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Centers on the moral dimension of the conflict as it traces a young Mississippi boy’s conversion from pro-slavery Southerner to abolitionist Union soldier

Allan Montague, born on a Mississippi plantation about twenty years before the Civil War, has grown up with slavery and considers it natural. When his father moves to Boston for business and takes the boy with him, young Allan carries a knife given to him by his cousin to use in killing abolitionists.

The first abolitionist young Allan meets in Boston is Levi Coffin, the reputed founder of the Underground Railroad. In this first of many meetings with historical figures, Allan forms a friendship with Coffin, who eventually takes him to hear a speech by former slave Frederick Douglass. Douglass's powerful words cement Allan's transformation into an abolitionist—a transformation that will lead him back to his Deep South home with the hope of freeing slaves and eventually back to the North and the fateful Battle of Manassas.

Kent Gramm, author of the introduction for this new edition of Manassas, calls the novel “a modern version of the morality play,” with the United States as the central character. “The real story, he writes, is the moral phenomenon of the Civil War.” It is a powerful book that deserves to be revived, read, and studied.
 

A concise and comprehensive biography of Mao Zedong, published to coincide with the fiftieth anniversary of his death.

A half-century after his death in September 1976, Mao Zedong remains one of history’s most polarizing figures: a peasant boy who became a revolutionary leader, a general in World War II, and finally the Great Helmsman, the founding father of the People's Republic of China. His legacy is a mix of national liberation and human tragedy. Today, Mao is no static icon on a banknote but the architect of a superpower whose ideas, methods, and personal life are continually reexamined through a modern lens.

This comprehensive biography bridges the gap between the revolutionary and the man without overlooking the events that led to the end of China’s Century of Humiliation, the brutal cost of the Great Leap Forward, and the Cultural Revolution, reevaluating his “mass line” ideology.

Based on new archival information and startling revelations from his inner circle—including his personal physician, Dr. Li Zhisui, and former nurses—Clements offers a clear and accessible portrait of a leader whose persistent influence reminds us why Mao’s story remains essential to understanding the global power dynamics of today.

This memoir is an act of map making, of plotting out overlapping territories—topographical, temporal, and psychological. Centered on family life in a Massachusetts town from the 1920s to the 1960s, the author's investigation extends outward to include the Boston area from colonial times to the recent past, encounters with Boston's Museum of Fine Arts and with Harvard College, the American Civil War, and Ireland and Germany in the nineteenth century.

Charles Fanning re-creates the landscape of childhood and adolescence in a place and time both ordinary and rich with possibility. An expert on Irish immigration, he was born and raised in Norwood, Massachusetts, twelve miles outside of Boston, where Yankee and Irish cultures bumped against each other. The narrative traces his personal growth, shaped by family, school, baseball, radio drama, and art. He was the first in his family to attend college, and the book ends with his undergraduate experience at Harvard, class of 1964.

Along with this coming-of-age story, Mapping Norwood features forays back in time, including chapters on each of Fanning's parents and historical excavations and meditations on three ancestors. Guided by his own experience as a scholar, the pressure of these chapters is epistemological—the thrill of the hunt toward knowing. Fanning's great-grandfather, John Fanning, disappeared from the family in the late 1880s, and a chapter chronicles the discovery of “Walking John's” fifty years of hidden later life in East St. Louis, Illinois, where he died alone in 1946. Fanning's great-great-grandfather, Winslow Radcliffe, was a veteran of the 35th Massachusetts Infantry in the Civil War, and the author traces this regiment through the horrors of Antietam and Fredericksburg, by means of diaries and letters by four men from Winslow's company. The evidence gleaned helps explain Winslow's suicide after the war. An Irish immigrant ancestor, Phillip Fanning, came to Boston from County Monaghan just after the Great Famine of the late 1840s. Relying on historical research, Fanning imagines vividly the lives led by Phillip's family and thousands like them in the wake of Ireland's nineteenth-century catastrophe.

This volume presents the first visual history of the people and organizations that led the fight for change during the civil rights era in Los Angeles.

During a 1963 speech to a crowd of nearly forty thousand at Wrigley Field in Los Angeles, Dr. Martin Luther King Jr. addressed the question of how Angelenos could contribute to the civil rights movement: “The most important thing that you can do is to set Los Angeles free, because you have segregation and discrimination here, and police brutality.”

