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Mapping Identity traces the formation of the Coeur d'Alene Indian Reservation in northern Idaho from the introduction of the Jesuit notion of "reduction" in the 1840s to the finalization of reservation boundaries in the 1890s. Using Indian Agency records, congressional documents, Bureau of Indian Affairs (BIA) records, Jesuit missionary reports, and tribal accounts, historian Laura Woodworth-Ney argues that the reservation-making process for the Coeur d'Alenes reflected more than just BIA policy objectives. It was also the result of a complex interplay of Jesuit mission goals, the Schitsu'umsh chief Andrew Seltice's assimilationist policy, and political pressure from local non-Indians. Woodworth-Ney concludes that in creating the reservation, BIA officials and tribal leaders mapped boundaries not only of territory, but also of tribal identity.

Mapping Identity builds on the growing body of literature that presents a more complex picture of federal policy, native identity, and the creation of Indian reservations in the western United States. It will be important to readers interested in western U.S. history, legal and administrative history, Native American history, and interior Northwest history.

In 1875 Mary Lincoln, the widow of a revered president, was committed to an insane asylum by her son, Robert. The trial that preceded her internment was a subject of keen national interest. The focus of public attention since Abraham Lincoln's election in 1860, Mary Lincoln had attracted plentiful criticism and visible scorn from much of the public, who perceived her as spoiled, a spendthrift, and even too much of a Southern sympathizer. Widespread scrutiny only increased following her husband's assassination in 1865 and her son Tad's death six years later, after which her overwhelming grief led to the increasingly erratic behavior that led to her being committed to a sanitarium. A second trial a year later resulted in her release, but the stigma of insanity stuck. In the years since, questions emerged with new force, as the populace and historians debated whether she had been truly insane and subsequently cured, or if she was the victim of family maneuvering.

In this volume, noted Lincoln scholar Jason Emerson provides a documentary history of Mary Lincoln's mental illness and insanity case, evenhandedly presenting every possible primary source on the subject to enable a clearer view of the facts. Beginning with documents from the immediate aftermath of her husband's assassination and ending with reminiscences by friends and family in the mid-twentieth century, Mary Lincoln's Insanity Case: A Documentary History compiles more than one hundred letters, dozens of newspaper articles, editorials, and legal documents, and the daily patient progress reports from Bellevue Place Sanitarium during Mary Lincoln's incarceration. Including many materials that have never been previously published, Emerson also collects multiple reminiscences, interviews, and diaries of people who knew Mary Lincoln or were involved in the case, including the first-hand recollection of one of the jurors in the 1875 insanity trial.

Suggesting neither accusation nor exoneration of the embattled First Lady, Mary Lincoln's Insanity Case: A Documentary History gives scholars and history enthusiasts incomparable access to the documents and information crucial to understanding this vexing chapter in American history.

Eberhard Happel, German Baroque author of an extensive body of work of fiction and nonfiction, has for many years been categorized as a “courtly-gallant” novelist. In Mediating Culture in the Seventeenth-Century German Novel, author Gerhild Scholz Williams argues that categorizing him thus is to seriously misread him and to miss out on a fascinating perspective on this dynamic period in German history.

K. P. Harrington's Mediaeval Latin, the standard medieval Latin anthology used in the United States since its initial publication in 1925, has now been completely revised and updated for today's students and teachers by Joseph Pucci. This new edition of the classic anthology retains its breadth of coverage, but increases its depth by adding fourteen new selections, doubling the coverage of women writers, and expanding a quarter of the original selections. The new edition also includes a substantive grammatical introduction by Alison Goddard Elliott.

To help place the selections within their wider historical, social, and political contexts, Pucci has written extensive introductory essays for each of the new edition's five parts. Headnotes to individual selections have been recast as interpretive essays, and the original bibliographic paragraphs have been expanded. Reprinted from the best modern editions, the selections have been extensively glossed with grammatical notes geared toward students of classical Latin who may be reading medieval Latin for the first time.

