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365 books match the query 'Correspondence' and 9 start with m

cover of MUCH MISUNDERSTOOD MAN: SELECTED LETTERS OF AMBROSE BIERCE

MUCH MISUNDERSTOOD MAN

SELECTED LETTERS OF AMBROSE BIERCE

S.T. JOSHI

The Ohio State University Press, 2003

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cover of Marcus Aurelius in Love

Marcus Aurelius in Love

Marcus Aurelius and Marcus Cornelius Fronto

University of Chicago Press, 2007

In 1815 a manuscript containing one of the long-lost treasures of antiquity was discovered—the letters of Marcus Cornelius Fronto, reputed to have been one of the greatest Roman orators. But this find disappointed many nineteenth-century readers, who had hoped for the letters to convey all of the political drama of Cicero’s. That the collection included passionate love letters between Fronto and the future emperor Marcus Aurelius was politely ignored—or concealed. And for almost two hundred years these letters have lain hidden in plain sight.

Marcus Aurelius in Love rescues these letters from obscurity and returns them to the public eye. The story of Marcus and Fronto began in 139 CE, when Fronto was selected to instruct Marcus in rhetoric. Marcus was eighteen then and by all appearances the pupil and teacher fell in love. Spanning the years in which the relationship flowered and died, these are the only love letters to survive from antiquity—homoerotic or otherwise. With a translation that reproduces the effusive, slangy style of the young prince and the rhetorical flourishes of his master, the letters between Marcus and Fronto will rightfully be reconsidered as key documents in the study of the history of sexuality and classics.

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cover of Mark Twain on Potholes and Politics: Letters to the Editor

Mark Twain on Potholes and Politics

Letters to the Editor

Edited by Gary Scharnhorst

University of Missouri Press, 2014

Whether he was taking us along for a journey down the Mississippi with a couple of runaways or delivering speeches on the importance of careful lying, Mark Twain had an innate ability to captivate readers and listeners alike with his trademark humor and sarcasm. Twain never lacked for material, either, as his strong opinions regarding most issues gave him countless opportunities to articulate his thoughts in the voice that only he could provide.

A frequent outlet for Twain’s wit was in letters to the editors of various newspapers and periodicals. Sharing his thoughts and opinions on topical issues ranging from national affairs to local social events, with swipes along the way at woman suffrage, potholes, literary piracy and other scams, slow mail delivery, police corruption, capital punishment, and the removal of Huck Finn from libraries, Twain never hesitated to speak his mind. And now thanks to Gary Scharnhorst, more than a hundred of these letters are available in one place for us to enjoy.

From his opinions on the execution of an intellectually brilliant murderer, to his scathing review of a bureau he perceived as “a pack of idiots” running on a currency of doughnuts, Twain’s pure, unbridled voice is evident throughout his letters. Mark Twain on Potholes and Politicsgives readers a chance to delve further than ever before into the musings of the most recognizable voice in American literature.
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cover of Mark Twain, Unsanctified Newspaper Reporter

Mark Twain, Unsanctified Newspaper Reporter

James E. Caron

University of Missouri Press, 2008

Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft—but already “playin’ hell” with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens’s writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years—and to challenge many long-standing views of  Mark Twain’s place in the tradition of American humor.

Tracing the arc of Clemens’s career from self-described “unsanctified newspaper reporter” to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings—especially the travel letters from Hawaii and the letters chronicling Clemens’s trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career—even the virtually forgotten pieces from the San Francisco Morning Call in 1864—to reveal how Mark Twain’s humor was shaped by the sociocultural context and how it catered to his audience’s sensibilities while unpredictably transgressing its standards.

Caron reveals how Sam Clemens’s contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain’s cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens’s early work to the role of ritual clowns in traditional societies

Brimming with fresh insights into such benchmarks as “Our Fellow Savages of the Sandwich Islands” and “Jim Smiley and His Jumping Frog,” this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.

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cover of Material Witness: The Selected Letters of Fairfield Porter

Material Witness

The Selected Letters of Fairfield Porter

Ted Leigh, Editor

University of Michigan Press, 2005

"The publication of Porter's letters marks an occasion for a renewed celebration of his painting and an appreciation of his quirky, indeed ornery, personality. Porter was a feisty correspondent, who fearlessly entered the intellectual discourse of his time."
---From the introduction by David Lehman

"In this lifetime of letters, Fairfield Porter reveals the complexity and passion of a protagonist in a novel by Dostoevsky or Henry James."
---Jane Freilicher

Fairfield Porter (1907-75) has been called by poet John Ashbery "perhaps the major American artist of the century." He was also known as a gifted art critic.

Beyond shedding light on his personal views, this collection of Fairfield Porter's letters demonstrates his profound contribution to American art and literature and displays his acumen as a political critic. The letters tell the story of a reserved artist and intellectual, torn between the tensions and pressures he felt among politics, family life, and painting-a man who forged a painting style outside the politically correct artistic perceptions of both left and right.

The collection includes letters from Porter's early travels to the Soviet Union, including a description of an interview with Trotsky, as well as some of his later letters to close friends, including Frank O'Hara, Kenneth Koch, Rod Padgett, Larry Rivers, and James Schuyler, among others. While the letters reveal many sides of the brilliant and independent-minded Porter, they also provide a cultural context for the time period and the circle of artists and poets with whom Porter associated. The letters not only tell a story of the artist himself but are also valuable documents of the political and artistic upheavals of the 1930s, 40s, and 50s.

