22279 books match the query 'Social Science' and 1258 start with m

cover of Men without Maps: Some Gay Males of the Generation before Stonewall

Men without Maps

Some Gay Males of the Generation before Stonewall

John Ibson

University of Chicago Press, 2019

In Men without Maps, John Ibson uncovers the experiences of men after World War II who had same-sex desires but few affirmative models of how to build identities and relationships. Though heterosexual men had plenty of cultural maps—provided by nearly every engine of social and popular culture—gay men mostly lacked such guides in the years before parades, organizations, and publications for queer persons. Surveying the years from shortly before the war up to the gay rights movement of the late 1960s and early ’70s, Ibson considers male couples, who balanced domestic contentment with exterior repression, as well as single men, whose solitary lives illuminate unexplored aspects of the queer experience. Men without Maps shows how, in spite of the obstacles they faced, midcentury gay men found ways to assemble their lives and senses of self at a time of limited acceptance.
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cover of Men without Women: Masculinity and Revolution in Russian Fiction, 1917–1929

Men without Women

Masculinity and Revolution in Russian Fiction, 1917–1929

Eliot Borenstein

Duke University Press, 2001

In Men without Women Eliot Borenstein examines the literature of the early Soviet period to shed new light on the iconic Russian concept of comradeship. By analyzing a variety of Russian writers who span the ideological spectrum, Borenstein provides an illuminating reading of the construction of masculinity in Soviet culture. In each example he identifies the replacement of blood ties with ideology and the creation of a social order in which the family has been supplanted by the collective.
In such works as Red Cavalry by Isaac Babel, Envy by Yuri Olesha, and Chevengur by Andrei Platonov women are either absent or transformed into bodiless abstractions. Their absence, claims Borenstein, reflects the masculine values that are hallmarks of the post-revolutionary era: production rather than reproduction, participation in history rather than domestic ahistoricity, heavy industry, construction, and struggle. He identifies in this literature groups of “men without women” replacing the family, even while the metaphor of family is used as an organizing feature of their recurring revolutionary missions. With the passage of time, these characters’ relationships—just as those in the Soviet culture of the time—begin to resemble the family structure that was originally rejected and destroyed, with one important exception: the new “families” had no place for women. According to Borenstein, this masculinist myth found its most congenial audience during the early period of communism, but its hostility to women and family ties could not survive into the Stalinist era when women, home, and family were no longer seen as antithetical to socialism.
Drawing on the theory and writings of Levi-Strauss, Girard, Sedgwick, and others, Men Without Women will be of interest to students and scholars of Slavic literature and history as well as specialists in literary theory and gender studies.
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cover of Men without Work: Post-Pandemic Edition (2022)

Men without Work

Post-Pandemic Edition (2022)

Eberstadt, Nicholas

Templeton Press, 2022

Nicholas Eberstadt’s landmark 2016 study, Men Without Work, cast a spotlight on the collapse of work for men in modern America. Rosy reports of low unemployment rates and “full or near full employment” conditions, he contends, were overlooking a quiet, continuing crisis: Depression-era work rates for American men of “prime working age” (25–54).
   The grim truth: over six million prime-age men were neither working nor looking for work. Conventional unemployment measures ignored these labor force dropouts, but their ranks had been rising relentlessly for half a century. Eberstadt’s unflinching analysis was, in the words of The New York Times, “an unsettling portrait not just of male unemployment, but also of lives deeply alienated from civil society.”
   The famed American work ethic was once near universal: men of sound mind and body took pride in contributing to their communities and families. No longer, warned Eberstadt. And now—six years and one catastrophic pandemic later—the problem has not only worsened: it has seemingly been spreading among prime-age women and workers over fifty-five.
   In a brand new introduction, Eberstadt explains how the government’s response to Covid-19 inadvertently exacerbated the flight from work in America. From indiscriminate pandemic shutdowns to almost unconditional “unemployment” benefits, Americans were essentially paid not to work.
   Thus today, despite the vaccine rollouts, inexplicable numbers of working age men and women are sitting on the sidelines while over 11 million jobs go unfilled. Current low rates of unemployment, touted by pundits and politicians, are grievously misleading. The truth is that fewer prime-age American men are looking for readily available work than at any previous juncture in our history. And others may be catching the “Men Without Work” virus too.
   Given the devastating economic impact of the Covid calamity and the unforeseen aftershocks yet to come, this reissue of Eberstadt’s groundbreaking work is timelier than ever.
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cover of Men's College Athletics and the Politics of Racial Equality: Five Pioneer Stories of Black Manliness, White Citizenship, and American Democracy

Men's College Athletics and the Politics of Racial Equality

Five Pioneer Stories of Black Manliness, White Citizenship, and American Democracy

Gregory J Kaliss

Temple University Press, 2014

College sports have provided a compelling means to discuss issues regarding racial equality and fairness in American life. As previously-white institutions of higher learning gradually (and grudgingly) opened their playing fields to African-American athletes in men's basketball and football, black and white spectators interpreted mixed-race team sports in often contradictory ways. In Men's College Athletics and the Politics of Racial Equality, Gregory Kaliss offers stunning insights into Americans' contested visions of equality, fairness, black manhood, citizenship, and an equal opportunity society.

Kaliss looks at Paul Robeson, Jackie Robinson, Wilt Chamberlain, Charlie Scott, John Mitchell, Wilbur Marshall, and Bear Bryant to show how Americans responded to racial integration over time. Men's College Athletics and the Politics of Racial Equality reveals that as fans, media members, university students, faculty, and administration—black and white—discussed the achievements and struggles of these athletes, they inevitably talked about much more than what occurred on the field.

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cover of Men, Care and Well-being in Super-aged Japan: Male Family Carers in a Society in Transition

Men, Care and Well-being in Super-aged Japan

Male Family Carers in a Society in Transition

Hiroko Costantini

University College London, 2026

A study of well-being and care within the evolving Japanese family context, with a focus on the men who care for older family members. 

Moving beyond the predominant focus on men in the workplace, Men, Care and Well-being in Super-aged Japan offers an innovative perspective on men’s well-being through their involvement in caring for older family members. Focusing on super-aged Japanese society, the book provides a valuable way to understand key social challenges relevant to countries on the cusp of an aging society. The book traces a shift away from the traditional family structures, highlighting how this transformation has reshaped men's roles within the family, and the increasingly important role of sons-in-law in extended family relations. 

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cover of Men, War and Film: The Calling Blighty Films of World War II

Men, War and Film

The Calling Blighty Films of World War II

Steve Hawley

Intellect Books, 2025

A reclamation of a largely unknown genre of British wartime filmmaking.