Includes thirty-two full-page plates (with accompanying captions) depicting medieval manuscript and book production.

Granddaughter of James I of England, Sophia (1630–1714) began life a penniless princess in exile. She ended it as electress dowager of Hanover, an emerging European power. Had she lived two months longer, she would have succeeded to the British crown before her son, George I. In keeping with Sophia’s reputation as the era’s “most entertaining woman,” her memoirs, which she wrote in French, paint a captivating and often humorous portrait of her life as one of Europe’s preeminent noblewomen and celebrities. They also recall, with insight and verve, her interactions with leading men and ladies (Charles II, Louis XIV, Queen Christina of Sweden) and long-forgotten bit players (cavaliers, concubines, clerics, and quacks). The memoirs, which recount the first fifty years of Sophia’s life, appear here in English for the first time in their entirety. Their publication in this series is particularly timely, as it coincides with the three hundredth anniversary of the Hanoverian succession (2014).

One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham’s work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham’s career, Carrie Noland brings new insight to this transformative artist’s philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before.
Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham’s influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham’s written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than “movement in itself,” and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer’s work and legacy.

This critical bilingual anthology collects and contextualizes thirty-four primary writings of understudied revolutionary mexicana rhetors and social activists who published with presses within the United States and Mexico during the late nineteenth and early twentieth centuries—a time of cross-border revolutionary upheaval and change. These mexicana newspaperwomen leveraged diverse and compelling rhetorical strategies and used the press to advance the early feminist movement in Mexico and the U.S. Southwest; to define their rights and roles in and confront the hypocrisies of their societies’ patriarchal systems; to engage in important debates about education, women’s rights, and language instruction; and to protest injustices in society and construct possible solutions. Because these presses were in both Mexico and the United States, their writings offer opportunities to explore the concerns, struggles, and triumphs of mexicanas in both U.S. and Mexican cities and throughout the borderlands.
 
Mestiza Rhetorics is the first anthology dedicated to mexicana rhetors and provides unmatched access to mexicana rhetorics. This collection puts forward the work of mexicana newspaperwomen in Spanish and English, provides evidence of their participation in political and educational debates at the turn of the twentieth century, and demonstrates how the Spanish-language press operated as a rhetorical space for mexicanas.
 

When it came to the Civil War, Michiganians never spoke with one voice. At the beginning of the conflict, family farms defined the southern Lower Peninsula, while a sparsely settled frontier characterized the state’s north. Although differing strategies for economic development initially divided Michigan’s settlers, by the 1850s Michiganians’ attention increasingly focused on slavery, race, and the future of the national union. They exchanged charges of treason and political opportunism while wrestling with the meanings of secession, the national union, emancipation, citizenship, race, and their changing economy. Their actions launched transformations in their communities, their state, and their nation in ways that Americans still struggle to understand.

Building upon the current scholarship of the Civil War, the Midwest, and Michigan’s role in the national experience, Michigan’s War is a documentary history of the Civil War era as told by the state’s residents and observers in private letters, reminiscences, newspapers, and other contemporary sources. Clear annotations and thoughtful editing allow teachers and students to delve into the political, social, and military context of the war, making it ideal for classroom use.

Winner of a 2011 “Distinguished Achievement in Literature” award, Missouri Humanities Council

Civil War Missouri stood at the crossroads of America. As the most Southern-leaning state in the Middle West, Missouri faced a unique dilemma. The state formed the gateway between east and west, as well as one of the borders between the two contending armies. Moreover, because Missouri was the only slave state in the Great Interior, the conflicts that were tearing the nation apart were also starkly evident within the state. Deep divisions between Southern and Union supporters, as well as guerrilla violence on the western border, created a terrible situation for civilians who lived through the attacks of bushwhackers and Jayhawkers.

