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Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status? In Making the Mark, Miroslava Prazak follows the practice of female circumcision through the lives and activities of community members in a rural Kenyan farming society as they decide whether or not to participate in the tradition. In an ethnography twenty years in the making, Prazak weaves multiple Kuria perspectives—those of girls, boys, family members, circumcisers, political and religious leaders—into a riveting account. Though many books have been published on the topic of genital cutting, this is one of the few ethnographies to give voice to evolving perspectives of practitioners, especially through a period of intense anticutting campaigning on the part of international NGOs, local activists, and donor organizations. Prazak also examines the cultural challenges that complicate the human-rights anti-FGM stance. Set in the rolling hills of southwestern Kenya, Making the Mark examines the influences that shape and change female genital cutting over time, presenting a rich mosaic of the voices contributing to the debate over this life-altering ritual.

Throughout the world, people believe that much of what they do is accidental, ordinary, and inconsequential, while other acts can bring on divine retribution or earn eternal grace. In Man and the Sacred, Caillois demonstrates how humanity's ambiguous attitude toward the sacred influences behavior and culture.
 
Drawing on a diverse array of ethnographic contexts, including the sexual rituals of the Ba-Thong of South Africa and evidence drawn from aboriginal Australian, Eskimo, and traditional Chinese social systems, Caillois analyzes the role of the forbidden in the social cohesion of the group. He examines the character of the sacred in the light of specific instances of taboos and transgressions, exploring wide differences in attitudes toward diet and sex and extreme behaviors associated with the sacred, such as rapture and paroxysm. He also discusses the festival--an exuberant explosion following a period of strict repression--and compares its functions with those of modern war.
 
A classic study of one of the most fundamental aspects of human social and spiritual life, Man and the Sacred--presented here in Meyer Barash's superb English translation--is a companion volume to Caillois's Man, Play and Games.
 

Three flags fly in the palace courtyard of Òyótúnjí African Village. One represents black American emancipation from slavery, one black nationalism, and the third the establishment of an ancient Yorùbá Empire in the state of South Carolina. Located sixty-five miles southwest of Charleston, Òyótúnjí is a Yorùbá revivalist community founded in 1970. Mapping Yorùbá Networks is an innovative ethnography of Òyótúnjí and a theoretically sophisticated exploration of how Yorùbá òrìsà voodoo religious practices are reworked as expressions of transnational racial politics. Drawing on several years of multisited fieldwork in the United States and Nigeria, Kamari Maxine Clarke describes Òyótúnjí in vivid detail—the physical space, government, rituals, language, and marriage and kinship practices—and explores how ideas of what constitutes the Yorùbá past are constructed. She highlights the connections between contemporary Yorùbá transatlantic religious networks and the post-1970s institutionalization of roots heritage in American social life.

Examining how the development of a deterritorialized network of black cultural nationalists became aligned with a lucrative late-twentieth-century roots heritage market, Clarke explores the dynamics of Òyótúnjí Village’s religious and tourist economy. She discusses how the community generates income through the sale of prophetic divinatory consultations, African market souvenirs—such as cloth, books, candles, and carvings—and fees for community-based tours and dining services. Clarke accompanied Òyótúnjí villagers to Nigeria, and she describes how these heritage travelers often returned home feeling that despite the separation of their ancestors from Africa as a result of transatlantic slavery, they—more than the Nigerian Yorùbá—are the true claimants to the ancestral history of the Great Òyó Empire of the Yorùbá people. Mapping Yorùbá Networks is a unique look at the political economy of homeland identification and the transnational construction and legitimization of ideas such as authenticity, ancestry, blackness, and tradition.

Masculinity, Motherhood, and Mockery analyzes the relationship between masculinity and motherhood in an Eastern Iatmul village along the Sepik River in Papua New Guinea. It focuses on a metaphorical dialogue between two countervailing images of the body, dubbed by literary theorist Mikhail Bakhtin as the "moral" and the "grotesque." Eastern Iatmul men in Tambunum village idealize an image of motherhood that is nurturing, sheltering, cleansing, fertile, and chaste--in a word, moral. But men also fear an equally compelling image of motherhood that is defiling, dangerous, orificial, aggressive, and carnal--hence, grotesque. Masculinity in Tambunum is a rejoinder both subtle and strident, both muted and impassioned, to these contrary, embodied images of motherhood.
Throughout this work, Eric Silverman details the dialogics of mothering and manhood throughout Eastern Iatmul culture, including in his analysis cosmology and myth; food- and childraising; architecture and canoes; ethnophysiology and sexuality; shame and hygiene; marriage and kinship; and perhaps most significantly, a ceremonial locus classicus in anthropology: the famous Iatmul naven rite. This book provides the first sustained examination of naven since Bateson, presenting new data and interpretations that are based entirely on original, first-hand ethnographic research.
The sustained engagement with anthropological and psychoanalytic theory coupled with a refreshing examination of a famous and still-enigmatic ritual is sure to make multiple contributions to pressing debates in contemporary anthropology and social theory.
Eric Silverman is Associate Professor of Anthropology, DePauw University.

Masked Gods is a vast book, a challenging and profoundly original account of the history, legends, and ceremonialism of the Navajo and Pueblo Indians of the Southwest. Following a brief but vivid history of the two tribes through the centuries of conquest, the book turns inward to the meaning of Native American legends and ritual—Navajo songs, Pueblo dances, Zuni kachina ceremonies. Enduring still, these rituals and ceremonies express a view of life, of man’s place in the creation, which is compared with Taoism and Buddhism—and with the aggressive individualism of the Western world.