The Calling Blighty series of films produced by the Combined Kinematograph Service around the end of World War II were one-reel films in which soldiers of the “Forgotten Army” gave short spoken messages to the camera as a means of connecting the front line and the home front. Shown in local cinemas, these were the first films in which men spoke openly in their regional accents, and they hold profound meaning for remembrance, documentary representation, and the ecology of film in wartime. Of the four hundred films made on the Far Eastern Front, only sixty-four survive. Until now, however, these films have barely been researched, despite being a valuable source of social history. This book expands the history of Calling Blighty, placing it in a broader context for contemporary audiences. 
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cover of Menace to the Future: A Disability and Queer History of Carceral Eugenics

Menace to the Future

A Disability and Queer History of Carceral Eugenics

Jess Whatcott

Duke University Press, 2024

In Menace to the Future, Jess Whatcott traces the link between US disability institutions and early twentieth-century eugenicist ideology, demonstrating how the legacy of those ideas continues to shape incarceration and detention today. Whatcott focuses on California, examining records from state institutions and reform organizations, newspapers, and state hospital museum exhibits. They reveal that state confinement, coercive treatment, care neglect, and forced sterilization were done out of the belief that the perceived unfitness of disabled, mad, and neurodivergent people was hereditary and thus posed a biological threat—a so-called menace to the future. Whatcott uncovers a history of disabled resistance to these institutions that predates disability rights movements, builds a genealogy of resistance, and tells a history of eugenics from below. Theorizing how what they call “carceral eugenics” informed state treatment of disabled, mad, and neurodivergent people a century ago, Whatcott shows not only how that same logic still exists in secure treatment facilities, state prisons, and immigration detention centers, but also why it must continue to be resisted.
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cover of Menachem Kipnis: Yiddish Folklore and Photographs from Interwar Poland

Menachem Kipnis

Yiddish Folklore and Photographs from Interwar Poland

Sheila E. Jelen

Rutgers University Press, 2026

Menachem Kipnis (1878–1942) was one of the early twentieth-century’s greatest Jewish eastern European ethnomusicologists, folklorists, and photographers. He had a weekly column in the Warsaw Yiddish newspaper Haynt, retelling humorous old folk stories about the fictional Polish town of Chelm, populated exclusively by fools. At the same time, his photographs of Jewish life in eastern Europe regularly appeared in the Forverts (Forward), the most popular Yiddish daily newspaper in the United States. Now, for the first time, Kipnis’s stories and photographs are published together in a single book.

Menachem Kipnis brings these photographs and stories into dialogue with one another, bridging the Jewish communities in Poland and in America during the interwar period. This dialogue, between image and text, between European metropolis and American metropolis, captures a key historical moment when American Jews sought to imagine the lives of their coreligionists in the “Old Country” and eastern European urban Jews sought to distinguish themselves from their Jewish compatriots who were still living in the shtetl. Including an introductory essay, annotations, and an epilogue by Sheila E. Jelen, Menachem Kipnis suggests new ways of understanding both visual and literary depictions of eastern European Jewish culture between the two world wars.

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cover of Mendings

Mendings

Megan Sweeney

Duke University Press, 2023

Mendings tells an intimate story about family, selfhood, and the love and loss lodged in garments. In this narrative about making meaning of brokenness and grief, Megan Sweeney reflects on her childhood entanglement with her mother, her loss-filled relationship with her alcoholic father, and her attachment to the clothes that have mended her as she has mended them. Sweeney explores how clothing fosters communication and enables us to cultivate relationships with ourselves and with others, both living and deceased. In dialogue with other clothing lovers, writers, fiber artists, evolutionary biologists, historians, and environmentalists, Sweeney also foregrounds the entwinement of clothing, race, and gender as she considers the ethics and environmental effects of clothing consumption, the history of clothing in the US prison system, and the roles that textiles play as sources of creativity, artistry, and self-fashioning, even within conditions of constraint. For Sweeney, the act of mending is a way of living. Unlike fixing, which leaves no trace of damage or loss, mending allows Sweeney to embrace holes, rips, and threadbare patches as part of her life’s design.
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cover of Menopause: A Biocultural Perspective

Menopause

A Biocultural Perspective

Sievert, Lynnette Leidy

Rutgers University Press, 2006

Menopause is a biological reality for all women in their forties and fifties. Yet the way we think about the cessation of menstruation is influenced by a variety of factors. Cultural and technological influences combine with biology to transform this universal phenomenon into an experience that varies considerably between cultures and individuals. In this concise book, Lynnette Leidy Sievert draws on her own case studies from Puebla, Mexico, and western Massachusetts, as well as on comparative data from other studies in places such as Slovenia, Paraguay, and Hawaii, to explore the different ways that women experience menopause around the world. Sievert suggests that attempts by medical professionals to define the “normal” occurrence of  menopause, including its typical onset and symptoms, may not be realistic when considering how lifestyle, nutrition, and workload can contribute to diverging realities. She explores how women feel about hysterectomies, chemotherapy, and other medical procedures and treatments that stop menstruation prematurely. She also considers recent advances in technology, including post-menopausal birth, which have turned what was previously an unavoidable end of fertility into something that can be postponed.

A unique comparative look at women’s experiences, this text brings new perspectives to the mainstream literature on the subject and invites readers to consider compelling questions about menopause, its meanings, and its future.

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cover of Mental Hygiene for Community Nursing

Mental Hygiene for Community Nursing

Eric K. Clarke

University of Minnesota Press, 1942

Mental Hygiene for Community Nursing was first published in 1942. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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cover of Mentorship/Methodology: Reflections, Praxis, and Futures

Mentorship/Methodology

Reflections, Praxis, and Futures

Leigh Gruwell

Utah State University Press, 2024

Mentorship/Methodology brings together emerging and established scholars to consider the relationship between mentoring practices and research methodologies in writing studies and related fields. Each essay in this edited collection produces a new intellectual space from which to theorize the dynamics of combining mentoring and research in institutions and communities of higher education.
 
The contributors consider how methodology informs mentorship, how mentorship activates methodology, and how to locate the future of the field in these moments of intersection. Mentorship, through the research and relationships it nourishes, creates the future of writing studies—or, conversely, reproduces the past. At the juncture where this happens, the contributors inquire, Where have current arrangements of mentorship/methodology taken writing studies? Where do these points of intersection exist in performance and practice, in theory, in research? What images of the field do they produce? How can scholars better articulate and write about these moments or spaces in which mentorship and methodology collide in productive disciplinary work?
 
By making the “slash” more visible, Mentorship/Methodology provides significant opportunities to support and cultivate diverse ways of knowing and being in rhetoric and composition, both locally and globally. The volume will appeal to students and scholars of rhetoric, composition, and technical and professional communication, as well as readers interested in conversations about mentorship and methodology.
 
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cover of Merchants' Daughters: Women, Commerce, and Regional Culture in South China

Merchants' Daughters

Women, Commerce, and Regional Culture in South China

Edited by Helen F. Siu

Hong Kong University Press, 2010

Historians and anthropologists have long been interested in South China where powerful lineages and gendered hierarchies are juxtaposed with unorthodox trading cultures, multi-ethnic colonial encounters, and market-driven consumption. The divergent paths taken by women in Hong Kong and Guangdong during thirty years of Maoist closure, and the post-reform cross-border fluidities have also gained analytical attention. This collection provides further theoretical application of a “regional construct” that appreciates process, transcends definitive powers of administrative borders, and brings out nuanced gender notions. An interdisciplinary team uses fine-grained historical and ethnographic materials to map out three crucial historical junctures in the evolution of South China, from late imperial to contemporary periods, that have significantly shaped the construction of gendered space. Stressing process and human agency, the volume uses women’s experiences to challenge dichotomous analytical perspectives on lineage patriarchy, colonial institutions, power, and social activism. For scholars of modern Hong Kong society, Merchants’ Daughters refocuses attention to cultural dynamics in the South China region of which Hong Kong is an integral part. For audiences generally interested in gender issues, this book illuminates the analytical importance of long historical periods in which layers of social, political, and economic activities intersected to constitute the complicated positioning of women.
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cover of Merengue: Dominican Music and Dominican Identity

Merengue

Dominican Music and Dominican Identity

Paul Austerlitz

Temple University Press, 1997

Merengue—the quintessential Dominican dance music—has a long and complex history, both on the island and in the large immigrant community in New York City. In this ambitious work, Paul Austerlitz unravels the African and Iberian roots of merengue and traces its growth under dictator Rafael Trujillo and its renewed popularity as an international music.

