My Studio Is a Dungeon Is the Studio: Writings and Interviews, 1983–2024
My Studio Is a Dungeon Is the Studio: Writings and Interviews, 1983–2024
by Nayland Blake edited by Jarrett Earnest introduction by Jarrett Earnest
Duke University Press, 2025 Cloth: 978-1-4780-2908-3 | Paper: 978-1-4780-3250-2 | eISBN: 978-1-4780-6133-5 (standard) Library of Congress Classification N72.H64B59 2025
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
For four decades, artist, writer, curator, and teacher Nayland Blake has been at the center of discussions of queer aesthetics and contemporary art. Their work has examined racial hybridity, the ins and outs of the BDSM world, and the importance of self-representation. From interviews and critical essays to performance scripts and collage pieces, My Studio Is a Dungeon Is the Studio gathers forty years of Blake’s groundbreaking thought and writing on their personal explorations of kink and creativity as well as on the making, teaching, and curating of art and queer culture. Whether delving into furry fandom or analyzing art, Blake bridges the art and queer kink communities. They also argue that queer artists must champion the work of their peers and elders. As Blake demonstrates throughout, sexual self-expression is an extension of artistic self-expression: they are the same. The volume includes an introduction by artist and critic Jarrett Earnest.
AUTHOR BIOGRAPHY
Nayland Blake is an artist, curator, and Codirector of the Studio Arts Program at Bard College. They are coeditor of In a Different Light: Visual Culture, Sexual Identity, Queer Practice.
Jarrett Earnest is an artist, writer, and author of What It Means to Write About Art: Interviews with Art Critics.
REVIEWS
“In their heterogeneity, humor, and sexual embrace, Nayland Blake’s writings are as good a teacher as any about the near-boundless capacities of art to unsettle and affirm one’s sense of self and the worlds that matter most to them.”
-- Andy Campbell, author of Bound Together: Leather, Sex, Archives, and Contemporary Art
TABLE OF CONTENTS
List of Acknowledgments xi Acknowledgments xiii A Fan Writes . . .: An Introduction by Jarrett Earnest 1 The Difficulties That Afflict Us in Art School 15 Assessing My Work 18 Tom of Finland: An Appreciation 21 The ABCs of Art Institutions 32 Performance Script 37 The Saddest Story I Know 49 Schreber, Roussel, Duchamp 58 Performance Script 64 The Secret Square 71 One Hand Clapping: Porn Reviews 85 Bay Area Conceptualism: Two Generations 102 Queer Mysteries 109 Interview by John Grange and Stephen Johnstone 114 City of Hares: A Proposal 133 Curating “In a Different Light” 136 The Story of H (Excerpt) 165 Hare Follies 169 Jack Smith: The Message from Atlantis 190 Ray Johnson: Correspondences 205 Top Ten 210 James Gobel 214 Matthew Benedict: Shroud of Truro 219 Judie Bamber: Further Horizons 225 Seven Quick Notes on Writing an Artist’s Statement 230 Kathy Acker: “Because I Want to Live Forever in Wonder” 233 Jim Hodges: “Theme from Mantrip” 245 Interview with Jesse Pearson 250 Nancy Grossman: Misrecognized 260 Free! Love! Tool! Box! Workbook 265 Anthony Friedkin: “And I'm Carmen Miranda”—What Liberation Looks Like 267 Queer at CAA 274 Samwise Gamgee Cries, with Padding 280 Interview with Tina Horn 284 100 Assignments: Toward a Curriculum 289 Shambling Monstrosity Seeks Mad Scientist 297 Embarrass, Humiliate, Degrade, Objectify: Basics of Psychological Status Play 300 In My Dream Body: For Jorge Zontal and General Idea 307 Yummy Slurp! The Pippa Garner Story 312 My Studio Is a Dungeon Is the Studio 319 Contributors 335 Index 337
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