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This poignant collection brings together powerful testimonios from Chicanx and Latinx patients, family members, caregivers, and community advocates who have faced el maldito cáncer. Authors share first-person narratives of illness, fear, love, solidarity, and resilience, illuminating how Latinx communities navigate cancer journeys within a complex and often inequitable health-care system.

The contributors—ranging from students and community members to renowned scholars and artists—offer their stories through essays, creative nonfiction, poetry, bilingual chapters, and drawings. 

These testimonios honor the diverse ways Latinxs process and communicate the emotional, physical, and cultural realities of cancer. Each section is framed by a short editor introduction that highlights key themes and invites readers to reflect on the resonant insights each story brings. Across four sections—patient voices, family members, community perspectives, and closing reflections—the book reveals how individuals confront illness with courage and how families and communities create networks of care grounded in culture, love, and collective strength.

Exposing physical and emotional vulnerabilities, instances of pain, suffering, worry, and anguish, Maldito Cáncer also opens a space for healing and connection. It offers a new lens to understanding cancer through culturally informed, justice-centered narratives. These acts of testimoniando offer a gift to us: resistance, connection, and hope.

Contributors
Alfonso Aranda
Cathy Arellano
Estela Mara Bensimon
Cindy Camacho-Gutierrez
Daniela A. Carreon
Angie Chabram
Natalia Deeb-Sossa
Yvette G. Flores
Fran García Vásquez
Jennifer Gottlieb
Osa Hidalgo de la Riva
Ekta Kandhway
Skye Kelty
Jorge Antonio Losoya
Dalia Magaña
Maribel Martínez
Pedro Noguera
Lorraine Ramos
Mónica Torreiro-Casal
Rita E. Urquijo-Ruiz
Patricia Zavella

An October 2022 IndieNext pick

”[An] engaging and beautifully narrated quest for personal fulfillment and musical recognition...This is a fast-paced tale in which music and love always take center stage...A truly gifted musician, Price writes about her journey with refreshing candor.”—Kirkus, starred review

”Brutally honest…a vivid and poignant memoir.”—The Guardian

Country music star Margo Price shares the story of her struggle to make it in an industry that preys on its ingenues while trying to move on from devastating personal tragedies.

When Margo Price was nineteen years old, she dropped out of college and moved to Nashville to become a musician. She busked on the street, played open mics, and even threw out her TV so that she would do nothing but write songs. She met Jeremy Ivey, a fellow musician who would become her closest collaborator and her husband. But after working on their craft for more than a decade, Price and Ivey had no label, no band, and plenty of heartache.

Maybe We’ll Make It is a memoir of loss, motherhood, and the search for artistic freedom in the midst of the agony experienced by so many aspiring musicians: bad gigs and long tours, rejection and sexual harassment, too much drinking and barely enough money to live on. Price, though, refused to break, and turned her lowest moments into the classic country songs that eventually comprised the debut album that launched her career. In the authentic voice hailed by Pitchfork for tackling "Steinbeck-sized issues with no-bullshit humility," Price shares the stories that became songs, and the small acts of love and camaraderie it takes to survive in a music industry that is often unkind to women. Now an award-winning artist with a global fanbase, Price tells a love story of music, collaboration, and the struggle to build a career while trying to maintain her singular voice and style.

A personal journey of bringing together Western science and Indigenous ecology to transform our understanding of the human role in healing our planet

I used to be an ecologist. . . . Now, I am a community gatherer, working to help bring healing beyond just the land. I am a story-listener. I am a storyteller. I am a shaper of ecosystems. I work on bringing communities together, in circle, to listen to each other.

A farm kid at heart, and a Nlaka’pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren’t making the meaningful change needed for plant, animal, and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing.

In Medicine Wheel for the Planet, building on sacred stories, field observations, and her own journey, Dr. Grenz invites readers to share in the teachings of the four directions of the medicine wheel: the North, which draws upon the knowledge and wisdom of elders; the East, where we let go of colonial narratives and see with fresh eyes; the South, where we apply new-old worldviews to envision a way forward; and the West, where a relational approach to land reconciliation is realized.

Eloquent, inspiring, and disruptive, Medicine Wheel for the Planet circles around an argument that we need more than a singular worldview to protect the planet and make the significant changes we are running out of time for.

A historically significant memoir offering a firsthand perspective on life, identity, and cultural transformation in nineteenth-century Cuba.

Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898 is a translation of the memoir Memorias de mi juventud en Cuba: Un soldado del ejército español en la guerra separatista (1895–1898) by Josep Conangla. The English edition is based on the Spanish version edited by Joaquín Roy, who found the memoir and was given access to the Conangla family archives. Conangla’s memoir, now available in English, is an important addition to the accounts of Spanish and Cuban soldiers who served in Cuba’s second War of Independence.