Marching West illuminates the dynamic history of civil rights activism in Los Angeles and explores how the medium of photography both witnessed and advanced the fight for Black equality. Over one hundred images, some of which have never been previously published, reveal connections between the local and national movements and document the actions of Western coalitions, religious leaders, Hollywood stars, and concerned citizens. Drawn from the Tom & Ethel Bradley Center at California State University, Northridge (CSUN), the Getty Research Institute, and other Southern California collections—including prints by Harry Adams, Howard Bingham, Charles Brittin, Joe Flowers, Vera Jackson, and Charles Williams—this unprecedented volume presents less familiar but essential stories about American progress toward social justice.

Dive into the thrilling adventures of the daring explorer who pushed the limits of underwater exploration.
From discovering a pocket of air beneath a half-sunken rowboat as a young boy to setting a world diving record hundreds of feet below the surface of Lake Michigan, Max Nohl never stopped chasing the mysteries of our lakes, seas, and oceans. In Max Nohl’s Underwater Adventures, young readers will dive into the remarkable true story of the man who helped to modernize scuba diving and expand our ability to explore the watery depths.
Inventor, engineer, and explorer, Nohl was pushing the limits of human courage beneath the waves long before scuba diving became a recreational pastime. Readers of this biography for ages 8–11 will follow his riveting shipwreck treasure hunts, daring salvage expeditions, close encounters with sharks, and dramatic escapes from the many dangers under the sea.
But Nohl was more than an adventurer and thrill-seeker. Determined to make diving safer, he studied engineering at MIT and invented new equipment and techniques, including self-contained underwater breathing systems and helium-oxygen mixtures that opened the door to deeper exploration. He also helped pioneer advances in underwater camera equipment that allowed Hollywood moviemakers and others to capture watery scenes on film. Looking beyond Nohl’s own life story, this biography includes sidebars that give readers a peek into the history of deep-sea diving, tales of Great Lakes shipwrecks, and exploits of other record-breaking divers.
Filled with peril, discovery, ingenuity, and larger-than-life escapades, Max Nohl’s Underwater Adventures introduces young readers to an innovator whose curiosity and determination helped to unlock one of Earth’s last great frontiers—the mysterious world beneath the sea.

The human story behind the Creek War and the coming of Indian Removal.

About the time of the American Revolutionary war, when the Creek Indians owned land that is today approximately the lower two-thirds of Alabama and of Georgia west of the Oconee River, two sons were born to Indian mothers and Scots fathers in obscure towns in the territory of the Creek Nation. Both sons were named William, and both were to become leaders of their mothers’ people.

The two remarkable men lived during a period of war and turbulence along the frontier in Alabama and Georgia. More often the subjects of folk tale and legend than serious historical inquiry, McIntosh and Weatherford fought on opposing sides in the Creek War of 1813-1814. McIntosh allied himself with Andrew Jackson and the friendly Lower Creeks, while Weatherford joined with the hostile Red Stick and was the leader of a band of Upper Creeks in the massacre at Fort Mims. McIntosh, who was given the rank of brigadier general for his military feats, was involved in the machinations that led to the ceding of Creek lands to Georgia. As a result, he died in disgrace at the hands of his fellow Creeks. Weatherford, once hated and feared, died a planter and local hero in Alabama near the site of Fort Mims.

A historically significant memoir offering a firsthand perspective on life, identity, and cultural transformation in nineteenth-century Cuba.

Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898 is a translation of the memoir Memorias de mi juventud en Cuba: Un soldado del ejército español en la guerra separatista (1895–1898) by Josep Conangla. The English edition is based on the Spanish version edited by Joaquín Roy, who found the memoir and was given access to the Conangla family archives. Conangla’s memoir, now available in English, is an important addition to the accounts of Spanish and Cuban soldiers who served in Cuba’s second War of Independence.

Spaniard Josep Conangla was conscripted at the age of twenty and sent to Cuba. In the course of his time there, he reaffirmed his pacifism and support of Cuban independence. The young man was a believer who unfailingly connected his view of events to the Christian humanitarianism on which he prided himself. Conangla’s advanced education and the influence of well-placed friends facilitated his assignment to safe bureaucratic positions during the war, ensuring that he would not see combat. From his privileged position, he was a keen observer of his surroundings. He described some of the decisions he made—which at times put him at odds with the military bureaucracy he served—along with what he saw as the consequences of General Valeriano Weyler’s decree mandating the reconcentración, an early version of concentration camps. What Conangla saw fueled his revulsion at the collusion of the Spanish state and its state-sponsored religion in that policy. “Red Mass,” published six years after the War of Independence and included in his memoir, is a vivid expression in verse of his abhorrence.