Using extensive interviews as well as written commentaries, Austerlitz examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures. He tells the tale of merengue's political functions, and of its class and racial significance. He not only explores the various ethnic origins of this Ibero-African art form, but points out how some Dominicans have tried to deny its African roots.

In today's global society, mass culture often marks ethnic identity. Found throughout Dominican society, both at home and abroad, merengue is the prime marker of Dominican identity. By telling the story of this dance music, the author captures the meaning of mass and folk expression in contemporary ethnicity as well as the relationship between regional, national, and migrant culture and between rural/regional and urban/mass culture. Austerlitz also traces the impact of migration and global culture on the native music, itself already a vibrant intermixture of home-grown merengue forms.

From rural folk idiom to transnational mass music, merengue has had a long and colorful career. Its well-deserved popularity will make this book a must read for anyone interested in contemporary music; its complex history will make the book equally indispensable to anyone interested in cultural studies.

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cover of Merrill, Cavafy, Poems, and Dreams

Merrill, Cavafy, Poems, and Dreams

Rachel Hadas

University of Michigan Press, 2000

Merrill, Cavafy, Poems and Dreams is a collection that--as the title indicates--looks both outward and inward. It begins with essays on Greek poets from Homer to Ritsos, in which Rachel Hadas's knowledge of classical literature and her years in Greece richly inform the writing. The collection also includes a loving exploration of the work of poet James Merrill, who was a close personal friend of the author's.
The second half of the book combines explorations of various corners and horizons of the poetry scene, including neglected American poets and Hadas's thoughts on her own poetics and career. "Two Letters from New York" and "Tangled Web Sites" take bemused looks at literary or cultural landscapes. Hadas also looks inward: to dreams and dreamwork, to her dead mother's address book, to the emblematic drilling of a well in a country house. The range of selections includes essays, interviews, memoir, criticism, and a few of Hadas's own poems.
Rachel Hadas is the author of eleven books of poetry, essays, and translations. Her most recent book is Halfway Down the Hall: New and Selected Poems. She has received a Guggenheim Fellowship in Poetry and an American Academy-Institute of Arts and Letters Award in Literature, and is a member of the American Academy of Arts and Sciences. She is Professor of English at the Newark campus of Rutgers University.
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cover of Mervyn LeRoy Comes to Town

Mervyn LeRoy Comes to Town

Murray Pomerance

Rutgers University Press, 2025

Mervyn LeRoy Comes to Town is the first book devoted to the career of one of the director/producers who in the early years of sound cinema was instrumental in establishing the Hollywood model of production that would endure for more than half a century. As a director and producer, LeRoy was responsible for turning out more than sixty feature films in a career that spanned five decades; as a studio executive, he contributed substantially to the success of the industry during the challenging period of the Depression and also in the period of realignment and readjustment that followed the end of World War II. This book offers chapters devoted to individual films such as Little Caesar, Waterloo Bridge, 30 Seconds over Tokyo, Gypsy, and Quo Vadis.
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cover of Mesoamerican Experiences of Illness and Healing

Mesoamerican Experiences of Illness and Healing

Rebecca Dufendach, special issue editor

Duke University Press, 0

The sixteenth-century encounter between Mesoamericans and Europeans resulted in a tremendous loss of life in indigenous communities and significantly impacted their health and healing strategies. Contributors to this special issue of Ethnohistory address how indigenous people experienced bodily health in the wake of this encounter. By exploring archival indigenous and Spanish-language documents, contributors address how bodily health was experienced in the wake of the European encounter and uncover transformations of health discourses and experiences of illness. They investigate eclectic healing practices and medical chants; changing notions of the causes of illnesses; and the language of cleansing ceremonies, bone-setting, midwifery, and maternal medicine.

Contributors. Sabina Cruz de la Cruz, Rebecca Dufendach, Servando Hinojosa, Timothy W. Knowlton, Gabrielle Vail, Edber Dzidz Yam
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cover of Mesoamerican Healers

Mesoamerican Healers

Edited by Brad R. Huber and Alan R. Sandstrom

University of Texas Press, 2001

Healing practices in Mesoamerica span a wide range, from traditional folk medicine with roots reaching back into the prehispanic era to westernized biomedicine. These sometimes cooperating, sometimes competing practices have attracted attention from researchers and the public alike, as interest in alternative medicine and holistic healing continues to grow.

Responding to this interest, the essays in this book offer a comprehensive, state-of-the-art survey of Mesoamerican healers and medical practices in Mexico and Guatemala. The first two essays describe the work of prehispanic and colonial healers and show how their roles changed over time. The remaining essays look at contemporary healers, including bonesetters, curers, midwives, nurses, physicians, social workers, and spiritualists. Using a variety of theoretical approaches, the authors examine such topics as the intersection of gender and curing, the recruitment of healers and their training, healers' compensation and workload, types of illnesses treated and recommended treatments, conceptual models used in diagnosis and treatment, and the relationships among healers and between indigenous healers and medical and political authorities.

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cover of Mesoamerican Lithic Technology

Mesoamerican Lithic Technology

Kenneth Hirth

University of Utah Press, 2003

Any overview of prehispanic society in the Americas would identify its obsidian core-blade production as a unique and highly inventive technology. Normally termed prismatic blades, these long, parallel-sided flakes are among the sharpest cutting tools ever produced by humans. Their standardized form permitted interchangeable use, and such blades became the cutting tool of choice throughout Mesoamerica between 600–800 B.C. Because considerable production skill is required, increased demand may have stimulated the appearance of craft specialists who played an integral role in Mesoamerican society. Some investigators have argued that control over obsidian also had a significant effect on the development and organization of chiefdom and state-level societies.

While researchers have long recognized the potential of obsidian studies, recent work has focused primarily on compositional analysis to reconstruct trade and distribution networks. Study of blade production has received much less attention, and many aspects of this highly evolved craft are still lost.

This volume seeks to identify current research questions in Mesoamerican lithic technology and to demonstrate that replication studies coupled with experimental research design are valuable analytical approaches to such questions.

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cover of Mesoamerican Plazas: Arenas of Community and Power

Mesoamerican Plazas

Arenas of Community and Power

Edited by Kenichiro Tsukamoto and Takeshi Inomata

University of Arizona Press, 2014

Until now, archaeological and historical studies of Mesoamerican plazas have been scarce compared to studies of the surrounding monumental architecture such as pyramidal temples and palaces. Many scholars have assumed that ancient Mesoamericans invested their labor, wealth, and symbolic value in pyramids and other prominent buildings, viewing plazas as by-products of these buildings. Even when researchers have recognized the potential significance of plazas, they have thought that plazas as vacant spaces could offer few clues about their cultural and political roles. Mesoamerican Plazas challenges both of these assumptions.
 
The primary question that has motivated the contributors is how Mesoamerican plazas became arenas for the creation and negotiation of social relations and values in a community. The thirteen contributions stress the significance of interplay between power relations and embodied practices set in specific historical and material settings, as outlined by practice theory and performance theory. This approach allows the contributors to explore broader anthropological issues, such as the negotiation of power relations, community making, and the constitution of political authorities.
 