Spaniard Josep Conangla was conscripted at the age of twenty and sent to Cuba. In the course of his time there, he reaffirmed his pacifism and support of Cuban independence. The young man was a believer who unfailingly connected his view of events to the Christian humanitarianism on which he prided himself. Conangla’s advanced education and the influence of well-placed friends facilitated his assignment to safe bureaucratic positions during the war, ensuring that he would not see combat. From his privileged position, he was a keen observer of his surroundings. He described some of the decisions he made—which at times put him at odds with the military bureaucracy he served—along with what he saw as the consequences of General Valeriano Weyler’s decree mandating the reconcentración, an early version of concentration camps. What Conangla saw fueled his revulsion at the collusion of the Spanish state and its state-sponsored religion in that policy. “Red Mass,” published six years after the War of Independence and included in his memoir, is a vivid expression in verse of his abhorrence.

Conangla’s recollections of the contacts between Spaniards and Cubans in the areas to which he was assigned reveal his ability to forge friendships even with Creole opponents of the insurrection. As an aspiring poet and writer, Conangla included material on fellow writers, Cuban and Spanish, who managed to meet and exchange ideas despite their circumstances. His accounts of the Spanish defeat, the scene in Havana around the end of the war, along with his return to Spain, are stirring.

Elleanor Eldridge, born of African and US indigenous descent in 1794, operated a lucrative domestic services business in nineteenth century Providence, Rhode Island. In defiance of her gender and racial background, she purchased land and built rental property from the wealth she gained as a business owner. In the 1830s, Eldridge was defrauded of her property by a white lender. In a series of common court cases as defendant and plaintiff, she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation, her memoir, which includes statements from employers endorsing her respectable character, was published in 1838. Frances Harriet Whipple, an aspiring white writer in Rhode Island, narrated and co-authored Eldridge’s story, expressing a proto-feminist outrage at the male “extortioners” who caused Eldridge’s loss and distress.

With the rarity of Eldridge’s material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge’s life from her birth. Because of Eldridge’s exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early nineteenth-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.

With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge—from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and efficacy in establishing a collective of white women patrons, this biography challenges typical African and Indigenous women’s literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.

This is a tale that might be told around a campfire, night after night in the midst of a military campaign. The kinetic and garrulous Pancho Villa talking on and on about battles and men; bursting out with hearty, masculine laughter; weeping unashamed for fallen comrades; casually mentioning his hotheadedness—"one of my violent outbursts"—which sent one, two, or a dozen men before the firing squad; recounting amours; and always, always protesting dedication to the Revolutionary cause and the interests of "the people."

Villa saw himself as the champion, eventually almost the sole champion, of the Mexican people. He fought for them, he said, and opponents who called him bandit and murderer were hypocrites.

This is his story, his account of how it all began when as a peasant boy of sixteen he shot a rich landowner threatening the honor of his sister. This lone, starved refugee hiding out in the mountains became the scourge of the Mexican Revolution, the leader of thousands of men, and the hero of the masses of the poor.

Great battles of the Revolution are described, sometimes as broad sweeps of strategy, sometimes as they developed half hour by half hour. Long, dusty horseback forays and cold nights spent pinned down under enemy fire on a mountainside are made vivid and gripping. The assault on Ciudad Juárez in 1911, the battles of Tierra Blanca, of Torreón, of Zacatecas, of Celaya, all are here, told with a feeling of great immediacy. This volume ends as Villa and Obregón prepare to engage each other in the war between victorious generals into which the Revolution degenerated before it finally ended.

Martín Luis Guzmán, eminent historian of Mexico, knew and traveled with Pancho Villa at various times during the Revolution. General Villa offered young Martín Luis a position as his secretary, but he declined. When many years later some of Villa's private papers, records, and what was apparently the beginning of an autobiography came into Guzmán's hands, he was ideally suited to blend all these into an authentic account of the Revolution as Pancho Villa saw it, and of the General's life as known only to Villa himself.

The Memoirs were first published in Mexico in 1951, where they were extremely popular; this volume was the first English publication. Virginia H. Taylor, translator in the Spanish Archives of the State of Texas Land Office, has accurately captured in English the flavor of the narrative.

The secret life of a Palestinian Communist activist during the leadup to World War II.

In the public eye, Najati Sidqi was known as a journalist and writer, a translator of Russian classics, and an outspoken opponent of Nazism. However, Sidqi concealed a critical component of his life from the world and his family. He was an underground activist for the Palestinian Communist Party, a risky and influential pursuitthat took him to early Bolshevik Moscow, British courts and prison cells in Palestine, Nazi Germany, intrigue-heavy interwar Paris, and Civil War Spain, Morocco, and Algeria. Throughout his journey, Sidqi continued to write, even as he faced fascism, intense surveillance, active warzones, the death of friends, and exile.

Memoirs of a Palestinian Communist brings Sidqi’s incredible life and work to light, wryly narrating his international travels, his work as an activist, and his political dealings at a crucial moment for Palestine and the international fight against fascism. Translated from Arabic into English for the first time, it is a riveting firsthand account of an often-overlooked aspect of the history of the global left. Generous supplementary materials make the memoir accessible to students and non-specialist scholars: a preface by Sidqi’s grandson, a foreword by renowned historian Joel Beinin, a translators’ introduction that presents new research on Sidqi’s family history, a map of his travels, and a timeline, as well as a bibliographic essay offering pointers for further research.