Conangla’s recollections of the contacts between Spaniards and Cubans in the areas to which he was assigned reveal his ability to forge friendships even with Creole opponents of the insurrection. As an aspiring poet and writer, Conangla included material on fellow writers, Cuban and Spanish, who managed to meet and exchange ideas despite their circumstances. His accounts of the Spanish defeat, the scene in Havana around the end of the war, along with his return to Spain, are stirring.

This is a tale that might be told around a campfire, night after night in the midst of a military campaign. The kinetic and garrulous Pancho Villa talking on and on about battles and men; bursting out with hearty, masculine laughter; weeping unashamed for fallen comrades; casually mentioning his hotheadedness—"one of my violent outbursts"—which sent one, two, or a dozen men before the firing squad; recounting amours; and always, always protesting dedication to the Revolutionary cause and the interests of "the people."

Villa saw himself as the champion, eventually almost the sole champion, of the Mexican people. He fought for them, he said, and opponents who called him bandit and murderer were hypocrites.

This is his story, his account of how it all began when as a peasant boy of sixteen he shot a rich landowner threatening the honor of his sister. This lone, starved refugee hiding out in the mountains became the scourge of the Mexican Revolution, the leader of thousands of men, and the hero of the masses of the poor.

Great battles of the Revolution are described, sometimes as broad sweeps of strategy, sometimes as they developed half hour by half hour. Long, dusty horseback forays and cold nights spent pinned down under enemy fire on a mountainside are made vivid and gripping. The assault on Ciudad Juárez in 1911, the battles of Tierra Blanca, of Torreón, of Zacatecas, of Celaya, all are here, told with a feeling of great immediacy. This volume ends as Villa and Obregón prepare to engage each other in the war between victorious generals into which the Revolution degenerated before it finally ended.

Martín Luis Guzmán, eminent historian of Mexico, knew and traveled with Pancho Villa at various times during the Revolution. General Villa offered young Martín Luis a position as his secretary, but he declined. When many years later some of Villa's private papers, records, and what was apparently the beginning of an autobiography came into Guzmán's hands, he was ideally suited to blend all these into an authentic account of the Revolution as Pancho Villa saw it, and of the General's life as known only to Villa himself.

The Memoirs were first published in Mexico in 1951, where they were extremely popular; this volume was the first English publication. Virginia H. Taylor, translator in the Spanish Archives of the State of Texas Land Office, has accurately captured in English the flavor of the narrative.

An analysis of how post-9/11 war movies changed from following soldiers on specific missions to chronicling war as a day-to-day occupation.

In 2003, the United States began a war in Iraq without a mission. Instead of fighting to restore peace—the traditional objective of warfare—servicemembers faced the grim reality that there was no goal. Lacking even certainty as to who was the enemy, soldiers discovered that their task was simply to survive.

Mission Unaccomplished explores how Hollywood grasped the experience of Iraq from the perspective of US soldiers, reinventing the war film in the process. Historically, films such as Saving Private Ryan valorized the goals of war by chronicling missions that unambiguously contribute to the defeat of the enemy and the restoration of peace. But in The Hurt Locker, American Sniper, Green Zone, and other recent dramas, soldiers just try to outlast the chaos. Dramatizing the aimlessness of the war, events occur in random order, and soldiers have no sense of how their actions contribute to victory or peace. Looking to recent WWII movies such as Dunkirk and Hacksaw Ridge, which use this same cinematic vocabulary to position soldiering as merely a deadly job to be endured, Alan Nadel argues that the disillusionment of Iraq has influenced cinema broadly, inspiring a newly critical war film genre.

A compelling biography of General William C. Gorgas, the US Army doctor's campaign against mosquito-borne disease reshaped public health, military medicine, and U. S. power on the world stage. 

Mosquito Warrior tells the engrossing story of General William C. Gorgas (1854–1920), the once-renowned pioneer in tropical disease research and public health. His fascinating life illuminates vast transformations in the United States, including the end of the Civil War and the industrialization of the US military and economy, the emergence of germ theory and the modernization of the public health system, and the rise of the United States as a world power.

A scion of Confederate elites, Gorgas came of age amidst war and disease and the politics of racial segregation. He followed his father into military service as an army medical officer, treating troops on America’s western frontier posts. During the US occupation of Cuba, Gorgas applied Walter Reed’s research on the theory of mosquito-borne disease transmission, ending centuries of yellow fever in Havana through the eradication of the deadly Aedes aegypti mosquito. Applying similar strategies on the isthmus of Panama against yellow fever and malaria, Gorgas enabled the completion of the Panama Canal, then the largest engineering project in the world. Hailed a hero, he pursued his fight against mosquito-borne disease throughout the tropics, expanding American interests as he went. Appointed as US Army surgeon general on the eve of World War I, Gorgas resumed work modernizing the army health care system, strengthening US medical and military authority on the world stage.