Overall, the contributions establish that physical interactions among people in communal events were not the outcomes of political machinations held behind the scenes, but were the actual political processes through which people created, negotiated, and subverted social realities. If so, spacious plazas that were arguably designed for interactions among a large number of individuals must have also provided critical arenas for the constitution and transformation of society.
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cover of Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives

Mesoamerican Ritual Economy

Archaeological and Ethnological Perspectives

E. Christian Wells

University Press of Colorado, 2007

In Mesoamerican Ritual Economy, scholars examine the extent to which economic processes were driven by and integrated with religious ritual in ancient Mesoamerica. The contributors explore how traditional rituals - human blood sacrifice and self-mutilation, "flowery wars" and battling butterfly warriors, sumptuous feasting with chocolate and tamales, and fantastic funerary rites - intertwined with all sectors of the economy. Examining the interplay between well-established religious rites and market forces of raw material acquisition, production, circulation, and consumption, this volume effectively questions the idea that materialism alone motivates the production, exchange, and use of objects.

Exploring the intersection of spirituality and materiality, Mesoamerican Ritual Economy will be of interest to all scholars studying how worldview and belief motivate economic behavior. The authors consider a diverse set of Mesoamerican cultural patterns in order to investigate the ways in which ritual and economic practices influenced each other in the operation of communities, small-scale societies, and state-level polities. Contributors include: Sarah B. Barber, Frances F. Berdan, Karla L. Davis-Salazar, Barbara W. Fash, William L. Fash, Antonia E. Foias, Arthur A. Joyce, Brigitte Kovacevich, Ben A. Nelson, Enrique Rodríguez-Alegría, Katherine A. Spielmann, John M. Watanabe, E. Christian Wells.
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cover of Mesquite Pods to Mezcal: 10,000 Years of Oaxacan Cuisines

Mesquite Pods to Mezcal

10,000 Years of Oaxacan Cuisines

Verónica Pérez Rodriguez, Shanti Morell-Hart, and Stacie M. King

University of Texas Press, 2024

New case studies documenting ten thousand years of cuisines across the cultures of Oaxaca, Mexico, from the earliest gathered plants, such as guajes, to the contemporary production of tejate and its health implications.

Among the richest culinary traditions in Mexico are those of the “eight regions” of the state of Oaxaca. Mesquite Pods to Mezcal brings together some of the most prominent scholars in Oaxacan archaeology and related fields to explore the evolution of the area’s world-renowned cuisines. This volume, the first to address food practices across Oaxaca through a long-term historical lens, covers the full spectrum of human occupation in Oaxaca, from the early Holocene to contemporary times. Contributors consider the deep history of agroecological management and large-scale landscape transformation, framing food production as a human-environment relation. They explore how, after the arrival of the Spanish, Oaxacan cuisines adapted, diets changed, and food became a stronger marker of identity. Examining the present, further studies document how traditional foodways persist and what they mean for contemporary Oaxacans, whether they are traveling ancient roads, working outside the region, or rebuilding after an earthquake. Together, the original case studies in this volume demonstrate how new methods and diverse theoretical approaches can come together to trace the development of a rich food tradition, one that is thriving today.

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cover of Messianic Zionism in the Digital Age: Jews, Noahides, and the Third Temple Imaginary

Messianic Zionism in the Digital Age

Jews, Noahides, and the Third Temple Imaginary

Rachel Z. Feldman

Rutgers University Press, 2024

Winner of the 2025 American Academy of Religion Award for Excellence in the Study of Religion: Analytical-Descriptive Studies 

Winner of the 2023 Association for Jewish Studies Jordan Schnitzer First Book Prize

Judaism in the twenty-first century has seen the rise of the messianic Third Temple movement, as religious activists based in Israel have worked to realize biblical prophecies, including the restoration of a Jewish theocracy and the construction of the third and final Temple on Jerusalem’s Temple Mount. Through groundbreaking ethnographic research, Messianic Zionism in the Digital Age details how Third Temple visions have gained considerable momentum and political support in Israel and abroad . 
 
The role of technology in this movement’s globalization has been critical. Feldman skillfully highlights the ways in which the internet and social media have contributed to the movement's growth beyond the streets of Jerusalem into communities of former Christians around the world who now identify as the Children of Noah (Bnei Noah). She charts a path for future research while documenting the intimate effects of political theologies in motion and the birth of a new transnational Judaic faith.
 

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cover of Mestiza Rhetorics: An Anthology of Mexicana Activism in the Spanish-Language Press, 1887-1922

Mestiza Rhetorics

An Anthology of Mexicana Activism in the Spanish-Language Press, 1887-1922

Edited by Jessica Enoch and Cristina Devereaux Ramirez

Southern Illinois University Press, 2019

This critical bilingual anthology collects and contextualizes thirty-four primary writings of understudied revolutionary mexicana rhetors and social activists who published with presses within the United States and Mexico during the late nineteenth and early twentieth centuries—a time of cross-border revolutionary upheaval and change. These mexicana newspaperwomen leveraged diverse and compelling rhetorical strategies and used the press to advance the early feminist movement in Mexico and the U.S. Southwest; to define their rights and roles in and confront the hypocrisies of their societies’ patriarchal systems; to engage in important debates about education, women’s rights, and language instruction; and to protest injustices in society and construct possible solutions. Because these presses were in both Mexico and the United States, their writings offer opportunities to explore the concerns, struggles, and triumphs of mexicanas in both U.S. and Mexican cities and throughout the borderlands.
 
Mestiza Rhetorics is the first anthology dedicated to mexicana rhetors and provides unmatched access to mexicana rhetorics. This collection puts forward the work of mexicana newspaperwomen in Spanish and English, provides evidence of their participation in political and educational debates at the turn of the twentieth century, and demonstrates how the Spanish-language press operated as a rhetorical space for mexicanas.
 
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cover of Mestiza/o Melancholia: Tourism, Indigeneity, and the Necropolitics of Remembrance in Michoacán

Mestiza/o Melancholia

Tourism, Indigeneity, and the Necropolitics of Remembrance in Michoacán

Gabriela Spears-Rico

University of Arizona Press, 2027

Through the concept of mestiza/o melancholia, scholar Gabriela Spears-Rico offers a new way to think about the relationship between mestizaje and indigeneity in Mexico. For Spears-Rico, the concept is a longing for the lost part of one’s identity, manifested in touristic visits and material appropriations of folklorized indigeneity, yet unconcerned with political reparations for Indigenous people.

Relying on a rich ethnography in mestiza/o and P’urhépecha pueblos in Michoacán, the book examines mestiza/o mourning and melancholia as it appears in Day of the Dead tourism and in Virgin of Guadalupe worship among Mexican mestizos. This book centers Indigenous resistance, articulating a P’urhépecha critique of regional necropolitics and obstinate appropriations, arguing for the need to decolonize mestizaje. A deep conversation with P’urhépecha dissent, this book elevates the need for solidarity with current Indigenous movements in a region fraught by extractive settler colonialism.

Mestiza/o Melancholia challenges readers to rethink identity, tourism, and belonging in Mexico.

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cover of Mestizaje and Globalization: Transformations of Identity and Power

Mestizaje and Globalization

Transformations of Identity and Power

Edited by Stefanie Wickstrom and Philip D. Young

University of Arizona Press, 2014

The Spanish word mestizaje does not easily translate into English. Its meaning and significance have been debated for centuries since colonization by European powers began. Its simplest definition is “mixing.” As long as the term has been employed, norms and ideas about racial and cultural relations in the Americas have been imagined, imposed, questioned, rejected, and given new meaning.

Mestizaje and Globalization presents perspectives on the underlying transformation of identity and power associated with the term during times of great change in the Americas. The volume offers a comprehensive and empirically diverse collection of insights concerning mestizaje’s complex relationship with indigeneity, the politics of ethnic identity, transnational social movements, the aesthetic of cultural production, development policies, and capitalist globalization, with particular attention to cases in Latin America and the United States.

