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A moving and deeply personal excavation of Indigenous beauty and passion in a suffering world

The novel Jonny Appleseed established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island, winning both a Lambda Literary Award and Canada Reads 2021. In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession.

In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.

Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.

This intimate collection brings together a broad array of tributes to Eugene England, a leading Latter-day Saint scholar–teacher of the late twentieth century. It includes the voices of those who knew Gene and his work—family, friends, students, and colleagues—to illuminate the profound impact of one of Mormonism’s most influential thinkers. Through personal narratives and thoughtful reflections, these essays reveal Gene not just as a brilliant theologian and beloved professor, but as a compassionate mentor, faithful questioner, and dedicated disciple.

England’s influence on Latter-day Saint thought, culture, and religion was not only indelible but lasting. His legacy as a founding figure in modern Mormon intellectual life emerges through stories of his classroom teachings, his founding of Dialogue: A Journal of Mormon Thought, and his courageous exploration of difficult questions within a framework of faith. Contributors share how England modeled a life devoted to both unflinching inquiry and deep spiritual commitment—demonstrating that devotion and intellectualism could strengthen rather than threaten one another.

These personal accounts paint a portrait of a man whose theological insights and generous spirit continue to influence Mormon studies and whose example inspires those seeking to harmonize faith with intellectual honesty. For both those who knew England and those discovering him for the first time, this collection offers a window into the heart and mind of a remarkable Mormon thinker and his enduring influence.

This bold and timely anthology interrogates the British monarchy through the lens of race, gender, and postcolonial critique. The contributors of ten original essays use Meghan Markle’s public life and identity as a nexus for understanding the enduring legacies of empire, white supremacy, and institutional exclusion.

Each chapter blends academic analysis with the authors’ own lived experiences and identities, creating a deeply engaging and multifaceted narrative. Essays cover media representation, mental health, motherhood, and the politics of belonging. 

Written in an accessible and engaging style, this volume speaks to readers interested in the intersections of monarchy, race, feminism, and celebrity culture. Through its interdisciplinary approach and critical insight, these essays reveal how one woman’s experience within the royal family brings into focus broader social and historical processes of racial identity making and colonial power. This is essential reading for anyone seeking to understand the cultural and political significance of Meghan Markle’s story—and what it tells us about the world we live in.

Contributors
Lucca Ramone Carlson
Duchess Harris
Marissa Kessenich
Jasmine Mitchell
Sarah Olutola
Portia Owusu
Therí Pickens
Amelia Ryan
Julie Schwietert Collazo
Lily Talmont
Ariane Tulloch
Elwood Watson
Stephanie L. Williams
Sharon D. Wright Austin

Seeking a closer connection with nature than the manicured lawns of suburbia, naturalist Fred Gehlbach and his family built a house on the edge of a wooded ravine in Central Texas in the mid-1960s. On daily walks over the hills, creek hollows, and fields of the ravine, Gehlbach has observed the cycles of weather and seasons, the annual migrations of birds, and the life cycles of animals and plants that also live in the ravine.

In this book, Gehlbach draws on thirty-five years of journal entries to present a composite, day-by-day almanac of the life cycles of this semiwild natural island in the midst of urban Texas. Recording such events as the hatching of Eastern screech owl chicks, the emergence of June bugs, and the first freeze of November, he reminds us of nature's daily, monthly, and annual cycles, from which humans are becoming ever more detached in our unnatural urban environments. The long span of the almanac also allows Gehlbach to track how local and even global developments have affected the ravine, from scars left by sewer construction to an increase in frost-free days probably linked to global warming.

This long-term record of natural cycles provides one of only two such baseline data sets for North America. At the same time, the book is an eloquent account of one keen observer's daily interactions with his wild and human neighbors and of the lessons in connectedness and the "play of life" that they teach.

A collection of narrative essays on femininity, sexuality, community, and belonging

Miss Southeast explores the strange, often contradictory cultural circumstances of being queer and female in the American South and beyond. Born and raised in North Carolina, the youngest in a family of precocious daughters, Rogers spends her teenage years as a half-closeted lesbian desperate to escape the South, convinced the rest of the United States must be “more enlightened than our cow-dotted corner of the county.”

Adulthood takes Rogers to Ohio, New York, Louisiana, Arkansas, Washington, DC, and China, but each essay finds her reckoning with participation in and resistance to rigid cultural institutions—whether a coming-out story set at a high school beauty pageant or a meditation on swimming pools as emblems of racial divides across the South. In lyric prose enlivened by a poet’s sense of musicality, Miss Southeast considers how both place and our layered identities shape our sense of belonging.

Montana has been the "last best place" for so many people. A century ago, Native Americans gathered here to perform the Ghost Dance—a last, doomed attempt to make white settlers vanish and bring back the old ways of life. Today, people are still pouring into Montana, looking for the pristine wilderness they saw in A River Runs through It.

The reality of Montana—indeed, of all the West—has never matched the myths, but this book eloquently explores how the search for a perfect place is driving growth, development, and resource exploitation in Big Sky country. In ten personal essays, John Wright looks at such things as Montana myths; old-timers; immigrants; elk; ways of seeing the landscape; land conservation and land trusts; the fate of the Blackfoot, Bitterroot, and Paradise valleys; and some means of preserving the last, best places.

These reflections offer a way of understanding Montana that goes far beyond the headlines about militia groups and celebrities' ranches. Montana never was or will be a pristine wilderness, but Wright believes that much can be saved if natives and newcomers alike see what stands to be lost. His book is a wake-up call, not a ghost dance.

2022 Art in Service to the Environment Award, Sierra Club Lone Star Chapter
Honorable Mention, 2022 Nonfiction Prize, Writers' League of Texas

Writers explore a city’s relationship with chronic catastrophic flooding.

Shortly after Hurricane Harvey dumped a record 61 inches of rain on Houston in 2017, celebrated writer and Bayou City resident Lacy M. Johnson began collecting flood stories. Although these stories attested to the infinite variety of experience in America’s most diverse city, they also pointed to a consistent question: What does catastrophic flooding reveal about this city, and what does it obscure?

More City than Water brings together essays, conversations, and personal narratives from climate scientists, marine ecologists, housing activists, urban planners, artists, poets, and historians as they reflect on the human geography of a region increasingly defined by flooding. Both a literary and a cartographic anthology, More City than Water features striking maps of Houston’s floodplains, waterways, drainage systems, reservoirs, and inundated neighborhoods. Designed by University of Houston seniors from the Graphic Design program, each map, imaginative and precise, shifts our understanding of the flooding, the public’s relationship to it, and the fraught reality of rebuilding. Evocative and unique, this is an atlas that uncovers the changing nature of living where the waters rise.