104 books match the query 'Writings' and 8 start with m

cover of Machinic Eros: Writings on Japan

Machinic Eros

Writings on Japan

Félix Guattari

University of Minnesota Press, 2015

The French philosopher Félix Guattari frequently visited Japan during the 1980s and organized exchanges between French and Japanese artists and intellectuals. His immersion into the “machinic eros” of Japanese culture put him into contact with media theorists such as Tetsuo Kogawa and activists within the mini-FM community (Radio Home Run), documentary filmmakers (Mitsuo Sato), photographers (Keiichi Tahara), novelists (Kobo Abe), internationally recognized architects (Shin Takamatsu), and dancers (Min Tanaka). From pachinko parlors to high-rise highways, alongside corporate suits and among alt-culture comrades, Guattari put himself into the thick of Japanese becomings during a period in which the bubble economy continued to mutate. This collection of essays, interviews, and longer meditations shows a radical thinker exploring the architectural environment of Japan’s “machinic eros.”

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cover of Miscellaneous Verdicts: Writings on Writers

Miscellaneous Verdicts

Writings on Writers

Anthony Powell

University of Chicago Press, 1992

Miscellaneous Verdicts represents the best of Anthony Powell's critical writing over a period of four decades. Drawn from his regular reviews for the Daily Telegraph, from his occasional humorous pieces for Punch, and from his more sustained pieces of critical and anecdotal writing on writers, this collection is as witty, fresh, surprising, and entertaining as one would expect from the author of Dance to the Music of Time.

Powell begins with a section on the British, exploring his fascination both with genealogy and with figures like John Aubrey, and writing in depth about writers like Kipling, Conrad, and Hardy. The second section, on America, also opens with discussions of family trees (in this case presidential ones) and includes pieces on Henry James, James Thurber, American booksellers in Paris, Hemingway, and Dashiell Hammett. Personal encounters, and absorbing incidents from the lives of his subjects, frequently fill these pages—as they do even more in the section on Powell's contemporaries—Connolly, Orwell, Graham Greene, and others. Finally, and aptly, the book closes with a section on Proust and matters Proustian, including a marvellous essay on what is eaten and drunk, and by whom, in A la Recherche du Temps Perdu.

"An urbane book, quietly erudite, very sensible, highly civilized, remarkably useful."—Anthony Burgess, Observer

"An acute intelligence and fastidious sense of humor make [Powell] the funniest and most profound living writer of the English language."—Hugh Montgomery-Massingberd, Sunday Telegraph

Anthony Powell was born in London in 1905. He is the author of seven novels, a biography of John Aubrey, two plays, a collection of memoirs, and the twelve-volume novel sequence Dance to the Music of Time.
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cover of Modern French Jewish Thought: Writings on Religion and Politics

Modern French Jewish Thought

Writings on Religion and Politics

Edited by Sarah Hammerschlag

Brandeis University Press, 2018

“Modern Jewish thought” is often defined as a German affair, with interventions from Eastern European, American, and Israeli philosophers. The story of France’s development of its own schools of thought has not been substantially treated outside the French milieu. This anthology of modern French Jewish writing offers the first look at how this significant and diverse body of work developed within the historical and intellectual contexts of France and Europe. Translated into English, these documents speak to two critical axes—the first between Jewish universalism and particularism, and the second between the identification and disidentification of French Jews with France as a nation. Offering key works from Simone Weil, Vladimir Jankélévitch, Emmanuel Levinas, Albert Memmi, Hélène Cixous, Jacques Derrida, and many others, this volume is organized in roughly chronological order, to highlight the connections linking religion, politics, and history, as they coalesce around a Judaism that is unique to France.
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cover of Modern Jewish Ethics since 1970: Writings on Methods, Sources, and Issues

Modern Jewish Ethics since 1970

Writings on Methods, Sources, and Issues

Edited by Jonathan K. Crane, Emily A. Filler, and Mira Beth Wasserman

Brandeis University Press, 2025

The field of Jewish ethics is never far from foundational questions about how to do Jewish ethics – and these questions are inseparable from other kinds of scholarly conclusions or prescriptions. In part because Jewish ethics is inherently deliberative, the volume is organized not by standalone essays but by small sets of curated conversations between scholars from different time periods, academic subfields, and religious commitments (or lack thereof).