Memoirs of an Early Arab Feminist is the first English translation of the memoirs of Anbara Salam Khalidi, the iconic Arab feminist. At a time when women are playing a leading role in the Arab Spring, this book brings to life an earlier period of social turmoil and women's activism through one remarkable life.

Anbara Salam was born in 1897 to a notable Sunni Muslim family of Beirut. She grew up in 'Greater Syria', in which unhindered travel between Beirut, Jerusalem and Damascus was possible, and wrote a series of newspaper articles calling on women to fight for their rights within the Ottoman Empire. In 1927 she caused a public scandal by removing her veil during a lecture at the American University of Beirut.

Later she translated Homer and Virgil into Arabic and fled from Jerusalem to Beirut following the establishment of Israel in 1948. She died in Beirut in 1986. These memoirs have long been acclaimed by Middle East historians as an essential resource for the social history of Beirut and the larger Arab world in the 19th and 20th centuries.

The 1935 autobiography of Alexander Ziskind Gurwitz, an Orthodox Jew whose lively recounting of his life in Tsarist Russia and his immigration to San Antonio, Texas, in 1910 captures turbulent changes in early twentieth-century Jewish history

In 1910, at the age of fifty-one, Alexander Ziskind Gurwitz made the bold decision to emigrate with his wife and four children from southeastern Ukraine in Tsarist Russia to begin a new life in Texas. In 1935, in his seventies, Gurwitz composed a retrospective autobiography, Memories of Two Generations, that recounts his personal story both of the rich history of the lost Jewish world of Eastern Europe and of the rambunctious development of frontier Jewish communities in the United States.

In both Europe and America, Gurwitz inhabited an almost exclusively Jewish world. As a boy, he studied in traditional yeshivas and earned a living as a Hebrew language teacher and kosher butcher. Widely travelled, Gurwitz recalls with wit and insight daily life in European shtetls, providing perceptive and informative comments about Jewish religion, history, politics, and social customs. Among the book’s most notable features is his first-hand, insider’s account of the yearly Jewish holiday cycle as it was observed in the nineteenth century, described as he experienced it as a child.

Gurwitz’s account of his arrival in Texas forms a cornerstone record of the Galveston Immigration Movement; this memoir represents the only complete narrative of that migration from an immigrant’s point of view. Gurwitz’s descriptions about the development of a thriving Orthodox community in San Antonio provide an important and unique primary source about a facet of American Jewish life that is not widely known.

Gurwitz wrote his memoir in his preferred Yiddish, and this translation into English by Rabbi Amram Prero captures the lyrical style of the original. Scholar and author Bryan Edward Stone’s special introduction and illuminating footnotes round out a superb edition that offers much to experts and general readers alike.

A collection of narrative essays on femininity, sexuality, community, and belonging

Miss Southeast explores the strange, often contradictory cultural circumstances of being queer and female in the American South and beyond. Born and raised in North Carolina, the youngest in a family of precocious daughters, Rogers spends her teenage years as a half-closeted lesbian desperate to escape the South, convinced the rest of the United States must be “more enlightened than our cow-dotted corner of the county.”

Adulthood takes Rogers to Ohio, New York, Louisiana, Arkansas, Washington, DC, and China, but each essay finds her reckoning with participation in and resistance to rigid cultural institutions—whether a coming-out story set at a high school beauty pageant or a meditation on swimming pools as emblems of racial divides across the South. In lyric prose enlivened by a poet’s sense of musicality, Miss Southeast considers how both place and our layered identities shape our sense of belonging.

In the spring of 1983, a North American couple who were hoping to adopt a child internationally received word that if they acted quickly, they could become the parents of a boy in an orphanage in Honduras. Layers of red tape dissolved as the American Embassy there smoothed the way for the adoption. Within a few weeks, Margaret Ward and Thomas de Witt were the parents of a toddler they named Nelson—an adorable boy whose prior life seemed as mysterious as the fact that government officials in two countries had inexplicably expedited his adoption.

In Missing Mila, Finding Family, Margaret Ward tells the poignant and compelling story of this international adoption and the astonishing revelations that emerged when Nelson's birth family finally relocated him in 1997. After recounting their early years together, during which she and Tom welcomed the birth of a second son, Derek, and created a family with both boys, Ward vividly recalls the upheaval that occurred when members of Nelson's birth family contacted them and sought a reunion with the boy they knew as Roberto. She describes how their sense of family expanded to include Nelson's Central American relatives, who helped her piece together the lives of her son's birth parents and their clandestine activities as guerrillas in El Salvador's civil war. In particular, Ward develops an internal dialogue with Nelson's deceased mother Mila, an elusive figure whose life and motivations she tries to understand.