Focusing on marriage figurines—double human figurines that represent relations formed through social alliances—Hendon, Joyce, and Lopiparo examine the material relations created in Honduras between AD 500 and 1000, a period of time when a network of social houses linked settlements of a variety of sizes in the region. The authors analyze these small, seemingly insignificant artifacts using the theory of materiality to understand broader social processes.

They examine the production, use, and disposal of marriage figurines from six sites—Campo Dos, Cerro Palenque, Copán, Currusté, Tenampua, and Travesia—and explore their role in rituals and ceremonies, as well as in the forming of social bonds and the celebration of relationships among communities. They find evidence of historical traditions reproduced over generations through material media in social relations among individuals, families, and communities, as well as social differences within this network of connected yet independent settlements.

Material Relations provides a new and dynamic understanding of how social houses functioned via networks of production and reciprocal exchange of material objects and will be of interest to Mesoamerican archaeologists, anthropologists, and art historians.

Maya Worldviews at Conquest examines Maya culture and social life just prior to contact and the effect the subsequent Spanish conquest, as well as contact with other Mesoamerican cultures, had on the Maya worldview.

Focusing on the Postclassic and Colonial periods, Maya Worldviews at Conquest provides a regional investigation of archaeological and epigraphic evidence of Maya ideology, landscape, historical consciousness, ritual practices, and religious symbolism before and during the Spanish conquest. Through careful investigation, the volume focuses on the impact of conversion, hybridization, resistance, and revitalization on the Mayans’ understanding of their world and their place in it.

The volume also addresses the issue of anthropologists unconsciously projecting their modern worldviews on the culture under investigation. Thus, the book critically defines and strengthens the use of worldviews in the scholarly literature regardless of the culture studied, making it of value not only to Maya scholars but also to those interested in the anthropologist’s projection of worldview on other cultures in general.

In Mesoamerican Ritual Economy, scholars examine the extent to which economic processes were driven by and integrated with religious ritual in ancient Mesoamerica. The contributors explore how traditional rituals - human blood sacrifice and self-mutilation, "flowery wars" and battling butterfly warriors, sumptuous feasting with chocolate and tamales, and fantastic funerary rites - intertwined with all sectors of the economy. Examining the interplay between well-established religious rites and market forces of raw material acquisition, production, circulation, and consumption, this volume effectively questions the idea that materialism alone motivates the production, exchange, and use of objects.

Exploring the intersection of spirituality and materiality, Mesoamerican Ritual Economy will be of interest to all scholars studying how worldview and belief motivate economic behavior. The authors consider a diverse set of Mesoamerican cultural patterns in order to investigate the ways in which ritual and economic practices influenced each other in the operation of communities, small-scale societies, and state-level polities. Contributors include: Sarah B. Barber, Frances F. Berdan, Karla L. Davis-Salazar, Barbara W. Fash, William L. Fash, Antonia E. Foias, Arthur A. Joyce, Brigitte Kovacevich, Ben A. Nelson, Enrique Rodríguez-Alegría, Katherine A. Spielmann, John M. Watanabe, E. Christian Wells.

Picture a throng of tiny devils and angels, or a marching band so small it can fit in the palm of your hand. In a Mixtec town in the Mexican state of Puebla, craftspeople have been weaving palm since before the Spanish Conquest, but over the past forty years that art has become more finely tuned and has won national acceptance in a market nostalgic for an authentic Indian past. In this book, Katrin Flechsig offers the first in-depth ethnographic and historical examination of the miniature palm craft industry, taking readers behind the scenes of craft production in order to explain how and why these folk arts have undergone miniaturization over the past several decades. In describing this "Lilliputization of Mexico," she discusses the appeal of miniaturization, revealing how such factors as tourism and the construction of national identity have contributed to an ongoing demand for the tiny creations. She also contrasts the playfulness of the crafts with the often harsh economic and political realities of life in the community. Flechsig places the crafts of Chigmecatitlán within the contexts of manufacturing, local history, religion, design and technique, and selling. She tells how innovation is introduced into the craft, such as through the modification of foreign designs in response to market demands. She also offers insights into capitalist penetration of folk traditions, the marketing of folk arts, and economic changes in modern Mexico. And despite the fact that the designations "folk" and "Indian" help create a romantic fiction surrounding the craft, Flechsig dispels common misperceptions of the simplicity of this folk art by revealing the complexities involved in its creation. More than thirty illustrations depict not only finished miniatures but also the artists and their milieu. Today miniatures serve not only the tourist market; middle-class Mexicans also collect miniatures to such an extent that it has been termed a national pastime. Flechsig’s work opens up this miniature world and shows us the extent to which it has become a lasting and important facet of contemporary Mexican culture.

What role does ritual play in the everyday lives of modern Africans? How are so-called "traditional" cultural forms deployed by people seeking empowerment in a world where "modernity" has failed to deliver on its promises?

Some of the essays in Modernity and Its Malcontents address familiar anthropological issues—like witchcraft, myth, and the politics of reproduction—but treat them in fresh ways, situating them amidst the polyphonies of contemporary Africa. Others explore distinctly nontraditional subjects—among them the Nigerian popular press and soul-eating in Niger—in such a way as to confront the conceptual limits of Western social science. Together they demonstrate how ritual may be powerfuly mobilized in the making of history, present, and future.

Addressing challenges posed by contemporary African realities, the authors subject such concepts as modernity, ritual, power, and history to renewed critical scrutiny. Writing about a variety of phenomena, they are united by a wish to preserve the diversity and historical specificity of local signs and practices, voices and perspectives. Their work makes a substantial and original contribution toward the historical anthropology of Africa.

The contributors, all from the Africanist circle at the University of Chicago, are Adeline Masquelier, Deborah Kaspin, J. Lorand Matory, Ralph A. Austen, Andrew Apter, Misty L. Bastian, Mark Auslander, and Pamela G. Schmoll.