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"History painting," for many people, conjures up Washington Crossing the Delaware and other paintings of heroic historical events. But history has made its way into considerably more American art than such obvious examples, in the view of Michael Kammen. In three thought-provoking and innovative essays, Kammen ranges from the Renaissance to the twentieth century, from central Europe to the western United States, and from elegant oil painting to folk sculpture to show the transformations of Old World icons of time into New World images of social memory and tradition.

In the first essay, Kammen demonstrates how American artists and artisans modified European emblems of time in response to their New World setting. In the second essay concerning nineteenth-century landscape art, he explores how artists used space to represent the movement of American culture through time. In the final essay, he looks at two distinctively American motifs of collective memory and tradition—old houses and elm trees. Throughout this interdisciplinary study, Kammen draws his examples from well-known and lesser-known artists, as well as from diverse American writers. Over 100 black-and-white illustrations accompany the text.

Of interest to all students of American culture, Meadows of Memory raises intriguing questions about the American paradox of desiring to conquer mutability while yearning for emblems of a (perhaps imagined?) past.

Concern with memory permeated Roman literature, history, rhetorical training, and art and architecture. This is the first book to look at the phenomenon from a variety of perspectives, including cognitive science. There is no orthodoxy in memory studies and the approaches are both empirical and theoretical. A central issue is: who and what preserved and shaped cultural memory in Rome, and how did that process work? Areas and subjects covered include the Romans' view of the changing physical fabric of the city, monuments (by etymology related to memory) such as the Arch of Constantine, memory and the Roman triumph, Roman copies of Greek sculpture and their relation to memory, the importance of written information and of continuing process, the creation of memory in Republican memoirs and Flavian poetry, the invention of traditions, and the connection of cultural and digital memory.

The ten chapters present original findings that complement earlier scholarship from the perspective of memory and open up new horizons for inquiry. The introduction by volume editor Karl Galinsky situates the work within current studies on cultural and social memory, and the concluding chapter by Daniel Libeskind provides the perspective of a contemporary practitioner.

Additional contributors include Richard Jenkyns, Harriet I. Flower, T. P. Wiseman, Karl-J. Hölkeskamp, Gianpiero Rosati, Diane Favro, Jessica Hughes, Anna Anguissola, Lisa Marie Mignone, and Bernard Frischer.

Essential reading for scholars and students interested in sociology and biblical studies

In this collection scholars of biblical texts and rabbinics engage the work of Barry Schwartz, Professor Emeritus in the Department of Sociology at the University of Georgia. Schwartz provides an introductory essay on the study of collective memory. Articles that follow integrate his work into the study of early Jewish and Christian texts. The volume concludes with a response from Schwartz that continues this warm and fruitful dialogue between fields.

Features:

• Articles that integrate the study of collective memory and social psychology into religious studies
• Essays from Barry Schwartz
• Theories applied rather than left as abstract principles

An exploration of how the ancient Maya engaged with their history by using, altering, and burying stone sculptures.

For the ancient Maya, monumental stone sculptures were infused with agency. As they were used, reused, altered, and buried, such sculptures retained ceremonial meaning. In Memory in Fragments, Megan E. O'Neil explores how ancient Maya people engaged with history through these sculptures, as well as how they interacted with the stones themselves over the course of the sculptures’ long “lives.” Considering Maya religious practices, historiography, and conceptions of materials and things, O’Neil explores how Maya viewers perceived sculptures that were fragmented, scarred, burned, damaged by enemies, or set in unusual locations. In each case, she demonstrates how different human interactions, amid dynamic religious, political, and historical contexts, led to new episodes in the sculptures' lives.

A rare example of cross-temporal and geographical work in this field, Memory in Fragments both compares sculptures within ancient Maya culture across Honduras, Guatemala, Mexico, and Belize over hundreds of years and reveals how memory may accrue around and be evoked in material remains.

Poems written outdoors, in the presence of disappearing glaciers—a book of memory, grief, and transformation.

In her new poetry collection, Memory of a Larger Mind, Daniela Naomi Molnar sifts through memory and layered loss—planetary, cultural, familial, and personal—asking how we withstand and how we transform. These are plein air poems, written outdoors in the presence of disappearing glaciers and composed with shifting light, wind, sound, and scent: elegies and love songs, celebrations and laments. Braiding the slow death of glaciers with her grandmother's survival of the Holocaust, the book holds ecological and ancestral loss in a single frame. Alive to our current moment while keeping one foot in geologic time, Molnar exposes genocide and ecocide as expressions of the same logic, the same movement: ice to water to light, grief to love to joy to grief.

Memory of a Larger Mind is part of a larger interdisciplinary project that gathers pigments, language, and memory from “sacrifice zones”—glaciated landscapes, former concentration and incarceration camps, desecrated sacred sites—and transforms them into poems, paintings, and films. The result is work in which all bodies are understood as dynamic, part of a world in which difficult pasts might open toward more peaceful futures, and in which grief, handled with care, might shift to love.

In Memory, Myth, and Time in Mexico, noted Mexican scholar Enrique Florescano’s Memoria mexicana becomes available for the first time in English. A collection of essays tracing the many memories of the past created by different individuals and groups in Mexico, the book addresses the problem of memory and changing ideas of time in the way Mexicans conceive of their history. Original in perspective and broad in scope, ranging from the Aztec concept of the world and history to the ideas of independence, this book should appeal to a wide readership.

Latin America has been a refuge for Jews fleeing persecution from 1492, when Sepharad Jews were expelled from Spain, until well into the twentieth century, when European Jews sought sanctuary there from the horrors of the Nazi Holocaust. Vibrant Jewish communities have deep roots in countries such as Argentina, Mexico, Guatemala, and Chile—though members of these communities have at times experienced the pain of being "the other," ostracized by Christian society and even tortured by military governments. While commonalities of religion and culture link these communities across time and national boundaries, the Jewish experience in Latin America is irreducible to a single perspective. Only a multitude of voices can express it.

This anthology gathers fifteen essays by historians, creative writers, artists, literary scholars, anthropologists, and social scientists who collectively tell the story of Jewish life in Latin America. Some of the pieces are personal tales of exile and survival; some explore Jewish humor and its role in amalgamating histories of past and present; and others look at serious episodes of political persecution and military dictatorship. As a whole, these challenging essays ask what Jewish identity is in Latin America and how it changes throughout history. They leave us to ponder the tantalizing question: Does being Jewish in the Americas speak to a transitory history or a more permanent one?

Mieres Reborn reveals how patient observation and an analysis of one small community have much to tell us about human progress more generally.

Not long ago Mieres, a village in the eastern foothills of the Pyrenees, seemed destined to die. As in countless thousands of rural communities around the world, young people in Mieres over the years have moved to the towns and cities, leaving behind abandoned fields and meadows, derelict houses, and their aging and disconsolate parents and grandparents.

Close observation of this social microcosm over two decades reveals the capacity of ordinary people in a locality to reinvent themselves, reconstruct relationships with the wider world, and confront new threats to their collective survival. A. F. Robertson describes how the determination that Mieres should survive is most evident in a vigorous round of fiestas, fairs, and other public events in which natives, exiles, and newcomers work to create a lively sense of belonging. Since the 1980s, Mieres has been enlivened by a reverse flow of migrants from the cities, new settlers who have brought an infusion of youth to the community, devised new livelihoods, revitalized the village school, energized the native ”Mierencs,” and provided the impetus for a rediscovery of historical roots and political identity.

The regeneration of life in the countryside, in part a reaction to urban expansion and decay, is a global phenomenon of increasing political, economic, and social significance.