126 books match the query 'Communism' and 9 start with m

Andy Merrifield
Pluto Press, 2011
Following his hugely popular book, The Wisdom of Donkeys, Andy Merrifield breathes new life into the Marxist tradition.
Magical Marxism demands something more of traditional Marxism - something more interesting and liberating. It asks that we imagine a Marxism that moves beyond debates about class, the role of the state and the dictatorship of the proletariat. In escaping the formalist straitjacket of orthodox Marxist critique, Merrifield argues for a reconsideration of Marxism and its potential, applying previously unexplored approaches to Marxist thinking that will reveal vital new modes of political activism and debate.
This book will provoke and inspire in equal measure. It gives us a Marxism for the 21st century, which offers dramatic new possibilities for political engagement.

Marc Becker
Ohio University Press, 1993
Nathaniel Flakin
Pluto Press, 2019
Tom Rockmore
University of Chicago Press, 2018

Kieran Allen
Pluto Press, 2017
If we are serious about finding a different way to run the post-credit crunch society, we must start by introducing alternatives to undergraduates. Kieran Allen begins the task with an accessible and comprehensive look at the ideas of Karl Marx.
Dispensing with the dryness of traditional explanations of Marx, Allen shows how Marx's ideas apply to modern society. The first section briefly outlines Marx's life and the development of his work, then goes on to clearly explain his key theories, including historical materialism and surplus value. The second section examines alternatives to capitalism, the concept of 'anti-capitalism' and provides concrete, contemporary examples of Marx’s theories being put into practice in today's world.
Thomas P. Anderson
Northwestern University Press, 1995
Aaron J. Leonard
Rutgers University Press, 2025
A survey of the far-reaching measures the U.S. government brought to bear against the CPUSA, from poison-pen letters to the Red Scare and beyond.
Beginning at the turn of the twentieth century and ending only with the Soviet Union’s collapse in 1991, the U.S. government and major elements in the wider society waged an unrelenting campaign to suppress and criminalize domestic communism. This long-overdue book details the longest and most extensive repressive operation ever undertaken by U.S. authorities against a domestic political organization that, however problematic, was largely operating within the scope of constitutionally mandated freedoms. Beyond that, this is the story of how systemic measures against U.S. communists—in contrast to the vaunted claims of American political freedom—defined the political landscape of the last century.
Menace of Our Time tracks the suppression efforts aimed at the group, including the state laws of the twenties that imprisoned the fledgling communist leadership; the tactics used by police and local authorities against communists as they fought for unions, racial equality, and the unemployed; the trials and imprisonment of communist leaders mid-century; the extra-legal efforts of the Counterintelligence Program (COINTELPRO) in the sixties; and the ongoing, relentless surveillance by the FBI that followed. In examining the far-reaching measures the government brought to bear against the Communist Party USA, Aaron J. Leonard provides a clearer picture of the mechanics of social and political repression that abound in the society we still inhabit.
Jonathan L. Chambers
Southern Illinois University Press, 2006
Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923–1937 is a critical and political biography and a cultural and social history that focuses on Lawson’s career in the theatre. Using a materialist methodology, Jonathan L. Chambers emphasizes the evolution and interplay of the playwright’s artistic vision and political ideology, considering his art as both a documentation of this evolution and a product of the socio-political and cultural matrix in which he was immersed.
Spanning the playwright’s career, the volume details Lawson’s early indoctrination in and commitment to the avant-garde, his use and development of various nonrealistic playwriting techniques, his subtle though unfocused attacks on bourgeois society, and the varied critical responses he received. Chambers addresses Lawson’s involvement with the New Playwrights’ Theatre and his participation in the protests surrounding the case of Nicola Sacco and Bartolomeo Vanzetti, which stimulated his growing commitment to left-wing politics and radical causes.
Chambers also analyzes the social and cultural factors that shaped Lawson’s growing interest in revolutionary politics, his tutelage in Marxism under Edmund Wilson, and his tenure as president of the Screen Writers Guild. He also covers the final phase of Lawson’s playwriting career, which reveals the playwright’s internal struggle. That struggle, suggests Chambers, pitted Lawson’s view of aesthetics against his political ideology and is reflected in his scripts and theoretical writings.
Messiah of the New Technique provides a wealth of new material about both the playwright and the period, offering a critical synopsis of the artist’s career, addressing his often vehement rebuttals to his critics, and summarizing both his political activism and his creative and critical endeavors in the last forty years of his life.
Alexandre A. Bennigsen and S. Enders Wimbush
University of Chicago Press, 1978