166 books match the query 'Enslavement' and 8 start with m

cover of Making Whole What Has Been Smashed: On Reparations Politics

Making Whole What Has Been Smashed

On Reparations Politics

Torpey, John

Rutgers University Press, 2017

Making Whole What Has Been Smashed explores the spread in recent years of political efforts to rectify injustices handed down from the past. Although it recognizes that campaigns for reparations may lead to an improvement in the well-being of victims of mistreatment by states and to reconciliation among former antagonists, this timely book, featuring a new and updated preface, examines the extent to which the concern with the past may represent a departure from the traditionally future-oriented stance of progressive politics. 

Viewing the search for “coming to terms with the past” as a form of politics, John Torpey argues that there are major differences between reparations for the living victims of past wrongdoing and reparations for the descendants of such victims. More fundamentally, he argues that claims for reparations comprise a relatively novel kind of politics that involves a quest for symbolic recognition and material compensation for those seeking them—through the idiom of the past rather than the present. This reissue is the first paperback edition and contains a new preface by the author.
 
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cover of Making an Antislavery Nation: Lincoln, Douglas, and the Battle over Freedom

Making an Antislavery Nation

Lincoln, Douglas, and the Battle over Freedom

Graham A. Peck

University of Illinois Press, 2020

Winner of the Russell P. Strange Memorial Book Award

This sweeping narrative presents an original and compelling explanation for the triumph of the antislavery movement in the United States prior to the Civil War. Abraham Lincoln's election as the first antislavery president was hardly preordained. From the country's inception, Americans had struggled to define slavery's relationship to freedom. Most Northerners supported abolition in the North but condoned slavery in the South, while most Southerners denounced abolition and asserted slavery's compatibility with whites' freedom. On this massive political fault line hinged the fate of the nation.

Graham A. Peck meticulously traces the conflict over slavery in Illinois from the Northwest Ordinance in 1787 to Lincoln's defeat of his archrival Stephen A. Douglas in the 1860 election. Douglas's attempt in 1854 to persuade Northerners that slavery and freedom had equal national standing stirred a political earthquake that brought Lincoln to the White House. Yet Lincoln's framing of the antislavery movement as a conservative return to the country's founding principles masked what was in fact a radical and unprecedented antislavery nationalism. It justified slavery's destruction but triggered the Civil War.

Presenting pathbreaking interpretations of Lincoln, Douglas, and the Civil War's origins, Making an Antislavery Nation shows how battles over slavery paved the way for freedom's triumph in America.

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cover of Massachusetts and the Civil War: The Commonwealth and National Disunion

Massachusetts and the Civil War

The Commonwealth and National Disunion

Matthew Mason

University of Massachusetts Press, 2015

All states are not created equal, at least not when it comes to their influence on American history. That assumption underlies Massachusetts and the Civil War. The volume's ten essays coalesce around the national significance of Massachusetts through the Civil War era, the ways in which the commonwealth reflected and even modeled the Union's precarious but real wartime unification, and the Bay State's postwar return to the schisms that predated the war. Rather than attempting to summarize every aspect of the state's contribution to the wartime Union, the collection focuses on what was distinctive about its influence during the great crisis of national unity.

In the first section, “The Opposition to Slavery,” essays by John Stauffer, Dean Grodzins, Peter Wirzbicki, and Richard S. Newman demonstrate the central role Massachusetts played in the rise of both the antislavery movement and abolitionism. They show how slavery's foes united, planned, and understood their cause, and how they envisioned a postwar nation free of servitude. In the second section, “The War Years,” Matthew Mason, Carol Bundy, and Ronald J. Zboray and Mary Saracino Zboray investigate how the exigencies of war unified the commonwealth across party lines and over the distance between home and the front. In the final section, “Reconciliation,” Sarah J. Purcell, Amy Morsman, and Kanisorn Wongsrichanalai probe postwar efforts to recover from the war's profound disruptions.

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cover of Media and the Affective Life of Slavery

Media and the Affective Life of Slavery

Allison Page

University of Minnesota Press, 2022

How media shapes our actions and feelings about race
 

Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas about how our feelings about race are governed and normalized by our media landscape. Allison Page examines U.S. media from the 1960s to today, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism.

From the classic television miniseries Roots to the edutainment video game Mission 2: Flight to Freedom and the popular website slaveryfootprint.org, Media and the Affective Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.S. public about slavery. Page theorizes media not only as a system of representation but also as a technology of citizenship and subjectivity, wherein race is seen as a problem to be solved. Ultimately, she argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. 

Media and the Affective Life of Slavery delivers compelling, provocative material and includes a wealth of archival research into such realms as news, entertainment, television, curricula, video games, and digital apps, providing new and innovative scholarship where none currently exists. 

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cover of Memories of Madagascar and Slavery in the Black Atlantic

Memories of Madagascar and Slavery in the Black Atlantic

Wendy Wilson-Fall

Ohio University Press, 2015

From the seventeenth century into the nineteenth, thousands of Madagascar’s people were brought to American ports as slaves. In Memories of Madagascar and Slavery in the Black Atlantic, Wendy Wilson-Fall shows that the descendants of these Malagasy slaves in the United States maintained an ethnic identity in ways that those from the areas more commonly feeding the Atlantic slave trade did not. Generations later, hundreds, if not thousands, of African Americans maintain strong identities as Malagasy descendants, yet the histories of Malagasy slaves, sailors, and their descendants have been little explored.