Beyond the narrow and often inadequate meaning of mestizaje as biological and racial mixing, the concept deserves an innovative theoretical consideration due to its multidimensional, multifaceted character and its resilience as an ideological construct. The contributors argue that historical analyses of mestizaje do not sufficiently understand contemporary ways that racism, ethnic discrimination, and social injustice intermingle with current discourse and practice of cultural recognition and multiculturalism in the Americas.

Mestizaje and Globalization contributes to an emerging multidisciplinary effort to explore how identities are imposed, negotiated, and reconstructed. The chapter authors clearly set forth the issues and obstacles that indigenous peoples and subjugated minorities face, as well as the strategies they have employed to gain empowerment in the face of globalization.
[more]
cover of Mestizaje: Critical Uses of Race in Chicano Culture

Mestizaje

Critical Uses of Race in Chicano Culture

Rafael Perez-Torres

University of Minnesota Press, 2005

Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities. 

Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros, and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge. 

Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline. 

Rafael Pérez-Torres is professor of English at the University of California, Los Angeles. He is author of Movements in Chicano Poetry: Against Myths, Against Margins, coauthor of To Alcatraz, Death Row, and Back: Memories of an East LA Outlaw, and coeditor of The Chicano Studies Reader: An Anthology of Aztlán, 1970–2000.
[more]
cover of Mestizo Genomics: Race Mixture, Nation, and Science in Latin America

Mestizo Genomics

Race Mixture, Nation, and Science in Latin America

Peter Wade, Carlos López Beltrán, Eduardo Restrepo and Ricardo Ventura Santos, eds.

Duke University Press, 2014

In genetics laboratories in Latin America, scientists have been mapping the genomes of local populations, seeking to locate the genetic basis of complex diseases and to trace population histories. As part of their work, geneticists often calculate the European, African, and Amerindian genetic ancestry of populations. Some researchers explicitly connect their findings to questions of national identity and racial and ethnic difference, bringing their research to bear on issues of politics and identity.

Drawing on ethnographic research in Brazil, Colombia, and Mexico, the contributors to Mestizo Genomics explore how the concepts of race, ethnicity, nation, and gender enter into and are affected by genomic research. In Latin America, national identities are often based on ideas about mestizaje (race mixture), rather than racial division. Since mestizaje is said to involve relations between European men and indigenous or African women, gender is a key factor in Latin American genomics and in the analyses in this book. Also important are links between contemporary genomics and recent moves toward official multiculturalism in Brazil, Colombia, and Mexico. One of the first studies of its kind, Mestizo Genomics sheds new light on the interrelations between "race," identity, and genomics in Latin America.

Contributors. Adriana Díaz del Castillo H., Roosbelinda Cárdenas, Vivette García Deister, Verlan Valle Gaspar Neto, Michael Kent, Carlos López Beltrán, María Fernanda Olarte Sierra, Eduardo Restrepo, Mariana Rios Sandoval, Ernesto Schwartz-Marín, Ricardo Ventura Santos, Peter Wade
[more]
cover of Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940

Mestizo Modernism

Race, Nation, and Identity in Latin American Culture, 1900-1940

Hedrick, Tace

Rutgers University Press, 2003

We use the term “modernism” almost exclusively to characterize the work of European and American writers and artists who struggled to portray a new kind of fractured urban life typified by mechanization and speed. Between the 1880s and 1930s, Latin American artists were similarly engaged--but with a difference. While other modernists drew from “primitive” cultures for an alternative sense of creativity, Latin American modernists were taking a cue from local sources, primarily indigenous and black populations in their own countries. Although these artists remained outsiders to modernism elsewhere as a result of their race, nation, and identity, their racial heritage served as a positive tool in negotiating their relationship to the dichotomy between tradition and modernity.

In Mestizo Modernism Tace Hedrick focuses on four key artists who represent Latin American modernism—Peruvian poet Cesar Vallejo, Chilean poet Gabriela Mistral, Mexican muralist Diego Rivera, and Mexican artist Frida Kahlo.  Hedrick interrogates what being “modern” and “American” meant for them and illuminates the cultural contexts within which they worked, as well as the formal methods they shared, including the connection they drew between ancient cultures and modern technologies. In so doing, she defines “modernism” more as a time frame at the turn of the twentieth century, marked broadly across the arts and national boundaries, than as a strict aesthetic or formal category. In fact, this look at Latin American artists will force the reconceptualization of what modernism has meant in academic study and what it might mean for future research.

[more]
cover of Mestizo State: Reading Race in Modern Mexico

Mestizo State

Reading Race in Modern Mexico

Joshua Lund

University of Minnesota Press, 2012

The Mestizo State examines how the ideas, images, and public discourse around race, nation, and citizen formation have been transformed in Mexico from the mid-nineteenth century to the present. Starting with the Porfiriato, Joshua Lund investigates the rise of a racialized “mestizo state,” its reinvention after the Mexican Revolution, and its mobilization as a critical lever that would act both on behalf of and against mainstream Mexican political culture during the long hegemony of the Partido Revolucionario Institucional.

Lund takes race as his object of critical reflection in the context of modern Mexico. An analysis that does not confuse race with mestizaje, indigeneity, African identity, or whiteness, the book sheds light on the history of the materialism of race as it unfolds within the cultural production of modern Mexico, grounded on close readings of four writers whose work explicitly challenged the politics of race in Mexico: Luis Alva, Ignacio Manuel Altamirano, Rosario Castellanos, and Elena Garro.

In seeking to address race as a cultural-political problematic, Lund considers race as integral to the production of the materiality of Mexican national history: constitutive of the nation form, a mediator of capitalist accumulation, and a central actor in the rise of modernity.

[more]
cover of Mestizo in America: Generations of Mexican Ethnicity in the Suburban Southwest

Mestizo in America

Generations of Mexican Ethnicity in the Suburban Southwest

Thomas Macias

University of Arizona Press, 2006

How much does ethnicity matter to Mexican Americans today, when many marry outside their culture and some can’t even stomach menudo? This book addresses that question through a unique blend of quantitative data and firsthand interviews with third-plus-generation Mexican Americans. Latinos are being woven into the fabric of American life, to be sure, but in a way quite distinct from ethnic groups that have come from other parts of the world. By focusing on individuals’ feelings regarding acculturation, work experience, and ethnic identity—and incorporating Mexican-Anglo intermarriage statistics—Thomas Macias compares the successes and hardships of Mexican immigrants with those of previous European arrivals. He describes how continual immigration, the growth of the Latino population, and the Chicano Movement have been important factors in shaping the experience of Mexican Americans, and he argues that Mexican American identity is often not merely an “ethnic option” but a necessary response to stereotyping and interactions with Anglo society.Talking with fifty third-plus generation Mexican Americans from Phoenix and San Jose—representative of the seven million nationally with at least one immigrant grandparent—he shows how people utilize such cultural resources as religion, spoken Spanish, and cross-national encounters to reinforce Mexican ethnicity in their daily lives. He then demonstrates that, although social integration for Mexican Americans shares many elements with that of European Americans, forces related to ethnic concentration, social inequality, and identity politics combine to make ethnicity for Mexican Americans more fixed across generations. Enhancing research already available on first- and second-generation Mexican Americans, Macias’s study also complements research done on other third-plus-generation ethnic groups and provides the empirical data needed to understand the commonalities and differences between them. His work plumbs the changing meaning of mestizaje in the Americas over five centuries and has much to teach us about the long-term assimilation and prospects of Mexican-origin people in the United States.
[more]
cover of Meta-Analysis for Explanation: A Casebook