These deliberate juxtapositions are to encourage scholars and students to develop similar meta-ethical analyses on Jewish ethics, broadly construed. Jewish ethics is not just a set of propositions or principles; nor can it be reduced to a single trajectory of thought or abstracted as an elaborate system of ideas. Jewish ethics is the field of study that engages Jewish texts, ideas, history, and experience in conversations about values and virtues, justice and good judgment, human relations and responsibilities. This volume presents some of those conversations to spark many more.
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cover of Modern Middle Eastern Jewish Thought: Writings on Identity, Politics, and Culture, 1893–1958

Modern Middle Eastern Jewish Thought

Writings on Identity, Politics, and Culture, 1893–1958

Edited by Moshe Behar and Zvi Ben-Dor Benite

Brandeis University Press, 2013

This volume opens the canon of modern Jewish thought to the all too often overlooked writings of Jews from the Arab East, from the close of the nineteenth century to the middle of the twentieth. Whether they identified as Sephardim, Mizrahim, anticolonialists, or Zionists, these thinkers engaged the challenges and transformations of Middle Eastern Jewry in this decisive period. Moshe Behar and Zvi Ben-Dor Benite present Jewish culture and politics situated within overlapping Arabic, Islamic, and colonial contexts. The editors invite the reader to reconsider contemporary evocations of Levantine, Mizrahi, and Arab Jewish identities against the backdrop of writings by earlier Middle Eastern Jewish intellectuals who critically assessed or contested the implications of Western presence and Western Jewish presence in the Middle East; religion and secularization; and the rise of nationalism, communism, and Zionism, as well as the State of Israel.
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cover of Moses Mendelssohn: Writings on Judaism, Christianity, and the Bible

Moses Mendelssohn

Writings on Judaism, Christianity, and the Bible

Edited by Michah Gottlieb

Brandeis University Press, 2011

German Jewish philosopher Moses Mendelssohn (1729–1786) is best known in the English-speaking world for his Jerusalem (1783), the first attempt to present Judaism as a religion compatible with the ideas of the Enlightenment. While incorporating much of Jerusalem, Michah Gottlieb’s volume seeks to expand knowledge of Mendelssohn’s thought by presenting translations of many of his other seminal writings from the German or Hebrew originals. These writings include essays, commentaries, unpublished reflections, and personal letters. Part One includes selections from the three major controversies of Mendelssohn’s life, all of which involved polemical encounters with Christian thinkers. Part Two presents selections from Mendelssohn’s writings on the Bible. Part Three offers texts that illuminate Mendelssohn’s thoughts on a diverse range of religious topics, including God’s existence, the immortality of the soul, and miracles. Designed for class adoption, the volume contains annotations and an introduction by the editor.
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cover of My Studio Is a Dungeon Is the Studio: Writings and Interviews, 1983–2024

My Studio Is a Dungeon Is the Studio

Writings and Interviews, 1983–2024

Nayland Blake. Edited and with an Introduction by Jarrett Earnest.

Duke University Press, 2025

For four decades, artist, writer, curator, and teacher Nayland Blake has been at the center of discussions of queer aesthetics and contemporary art. Their work has examined racial hybridity, the ins and outs of the BDSM world, and the importance of self-representation. From interviews and critical essays to performance scripts and collage pieces, My Studio Is a Dungeon Is the Studio gathers forty years of Blake’s groundbreaking thought and writing on their personal explorations of kink and creativity as well as on the making, teaching, and curating of art and queer culture. Whether delving into furry fandom or analyzing art, Blake bridges the art and queer kink communities. They also argue that queer artists must champion the work of their peers and elders. As Blake demonstrates throughout, sexual self-expression is an extension of artistic self-expression: they are the same. The volume includes an introduction by artist and critic Jarrett Earnest.
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cover of Myself and My Aims: Writings on Art and Criticism

Myself and My Aims

Writings on Art and Criticism

Kurt Schwitters

University of Chicago Press, 2021

Kurt Schwitters was a major protagonist in the histories of modern art and literature, whose response to the contradictions of modern life rivals that of Marcel Duchamp in its importance for artists working today. His celebrated Merz pictures—collaged and assembled from the scrap materials of popular culture and the debris of the studio, such as newspaper clippings, wood, cardboard, fabric, and paint—reflect a lifelong interest in collection, fragmentation, and abstraction, techniques he also applied to language and graphic design.

As the first anthology in English of the critical and theoretical writings of this influential artist, Myself and My Aims makes the case for Schwitters as one of the most creative thinkers of his generation. Including material that has never before been published, this volume presents the full range of his prolific writing on the art and attitudes of his time, joining existing translations of his children’s stories, poetry, and fiction to give new readers unprecedented access to his literary imagination. With an accessible introduction by Megan R. Luke and elegant English translations by Timothy Grundy, this book will prove an exceptional resource for artists, scholars, and enthusiasts of his art.
 
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