This rich collection is introduced by poet and critic David Lehman and includes notes by Justin Spring, author of Porter's biography.
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cover of Mother Teresa's General Letters to Her Sisters

Mother Teresa's General Letters to Her Sisters

Brian Kolodiejchuk

Catholic University of America Press, 2024

Mother Teresa’s General Letters to Her Sisters is a collection of Mother Teresa’s circular letters to the members of her religious congregation, the Missionaries of Charity Sisters. Not intended for those outside her community, they were written informally and spontaneously, often with little editing. It was for Mother Teresa a way of “being present” to the members of her rapidly expanding religious order. Seemingly of little interest except for those to whom they were addressed, the letters reveal the spiritual depth and pragmatic leadership of one of the most popular modern saints, as well as the inner dynamics underlying one of the most flourishing religious congregations of the last century. At the same time, and perhaps surprisingly, these letters may also prove to be worthwhile reading for a wider audience. Something of God’s wisdom and love seems to shine through Mother Teresa’s guidance and counsels, giving the reader light and help even though he or she is not living the same religious life as one of the Sisters. Mother Teresa’s unpolished statements are at times humble and at times humbling. They inspire confidence and encourage generosity. Many a time they are humorous but more often challenging. They are sprinkled with serene joy but also permeated with deep pain. She delighted in her Sisters’ accomplishments yet did not shy away from correcting even the smallest flaw, which didn’t escape her very observant eye. Sometimes she sounded just like a mother, full of tender loving care, and at other times more like a commander in chief, exhibiting an iron will and uncompromising determination. In either case, her followers seemed to have been drawn into the mystery of her charism, endeavoring to keep pace with her. Was it the attraction of what could be termed as her “leadership style” in the unremitting service of the poorest of the poor, or the perceived love of a mother’s heart that made her so unanimously loved and admired by the members of her congregation? Or was it both? The letters will reveal the answer! Inspiring in their simplicity, the letters may well serve as a treasure trove where anyone from a reflective scholar to a caring mother of a family may find satisfaction for their spiritual palate. The attractiveness of perennial truth often makes Mother Teresa’s presentation of traditional spiritual themes likewise relevant for contemporary needs. In the context of Mother Teresa’s statement that “we are created for greater things, to love and to be loved’,” these letters will help the reader discover and experience God’s presence through the little miracles of His love in one’s daily life. They will inspire us “to put our love into living action,” sharing His love with all those we meet, and so make our lives “something beautiful for God.”
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cover of My Ever Dear Daughter, My Own Dear Mother: The Correspondence of Julia Sonte Towne and Mary Julia Towne, 1868-1882

My Ever Dear Daughter, My Own Dear Mother

The Correspondence of Julia Sonte Towne and Mary Julia Towne, 1868-1882

Katherine R. Morgan

University of Iowa Press, 1996

In 1868 twenty-two-year-old Mary Julia Towne left her farm in Topsfield, Massachusetts, for Chicago in search of better health and an opportunity to support herself. Soon she was teaching, first in night school and then in grammar schools, finding satisfaction and independence in this profession. Over the next fourteen years she wrote home to her mother, Julia Stone Towne; these letters and Julia's letters back to her—the only published collection of sustained correspondence between a nineteenth-century American mother and daughter—create a deep and rich world filled with the ideas, affection, advice, and comfort that each woman gave to the other. Now, more than a hundred years later, Julia and Mary Towne give us new insights into the complexities of life of women in the nineteenth century, into both the interdependence and the autonomy of mothers and daughters, and into the links between their lives and ours.
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cover of My Father, the Messiah: A Memoir

My Father, the Messiah

A Memoir

Gil Z. Hochberg

Duke University Press, 2026

In her memoir My Father, the Messiah, Gil Hochberg traces a father-daughter relationship as it transforms across decades—from intense closeness in childhood to a fraught distance as Hochberg’s father Yossi becomes increasingly convinced that he is the Messiah. After building a career as a statistician in the US, Yossi returns to Israel and becomes an avid Zionist, while having several psychotic episodes. Hochberg reconstructs her relationship with her father through an archive of letters between the two, as well as her father’s personal writings, painting a tender portrait of the non-normative family life within which Hochberg’s queer identity unfolds and a heart-rending account of her father’s mental decline. Hochberg crafts a powerful story of intimacy and loss that dovetails with sea changes in Israel’s religious and political environment since the 1990s.
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cover of My Gaze Is Turned Inward: Letters 1938-1943

My Gaze Is Turned Inward

Letters 1938-1943

Gertrud Kolmar

Northwestern University Press, 2004

"Event of the time are a bit like Impressionist paintings . . . which combine into a recognizable whole only when observed from a distance." —Gertrude Kolmar in a letter to her sister, October 22, 1939

So a picture of Gertrud Kolmar, a gifted Jewish writer struggling to sustain her art and family, emerges from these eloquent and allusive letters. Written in the stolen moments before her day as a forced laborer in a munitions factory began, the letters tell of Kolmar's move from the family home in Finkenkrug to a three-room flat in Berlin, which she and her father must soon share with other displaced Jews. They describe her factory work as a learning experience and assert, in the face of ever worsening conditions, that true art, never dependent on comfort or peace, is "capable of triumphing over . . . time and place."

These letters are a triumph of art, proclaiming the freedom of the human will amidst oppression. Though prevented by Nazi censorship from saying too much too directly, Kolmar still conveys the intensity and determination of her inner world, as well as the relentlessness of the outer world bent on crushing her. For its insight into the mind and soul of a poet submitting to and denying fate, and for its interior vision of one of history's darkest moments, My Gaze Is Turned Inward is a unique document of literary, historical, and spiritual power.
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