Meta-Analysis for Explanation

A Casebook

Thomas D. Cook

Russell Sage Foundation, 1992

Social science research often yields conflicting results: Does juvenile delinquent rehabilitation work? Is teenage pregnancy prevention effective? In an effort to improve the value of research for shaping social policy, social scientists are increasingly employing a powerful technique called meta-analysis. By systematically pulling together findings of a particular research problem, meta-analysis allows researchers to synthesize the results of multiple studies and detect statistically significant patterns among them. Meta-Analysis for Explanation brings exemplary illustrations of research synthesis together with expert discussion of the use of meta-analytic techniques. The emphasis throughout is on the explanatory applications of meta-analysis, a quality that makes this casebook distinct from other treatments of this methodology. The book features four detailed case studies by Betsy Jane Becker, Elizabeth C. Devine, Mark W. Lipsey, and William R. Shadish, Jr. These are offered as meta-analyses that seek both to answer the descriptive questions to which research synthesis is traditionally directed in the health and social sciences, and also to explore how a more systematic method of explanation might enhance the policy yield of research reviews. To accompany these cases, a group of the field's leading scholars has written several more general chapters that discuss the history of research synthesis, the use of meta-analysis and its value for scientific explanation, and the practical issues and challenges facing researchers who want to try this new technique. As a practical resource, Meta-Analysis for Explanation guides social scientists to greater levels of sophistication in their efforts to synthesize the results of social research. "This is an important book...[it is] another step in the continuing exploration of the wider implications and powers of meta-analytic methods." —Contemporary Psychology
[more]
cover of Meta-Morphing: Visual Transformation and the Culture of Quick-Change

Meta-Morphing

Visual Transformation and the Culture of Quick-Change

Vivian Sobchack

University of Minnesota Press, 2000

[more]
cover of Meta-Tuning Justice: Game Design and Black Youth Agency

Meta-Tuning Justice

Game Design and Black Youth Agency

Laquana Cooke

University of Massachusetts Press, 2026

Exploring how Black youth are reshaping game design to dismantle stereotypes and spark social change 

In the early 2000s, digital gaming rose to cultural and economic prominence. Communities of color, however, and especially Black youth, were largely excluded from gaming culture. The rare Black character in games tended to reinforce stereotypes, while racial bias was often surreptitiously embedded in game design platforms—what decolonial scholars call “whitestream” computing. Progressive game design education initiatives and new technologies have recently begun to dismantle these barriers. Yet, because biases remain, historically excluded young people still need to actively reconfigure these digital spaces to fully develop and convey their own perspectives. 

In Meta-Tuning Justice, digital rhetoric scholar Laquana Cooke explores how Black youth express cultural identity and challenge dominant narratives through innovative game design. Cooke introduces the Transformative Constructionist Learning (TCL) paradigm and its core theory of “meta-tuning”—the idea that students are better able to adjust to new challenges through trial-and-error and experimentation in educational environments that correspondingly adjust to their evolving learning needs. In contrast to traditional education practices, which assume the neutrality of technology, Cooke approaches it as a tool for social transformation. Drawing on the TCL paradigm, she explores how the unique cultural algorithms and expressions (like popping and locking dance forms) that inform the programming and designs of Black youth represent a powerful form of resistance and creation. 

Through rich ethnographic case studies across multiple educational settings, and with gaming as its experimental center, this book presents a compelling vision of how TCL and meta-tuning can help make technologies more equitable. Cooke’s innovative study offers insights crucial to scholars and practitioners in game studies, Science and Technology Studies, STEM education, and racial equity in digital learning. 

[more]
cover of Metabolic Living: Food, Fat, and the Absorption of Illness in India

Metabolic Living

Food, Fat, and the Absorption of Illness in India

Harris Solomon

Duke University Press, 2016

The popular narrative of "globesity" posits that the adoption of Western diets is intensifying obesity and diabetes in the Global South and that disordered metabolisms are the embodied consequence of globalization and excess. In Metabolic Living Harris Solomon recasts these narratives by examining how people in Mumbai, India, experience the porosity between food, fat, the body, and the city. Solomon contends that obesity and diabetes pose a problem of absorption between body and environment. Drawing on ethnographic fieldwork carried out in Mumbai's home kitchens, metabolic disorder clinics, food companies, markets, and social services, he details the absorption of everything from snack foods and mangoes to insulin, stress, and pollutants. As these substances pass between the city and the body and blur the two domains, the onset and treatment of metabolic illness raise questions about who has the power to decide what goes into bodies and when food means life. Evoking metabolism as a condition of contemporary urban life and a vital political analytic, Solomon illuminates the lived predicaments of obesity and diabetes, and reorients our understanding of chronic illness in India and beyond.
 
[more]
cover of Metaculture: How Culture Moves through the World

Metaculture

How Culture Moves through the World

Greg Urban

University of Minnesota Press, 2001

It is one thing to comprehend how culture makes its way through the world in those cases where something old is reproduced in the same physical shape-where, for example, a song is sung or a story retold. It is another thing altogether, as Greg Urban demonstrates, to think about cultural motion when something new is created-a new song or a new story. And this, the creating of new culture, is the overarching value of the contemporary world, as well as the guiding principle of the capitalist entrepreneur.  

From the Declaration of Independence to the movie Babe, from the Amazon River to the film studio, from microscopic studies of the words making up myths and books to the large-scale forces of conquest, conversion, and globalization that drive history, Urban follows the clues to a startling revelation: "metaculture" makes the modern, entrepreneurial form of culture possible. In Urban’s work we see how metaculture, in its relationship to newness, explains the peculiar shape of modern society and its institutions, from the prevalence of taste and choice to the processes of the public sphere, to the centrality of persuasion and hegemony within the nation.

[more]
cover of Metafilm: Materialist Rhetoric and Reflexive Cinema

Metafilm

Materialist Rhetoric and Reflexive Cinema

Christopher Carter

The Ohio State University Press, 2018

In Metafilm: Materialist Rhetoric and Reflexive Cinema, Christopher Carter examines paradoxical rhetoric in visual culture, analyzing movies that immerse viewers in violent narratives while examining the ethics of the transaction. Featuring the films of Michael Haneke, Atom Egoyan, Icíar Bollaín, Paul Thomas Anderson, and Ryan Coogler, Carter analyzes how personal conflict intermingles with the inherent violence of warfare, transnational economics, labor exploitation, and racism in genres ranging from horror to historical recreation and from depictions of genocide to records of police brutality. These films, Carter argues, reflect on their construction, distribution, and audience engagement, emphasizing the material design and the economics of rhetoric in ways most films do not.
 
Ultimately, Metafilm reframes materialism as a multimodal composing-in-action, or reflexive materialism, focusing on movies that dramatize their entanglement in economic and historical trauma while provoking forms of resistance during and after viewing. Carter contends that even as we recognize the division of social power in the films, we must also recognize how the concept is subversive and eludes control. In looking at the interplay between the films’ content and their production, circulation, and reception, Carter explores how the films persuade us to identify with onscreen worlds before probing our expectations—validating some, rejecting others, and sometimes proposing new ways of watching altogether.
 
[more]
cover of Metagaming: Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames

Metagaming

Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames

Stephanie Boluk

University of Minnesota Press, 2017

The greatest trick the videogame industry ever pulled was convincing the world that videogames were games rather than a medium for making metagames. Elegantly defined as “games about games,” metagames implicate a diverse range of practices that stray outside the boundaries and bend the rules: from technical glitches and forbidden strategies to Renaissance painting, algorithmic trading, professional sports, and the War on Terror. In Metagaming, Stephanie Boluk and Patrick LeMieux demonstrate how games always extend beyond the screen, and how modders, mappers, streamers, spectators, analysts, and artists are changing the way we play.