The documents collected in Missouri's War reveal what factors motivated Missourians to remain loyal to the Union or to fight for the Confederacy, how they coped with their internal divisions and conflicts, and how they experienced the end of slavery in the state. Private letters, diary entries, song lyrics, official Union and Confederate army reports, newspaper editorials, and sermons illuminate the war within and across Missouri's borders.

Missouri's War also highlights the experience of free and enslaved African Americans before the war, as enlisted Union soldiers, and in their effort to gain rights after the end of the war. Although the collection focuses primarily on the war years, several documents highlight both the national sectional conflict that led to the outbreak of violence and the effort to reunite the conflicting forces in Missouri after the war.

“Modern Jewish thought” is often defined as a German affair, with interventions from Eastern European, American, and Israeli philosophers. The story of France’s development of its own schools of thought has not been substantially treated outside the French milieu. This anthology of modern French Jewish writing offers the first look at how this significant and diverse body of work developed within the historical and intellectual contexts of France and Europe. Translated into English, these documents speak to two critical axes—the first between Jewish universalism and particularism, and the second between the identification and disidentification of French Jews with France as a nation. Offering key works from Simone Weil, Vladimir Jankélévitch, Emmanuel Levinas, Albert Memmi, Hélène Cixous, Jacques Derrida, and many others, this volume is organized in roughly chronological order, to highlight the connections linking religion, politics, and history, as they coalesce around a Judaism that is unique to France.

The field of Jewish ethics is never far from foundational questions about how to do Jewish ethics – and these questions are inseparable from other kinds of scholarly conclusions or prescriptions. In part because Jewish ethics is inherently deliberative, the volume is organized not by standalone essays but by small sets of curated conversations between scholars from different time periods, academic subfields, and religious commitments (or lack thereof).

These deliberate juxtapositions are to encourage scholars and students to develop similar meta-ethical analyses on Jewish ethics, broadly construed. Jewish ethics is not just a set of propositions or principles; nor can it be reduced to a single trajectory of thought or abstracted as an elaborate system of ideas. Jewish ethics is the field of study that engages Jewish texts, ideas, history, and experience in conversations about values and virtues, justice and good judgment, human relations and responsibilities. This volume presents some of those conversations to spark many more.

If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.

From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950.

By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism.

This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe.

Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time.

With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

As Katherine Verdery observes, "There's nothing like reading your secret police file to make you wonder who you really are." In 1973 Verdery began her doctoral fieldwork in the Transylvanian region of Romania, ruled at the time by communist dictator Nicolae Ceausescu. She returned several times over the next twenty-five years, during which time the secret police—the Securitate—compiled a massive surveillance file on her. Reading through its 2,781 pages, she learned that she was "actually" a spy, a CIA agent, a Hungarian agitator, and a friend of dissidents: in short, an enemy of Romania. In My Life as a Spy she analyzes her file alongside her original field notes and conversations with Securitate officers. Verdery also talks with some of the informers who were close friends, learning the complex circumstances that led them to report on her, and considers how fieldwork and spying can be easily confused. Part memoir, part detective story, part anthropological analysis, My Life as a Spy offers a personal account of how government surveillance worked during the Cold War and how Verdery experienced living under it.

Mémoires of Michilimackinac offers corrected, unabridged, and properly annotated and edited transcriptions and translations of three important documents related to the French presence and French–Native American relations in the Great Lakes region before 1715. The Relation du sieur De lamotte Cadillac; d’Aigremont’s Mémoire of November 14, 1708; and Bégon’s Mémoire on the Establishment of Michilimackinac of September 20, 1713, are thoroughly examined, with an introduction that places these documents in context; summarizes major findings about Michilimackinac, Native American cultures, and French imperial ambitions in the Great Lakes region; and includes a critical exploration of the documents’ authorship. All three mémoires provide windows into Michilimackinac’s centrality to the French imperial and trade network and the place of Native Americans in French policy during this period, and ultimately contribute to understanding trends, enduring and new, in the scholarship of French and Indians in the upper Great Lakes.