Celebrated in life, Gorgas’s reputation fell victim to competing political interests and jealousies after his death, a cautionary tale about historical memory and the politics of science and personality. Carol R. Byerly’s balanced and contemporary examination of Gorgas illuminates his complex legacy in medicine and public health, military history, and American ambitions at the dawn of US global ascendency.
 

In 1928, nine-year-old Teresa leaves everything she knows in San Antonio—including her beloved cat Diamante—and boards a train bound for Michigan, where her parents have found work in the vast sugar beet fields of Saginaw. The long train north is a source of fascination, but stepping into Michigan feels like entering a different world—the cold wind, the strange houses, and the long days helping on the farm instead of going to school. Teresa cares for her little sisters while her parents tend to the sugar beets. She learns to navigate a life shaped by hard work, migration, and constant change. After the harvest, a new season begins, and the whole family must pack up and make the long trip back to Texas, to plant new roots. Based on the stories the author’s grandparents told her about their lives as Texas migrants in Michigan’s Thumb, My Sugar Beet Summer pulls the reader into Teresa and her family’s life in a new land, on a sugar beet farm on the eve of the Great Depression.

Three novellas of murder and mystery in nineteenth-century Minneapolis

OWNER DIES UNDER STRANGE CIRCUMSTANCES AT MINNEAPOLIS MILL!

HOTEL BELLMAN FOUND DEAD IN OSCAR WILDE’S ROOM!

$10,000 REWARD FOR DISCOVERING MY MURDERER!

These headlines are just the beginning as Larry Millett returns to the scene of the crime in three tales of intrigue and murder in historic Minneapolis. The mind that brought us the intrepid Shadwell Rafferty now introduces three unlikely but talented new detectives—in-laws Sophia Westerly and Annie Nichols, and the incomparable Oscar Wilde—who are thrown into murder investigations amid flour milling, literary culture, and labor organizing in the burgeoning city.

Murder at the Falls takes us to the Perfection Flour Mill at St. Anthony Falls when one owner turns up dead under grotesque circumstances and suspicion lands on the other, plunging the city into a frenzy of dark speculation. In A Wilde Night at the Nicollet House, Oscar Wilde, in the midst of his 1882 North American tour and spouting witticisms as only he can, teams up with the long-time house detective at the Nicollet House Hotel to search for the murderer of the hotel bell captain found dead in his room. In The Death Committee, a champion lawyer of the working class, convinced his own murder is imminent, arranges for three citizens to investigate his death, with a $10,000 reward going to the one who finds the killer.

Shining light on the colorful characters and curious corners of Twin Cities history, Mysterious Tales of Old Minneapolis brings the nineteenth-century city to vibrant life (and dastardly death) in the spellbinding style that Larry Millett’s legion of loyal readers has come to love.

Tales of murder and revenge: the early exploits of detective Shadwell Rafferty

Shadwell Rafferty’s last case may have led to his murder, but naturally—and fortunately, for followers of the indefatigable St. Paul detective—there’s more to the story. Mysterious Tales of Old St. Paul gathers three novellas from Larry Millett, casting back to Rafferty’s beginnings to recount a trio of intriguing cases that honed his skills before he joined forces with Sherlock Holmes.

In “Death in the News,” St. Paul citizens wake one morning to find that the sign on downtown’s tallest building that reads PIONEER PRESS has been altered—at considerable effort—to LIARS. An elaborate prank, yes, but it foreshadows a far worse crime, and Rafferty is on the case. In “The Birdman of Summit Avenue,” cats are turning up dead in the yards of St. Paul’s prominent citizens, and suspicion swiftly falls on the wealthy avian enthusiast Ambrose Harriman, but the case turns darker still when a neighborhood boy is found murdered in Harriman’s yard. In “The Gold King,” an enigmatic stranger arrives in town, calling himself the Gold King and announcing his plans to unearth hidden treasure, which eventually leads to a shocking conclusion.

Steeped in the mystery and history of nineteenth-century St. Paul, these interlocking detective stories feature the characters—and the local character—that have made the Shadwell Rafferty series irresistible. Spellbinding as ever, these stories also afford the curious pleasure of watching Rafferty find his footing on his way to becoming the consummate detective whose exploits have delighted readers again and again.