Metagaming uncovers these alternative histories of play by exploring the strange experiences and unexpected effects that emerge in, on, around, and through videogames. Players puzzle through the problems of perspectival rendering in Portal, perform clandestine acts of electronic espionage in EVE Online, compete and commentate in Korean StarCraft, and speedrun The Legend of Zelda in record times (with or without the use of vision). Companies like Valve attempt to capture the metagame through international e-sports and online marketplaces while the corporate history of Super Mario Bros. is undermined by the endless levels of Infinite Mario, the frustrating pranks of Asshole Mario, and even Super Mario Clouds, a ROM hack exhibited at the Whitney Museum of American Art.

One of the only books to include original software alongside each chapter, Metagaming transforms videogames from packaged products into instruments, equipment, tools, and toys for intervening in the sensory and political economies of everyday life. And although videogames conflate the creativity, criticality, and craft of play with the act of consumption, we don’t simply play videogames—we make metagames.

[more]
cover of Metagraffiti: Graffiti Art and the Urban Image in Latin America

Metagraffiti

Graffiti Art and the Urban Image in Latin America

Chandra Morrison Ariyo

Rutgers University Press, 2025

Focusing on graffiti scenes from São Paulo and Santiago in Chile, this innovative visual ethnography examines diverse forms of self-reference and metareference that appear in Latin American graffiti art. Chandra Morrison Ariyo works across multiple scales of contemporary graffiti production—from tags to massive murals—to show how painting the city enables individuals to reimagine their own position within the material and social structures around them. Metagraffitti reveals how practitioners such as Tinho, OSGEMEOS, Grin, and Bisy use metagraffiti features to influence public perceptions about this art form and its effect on the urban environment. Ultimately, Metagraffiti proposes a novel conceptual framework that highlights graffiti’s ability to forge alternative forms of movement, sociality, and value within Latin American cityscapes. These urban images invite us to imagine what the city could be, when seen as a site for action and imagination.
[more]
cover of Metal Rules the Globe: Heavy Metal Music around the World

Metal Rules the Globe

Heavy Metal Music around the World

Jeremy Wallach, Harris M. Berger, and Paul D. Greene, eds.

Duke University Press, 2012

During the past three decades, heavy metal music has gone global, becoming a potent source of meaning and identity for fans around the world. In Metal Rules the Globe, ethnographers and some of the foremost authorities in the burgeoning field of metal studies analyze this dramatic expansion of heavy metal music and culture. They take readers inside metal scenes in Brazil, Canada, China, Easter Island, Indonesia, Israel, Japan, Malaysia, Malta, Nepal, Norway, Singapore, Slovenia, and the United States, describing how the sounds of heavy metal and the meanings that metalheads attribute to them vary across cultures. The contributors explore the dynamics of masculinity, class, race, and ethnicity in metal scenes; the place of metal in the music industry; and the ways that disenfranchised youth use metal to negotiate modernity and social change. They reveal heavy metal fans as just as likely to criticize the consumerism, class divisiveness, and uneven development of globalization as they are to reject traditional cultural norms. Crucially, they never lose sight of the sense of community and sonic pleasure to be experienced in the distorted, pounding sounds of local metal scenes.

Contributors. Idelber Avelar, Albert Bell, Dan Bendrups, Harris M. Berger, Paul D. Greene, Ross Hagen, Sharon Hochhauser, Shuhei Hosokawa, Keith Kahn-Harris, Kei Kawano, Rajko Muršič,Steve Waksman, Jeremy Wallach, Robert Walser, Deena Weinstein, Cynthia P. Wong

[more]
cover of Metamorphoses Of The Body

Metamorphoses Of The Body

Jose Gil

University of Minnesota Press, 1998

[more]
cover of Metamorphosis in Russian Modernism

Metamorphosis in Russian Modernism

Peter I. Barta

Central European University Press, 2000

Modern Russia has been shaped by Peter the Great's sudden attempt to transform it into a European country. Since shapeshifting and identity are so closely linked in Russian history, it is hardly surprising that metamorphosis is a prevalent - albeit hitherto neglected - theme in Russian literature. Metamorphoses in Russian Modernism provides the first detailed account of metamorphosis as a Russian theme, structuring principle, and source of artistic identity. Barta examines how the magical transformations depicted in the ancient classics and in the oral epic heritage resonate in Russian literature and film at the fin de siècle and the early decades of the twentieth century - a period of dynamic change in Russian culture. Two hundred years after Peter's forceful westernization and facing its second crucial transformation in 1917, Russia witnessed the decay of classic realism and positivism and the rise of irrational philosophies, psychoanalysis, artistic experimentation, Marxism, as well as the birth of the new genre of film. This in-depth volume examines metamorphosis in the works of prominent representatives of the divided Russian intelligentsia: the Symbolists; the most famous émigré writer, Nabokov; Olesha, the 'fellow traveller' attempting to find his place in the Soviet state; the enthusiastic poet of the Bolshevik movement, Maiakovskii; and finally, Russia's greatest film director, Sergei Eisenstein. The volume directs attention to the fact that Russia itself is a metamorph. The shapeshifter always retains features of previous identities and is sometimes capable of returning into previous forms; whether today's Russia will want to, or be able to do so, remains to be seen. It is futile to attempt to try to understand this civilisation - let alone predict its future - without considering the intellectual, social and emotional reasons why it is not at rest with itself. It is to this end that this volume hopes to make a contribution.
[more]
cover of Metamorphosis: Who We Become after Facial Paralysis

Metamorphosis

Who We Become after Facial Paralysis

Faye Linda Wachs

Rutgers University Press, 2023

Losing her smile to synkinesis after unresolved Bell’s palsy changed how Faye Linda Wachs was seen by others and her internal experience of self. In Metamorphosis, interviewing over one hundred people with acquired facial difference challenged her presumptions about identity, disability, and lived experience. Participants described microaggressions, internalizations, and minimalizations and their impact on identity. Heartbreakingly, synkinesis disrupts the ability to have shared moments.  When one experiences spontaneous emotion, wrong nerves trigger misfeel and misperception by others. One is misread by others and receives confusing internal information. Communication of and to the self is irrevocably damaged. Wachs describes the experience as a social disability. People found a host of creative ways to reinvigorate their sense of self and self-expression. Like so many she interviewed, Wachs experiences a process of change and growth as she is challenged to think more deeply about ableism, identity, and who she wants to be.
[more]
cover of Metapersons: Transcendence and Life

Metapersons

Transcendence and Life

João Pina-Cabral

HAU, 2026

Why do humans live with gods, spirits, and ancestors? Metapersons reveals how transcendence is not an exception, but a fundamental feature of life.

Metapersons begins from a simple yet striking observation: across the world, people live in the company of divinities, ancestors, spirits, sacred mountains, or enlivened statues. They pray with intensity, sense the presence of ghosts, and experience forms of coexistence with beings beyond the human. Drawing on fieldwork in Portugal, China, Mozambique, and Brazil, João Pina-Cabral shows how humans continually move beyond their embodied condition through lived relations with such entities.

Revisiting classic anthropological debates—from Durkheim and Mauss on prayer and the sacred to later critiques of religion—this book argues that a “new anthropological synthesis” has emerged in recent decades: one that understands transcendence as a fundamental feature of life itself. In this light, familiar categories such as “superstition” require reconsideration in new terms. Pina-Cabral develops a scalar model of life’s plurality, seeing personhood as the dynamic source of transcendence.