Wilson-Fall examines how and why the stories that underlie this identity have been handed down through families—and what this says about broader issues of ethnicity and meaning-making for those whose family origins, if documented at all, have been willfully obscured by history.

By analyzing contemporary oral histories as well as historical records and examining the conflicts between the two, Wilson-Fall carefully probes the tensions between the official and the personal, the written and the lived. She suggests that historically, the black community has been a melting pot to which generations of immigrants—enslaved and free—have been socially assigned, often in spite of their wish to retain far more complex identities. Innovative in its methodology and poetic in its articulation, this book bridges history and ethnography to take studies of diaspora, ethnicity, and identity into new territory.

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cover of Metaphor and the Slave Trade in West African Literature

Metaphor and the Slave Trade in West African Literature

Laura T. Murphy

Ohio University Press, 2012

Metaphor and the Slave Trade provides compelling evidence of the hidden but unmistakable traces of the transatlantic slave trade that persist in West African discourse. Through an examination of metaphors that describe the trauma, loss, and suffering associated with the commerce in human lives, this book shows how the horrors of slavery are communicated from generation to generation.

Laura T. Murphy’s insightful new readings of canonical West African fiction, autobiography, drama, and poetry explore the relationship between memory and metaphor and emphasize how repressed or otherwise marginalized memories can be transmitted through images, tropes, rumors, and fears. By analyzing the unique codes through which West Africans have represented the slave trade, this work foregrounds African literary contributions to Black Atlantic discourse and draws attention to the archive that metaphor unlocks for scholars of all disciplines and fields of study.

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cover of Monumental Opacity: Commemorations of Enslaved Resistance

Monumental Opacity

Commemorations of Enslaved Resistance

Sarah Juliet Lauro

University of Minnesota Press, 2027

A groundbreaking exploration of how opaque monuments demand respectful commemoration of enslaved lives

In an era of debate over how monuments should function and whose stories they should tell, Monumental Opacity asks us to consider how some commemorations withhold information to resist appropriation. Sarah Juliet Lauro posits that monuments, broadly defined, that shape public memories of slavery and its resistance could employ intentional obfuscation as an insurgent strategy to protect the self-emancipation of the enslaved person and combat visual possession by curious visitors.

Construing opacity as a form of opposition that renders its subject unapprehendable to viewers, Lauro explores how this concept plays out in museums devoted to the history of slavery, as well as in literature, film, art, countermovements, and protests, with particular attention to artistic works by Kara Walker and Kerry James Marshall and literary works by Victor Hugo and Herman Melville. Opaque commemorations of rebels and freedom fighters create an unbridgeable distance between the spectator and the history they represent. In that space, we are called to consider all that we don’t know about the figures we celebrate and their choice to resist their own objectification, thereby fostering a deeper sense of recognition.

Monumental Opacity is a timely and necessary call to reconsider the very act of commemoration and what it accomplishes. Offering a powerful aesthetic of subversion, Lauro inspires us to think about how—and why—history can be made unconsumable, protected from a voracious public.

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cover of Moses and the Monster and Miss Anne

Moses and the Monster and Miss Anne

Carole C. Marks

University of Illinois Press, 2008

This engaging history presents the extraordinary lives of Patty Cannon, Anna Ella Carroll, and Harriet Tubman, three "dangerous" women who grew up in early-nineteenth-century Maryland and were vigorously enmeshed in the social and political maelstrom of antebellum America. The "monstrous" Patty Cannon was a reputed thief, murderer, and leader of a ruthless gang who kidnapped free blacks and sold them back into slavery, whereas Miss Anna Ella Carroll, a relatively genteel unmarried slaveholder, foisted herself into state and national politics by exerting influence on legislators and conspiring with Governor Thomas Holliday Hicks to keep Maryland in the Union when many state legislators clamored to join the Confederacy. And, of course, Harriet Tubman--slave rescuer, abolitionist, and later women's suffragist--was both hailed as "the Moses of her people" and hunted as an outlaw with a price on her head worth at least ten thousand dollars.

All three women lived for a time in close proximity on the Eastern Shore of Maryland, an isolated region that thrived on tobacco and then lost it, procured slaves and then lost them, and produced strong-minded women and then condemned them. Though they never actually met, and their backgrounds and beliefs differed drastically, these women's lives converged through their active experiences of the conflict over slavery in Maryland and beyond, the uncertainties of economic transformation, the struggles in the legal foundation of slavery and, most of all, the growing dispute in gender relations in America.

Throughout this book, Carole C. Marks gleans historical fact and sociological insight from the persistent myths and exaggerations that color the women's legacies, and she investigates the common roots and motivations of three remarkable figures who bucked the era's expectations for women. She also considers how each woman's public identity reflected changing ideas of domesticity and the public sphere, spirituality, and legal rights and limitations. Cannon, Carroll, and Tubman, each in her own way, passionately fought for the future of Maryland and the United States, and from these unique vantage points, Moses and the Monster and Miss Anne portrays the intersecting and conflicting forces of race, economics, and gender that threatened to rend a nation apart.

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