reveals this interior world in which the past sings its lament in the present moment. The father is Àyàndélé’s connection to the deep past and his ancestors, who move through love and the Nigerian-Biafran war, but also through the luxuriant landscape of rivers and forests. How does one person balance the past and the present? Animals can show us the way of nature. Prayer can form a river of the soul as it chants, praises, and reveres the terrible beauty of this world.