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From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end.
 
Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.
 

From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end.
 
Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.

Winner of the Juanita Brooks Prize in Mormon Studies

From 1947 to 2000, some 50,000 Native American children left the reservations to live with Mormon foster families. While some dropped out of the Indian Student Placement Program (ISPP), for others the months spent living with LDS families often proved more penetrating than expected.
     The ISPP emerged in the mid-twentieth century, championed by Apostle Spencer W. Kimball, aligned with the then national preferences to terminate tribal entities and assimilate indigenous people. But as the paradigm shifted to self-determination, critics labeled the program as crudely assimilationist. Some ISPP students like Navajo George P. Lee fiercely defended the LDS Church before native peers and Congress, contending that it empowered Native people and instilled the true Indian identity; meanwhile Red Power activists organized protests in Salt Lake City, denouncing LDS colonization. As a new generation of church leaders quietly undercut the Indian programs, many of its former participants felt a sense of confusion and abandonment as Mormon distinctions for Native people faded in the late twentieth century.
     Making Lamanites traces this student experience within contested cultural and institutional landscapes to reveal how and why many of these Native youth adopted a new notion of Indianness. 

Winner of the Francis Armstrong Madsen Best Book Award from the Utah Division of State History.

Until recently, most scholarly work on Chinese music in both Chinese and Western languages has focused on genres, musical structure, and general history and concepts, rather than on the musicians themselves. This volume breaks new ground by focusing on individual musicians active in different amateur and professional music scenes in mainland China, Hong Kong, and Chinese communities in Europe. Using biography to deepen understanding of Chinese music, contributors present contextualized portraits of rural folk singers, urban opera singers, literati, and musicians on both geographic and cultural frontiers. Contributors are Nimrod Baranovitch, Rachel Harris, Frank Kouwenhoven, Tong Soon Lee, Peter Micic, Helen Rees, Antoinet Schimmelpenninck, Shao Binsun, Jonathan P. J. Stock, and Bell Yung.

In the nineteenth century, a fascination with the Church of Jesus Christ of Latter-day Saints made Mormons and Mormonism a common trope in French journalism, art, literature, politics, and popular culture. Heather Belnap, Corry Cropper, and Daryl Lee bring to light French representations of Mormonism from the 1830s to 1914, arguing that these portrayals often critiqued and parodied French society. Mormonism became a pretext for reconsidering issues such as gender, colonialism, the family, and church-state relations while providing artists and authors with a means for working through the possibilities of their own evolving national identity.

Surprising and innovative, Marianne Meets the Mormons looks at how nineteenth-century French observers engaged with the idea of Mormonism in order to reframe their own cultural preoccupations.

Few events in the history of the American Far West from 1846 to 1849 did not involve the Mormon Battalion. The Battalion participated in the United States conquest of California and in the discovery of gold, opened four major wagon trails, and carried the news of gold east to an eager American public. Yet, the battalion is little known beyond Mormon history. This first complete history of the wide-ranging army unit restores it to its central place in Western history, and provides descendants a complete roster of the Battalion's members.

 Some left, some stayed. Each one found some aspect of their church’s history, doctrine, policies, or politics that they could not reconcile with their own personal ethics. Some felt burdened by the conflict, while others embraced it. A few were reticent, even apologetic about their disagreements. Others were barnstormers. Each possessed some quality that destined him or her to ride at the fringes rather than at the center.

Mormon Mavericks summarizes a few famous flashpoints in Mormon history; more importantly, it provides a telling study in human nature. Each contributor is an expert in his or her discipline, and all approach their topic with equal doses of sympathy and objectivity.

The following mavericks are featured in this collection of biographical essays:

Fawn McKay Brodie
Juanita Brooks
Thomas Stuart Ferguson
Amasa Mason Lyman
Sterling M. McMurrin
John E. Page
Sarah M. Pratt D. Michael Quinn
William Smith
Fanny Stenhouse
T. B. H. Stenhouse
James Strang
Samuel Woolley Taylor
Moses Thatcher

Winner of the Evans Handcart Prize 2009
Winner of the Mormon History Assn Best Biography Award 2009

By the early twentieth century, the era of organized Mormon colonization of the West from a base in Salt Lake City was all but over. One significant region of Utah had not been colonized because it remained in Native American hands--the Uinta Basin, site of a reservation for the Northern Utes. When the federal government decided to open the reservation to white settlement, William H. Smart--a nineteenth-century Mormon traditionalist living in the twentieth century, a polygamist in an era when it was banned, a fervently moral stake president who as a youth had struggled mightily with his own sense of sinfulness, and an entrepreneurial businessman with theocratic, communal instincts--set out to ensure that the Uinta Basin also would be part of the Mormon kingdom.

Included with the biography is a searchable CD containing William H. Smart's extensive journals, a monumental personal record of Mormondom and its transitional period from nineteenth-century cultural isolation into twentieth-century national integration.

Mormons and Mormonism gathers key essays by leading scholars on the history, foundational ideas and practices, and worldwide expansion of the Church of Jesus Christ of Latter-day Saints. The ideal introduction to Mormonism, this choice sampler provides a selective overview of what many historians consider the most innovative and successful religion to emerge during the spiritual ferment of antebellum America.
 
This volume explains how the earliest Mormons viewed their religion and suggests that the Book of Mormon appeared to them as an exciting document of social protest. Contributors consider the history of persecution of the Mormons, the church's relationship with the state of Utah and with other divisions of Christianity, and culture clashes in the church's missionary efforts. Mormons and Mormonism also places beliefs such as vicarious baptism for the dead in a larger context of community and religious ideals.
 
The founding of Mormonism and its rapid emergence as a new world religion are among the most intriguing aspects of American religious history and among the most neglected in the religion classroom. This much-needed volume lays the groundwork for a better understanding of the LDS Church and its historical and potential impact on the United States and the world.
 

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

Taggart is annoyed at having to navigate the political structure of the bureaucracy, but he cannot bring himself to leave. He is able to teach, and he likes his proximity to Church archives, local bookstores, and the woman who, according to fate, is still seeing the policeman from The Angel Acronym. All the major characters are back, and Taggart’s romantic rival is given the new murder case, meaning that he has to rely once again on Taggart for his knowledge of the Church’s secrets. This gives both men a reason to keep an eye on the other, making for entertaining situations in a funny, insider send-up of the RLDS community.

His memoir, My Many Selves, is both an incisive self-examination and a creative approach to retelling his life. Writing his autobiography became a quest to harmonize the diverse, discordant parts of his identity and resolve the conflicts in what he thought and believed. To see himself clearly and whole, he broke his self down, personified the fragments, uncovered their roots in his life, and engaged his multiple identities and experiences in dialogue. Basic to his story and to its lifelong concerns with ethics and rhetoric was his youth in rural Utah. He valued that background, while acknowledging its ambiguous influence on him, and continued to identify himself as Mormon, though he renounced most Latter-day Saint doctrines.

Wayne Booth died in October 2005, soon after completing work on his autobiography.