Engaging with contemporary debates across the life sciences, social sciences, and philosophy, Metapersons offers a groundbreaking, person-centered perspective on transcendence, animism, and spirituality. It challenges disciplinary boundaries while providing an innovative framework for rethinking prayer, religion, and the very conditions of human coexistence with the more-than-human world.
[more]
cover of Metaphor and the Slave Trade in West African Literature

Metaphor and the Slave Trade in West African Literature

Laura T. Murphy

Ohio University Press, 2012

Metaphor and the Slave Trade provides compelling evidence of the hidden but unmistakable traces of the transatlantic slave trade that persist in West African discourse. Through an examination of metaphors that describe the trauma, loss, and suffering associated with the commerce in human lives, this book shows how the horrors of slavery are communicated from generation to generation.

Laura T. Murphy’s insightful new readings of canonical West African fiction, autobiography, drama, and poetry explore the relationship between memory and metaphor and emphasize how repressed or otherwise marginalized memories can be transmitted through images, tropes, rumors, and fears. By analyzing the unique codes through which West Africans have represented the slave trade, this work foregrounds African literary contributions to Black Atlantic discourse and draws attention to the archive that metaphor unlocks for scholars of all disciplines and fields of study.

[more]
cover of Metaphysical Community: The Interplay of the Senses and the Intellect

Metaphysical Community

The Interplay of the Senses and the Intellect

By Greg Urban

University of Texas Press, 1996

Winner, Senior Book Prize, American Ethnological Society

Starting with the post-structuralist idea that truth systems are lodged in discourse, and that discourse varies from society to society, Greg Urban seeks to discover the nature and extent of that variation. His journey to an Amerindian society in which dreams are more prominent than everyday aspects of the sensible world leads him to radically reformulate one of the main problematics of Western thought: the relationship between our sensations of the world and the understandings we form of them.

Metaphysical Community proposes that this dichotomy comes from the interplay between two sides of discourse-its intelligible side as a carrier of meanings, and its sensible side as thing-in-the-world that must be replicated. This insight leads to the heart of the book-the exploration of the uneasy tension that binds experience and understanding, phenomena and noumena.

Urban challenges basic assumptions that underlie social and cultural anthropology and much of the social sciences and humanities. His provocative insights will be of interest to all those concerned with anthropology, cultural studies, literary criticism, the sociology and politics of culture, and philosophy.

[more]
cover of Metaphysical Media: The Occult Experience in Popular Culture

Metaphysical Media

The Occult Experience in Popular Culture

Emily D. Edwards

Southern Illinois University Press, 2005

Considered sinister by Western religious traditions and bizarre in mainstream America, supernatural beliefs and the rituals of occult traditions are often publicly disparaged. But they are paradoxically embraced and exposed by popular culture, in television shows such as Bewitched and in movies from The Wizard of Oz to The Craft, according to Emily D. Edwards. Metaphysical Media: The Occult Experience in Popular Culture is an in-depth discussion of the media’ s presentation of a wide spectrum of the occult that also serves as a comprehensive sourcebook of movies and television programs that deal with supernatural characters and themes. 



Metaphysical Media focuses on the blurred definitions of topics associated with the occult as they are presented in popular culture to show moving-image media as devices that help structure an understanding of the supernatural world. Edwards examines what media treatment of supernatural subjects and the very characteristics of the media themselves reveal about the persistence of the occult. She maintains that popular art has always had a close association with the paranormal or supernatural— sometimes in illustration of an ideology, sometimes in ridicule of it, and sometimes as invocation itself.

Beginning with an overview of the role of the media in contemporary society and in its use of the occult, Metaphysical Media looks at the properties of media technology that extend human senses beyond biological boundaries. Edwards then discusses specific media treatment of topics related to the occult, including witchcraft, atavism, reincarnation, out-of-body experiences, and lycanthropy. She outlines the interplay of media and folklore regarding taboos about the handling of the dead and investigates media stories about creatures that cross the boundaries between human, beast, and god. 
[more]
cover of Metaracial: Hegel, Antiblackness, and Political Identity

Metaracial

Hegel, Antiblackness, and Political Identity

Rei Terada

University of Chicago Press, 2023

A formidable critical project on the limits of antiracist philosophy.

Exploring anxieties raised by Atlantic slavery in radical enlightenment literature concerned about political unfreedom in Europe, Metaracial argues that Hegel's philosophy assuages these anxieties for the left. Interpreting Hegel beside Rousseau, Kant, Mary Shelley, and Marx, Terada traces Hegel's transposition of racial hierarchy into a hierarchy of stances toward reality. By doing so, she argues, Hegel is simultaneously antiracist and antiblack. In dialogue with Black Studies, psychoanalysis, and critical theory, Metaracial offers a genealogy of the limits of antiracism.
[more]
cover of Metatheory in Social Science: Pluralisms and Subjectivities

Metatheory in Social Science

Pluralisms and Subjectivities

Edited by Donald W. Fiske and Richard A. Shweder

University of Chicago Press, 1986

What is the nature of the social sciences? What kinds of knowledge can they—and should they—hope to create? Are objective viewpoints possible and can universal laws be discovered? Questions like these have been asked with increasing urgency in recent years, as some philosophers and researchers have perceived a "crisis" in the social sciences. Metatheory in Social Science offers many provocative arguments and analyses of basic conceptual frameworks for the study of human behavior. These are offered primarily by practicing researchers and are related to problems in disciplines as diverse as sociology, psychology, psychiatry, anthropology, and philosophy of science.

While various points of view are expressed in these nineteen essays, they have in common several themes, including the comparison of social and natural science, the role of knowledge in meeting the demands of society and its pressing problems, and the nature and role of subjectivity in science. Some authors hold that subjectivity cannot be studied scientifically; others argue that it can and must be if progress in knowledge is to be made. The essays demonstrate the philosophical pluralism they discuss and give a wide range of alternative positions on the future of the social and behavioral sciences in a postpositivist intellectual world.
[more]
cover of Method and Perspective in Anthropology: Papers in Honor of Wilson D. Wallis

Method and Perspective in Anthropology

Papers in Honor of Wilson D. Wallis

Robert F. Spencer

University of Minnesota Press, 1954

Method and Perspective in Anthropology was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The boundaries and goals of anthropology are changing and expanding as scholars recognize and pursue wider opportunities for achieving an understanding of the cultural development of man. The range of interests of the discipline as shown in this book embodies such varied fields as archaeology, human geography, linguistics, and the organization of society. With the broadening and deepening of these concerns, those working and studying in the various areas of anthropology have sought more concise methods and more adequate techniques with which to meet increasingly complex problems.

This volume of papers, published in honor of a scholar who has himself devoted much effort to the refinement of anthropological methods, represents a long step forward toward the solution of some of the problems of methodology. The contributors are outstanding scholars in cultural anthropology, ethnology, and related fields.

The first twelve papers, by as many different authors, present discussions of specific aspects of ethnography, cultural anthropology, prehistory, linguistics, ethnogeography, and sociology. The final paper, by Alfred L. Kroeber, provides a critical summary of the preceding papers. All twelve of the writers answer, in their own way, the questions of how they derive their data, and how they establish their theoretical frame of reference.

The contributors are, in addition to Professor Kroeber, Melville J. Herskovits, Sister M. Inez Hilger, Elizabeth Colson, David G. Mandelbaum, Allan R. Holmberg, Robert F. Spencer, Ralph Linton, Erwin H. Ackerknecht, Lloyd A. Wilford, Joseph H. Greenberg, Omer C. Stewart, and Raymond V. Bowers.

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