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A study of literature written by Jewish authors while interned in Nazi ghettos emphasizes how authors processed their horrific experiences through poetry and prose.

Published in Association with the United States Holocaust Memorial Museum

This is the first study devoted to how little known but essential authors grappled with the destitution of ghetto existence by writing within, at the limits of, and against an array of literary scenarios, tropes, plot lines, and generic conventions, including those of nature lyric, modernist interior monologue, the realist social novel, the detective story, and the gothic horror tale. Contending with starvation, disease, desperate housing conditions and the looming threat of being murdered, inhabitants of ghettos in Poland nonetheless made them sites of rich Jewish cultural production. Rose’s readings of these literary works reveal how authors asserted their humanity by insisting on writing works of literature. In such radically dehumanizing circumstances, however, their recourse to established literary genres was not naive. Rather, ghetto authors brilliantly meditated on the grotesque incongruities between established literary models and the extreme conditions of ghetto existence.

Inspired by the spatial turn in the humanities and social sciences, Mapping Warsaw is an interdisciplinary study that combines urban studies, cinema studies, cultural studies, history, literature, and photography. It examines Warsaw's post-World War II reconstruction through images and language.

Juxtaposing close readings of photo books, socialist-era newsreels called the Polska Kronika Filmowa, the comedies of Leonard Buczkowski and Jan Fethke, the writing and films of Tadeusz Konwicki, and a case study on the Palace of Culture and Science—a "gift" from none other than Stalin—this study investigates the rhetorical and visual, rather than physical, reconstruction of Warsaw in various medias and genres. 

Ewa Wampuszyc roots her analysis in the historical context of the postwar decade and shows how and why Poland's capital became an essential part of a propaganda program inspired by communist ideology and the needs of a newly established socialist People's Republic. Mapping Warsaw demonstrates how physical space manifests itself in culture, and how culture, history, and politics leave an indelible mark on places. It points out ways in which we take for granted our perception of space and the meanings we assign to it.
 

Medallions is a collection of eight documentary stories originally published in Poland in 1946 that recount Nazi war crimes under the German occupation of the country. The author, Zofia Nalkowska, was a member of a special committee for the investigation of Nazi crimes in Poland, and the stories reflect facts she learned from victims and witnesses to atrocities inflicted on Polish civilians.

Considered a masterpiece of antifascist world literature, Medallions stands as the culmination of Nalkowska's literary style, a style the Polish writer Witold Gombrowicz once described as "the iron capital of her art and one of the very few exportables in our national literature." More than mere historical record, Medallions offers the reader startling immediacy, the repetition of an event as it persists in the testimonial present, in the scars on the consciousness and conscience of individuals.

Compassionate yet detached, ironic yet pitilessly honest, Szymon Laks, the kapellmeister of the Auschwitz orchestra, presents a disturbing description of a phenomenon seldom mentioned in the literature of the Holocaust: the presence of music among the crematoria. His story is a testament to the human spirit and to music itself, the beauty of which Laks and others honored even as the lives of so many were destroyed.

This first-person account, by the youngest of eight children of a pious Jewish family from Sosnoviec in Poland, is remarkable for the faith shown by a teenager faced with the horrifying realities of the Holocaust. Edward Gastfriend, known as Lolek as a boy, remembers in heart-wrenching detail the seven years he survived in German-occupied Poland.

The accelerating Nazi assault on the Jews abruptly shattered Lolek's life. Jews were randomly beaten and arrested, forced out of their homes, deported to slave labor camps, and shot on the streets. During this time, Lolek lost his family, friends, and neighbors, the whole while struggling to hold onto a promise he made to his father before his father was deported. Lolek pledged never to denounce God and to maintain his faith. This covenant proved to be the key to his remarkable survival in several slave labor camps including Auschwitz and several satellite camps of Auschwitz-Birkenau.

My Father's Testament is an intimate portrayal of a teenage boy trying to stay alive without losing his humanity - in hiding, in the camps, and during the death marches at the end of the war.

Embedded in this unique memoir are two other stories of fathers and sons. One lies in the moving Foreword by David R. Gastfriend, Ed's son, now a psychiatrist at Harvard Medical School. The other lies in Bjorn Krondorfer's Afterword. Years after he met Edward Gastfriend, Krondorfer was startled to hear his father mention Blechhammer as one of the places where he was stationed as a young German soldier. Blechhammer was where Lolek was held in a slave labor camp. The coincidence led this German father and son to travel back to the site to confront the Holocaust.

My Father's Testament will engage readers interested in history, the Holocaust, and religion.

Donna Solecka Urbikas grew up in the Midwest during the golden years of the American century. But her Polish-born mother and half sister had endured dehumanizing conditions during World War II, as slave laborers in Siberia. War and exile created a profound bond between mother and older daughter, one that Donna would struggle to find with either of them.
            In 1940, Janina Ślarzynska and her five-year-old daughter Mira were taken by Soviet secret police (NKVD) from their small family farm in eastern Poland and sent to Siberia with hundreds of thousands of others. So began their odyssey of hunger, disease, cunning survival, desperate escape across a continent, and new love amidst terrible circumstances.
            But in the 1950s, baby boomer Donna yearns for a “normal” American family while Janina and Mira are haunted by the past. In this unforgettable memoir, Donna recounts her family history and her own survivor’s story, finally understanding the damaged mother who had saved her sister.

Finalist, Best Traditional Non-Fiction Book, Chicago Writers Association

A poignant account of the perils and fortunes of an indomitable survivor of violence in Eastern Europe during World War II.

In 1939, to escape Nazi occupation, 14-year-old Adam Broner and his older brother Sam left their home and family in Lodz, Poland, and made their way to the Soviet Union. Adam enlisted in the Red Army to join the fight against the Nazis but was sent to work in a Siberian coal mine instead when his nationality was discovered. After a bold and daring escape from Siberia, Broner reached the Soviet Polish Kosciuszko Army, joined the struggle against the Nazis, participated in the liberation of Poland, and rode victorious into Berlin in 1945. He later learned that his parents, siblings (except Sam), and all other close relatives had perished during the war. 

 Broner rebuilt his life, established a family, returned to Moscow for a degree in economics, and then went back to Poland, where he accepted a job in the Polish central planning agency. Eventually fed up with the growing anti-Semitism of the Communist government there, the author emigrated to the United States in 1969. He earned a doctorate from Princeton University and served as an economic adviser to New Jersey governors and the state legislature. In retirement, Broner learned portrait painting and reproduced the likenesses of his parents and siblings from memory, which are presented along with their biographies in this book.

In recounting his struggle for survival during some of the most dramatic upheavals of the 20th century— the Great Depression, Nazism, World War II, and the spread of Communism in Central Europe— Broner reveals a life dedicated to the ultimate goal of freedom, which he achieved through a combination of arduous effort and fortunate circumstance.